Space 204 and the Vanderbilt University Department of Art will host a solo exhibition by Chidinma Onukwuru, the 2024 Hamblet Award recipient, from January 8–29, 2026. Titled "It’s Frightening Having This Much Presence," the show explores Igbo spirituality, ancestral ties, and the continuity of traditional Nigerian ceramic techniques, with an opening reception on January 8.
Miccosukee and Seminole artists, culture-bearers, and youth organizers are protesting the opening of a migrant-detention facility nicknamed Alligator Alcatraz at the Dade-Collier Training and Transition Airport in Big Cypress National Preserve, Florida. In July, a communal action coordinated with the collective Unidos Immokalee included ceremony, dance, sign-making, and distribution of supplies, with participants like Kendal Osceola and Maeanna Osceola speaking out against the facility, which they see as colonial violence on ancestral lands. The facility, run by Florida’s Division of Emergency Management in partnership with the US Department of Homeland Security, opened on 3 July and has faced legal challenges, including a temporary halt to construction by a federal judge in August, though a September appeals panel stayed the shutdown order.
Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.
The Manchester International Festival (MIF) returns with a new edition featuring three standout art exhibitions. At Aviva Studios, "Football City, Art United" pairs top footballers like Vivianne Miedema and Ella Toone with artists such as Suzanne Lacy and the collective Keiken to create 11 co-produced works exploring gender, ritual, and identity. At the Whitworth gallery, the first international solo show of Indigenous Uitoto artist Santiago Yahuarcani presents over 30 works on bark canvas, addressing ancestral cosmology and the legacy of colonial violence during the rubber boom.
The Somali Museum of Minnesota has emerged as a vital cultural sanctuary and community hub for Somali immigrants in Minneapolis. By preserving traditional nomadic artifacts, textiles, and contemporary artworks, the museum provides a space for the diaspora to reconnect with their heritage and find solace amidst social and political challenges.
Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.
Saudi artist Dana Awartani has created a new installation, 'Listen to my Words,' for the 2024 Diriyah Contemporary Art Biennale. The work features a large-scale geometric floor pattern made from hand-dyed silk, which visitors are invited to walk upon, deliberately fraying and damaging the intricate design over the course of the exhibition.
Chile will participate in the 61st Venice Art Biennale with the exhibition "Inter-Reality" by artist Norton Maza, curated by Marisa Cachiolo and Dermis León, and managed by Claudia Pertuzé. The monumental installation, on view from May 9 to November 22, 2026 at the Sala dell'Isolotto in the Arsenale complex, contrasts an exterior referencing geopolitics, landscape, and ecology with an interior of precarious dioramas blending classical European painting and contemporary issues like fake news, migration, and environmental devastation. The work includes a soundscape of helicopters, airplanes, ancestral chants, and nature sounds recorded in Chile.
The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.
NEYRA PÉREZ: RETORNO A ROEBIRI
Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.
BITÁCORA: PANAMÁ. CULTURA Y POLÍTICA EN EL MARCO DE UN ENCUENTRO REGIONAL IMPULSADO POR CAF
Artishock Revista covered the CAF Festival 'Voces por nuestra región: Cultura que mueve el mundo,' held in Panama in January 2026. The event, organized by CAF – Banco de Desarrollo de América Latina y el Caribe, aimed to reposition Latin American and Caribbean culture as a strategic axis for sustainable development. It featured panels, sectoral forums, and co-creation spaces designed to activate alliances and strengthen regional networks for artists and cultural projects.
Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.
Siblings Naiomi and Tyler Glasses, Diné weavers from a seven-generation lineage, have collaborated with Ralph Lauren on the Canyon Road Collection, a home goods line featuring traditional Navajo motifs like eye-dazzler diamonds and Spider Woman crosses. The collection, which includes bedding and dishware, marks Naiomi's second artist-in-residence partnership with the brand and aims to translate Indigenous craftsmanship into contemporary design.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
McLean Project for the Arts (MPA) has announced the opening of its 2026 Spring Solo Exhibitions, featuring three distinct solo presentations by Sabine Carlson, Zsudayka Nzinga, and Darlene R. Taylor. The exhibitions include Nzinga’s exploration of American labor and diaspora through mixed media, Taylor’s textile-based portraits honoring Black motherhood, and Carlson’s paintings depicting environmental rescue efforts between humans and water birds. The shows will run from April 30 through June 13, 2026, at the McLean Community Center.
An art exhibit titled "Where the Seed Remembers: A Celebration of Earth, Lineage and Memory" opened on March 29 at the University of Minnesota’s Landscape Arboretum’s Reedy Gallery in Chaska, featuring 10 artists of color. Co-curated by Northside artist Joshua Gillespie (Brotha Aśe), the show includes works by Ron Brown, Ayolanda Evans, Imani Mansfield, and Allena Sweats, among others, and opened with a libation ceremony by Vusumuzi Zulu and Mariama Imani. The exhibition runs through May 17.
Artists participating in the International Women's Day Art Show at the Orillia Museum of Art and History (OMAH) will share the stories behind their artworks at a monthly story circle hosted by Storytelling Orillia. Ten artists, including show coordinator Juliana Hawke and organizer Sharon Langfield, are expected to speak at the event, which is open to the public.
Six artists from the SouthCoast region of Massachusetts recently completed the inaugural Hotel Papel residency on the island of Faial in the Azores. The residency, designed to celebrate the sister city relationship between Greater New Bedford and the Azores, allowed the participants to explore local culture, traditions, and landscapes. Their resulting works, spanning ceramics, photography, film, writing, and painting, will be showcased in a group exhibition titled "The Same Sea" at the Massachusetts Design Art and Technology Institute (DATMA).
The Nicholas Metivier Gallery in Toronto has officially announced the representation of Tom Wilson Tehohàhake, a multidisciplinary artist, musician, and Order of Canada appointee. Wilson’s latest paintings are set to make their debut with the gallery at the upcoming Dallas Art Fair in April 2026. His work is characterized by vibrant, intricate patterns that incorporate elements of Mohawk beadwork and excerpts from his own literary writings.
Emilia Galatis Projects, a Perth-based gallery focusing on Western Australian First Nations artists, will present the first Melbourne solo exhibition by Corban Clause Williams at Melbourne Art Fair 2026, running February 19-22. The show will debut 15 new paintings and design works extending Williams' Manyjilyjarra Country and culture into sculptural and textile forms, accompanied by a Martu Wangka artist talk with Anya Judith Samson. Williams, born in 1994 and based in Parnngurr Community, has gained rapid acclaim for canvases weaving ancestral knowledge with contemporary visual language, and was named an inaugural Creative WA Fellowship recipient in late 2025.
Diana Eusebio’s first solo museum exhibition, *Field of Dreams*, has opened at the Museum of Contemporary Art North Miami, featuring over 30 works that combine hand-dyed textiles with digital prints. The artist, who grew up in Miami, uses natural dyes from materials like avocado, cochineal, and indigo to overlay portraits, family photos, and landscapes, exploring themes of identity, migration, and home. The exhibition includes a Q&A where Eusebio discusses her Peruvian Dominican heritage, the influence of baseball as a symbol of the American dream, and the current climate of fear for immigrants in the US.
The article explores the rich artistic traditions of Oceania, emphasizing how the vast network of islands and ocean passageways fostered a dynamic exchange of cultures, materials, and ideas over millennia. It describes Oceanic art as vessels for metaphysical journeys, with objects like fishhooks, stick charts, and carved figures serving as tangible expressions of ancestral power and cultural knowledge. The text highlights the role of artists as chiefs and orators who manipulate local materials to manifest spirits, and traces the region's entanglements with European colonial powers from the sixteenth century onward.
The exhibition 'SOI NIWE' features the work of the Shipibo-Konibo Cultural Collective, a group of prominent Indigenous artists from various communities now residing in Lima's Cantagallo settlement. The show presents paintings that utilize the traditional geometric Kené patterns, expressing identity, memory, spirituality, and connection to the land. It is on view at Casa Fugaz in Lima until April 27.
The Umbrella Gallery is hosting an exhibition titled "Afrocentric," which showcases visual and mixed media art celebrating the African diaspora. The show focuses on African and Afro-descendant perspectives, exploring themes of heritage, cultural memory, identity, self-definition, migration, resistance, joy, and futurism. It aims to present history as a living presence through echoes of ancestral storytelling.
Boomer Gallery in London's Tower Bridge district hosted the opening of "Vogued | First Edition" on August 8, 2025, a group exhibition celebrating contemporary artists who push creative boundaries. Among the featured talents were African artists Kikelomo Solomon-Ayeni, Olamide Bakare, Bukola Abiodun, Mercy Odukogbe, and Olalekan Adetunji, whose works explored themes of tradition, innovation, heritage, and urban life through oil paintings, portraits, and mixed media. Guest of Honour Tabish Khan, an art critic and curator, delivered an opening talk on the relevance of contemporary art in a rapidly changing world.
Moose Jaw Museum & Art Gallery in Saskatchewan is presenting an exhibition titled "môso-tâpiskan: Indigenous Living Heritage," curated by local artist Sadi Rose Vaxvick. The show features artifacts from the permanent collection, including a projectile point identified by an archaeologist as 8,000 years old, as well as pottery pieces dating back 2,000 years. Vaxvick consulted an Indigenous advisory committee of elders, repatriation liaisons, historians, and Métis locals, and worked with language speakers to translate all artifact notations into their original Indigenous languages.
The Choctaw Nation is hosting its Spring Art Exhibition, a dedicated showcase featuring the diverse creative outputs of Choctaw artists. The event highlights traditional and contemporary works, ranging from beadwork and basketry to painting and sculpture, providing a platform for tribal members to share their heritage with the public.
A new exhibition titled "Permission to Breathe: A Black Woman’s Perspective on Living Life Unapologetically" opens at Positive Space Tulsa in midtown Tulsa, featuring nearly 30 works by Black women artists. Co-curated by Ebony Iman Dallas, Elizabeth Henley, and Jaiden Jiji McClellan, the multidisciplinary show explores themes of rest, resistance, joy, ancestral memory, and radical self-acceptance, with most artwork available for sale. The exhibition runs from February 7 to February 28, 2026, and includes both seasoned and first-time artists.