Frieze London diary: a boozy gallery bar, head-turning headlines and talking mice

During Frieze London week, Thaddaeus Ropac gallery hosts Tom Sachs’s "A Good Shelf" exhibition featuring a working coffee and mezcal bar alongside 30 ceramic works inspired by Japanese tea bowls. At the satellite fair Minor Attractions, performance artist Mark McGowan (aka Artist Taxi Driver) displays subverted Daily Mail headlines. Ryan Gander’s solo show at Camden Arts Projects introduces a fourth animatronic mouse that critiques the state of contemporary art. Meanwhile, the Gallery of Everything presents "Ectoplasmix," a show of works depicting ectoplasm, including pieces by František Jaroslav Pecka, Mathew Weir, and Susan Hiller.

art witt fetter young artist

Cultured magazine profiles 31-year-old artist Witt Fetter as part of its 2025 Young Artists list. Based in New York and originally from Los Angeles, Fetter is known for paintings that reimagine surreal American scenes—such as the White House Situation Room, a Titanic-shaped inflatable slide, and a false missile alert sign—bathed in a distinctive violet-blue haze. Her work has been featured at Fierman and Derosia galleries, and she describes her practice as motivated by grief, desire, and faith, often exploring the tension between personal mythology and broader cultural contexts. The profile includes her reflections on a self-portrait titled *Diana, 2022*, inspired by a photograph of Princess Diana, and her tribute to her grandfather, who taught her to paint and whose technique of using a violet undercoat she continues.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

Queer Saints, Big Egos

Queere Heilige, große Egos

Andrew Durbin's new biography examines the intertwined lives of artists Peter Hujar and Paul Thek, focusing on their art, desire, and self-staging. The review notes that while the book covers their creative circles—including figures like David Wojnarowicz, Divine, John Waters, and Susan Sontag—it loses sight of the urgent political and social context that animated their work, particularly the AIDS crisis and Reagan-era repression.

Stories in Copper and Vinyl

Geschichten in Kupfer und Vinyl

The UCCA Center for Contemporary Art in Beijing is hosting "Hundreds and Thousands," the first institutional retrospective of the late American conceptual artist Rutherford Chang. The exhibition showcases Chang’s career-long obsession with collecting and cataloging mass-produced objects, most notably featuring his collection of over 3,700 first-pressings of the Beatles’ "White Album." Other significant works include a 31-kilogram copper cube created from 10,000 pre-1982 pennies and a digital archive of over 2,000 of the artist's own Game Boy Tetris sessions.

Notre-Dame : pas de suspension pour les vitraux !

On May 19, 2026, the Paris administrative court rejected requests from heritage associations Sites & Monuments and SOS Paris to suspend the removal and replacement of the stained-glass windows at Notre-Dame Cathedral. The associations had sought to block the prefect's authorization to remove the 19th-century windows by Alfred Gérente and install six new contemporary windows designed by Claire Tabouret, arguing legal doubts about the project. The judge ruled that the operation was reversible—since the new panels are the same size as the originals and the removed windows will be restored and displayed—thus no urgent suspension was warranted.

How Hajime Sorayama’s Sexy Robots Reflect Our Fantasies

Japanese artist Hajime Sorayama has spent nearly five decades developing his iconic "Sexy Robots" series. These chrome-plated female figures, rendered first with airbrush and later as polished metal sculptures, have evolved to include life-sized works created through digital modeling and engineering collaborations.

The Artsy AI Survey 2026: What Galleries Really Think About AI in the Art World

Artsy has released its 2026 AI Survey, capturing the perspectives of over 1,000 galleries worldwide on the integration of artificial intelligence into the art ecosystem. The report details how galleries are currently using AI tools for operations, marketing, and sales, while also revealing their cautious optimism and significant concerns about its impact on artistic authorship and market dynamics.

Walter Pfeiffer “In Good Company” at Pinacoteca Agnelli, Turin

Pinacoteca Agnelli in Turin will present "Walter Pfeiffer: In Good Company," the first institutional survey in Italy dedicated to the Swiss artist's photographic work, running from April 30 to September 13, 2026. The exhibition features over one hundred photographs spanning from the 1970s to the present, exploring themes of artifice, desire, and the everyday.

olivia laings silver book pasolini fellini 1234759609

Olivia Laing's novel "The Silver Book" is set in 1974 Italy during the Years of Lead, following Nicholas Wade, a young Slade graduate who becomes the lover and apprentice of costume and set designer Danilo Donati. Donati is working on Federico Fellini's "Casanova" and Pier Paolo Pasolini's "Salò," and the story explores their creative and erotic relationship against a backdrop of political turmoil. Laing's prose is vignetted and elliptical, focusing on daily acts of filmmaking and the sensual world of the characters.

parties marilyn minter artist documentary

On Saturday, the art world gathered in East Hampton for a special screening of the documentary *Marilyn Minter: Pretty/Dirty*, which chronicles the artist's life from addiction to icon. The invite-only event included appearances by Jeff Koons, Jane Fonda, Monica Lewinsky, Cindy Sherman, and other notable figures, followed by a dinner at the home of co-producer and collector Debi Wisch. The film explores Minter's unflinching feminist commentary and her decades-long challenge to conventional beauty and desire in contemporary art.

Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.

Ariel West Probes Our Desire for Oil

Andrew Durbin reviews the national pavilions at the 2026 Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the US pavilion for lacking meaningful content, while praising the British and German contributions for their depth and emotional resonance.

Go big or go home: how The Lost Giants revived the ancient art of goliath-making

The Lost Giants (TLG), an art collective based in Lostwithiel, Cornwall, is reviving the British tradition of making processional giants—large, community-built figures made from wood, cloth, and papier-mâché. Founded three years ago by theatre designer Ruth Webb and her sister-in-law Amy Webb, the group has created giants for events ranging from local lantern parades to a harvest procession at Hauser & Wirth’s Somerset gallery. This New Year’s Eve, environmentalist Lisa Schneidau joined a massive procession of these giants in Lostwithiel, describing it as an extraordinary experience. The collective recently issued a public callout for an environmental group to collaborate on making a new beastie.

‘A very basic human desire to want some control’: US exhibition explores the power of magic

The Toledo Museum of Art has opened an exhibition titled 'Cursed!' that explores the widespread use of magic spells and objects in ancient Mesopotamia, Egypt, Greece, and Rome. The show features amulets, inscribed gemstones, and figurines used for purposes ranging from protecting newborns and winning lawsuits to casting coercive love spells.

Sex, desire and intimacy explored in Singapore art exhibition for over-18s

National Gallery Singapore (NGS) is presenting "Passion is Volcanic: Desire in Southeast Asian Art," an exhibition for over-18s that explores eroticism and desire through more than 70 works spanning 800 years. The show is structured into three chapters—"Asian Mythos and Rituals," "Conventions of the Erotic," and "Public Arenas/Private Interiors"—and includes pieces such as a 14th-15th century Tantric Buddhist sculpture and Araya Rasdjarmrearnsook's video work "I’m Living" (2002). Senior curator Adele Tan, a co-curator, says she wanted to use the lens of eroticism to uncover overlooked narratives in the museum's collection.

Exhibition | Olivia Sterling, 'Jelly' at Dirimart Pera, Istanbul, Turkiye

Dirimart presents Olivia Sterling's first solo exhibition in Istanbul, titled 'Jelly,' at its Pera location from May 7 to June 14, 2026. The show explores themes of race, power, and desire through scenes involving food, the body, and stains, using fruit and dark colors as metaphors for consumption and objectification. Sterling's paintings incorporate letters that expose how race is constructed through language, while the title 'Jelly' evokes flexibility, fluidity, and a grotesque bodily quality that mirrors the instability of identity and social conventions.

Art: Passion is Volcanic – Desire in Southeast Asian Art at National Gallery Singapore

National Gallery Singapore has opened a major exhibition titled 'Passion is Volcanic: Desire in Southeast Asian Art.' The show, which carries an unprecedented R18 rating and prohibits photography, presents a comprehensive exploration of eroticism, pleasure, and the body through a wide range of artworks from the region's collection and loans. It is curated by Dr. Patrick Flores, Dr. Adele Tan, and Dr. Kathleen Ditzig, who frame desire as a culturally specific yet universal force shaped by history and power.

National Gallery Singapore's 'Passion Is Volcanic' exhibition: 5 works to see

National Gallery Singapore has opened its first R18 exhibition, 'Passion Is Volcanic: Desire In South-east Asian Art', featuring around 60% of works from the national collection, many shown for the first time, alongside regional loans. The show includes a 14th-15th century tantric Buddhist sculpture of kissing buddhas, a pastel painting by pioneering gay Singaporean artist Tan Peng, Liu Kang's 1953 painting 'Scene In Bali', and long-exposure photography by Lavender Chang originally commissioned for a Viagra campaign. Co-curators Adele Tan and Kathleen Ditzig contextualize the exhibition with pre-modern works to demonstrate that artists' interest in the body, desire, and sex is enduring in Asia.

Samantha Nye’s ‘Web of Love’ now open at Cuesta’s Miossi Gallery

Artist Samantha Nye's immersive video installation "Web of Love" has opened at the Harold J. Miossi Gallery at Cuesta College's San Luis Obispo campus. The four-screen work is a scene-by-scene remake of an old Scopitone film, featuring legendary Bay Area artists Annie Sprinkle and Beth Stephens, and is designed with a lounge area of heart-shaped hot tubs on red shag carpet.

Burning Man Art: It’s Closer Than You Think

Burning Man art is increasingly appearing in museums, cities, and regional events worldwide, moving beyond the temporary desert environment of Black Rock City. Artists like Miki Masuhara-Page and Walker Babington have brought their interactive sculptures—such as 'Cosmic Messenger' and 'Burden of the Beast'—to venues including the Portland Winter Light Festival and The Hermitage Museum and Gardens in Norfolk, Virginia. The Black Rock City Honoraria Program, funded by the nonprofit Burning Man Project, supports approximately 75 artworks annually, while the Art department assists nearly 400 pieces destined for the playa.

Hew Locke Unpacks the Complexity of Empire in His Biggest Museum Show Yet

Artist Hew Locke's most comprehensive museum exhibition to date, "Hew Locke: Passages," has opened at the Yale Center for British Art in New Haven. The show features 49 works spanning nearly three decades, including photography, sculpture, and drawing, and explores themes of empire, identity, and migration. Curated by museum director Martina Droth, the exhibition runs through January and includes key works such as "Veni, Vidi, Vici (The Queen's Coat of Arms)" (2004) and "Koh-i-noor" (2005), which critique British imperial symbols using found objects and textiles.

'Hugh Hayden: American Vernacular' at the Frye Art Museum, Seattle, WA, United States

The Frye Art Museum in Seattle will present 'Hugh Hayden: American Vernacular' from June 28 to September 28, 2025, marking the artist's first solo museum exhibition on the West Coast. The show features Hayden's meticulously crafted wooden sculptures and multimedia installations that transform everyday objects—such as designer shoes carved from tree bark and basketball hoops woven from grain stalks—into darkly humorous commentaries on identity, desire, and belonging.

Liz Munsell Named Vice President of Brooklyn’s Powerhouse Arts

Liz Munsell has been appointed Vice President of Curatorial Arts and Programs at Brooklyn's Powerhouse Arts, a creative nonprofit in Gowanus. She will develop public programming, exhibitions, and community engagement, while overseeing artist residencies and art fairs, including the upcoming Brooklyn Fine Art Print Fair. She succeeds Diya Vij, who left to become New York City's cultural affairs commissioner.

At Joy Machine, ‘Feel Free’ Plumbs the Tension Between Chaos and Control

Joy Machine presents 'Feel Free', a group exhibition featuring new works by Rachel Hayden, Paulina Ho, Hanna Lee Joshi, and Jeremy Miranda. The show opens with a reception on May 15, 2026, and runs through June 27, 2026. Each artist explores the tension between chaos and control, using diverse media—from acrylic and gouache to Japanese indigo on thrifted textiles—to capture moments of impermanence and unexpected harmony.

Sex, beauty and the body: how Helen Chadwick shaped British contemporary art

A new critical biography, "Helen Chadwick: Life Pleasures," has been published, marking the first comprehensive study of the British artist Helen Chadwick (1953-96). Edited by Laura Smith, director of collections and exhibitions at the Hepworth Wakefield, the book includes contributions from historian Marina Warner, curator Katrin Bucher Trantow, and artist Maria Christoforidou. A touring exhibition of Chadwick's work opens at the Hepworth Wakefield on 17 May and runs until 27 October. The article highlights Chadwick's provocative, punky, and perverse body-focused works, such as "Untitled (Eat Art)" (1973), where she cast her face in jelly for viewers to consume, and "Piss Flowers" (1991-92), made from snow she urinated on. It also recounts the infamous 1986 incident at the Institute of Contemporary Arts in London, where her sculpture "Carcass"—a glass tower of rotting vegetables—leaked and collapsed.

Learning is something aesthetic and emotional. Marco Dallari says so in his latest book (and in this interview)

L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)

Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

Artist Explores Desire, Power, And Objectification Through A BDSM Lens In New Solo Exhibition

Swedish-born, Brooklyn-based artist Helena Calmfors presents 'Floral Disciplines,' her debut solo exhibition at The Untitled Space gallery in New York, on view from October 23 to November 7, 2025. Curated by Indira Cesarine, the show features watercolors, photography, and performance that explore queer identity, eroticism, and power through the visual language of BDSM, blending floral imagery with fetish iconography to challenge patriarchal and heteronormative frameworks.

Influential New York gallery Venus Over Manhattan will close after 13 years

Prominent collector and dealer Adam Lindemann is closing Venus Over Manhattan, the New York gallery he founded in 2012, after 13 years. The gallery's final exhibition, Susumu Kamijo's 'Fish & Flowers,' opened in June and will close on July 17. Lindemann announced the closure in an open letter published on Artnet, citing a desire to return to building his personal art collection and describing the difficulties of navigating the art world as both a dealer and collector.