filter_list Showing 349 results for "Rooted" close Clear
dashboard All 349 museum exhibitions 191article culture 37article news 29article local 28trending_up market 17article policy 15person people 14rate_review review 10candle obituary 6gavel restitution 2
date_range Range Today This Week This Month All
Subscribe

venice biennale 2026 national pavilions 2604196

The 61st Venice Biennale is taking shape as national pavilions announce their participants and curatorial themes for the 2026 edition. Russia has confirmed its return to the Giardini with a multidisciplinary exhibition titled “The Tree is Rooted in the Sky,” following its 2022 withdrawal and the 2024 loan of its pavilion to Bolivia. The upcoming edition, themed “In Minor Keys,” will proceed under the vision of the late curator Koyo Kouoh, who passed away in 2025 after becoming the first African woman appointed to helm the prestigious event.

venice biennale russia pavilion eu funding 2752812

The European Union has threatened to withdraw a €2 million grant from the Venice Biennale following Russia's decision to return to the international exhibition for its 61st edition. The EU Commission warned that providing a platform for a Russian national pavilion risks legitimizing figures connected to the Kremlin and violating sanctions, while Biennale organizers have defended the move as a commitment to artistic freedom and a rejection of censorship.

aclj watertown school keith haring 2723444

A school district in Watertown, New York, is facing potential legal action from the American Center for Law and Justice (ACLJ), a conservative Christian legal organization, after a middle school art teacher assigned students to visit the Keith Haring Foundation website and interpret two of the artist's works from the 1980s. Parents complained at a school board meeting that the assignment exposed 11- and 12-year-olds to sexually explicit content. The ACLJ sent a letter to Superintendent Larry Schmiegel on November 21, demanding a reprimand for the teacher, parental consent forms for future sensitive content, and counseling for affected students, threatening litigation if the district did not respond by December 1. The teacher resigned in November but was rehired as an English teacher.

art dealers movie villains 1625287

Artnet News examines the recurring trope of art dealers as villains in popular cinema, highlighting seven films that feature duplicitous gallerists, auction house specialists, and art advisors. Examples include Rhodora Haze in *Velvet Buzzsaw* (2019), a ruthless gallerist who profits from a dead artist's work against his dying wish, and Virgil Oldman in *The Best Offer* (2013), an auction house director entangled in forgery and deception. The article also references Victor Taft in *Legal Eagles* (1986), where a performance artist's father's suspicious death drives the plot.

‘The way the world is, something daft is appealing’ – why everything from pizzas to podcasts has a cartoon character on it

A distinctive cartoon illustration style, rooted in 1920s 'rubber hose' animation and influenced by graffiti, vintage Americana, and underground comics, has become ubiquitous in contemporary branding. This aesthetic, characterized by exaggerated, jointless limbs and friendly faces, now adorns everything from independent pizza shops like London's Yard Sale Pizza to wine labels for Top Cuvee, podcasts, and even global fashion collaborations.

'Stray Birds': An art exhibition

Indrapramit Roy and Mark Cazalet are coming together for a duo exhibition titled 'Stray Birds' at the Shridharani Gallery in New Delhi. Curated by Jyotirmoy Bhattacharya and organized by Art Magnum, the show explores the parallel trajectories of two artists who met during their formative years in Baroda under the mentorship of Gulam Mohammed Sheikh. The exhibition features works that document lived experiences, memory, and movement through drawing and painting, often rooted in their personal sketchbooks and visual journals.

Dana Awartani on Representing Saudi Arabia at the 61st Venice Biennale

Dana Awartani, an artist based in Jeddah, will represent Saudi Arabia at the 61st Venice Biennale in 2026, with her pavilion located in the Arsenale under the theme 'Celebrating Visions.' In an interview with ArtReview, Awartani discusses her exhibition, which builds on her practice of foregrounding Arab cultural histories and preserving the region's material heritage. She connects her work to the Biennale's theme 'In Minor Keys' by focusing on repair, healing, and the quiet consequences of conflict, emphasizing craft as a form of quiet resistance against mechanization. The pavilion, she says, reflects the diversity of voices within Saudi Arabia's artistic community rather than a single national narrative.

Kader Attia announced as curator of the 7th Kochi-Muziris Biennale

Kader Attia has been announced as the curator of the 7th edition of the Kochi-Muziris Biennale, scheduled for 2027–2028. The announcement was made by the Kochi Biennale Foundation via Instagram, with Attia selected by a committee chaired by Jitish Kallat and including Shilpa Gupta, Amrita Jhaveri, Pooja Sood, Tasneem Zakaria Mehta, Mariam Ram, and Rirkrit Tiravanija. Attia, an artist, curator, and professor at HfbK-Hamburg, is known for his work exploring history, memory, repair, and colonial legacies across installation, sculpture, film, and archival research.

What Can the New Dib Bangkok Do for Thai Art?

Dib Bangkok, a new contemporary art museum housed in a former steel warehouse, opened in December with its inaugural exhibition, (In)visible Presence. The show features 80 works by 40 artists from the collection of late founder Petch Osathanugrah, including pieces by James Turrell, Alicja Kwade, and Pinaree Santipak. Curated by director Miwako Tezuka, the exhibition emphasizes immersive, sensory experiences over passive observation, with works like Marco Fusinato's sound installation and Hugh Hayden's threshold piece. However, the museum's pan-global focus and sleek, tranquil setting initially distance visitors from the local Thai art scene.

The Politics of Russia’s Return to the Venice Biennale

Russia has announced its intention to return to the Venice Biennale in 2026, marking its first participation since the full-scale invasion of Ukraine in 2022. The proposed pavilion, titled "The Tree is Rooted in the Sky," plans to feature 38 participants from Russia and several Global South nations. The announcement has sparked intense backlash from the European Commission and culture ministers across 22 countries, who argue that Russia’s presence undermines democratic values and serves as a tool for "dark cultural diplomacy."

Dialing Up the Dollars: Giorno Poetry Systems Names Inaugural Recipients of New Need-Based Grant

Giorno Poetry Systems (GPS), the New York-based nonprofit founded in 1965 by artist John Giorno, has announced the twelve inaugural recipients of its new need-based grant, the Treat a Stranger grants. Each recipient receives an unrestricted grant of $4,545 to cover daily expenses like food, housing, health care, and emergencies. The grants are a relaunch of GPS's AIDS Treatment Project grants from 1984–1994, and are named after Giorno's mantra, “Treat a complete stranger with the same compassion you would treat a lover or a good friend.” Winners are selected by a rotating anonymous jury of LGBTQIA+ artists, poets, and musicians through a multi-meeting nomination and voting process.

Your guide to free self-care: 8 L.A. wellness events you can’t miss in May

The Los Angeles Times article highlights a curated list of free wellness events in Los Angeles for May, with a focus on the first annual Sacred Music and Healing Festival at the World Stage Performance Gallery in Leimert Park on May 23. Executive Director Dwight Trible explains that the festival blends jazz, Indigenous traditions, and healing arts to offer a wellness experience rooted in culture and community, featuring music, yoga, tai chi, and presentations on herbs and meditation.

raisonne weekend tournament zito madu

Cultured magazine's article "Weekend Tournament" reviews a group exhibition at Raisonné Gallery in New York, organized by Raquel Cayre and Ariel Ashe, that explores the intersection of sport, art, and design. The show features 63 works by 27 artists including Paul Pfeiffer, Adam McEwen, Le Corbusier, Cory Arcangel, and Rachel Harrison, with pieces ranging from a graphite replica of a school water fountain to an active ping-pong table and a mini-golf course. The author, Zito Madu, draws parallels between his own background as a professional soccer player turned writer and the exhibition's invitation to engage physically and playfully with art.

sanya kantarovsky chloe dzubilo rosemarie trockel

Two new art critics join the fold at Cultured, with Johanna Fateman reviewing Sanya Kantarovsky's first New York solo show since 2019, "Scarecrow," at Michael Werner Gallery's two Upper East Side locations. The exhibition features paintings, monotypes, and a glazed stoneware vase centered on Hera, a whippet belonging to artists Mark Dion and Dana Sherwood, alongside works like *Stage (Watteau)* that engage with historical painting. Mary Simpson covers Rosemarie Trockel's acerbic conceptualism, and Jeanette Bisschops reviews a posthumous exhibition of Chloe Dzubilo's intimate and irate drawings, "The Prince George Drawings," at Participant Inc., curated by Alex Fleming and Nia Nottage.

huxley parlour lisa sanditz 2641318

American artist Lisa Sanditz presents a suite of nine new works in her solo exhibition “Big Boy” at Huxley-Parlour in London, on view through May 31, 2025. The show, her third with the gallery, explores power dynamics within families and across generations through formal devices such as exaggerated scale, vibrant color, and playful imagery. Key works like "Big Boy/Big Gulp" (2025) and "Big Cat" (2025) use a hierarchy of scale rooted in medieval and ancient art traditions to reflect emotional and psychological tensions, while also commenting on broader societal and political shifts in America amid climate change.

D Lan Galleries and Pace Gallery to present Emily Kam Kngwarray in New York

D Lan Galleries and Pace Gallery are collaborating to present "Emily Kam Kngwarray: The Turning Season," a major survey of the renowned Australian First Nations artist, on view in New York from May 15 to August 14. The exhibition spans Pace's Chelsea spaces and includes key works from Kngwarray's career, such as her celebrated painting series and early batik textiles, following her landmark 2025 retrospective at Tate Modern in London.

At Frieze London, a new section explores the flow of cultural influence between Africa and Brazil

Frieze London 2025 introduces a new curated section titled "Echoes in the Present," organized by Nigerian art historian Jareh Das. The section features eight galleries and ten artists, exploring the bidirectional cultural influences between Africa and Brazil, rooted in the history of the transatlantic slave trade. Artists such as Bunmi Agusto present works that delve into personal and collective histories, including Agusto's paintings about her great-great-grandfather, a Nigerian man sold into slavery who later returned home. The section builds on recent exhibitions like "Afro-Atlantic Histories" and "Brazil and Africa: a shared history," which have similarly examined the African diaspora's impact on Brazilian culture.

Art Biennale: artists reject the popular jury

Fifty-two artists and curators, along with sixteen National Participants of the 61st Venice Art Biennale, have withdrawn from the newly introduced 'Lions of the Visitors' (People's Prizes) competition. The boycott follows the resignation of the jury appointed by artistic director Koyo Kouoh, who died in 2025, and is a protest against the inclusion of Russia and Israel in the prize—countries initially excluded by the international jury. The controversy escalated after Italian Minister of Culture Alessandro Giuli publicly opposed the Biennale president Pietrangelo Buttafuoco's decision to allow Russia's participation, drawing in the European Commission and even Ursula von der Leyen, who warned of potential sanctions violations. The signatories include artists and curators from France, Belgium, Luxembourg, Turkey, Switzerland, Spain, the Netherlands, and several other nations.

'TARWUK' at White Cube, Mason's Yard, London, United Kingdom on 9 Jul–15 Aug 2026

White Cube Mason’s Yard in London will present a solo exhibition by the artist duo TARWUK (Bruno Pogačnik Tremow and Ivana Vukšić), running from 9 July to 15 August 2026. The show debuts a major new site-specific installation alongside paintings and works on paper, marking the duo’s first exhibition at the gallery.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

Charlottesville's Confederate statues are centerstage in West Coast art exhibition rooted in tragedy and trauma

The remains of Charlottesville's melted Confederate statue of General Robert E. Lee are now on display at the Museum of Contemporary Art (MOCA) in Los Angeles as part of the 'Monuments' exhibition. The statue, originally standing in Market Street Park, was acquired by the Jefferson School African American Heritage Center (JSAAHC) in 2021, melted down at a secret location, and shipped to Los Angeles. The exhibition, presented in partnership with The Brick, also features artist Kara Walker's reconstruction of the Thomas Jackson statue. The bronze ingots and slag from the melting process are displayed alongside other works that reimagine Confederate monuments.

painting unfolds across earth, canvas, and space in katharina grosse’s london exhibition

Katharina Grosse's exhibition 'I Set Out, I Walked Fast' at White Cube London presents a continuous environment where painting extends beyond the canvas into space. The show features new works, archival material, and a large in-situ installation that combines mounds of earth, a partially submerged canvas, and a bronze-cast sculpture into a single painted field. Grosse uses an industrial spray gun to apply acrylic pigments, creating works that blur boundaries between surface, site, and viewer. The exhibition avoids chronological order, instead connecting pieces from different periods to form a spatial network where individual works function as nodes.

Known in New Orleans, multimedia artist will take the world stage in Venice Biennale

New Orleans-based conceptual artist Dawn DeDeaux is preparing for a career-defining presentation at the 2026 Venice Biennale. Selected by curator Dan Cameron and featured in the central exhibition "In Minor Keys," the 73-year-old artist will occupy the final room of the Arsenale. Her work, which spans photography, video, and large-scale installation, often explores existential themes, environmental fragility, and the relationship between the antique and the futuristic.

Boston had Isabella Stewart Gardner, and Fitchburg had Eleanor Norcross

The Fitchburg Art Museum is celebrating its 100th anniversary with the exhibition “Kaleidoscope: 100 Years of Collecting for our Community.” The show honors the legacy of founder Eleanor Norcross, a Victorian-era artist and collector who studied under William Merritt Chase and exhibited in Parisian salons. Although Norcross died in 1923 before the museum opened, her estate and personal collection of paintings and decorative arts provided the foundation for the institution, which officially opened in 1929.

Pussy Riot slams Russia’s return to Venice Biennale

Russia is set to return to the Venice Biennale for the first time since the 2022 invasion of Ukraine, presenting a project titled "The tree is rooted in the sky" focused on folklore and multilingual cultures. The Russian pavilion, commissioned by Anastasia Karneeva and supported by Putin’s cultural envoy Mikhail Shvydkoy, will feature a filmed three-day festival. The Biennale organizers defended the inclusion, citing a policy of non-censorship for any country recognized by Italy that owns a pavilion in the Giardini.

‘We’re rooted in the local community, but also global’ — inside AlUla Arts Festival

The fifth AlUla Arts Festival has opened in AlUla, Saudi Arabia, running until February 14. The festival features land art, workshops, dance, and musical performances set against the ancient oasis landscape. Highlights include the return of Desert X AlUla with 11 site-specific installations by local and international artists, curated under the theme 'Space Without Measure' inspired by Kahlil Gibran. The exhibition 'Arduna' marks the pre-opening of the upcoming Contemporary Art Museum of AlUla, a collaboration with Centre Pompidou. The AlJadidah Arts District also hosts numerous initiatives, including photography exhibitions at Villa Hegra and concerts by the AlUla Music Hub.

Drawn to home: how landscape and locals inspired Alberto Giacometti

A new exhibition at Hauser & Wirth in St. Moritz, titled "Alberto Giacometti: Faces and Landscapes of Home," explores the Swiss artist's deep connection to his birthplace, the Alpine village of Stampa. Curated by Tobia Bezzola, the show features around 20 paintings, sculptures, and drawings from 1918 through the 1960s, including portraits of Giacometti's family and depictions of the local landscape. It highlights how Giacometti, after initially escaping to Paris in 1922, returned increasingly to the Engadine valley from the 1950s onward, working in his father's studio and producing works distinct from his Parisian output.

The road to ‘Fridamania’: how Frida Kahlo became a global phenomenon

A major exhibition titled "Frida: The Making of an Icon" opens at the Museum of Fine Arts, Houston, tracing how Frida Kahlo evolved from a little-known artist in Diego Rivera's shadow into a global phenomenon and brand. Curated by Mari Carmen Ramírez, the show examines Kahlo's posthumous rise to fame from the 1970s through influential biographies, Chicano and feminist reinterpretations, and her complex relationship with race, ethnicity, gender, and politics. It features 35 Kahlo works including "The Broken Column" (1944), alongside pieces by 80 artists influenced by her, and explores "Fridamania" through 200 objects. The exhibition will travel to Tate Modern in London this summer.

The Aldrich Names Artists for First-Ever Decennial

The Aldrich Museum of Contemporary Art in Connecticut has announced the 40 participating artists for its first-ever Aldrich Decennial, a survey exhibition titled "I am what is around me." Opening June 7 and running through January 10, 2027, the show focuses on artists living and working in Connecticut who have never had a solo museum exhibition in the state. Notable participants include painter Dominic Chambers, multimedia artist Arghavan Khosravi, and novelist-poet Renee Gladman. The exhibition draws its title from a 1917 poem by Wallace Stevens, a longtime Connecticut resident.

Museum Exhibitions Coming to East & South Texas in Spring 2026

Several museums in East and South Texas have announced their spring 2026 exhibition schedules. The Beeville Art Museum will open a solo show of landscape painter William Anzalone in January. The Art Museum of South Texas in Corpus Christi will present 'In Nature’s Studio: Two Centuries of American Landscape Painting,' a traveling exhibition from the Reading Public Museum. The Longview Museum of Fine Arts will host a retrospective of photographer Frank Armstrong. The International Museum of Art and Science in McAllen will open three shows: 'Piñatabstract' by Josuè Rawmirez, 'Voces del Arte Popular' featuring Mexican folk art, and 'Aviary,' a bird-themed exhibition. South Texas College will also present two exhibitions in January and February, including Leila Hernández's 'The Lessons of the Empress.'