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Kaari Upson's posthumous retrospective "Dollhouse" has opened at the Louisiana Museum in Copenhagen, Denmark. The exhibition features works such as "Trespass" (2012), a simulated chain-link fence coated in flesh-toned acrylic, and "The Grotto" (2008-09), a faux-rock formation with water features and video projections of sex-doll-like figures. The show explores themes of voyeurism, transgression, and the blurring of public and private boundaries, drawing from Upson's acclaimed "Larry Project" (2005-12), which involved breaking into a neighbor's abandoned home.

maurizio cattelan scavenger hunt joseph beuys felt suit 1234753219

Maurizio Cattelan has partnered with the online art platform Avant Arte for a project centered on a new sculptural self-portrait titled *We Are The Revolution* (2025), which references Joseph Beuys's felt suit. The work lampoons the self-importance of contemporary art while reflecting on the artist's evolving role. Limited to 1,000 resin editions priced at €1,500 each, the release involves a randomized draw and a scavenger hunt in New York, Amsterdam, and London, where sculptures will be hidden in market stalls, bodegas, and an antiques dealership from September 30 to October 7. Prices range from $0.99 to €9,999 depending on location.

Veronica Ryan review – the seeds are sensational but the detritus is distracting

A major retrospective of Turner Prize-winning artist Veronica Ryan has opened, showcasing her career-long exploration of organic forms and repurposed materials. The exhibition features new works made from plastic bottles, bandages, and avocado trays, alongside earlier sculptures in bronze and lead that reference seed pods and fruit.

art jesus hilarios reyes young artist

Cultured profiles Jesús Hilario-Reyes, a 29-year-old New York-based artist who describes themself as “anti-disciplinary,” working across performance, sound, video, and sculpture. Inspired by queer rave culture, migration, Western carnivals, and Puerto Rico’s hurricane-worn mangrove forests, they have performed at Documenta, the Kitchen, Gladstone Gallery, and the Museum of Contemporary Art, Chicago. In the interview, Hilario-Reyes discusses key influences from graduate school teachers, the importance of spontaneity and presence in their practice, and their underrated studio tool—an electrical die grinder.

Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

Chicago’s Neighbors and Barely fairs show the strengths of smaller, alternative formats

Chicago’s art week is being defined by the success of alternative, small-scale satellite fairs like Barely Fair and Neighbors, which offer an intimate counterpoint to the massive Expo Chicago. Barely Fair, located in a storefront in McKinley Park, features 32 exhibitors presenting works in 20-inch-square miniature booths. This format encourages rigorous curation and creative risk-taking from a mix of artist-run spaces and established galleries, with price points ranging from $20 to $8,000.

The Opening Gambit: Generative Alterities and the Paradigm of the Salon

The Opening Gallery has opened a new space at 41 Division Street in New York with the exhibition "Generative Alterities," curated by director Sozita Goudouna. The show features artists from the Global South and Global North, including Lloyd Foster, Nan Goldin, Max Blagg, Annu Yadav, Victoria Bartlett, Jamie Martinez, and others, with works ranging from suspended sculptural portraits to mixed-media installations and photography. The gallery aims to create a contemporary salon atmosphere that encourages active dialogue rather than passive viewing.

‘Reality Decay’ Is at the Root of All the Bad News

The article connects a 2009 artwork by Paul Chan, 'Sade for Sade’s Sake,' to the recent release of the Jeffrey Epstein emails. The artwork, a shadow puppet projection based on the Marquis de Sade's violent text, was referenced in a 2010 email from an art adviser to Epstein, suggesting artists who could realize his desires for his private island. This link places a contemporary artwork directly into the evidence of a high-profile criminal conspiracy.

The mysterious case of one of the most important British artists of the 1990s who is back with a bang after more than 25 years

Cathy de Monchaux, a prominent British artist from the 1990s known for her erotic and dystopic sculptures, has opened a major survey exhibition at the Palais de Tokyo in Paris titled 'Studio, Wounds and Battles, Desire is the Reiteration of Hope'. The show comes 26 years after her last major solo exhibition at the Hirshhorn Museum in Washington DC, and includes a facsimile of her Hoxton studio, featuring intimate sketchbooks, maquettes, and early works. De Monchaux, who graduated from Goldsmiths in 1987 and was nominated for the Turner Prize, largely stepped away from the public exhibition circuit to raise her son, focusing instead on private commissions.

At this art show, kids make the rules

The Power Plant Contemporary Art Gallery in Toronto is hosting 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play,' a group exhibition that centers children as active participants rather than passive observers. Curated by Frances Loeffler, the show features interactive works by artists including Temitayo Ogunbiyi, Leisure (Meredith Carruthers and Susannah Wesley), Claire Greenshaw, Rivane Neuenschwander, Harold Offeh, Sassa Linklater, Tobias Linklater, and Robin Rhode, with installations that invite climbing, drawing, playing, and touching. The exhibition draws inspiration from a 1968 show at Moderna Museet in Stockholm that transformed the museum into an adventure playground.

The 9 Exhibitions to See in April 2026

The global art calendar for April 2026 features a diverse array of exhibitions ranging from indigenous-led material studies in Los Angeles to a historical deep-dive in Prague. Key highlights include 'Several Eternities in a Day' at the Hammer Museum, which explores 'living materials' through Brown and Indigenous perspectives, and a major 40-year retrospective of Veronica Ryan’s tactile sculptures at London’s Whitechapel Gallery. Additionally, Prague’s National Gallery revisits the controversial 1969 São Paulo Biennial through the work of Jiří Kolář, examining the intersection of art and political censorship.

Lotus Kang channels desire into Bvlgari's Venice Biennale pavilion

Artist Lotus Kang has created a site-specific installation for the Bvlgari pavilion at the Venice Biennale, working across three studios including a temporary Brooklyn warehouse. Her work, which includes unfixed 35mm film on the façade of Spazio Esedra and new sculptures of plaster baby birds and rubber-wrapped tatami mats, explores themes of multiplicity, permeability, and the unfixing of meaning. Kang, known for her installations at the 2023 Whitney Biennial and Chisenhale Gallery, describes herself as a maker of objects and spaces who resists single interpretations.

Medieval Art: Christ's Side Wound as Vulva

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The Met Cloisters in New York is hosting "Spectrum of Desire: Love, Sex, and Gender in the Middle Ages," an exhibition exploring how medieval art depicted the body, sexuality, and gender. A central focus of the show is the intentional depiction of Christ’s side wound as a vulva-like shape, or mandorla, in illuminated manuscripts such as the 14th-century Prayer Book of Bonne of Luxembourg. These images were designed as intimate devotional tools, inviting viewers to meditate on Christ's suffering through a lens that transcended traditional gender binaries.

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Anne-Claire Legendre, a senior French diplomat and advisor to President Emmanuel Macron, has been selected to lead the Institut du Monde Arabe in Paris. Her appointment follows the abrupt resignation of former director Jack Lang and, if confirmed, will make her the first woman to head the institution in its 40-year history.

petition to block loan of bayeux tapestry to londons british museum garners 50000 signatures 1234749759

Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry from France to the British Museum in London. The petition, launched in July by French art historian Didier Rykner, cites warnings from textile restorers that transporting the 1,000-year-old embroidered linen could cause irreparable damage. The tapestry is scheduled to be displayed at the British Museum from September 2026 to July 2027 while its home, the Bayeux Tapestry Museum in Normandy, undergoes renovation. The loan was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron. Prominent French cultural figures, including former Bayeux Tapestry Museum director Isabelle Attard, and British conservation watchdog ArtWatch UK director Michael Daley have voiced concerns. Rykner hopes to unite French and British opposition to stop the exchange, which also includes Anglo-Saxon and Medieval objects from the British Museum moving to France.

national portrait gallery director resigns trump kim sajet 1234745097

Kim Sajet, director of the National Portrait Gallery in Washington, D.C., has resigned from her post after President Donald Trump claimed on social media that he had fired her. The Smithsonian Institution initially affirmed its independence, stating that only its secretary and Board of Regents control personnel decisions, and Sajet continued working. However, as of June 13, she departed the role she had held since 2013, citing her desire to put the museum first. Trump had criticized Sajet for being a supporter of DEI and for including a wall text with a portrait of him that mentioned his impeachments and the January 6 insurrection.

Embracing independence: meet the artists giving galleries a swerve

A growing number of artists are bypassing traditional galleries to sell their work directly to collectors, a trend that echoes pre-19th-century practices when artists like Michelangelo and Rembrandt dealt directly with patrons. High-profile examples include Damien Hirst's 2008 Sotheby's auction that raised £111.4m without dealer commissions, Banksy's Pest Control system, and Marina Abramović's independent collaborations during Frieze Week and at Glastonbury. Emerging and mid-tier artists, such as Bristol-based Matthew Callaby, are also selling via Instagram and organizing their own pop-up shows, often keeping more profit than the typical 50% gallery commission.

art carol bove guggenheim show

Carol Bove, the Swiss-born, California-raised sculptor known for transforming steel into malleable, seductive forms, has opened a major career survey at the Guggenheim Museum in New York. The exhibition fills the museum's iconic rotunda, marking the largest stage of her career to date. The article also features a Q&A in which Bove discusses her influences (including filmmaker Stanley Kubrick), her love of driving, and her desire for more 'pointlessness' in the art industry.

parties hamburger bahnhof anniversary gala

Hamburger Bahnhof in Berlin celebrated its 30th anniversary with a landmark benefit gala titled "A Night in Berlin," gathering over 500 cultural leaders from art, film, music, fashion, and philanthropy. The evening launched four new awards: the Studio Award to artists Abdulhamid Kircher, Monilola Olayemi Ilupeju, and Jonas Roßmeißl; the Lifetime Achievement Award to Mona Hatoum; the Global Arts Patronage Award to collector Kiran Nadar; and the Changemaker Award to the Delfina Foundation. The gala featured performances, spatial installations, and a red neon sculpture by Monica Bonvicini, with actor Cate Blanchett presenting and Alice Sara Ott performing.

culture jamieson webster psychoanalysis ai sex

Psychoanalyst Jamieson Webster launches a new column for CULTURED titled "Neurotica," exploring the intersection of psychoanalysis, technology, and sexuality. In the debut installment, she interviews artist and theorist Mindy Seu about her work "A SEXUAL HISTORY OF THE INTERNET," which traces how sex workers were integral to developing digital platforms like chat rooms, e-commerce, and webcams, only to have their innovations co-opted by Big Tech. Webster reflects on how AI, chatbots, and online intimacy are reshaping human desire, pleasure, and relationships, drawing on Freud's pleasure-principle and contemporary anxieties about AI psychosis and digital dependency.

art hew locke interview studio yale

The Yale Center for British Art opens "Passages," the most comprehensive exhibition of Hew Locke's work to date, featuring nearly 50 works spanning three decades. Central to the show is a site-specific installation of Locke's ship sculptures, three of which are suspended in the foyer of the museum's Louis I. Kahn building. The exhibition will travel to the Wexner Center for the Arts and the Museum of Fine Arts, Houston. In an interview, Locke discusses his studio practice, his ongoing exploration of imperialism's symbolism, and his plans for new bronzes and prints.

art fashion dirty looks barbican

A new exhibition titled "Dirty Looks: Desire and Decay in Fashion" opens September 25 at the Barbican in London, exploring how fashion designers have embraced decay, dirt, and imperfection. Curated by Karen Van Godtsenhoven, the show features garments from over 60 designers, including Hussein Chalayan's iron-filing-stained dresses, Vivienne Westwood's transgressive tears, Issey Miyake's gunpowder-speckled pleats, and wine-stained couture by Robert Wun. It also highlights five emerging designers like Elena Velez and Michaela Stark who use dirt and decay to challenge conventional beauty standards.

art met museum man ray exhibition

The Metropolitan Museum of Art is opening "When Objects Dream," the first exhibition to examine Man Ray's rayographs in the context of his broader oeuvre. Opening September 14, the show features over 60 rayographs alongside 100 paintings, objects, drawings, and films spanning the artist's career. The exhibition is supported by the haute couture house Schiaparelli, whose founder Elsa Schiaparelli was a close friend and collaborator of Ray's, both central figures in the 1920s Parisian avant-garde.

BBC ‘Buried’ Footage of Banksy at NYC Mural Site, Former Reporter Claims

Former BBC New York correspondent Nick Bryant claims the BBC suppressed footage he captured of Banksy at a mural site in New York City in March 2018. In a Substack post, Bryant recounts being tipped off by Banksy's PR team about a new artwork at the Houston Bowery Wall, where he and his cameraman filmed the artist—described as a middle-aged man in a black beanie and grey coat—fleeing the scene with fresh paint on his fingers. Despite believing he had a world exclusive, Bryant says BBC editors in London decided not to air the footage, citing concerns about unmasking the artist and preserving the mystery for audiences, including a senior colleague's daughter who compared revealing Banksy's identity to telling children there is no Santa Claus.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

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French artist Claire Tabouret is currently the subject of a major career retrospective at Museum Voorlinden and a high-profile solo exhibition at the Grand Palais in Paris. The latter showcases her full-sized maquettes for six new stained-glass windows commissioned for Notre-Dame Cathedral, depicting the Biblical story of Pentecost. These works, created in collaboration with the historic Atelier Simon-Marq, represent a significant shift for the artist as she translates her signature fluid, figurative painting style into the medium of translucent glass.

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The era of high-stakes art speculation that defined the 2010s has largely cooled, but the impulse for financial gambling has migrated to digital prediction markets like Polymarket. While art collectors once treated waitlists and auction rooms as speculative arenas, the public now wagers billions on binary outcomes ranging from election results to celebrity behavior.

claire tabouret criticism notre dame cathedral commission 1234772621

French figurative painter Claire Tabouret has been awarded the commission to create new stained glass windows for Notre-Dame Cathedral, replacing 19th-century works by Eugène Viollet-le-Duc and Jean-Baptiste Lassus that survived the 2019 fire. Her designs, featuring multiethnic, multigenerational worshipers during Pentecost, were unveiled in the exhibition "Claire Tabouret: In a Single Breath" at the Grand Palais. The project, chosen by President Emmanuel Macron and Archbishop Laurent Ulrich from 110 candidates, has drawn criticism as an act of vanity and a possible violation of heritage guidelines, though Tabouret and Macron remain undeterred.

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Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.

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British artist Michaela Yearwood-Dan has opened her first solo exhibition in China, titled “RECESS,” at the Longlati Foundation in Shanghai. The show features paintings and ceramics that explore themes of play, fluidity, and cultural identity, drawing on influences from Chinese calligraphy and tai chi. In an interview, Yearwood-Dan discusses her childlike approach to making the work and her desire for viewers to feel a personal connection. A concurrent exhibition, “Georgia Gardner Gray: Metal Madonna,” is also on view at the foundation.