best art world movies 2025 2724792

Artnet News has published a roundup of the best art world movies of 2025, highlighting films that explore the anxieties, ambitions, and contradictions of the contemporary art scene. The selection includes Kelly Reichardt's heist film *The Mastermind*, about a man stealing Arthur Dove paintings from a museum; the satire *Auction*, which follows a Parisian auctioneer discovering a long-lost Egon Schiele; the documentary *Art for Everybody*, reexamining Thomas Kinkade's legacy; and Ira Sachs's *Peter Hujar's Day*, a gentle portrait of the photographer's daily life. Spike Lee's *Highest 2 Lowest* also features, marking his entry into the old-guard canon.

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British artist Stuart Semple has announced the winner of his public vote for "Color of the Year," a direct challenge to Pantone's annual color selection. After collecting 4,063 votes online, the winning shade is a purple called Anarchic Venom (hex #B17DAC), now available for $9.99 through Semple's art materials brand Culture Hustle. Semple has a history of democratizing trademarked colors, having previously created alternatives to Tiffany blue, Barbie pink, and Vantablack in a long-running feud with Anish Kapoor. He also released a variant of Pantone's 2025 color Cloud Dancer, which he dubbed Proud Chancer.

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Pantone has announced 11-4201 Cloud Dancer, a soft shade of bright white, as its 2026 Color of the Year. This marks the first time the company has chosen a white hue since launching the initiative in 1999, following last year's Mocha Mousse. The decision, announced by Pantone Color Institute vice president Laurie Pressman, is framed as a symbol of calm and a desire for a fresh start in a frenetic society, drawing comparisons to Kazimir Malevich's Suprematist compositions and Robert Ryman's white paintings. The announcement has sparked debate over its cultural and political implications, with critics noting the choice's potential elitism and its resonance amid ongoing racial tensions.

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The Wellcome Collection in London has opened a new exhibition titled "The Institute of Sexology," celebrating the history of erotic art, film, and photography. The show features a wide range of objects including archival material, ethnographic and medical artifacts, erotica, and works by contemporary artists such as John Stezaker, Sharon Hayes, Zanele Muholi, and Timothy Archibald. It highlights pioneers of sexology like Sigmund Freud, Alfred Kinsey, and Marie Stopes, and marks the first exhibition after the institution's £17.5 million expansion, inaugurating a new gallery for large, year-long shows.

Meet the Gallerists Trading White Cubes for Unconventional Architecture

A growing number of gallerists are moving away from the traditional 'white cube' gallery model, opting instead for spaces with unconventional architecture and distinct character. These include locations in repurposed industrial buildings, historic structures, and uniquely designed new constructions that actively shape the visitor's experience of the art.

Do you remember the last negative review you read?

« Vous souvenez-vous de la dernière critique négative que vous avez lue ? »

The traditional art of negative criticism is vanishing from mainstream media, replaced by a culture of polite consensus or violent but unprincipled social media attacks. Historically, critics like Baudelaire, Zola, and Huysmans used sharp, subjective arguments to defend avant-garde movements and challenge academicism, viewing the attack on certain artists as a necessary byproduct of championing others. Today, limited editorial space and a desire to support the arts have led French journalists to focus almost exclusively on praise, resulting in a loss of discernment and comparative analysis.

Zurich's Museum Rietberg transfers 11 Benin Bronzes to Nigerian government

The Museum Rietberg in Zurich is transferring ownership of 11 Benin Bronzes to the Republic of Nigeria. The transfer includes a significant commemorative bronze head from around 1850 and an 18th-century ivory tusk, both looted during the British raid on Benin City in 1897, which will be physically returned to Nigeria this summer.

art tidawhitney lek young artist

Tidawhitney Lek, a 33-year-old first-generation Cambodian American artist based in Long Beach, CA, is profiled in CULTURED's 2025 Young Artists list. Her densely layered, brightly colored paintings collapse distinctions between interior and exterior, past and present, and foreground and background, reflecting her life and heritage. She gained attention at the Hammer Museum's "Made in L.A." biennial in 2023 and has upcoming shows at Victoria Miro in London and Art Basel Miami Beach with Night Gallery. The profile highlights her painting "Refuge," currently at the Henry Art Gallery, which depicts a bomb exploding outside a home and addresses themes of disconnect, erasure, violence, and generational trauma.

artist mother interview mothers day balance

Cultured magazine interviewed five artist-mothers—including Lita Albuquerque, Sheree Hovsepian, and Catherine Opie—ahead of Mother’s Day to explore how motherhood and artistic practice intersect. The artists describe how raising children has made them more efficient, intuitive, and present in their studios, while their art has deepened their capacity for love and patience as parents. Specific examples include Hovsepian turning to photograms during limited childcare hours and Opie creating intimate portraits of her son.

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The article excerpts a book about Indian artist Lalitha Lajmi, exploring her creative struggles, loneliness, and distinctive use of blue and red in watercolors. It draws from her dream journals and interviews, describing how she often painted herself in red against blue landscapes, symbolizing desire and isolation, and how her works resemble raw underpaintings that reveal subconscious imagery.

Tony Cokes “SM BNGR2” at FELIX GAUDLITZ, Vienna

Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

Exhibition | Carol Rama, 'I See You You See Me' at Hauser & Wirth, New York, 22nd Street

Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.

At this art show, kids make the rules

The Power Plant Contemporary Art Gallery in Toronto is hosting 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play,' a group exhibition that centers children as active participants rather than passive observers. Curated by Frances Loeffler, the show features interactive works by artists including Temitayo Ogunbiyi, Leisure (Meredith Carruthers and Susannah Wesley), Claire Greenshaw, Rivane Neuenschwander, Harold Offeh, Sassa Linklater, Tobias Linklater, and Robin Rhode, with installations that invite climbing, drawing, playing, and touching. The exhibition draws inspiration from a 1968 show at Moderna Museet in Stockholm that transformed the museum into an adventure playground.

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

The art world is increasingly moving beyond simply adding women to the existing art historical canon, a practice long criticized by feminist historians like Griselda Pollock. Instead of merely 'expanding' the canon, new institutional approaches aim to 'difference' it by using the work of women to fundamentally re-evaluate and subvert established narratives. This shift suggests that the inclusion of previously marginalized artists should change how we perceive the masters they are often compared to.

Chicago’s Intuit Art Museum gifted 61 works by self-taught artists

The Intuit Art Museum in Chicago has received two major gifts totaling 61 works, significantly expanding its collection of art by self-taught artists. The first gift is a bequest of 47 works from the late collector and early museum supporter Jan Petry, featuring pieces by artists like Emery Blagdon, James Castle, and Martín Ramírez. The second gift comprises 14 works from the collection of scholar Gordon W. Bailey, focusing on African American artists such as Sam Doyle and Mose Tolliver.

Picasso Museum Malaga undergoes transformation to revisit artist's relationship with his father

The Picasso Museum Malaga (MPM) has opened a major exhibition titled "Memory and Desire," featuring 112 works from museums across Europe and the United States. The show centers on Picasso's 1925 painting "Studio with Plaster Head," on loan from MoMA in New York, and aims to rehabilitate the reputation of José Ruiz Blasco, Picasso's father and first art teacher. Curated by Eugenio Carmona, the exhibition challenges the long-held critical view that the father-son relationship was stormy, instead tracing the profound artistic influence José had on Picasso, from early academic works to surrealist masterpieces.

The Woman Question 1550–2025 The City of Women

The Museum of Modern Art in Warsaw (MSN Warsaw) will launch two concurrent exhibitions, "The Woman Question 1550–2025" and "The City of Women," running from November 21, 2025, to May 3, 2026. Featuring nearly 200 women artists from around the world—spanning from Artemisia Gentileschi and Frida Kahlo to Yoko Ono and Tala Madani—the shows aim to present five centuries of art by women, curated by Alison M. Gingeras and a team of researchers including Julia Bryan-Wilson, Michalina Sablik, Vera Zalutskaya, Karolina Gembara, and Wiktoria Szczupacka. The exhibitions include works borrowed from major international institutions such as the Uffizi Gallery, Mathaf: Arab Museum of Modern Art, and the Nasjonalmuseet.

Moss & Freud review: film exploring unlikely friendship ultimately fails to scratch the surface

The film *Moss & Freud*, directed by James Lucas, explores the unlikely friendship between supermodel Kate Moss (played by Ellie Bamber) and painter Lucian Freud (Derek Jacobi) in 2001 London. The story centers on Moss's desire to sit for the reclusive portraitist, culminating in Freud's unflattering *Naked Portrait 2002*. However, the film glosses over Freud's darker reputation—his punishingly long sittings, cruelty, and violent tendencies—portraying him instead as a benign, eccentric old man. It also fails to deeply investigate Moss's character or the exploitation within the fashion industry, relying on weak scripting and forced parallels between Moss and Freud's ex-wife Lady Caroline Blackwood.

Krannert Art Museum exhibition examines significance of early modern European prints

Krannert Art Museum at the University of Illinois Urbana-Champaign will present "Imagination, Faith, and Desire: Art and Agency in European Prints, 1475-1800," an exhibition of over 100 early modern European prints drawn from private collections. The show, curated by Maureen Warren, runs from September 25 through February 28 and includes works by masters such as Rembrandt, Parmigianino, and Goya, exploring how prints functioned as Europe's first visual mass media.

Chef Daniel Humm Is the Latest Star to Leave Their Mark on Sotheby’s Contemporary Curated Auction Series

Chef Daniel Humm, the renowned culinary figure behind Eleven Madison Park, has guest-curated Sotheby's Contemporary Curated auction series, selecting artworks with the same rhythmic and intentional approach he uses in menu creation. In an interview with CULTURED, Humm describes how a transformative encounter with Claude Monet's Water Lilies at the Musée de l'Orangerie in Paris inspired his curatorial philosophy, emphasizing stillness, contemplation, and dialogue between works. His selections include pieces by Roni Horn, Alex Katz, Keith Haring, Sarah Crowner, and Jean Dubuffet, reflecting personal friendships and a desire to create an immersive, sensory experience akin to a multi-course meal.

Five new art books to look out for this autumn, including publications on US monuments and Vermeer close-ups

Five new art books are set for release this autumn, covering topics from US monuments and Vermeer's techniques to post-war British culture and contemporary Pakistani-American art. Titles include 'Closer to Vermeer' (Thames & Hudson), 'Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape' (MIT Press), 'British Blonde' (Paul Mellon Centre), 'Art Is: A Journey into the Light' (Yale), and 'Shahzia Sikander' (Lund Humphries), each offering fresh scholarship or monographic depth.

Rejected by Museums Around the World, This New Art Exhibition Explores the Historical Roots of the Term 'Homosexual'

An ambitious new exhibition titled “The First Homosexuals: The Birth of a New Identity, 1869-1939” has opened at Chicago’s Wrightwood 659 gallery, featuring over 300 works by more than 125 artists from 40 countries. Curated by Jonathan D. Katz, the show traces the historical roots of the term 'homosexual,' coined in 1868 by Hungarian writer Karl Maria Kertbeny, and explores the artistic and social transformations surrounding the emergence of homosexual identity up to 1939. The exhibition includes loans from major institutions like the Metropolitan Museum of Art and the Musée d’Orsay, with works by artists such as George Catlin, Jean Cocteau, John Singer Sargent, and Thomas Eakins, organized into eight thematic sections.

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Two London-based gallerists, Alice Black and Tatiana Cheneviere, have launched Black + Cheneviere (B+C), a new art advisory that promotes a values-led, slower approach to collecting. The duo, who founded their own galleries (Black's eponymous gallery and Pipeline gallery), aim to counter what they see as an overly transactional art market by encouraging collectors to align purchases with personal values and build sustained relationships with artists. The launch comes amid a market correction where collectors are becoming more selective and negotiating harder.

Issy Wood’s first solo exhibition in the Nordics opened at Kistefos

Kistefos presents *Fish, Fish, Duck*, the first solo exhibition in the Nordic region by London-based painter Issy Wood, opened at Nybruket Gallery on 9 May 2026. The show features psychologically charged paintings on velvet and linen, self-portraits, animals, household objects, and a painted chaise longue, organized around the thematic frameworks "Ways of Seeing" and "The Artist as Archivist." Curated by Live Drønen and Kate Smith-Raabe, the exhibition draws on sources from the internet, advertising, and auction catalogues to explore desire, power, vulnerability, and objectification.

"She's Like the Wind"

The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.

Queer sexuality in Islamic art explored in Norway exhibition

A new exhibition titled "Deviant Ornaments" opens at the National Museum (Nasjonalmuseet) of Norway in Oslo, running from 27 November 2025 to 15 March 2026. Curated by Noor Bhangu, a South Asian curator and scholar based in Norway, the show explores queer desires and practices in the visual cultures of the Islamic world, bringing together over 40 works spanning 1,000 years. It connects historical objects—such as a Safavid textile, a 19th-century armband, and 13th-century Iranian wall tiles—with works by 12 contemporary artists, including Lynette Yiadom-Boakye, Alize Zorlutuna, Shahzia Sikander, Taner Ceylan, Damien Ajavon, Rah Eleh, Kasra Jalilipour, and Sa’dia Rehman. Four works are newly commissioned.

Frieze London diary: a boozy gallery bar, head-turning headlines and talking mice

During Frieze London week, Thaddaeus Ropac gallery hosts Tom Sachs’s "A Good Shelf" exhibition featuring a working coffee and mezcal bar alongside 30 ceramic works inspired by Japanese tea bowls. At the satellite fair Minor Attractions, performance artist Mark McGowan (aka Artist Taxi Driver) displays subverted Daily Mail headlines. Ryan Gander’s solo show at Camden Arts Projects introduces a fourth animatronic mouse that critiques the state of contemporary art. Meanwhile, the Gallery of Everything presents "Ectoplasmix," a show of works depicting ectoplasm, including pieces by František Jaroslav Pecka, Mathew Weir, and Susan Hiller.

art witt fetter young artist

Cultured magazine profiles 31-year-old artist Witt Fetter as part of its 2025 Young Artists list. Based in New York and originally from Los Angeles, Fetter is known for paintings that reimagine surreal American scenes—such as the White House Situation Room, a Titanic-shaped inflatable slide, and a false missile alert sign—bathed in a distinctive violet-blue haze. Her work has been featured at Fierman and Derosia galleries, and she describes her practice as motivated by grief, desire, and faith, often exploring the tension between personal mythology and broader cultural contexts. The profile includes her reflections on a self-portrait titled *Diana, 2022*, inspired by a photograph of Princess Diana, and her tribute to her grandfather, who taught her to paint and whose technique of using a violet undercoat she continues.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.