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Vermeer’s vandal: the untold story of a vicious attack at London's National Gallery in 1968

In 1968, Vermeer's painting *Young Woman Seated at a Virginal* (1670-72) was vandalized at the National Gallery in London. An unidentified attacker used a sharp instrument, likely a razor blade, to cut around the woman's head, attempting to remove it entirely. The damage was discovered hours later by a visitor, and the painting was swiftly restored; previously unreleased photographs of the attack have now been supplied to The Art Newspaper. The vandal was never caught, and their motivation remains unknown.

What to see in Seoul during Frieze: from Adrián Villar Rojas's confrontational sculptures to an examination of melancholy

The article highlights several must-see exhibitions in Seoul during Frieze week. Adrián Villar Rojas transforms Art Sonje Center with his immersive exhibition "The Language of the Enemy," featuring large-scale installations from his ongoing series "The End of Imagination" that strip the museum to a primordial state. At Gallery Hyundai, Kang Seung Lee and Candice Lin present a two-person show "Not I, not I, but the wind that blows through me," exploring queer histories and colonial legacies through drawing, embroidery, and experimental materials. Meanwhile, sculptor Hyun Nahm debuts a new body of work at Whistle in "Nest in the Field," moving away from his signature tower forms to angular iron-powder sculptures shaped by magnetic fields.

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.

Sylvain Amic, ‘open spirited’ head of Musée d'Orsay, has died aged 58

Sylvain Amic, the director of the Musée d'Orsay in Paris, has died suddenly at age 58. His death was announced by French Culture Minister Rachida Dati, with President Emmanuel Macron expressing shock. Amic died of natural causes while on holiday in southern France. He had been appointed to lead the museum in 2024, fulfilling a long-held dream, but had not yet completed his main mission of rehanging the collection after renovations.

An expert’s guide to Indigenous Australian art: five must-read books on the subject

Kelli Cole, lead curator of Tate Modern's Emily Kam Kngwarray survey, and academic Jennifer Green recommend five essential books for understanding Indigenous Australian art. The selections range from Wally Caruana's concise survey 'Aboriginal Art' (2025) to John Kean's 'Dot, Circle and Frame' (2023), which details the origins of the Papunya Tula art movement. The recommendations come amid major international exhibitions spotlighting Indigenous Australian art, including Tate Modern's Kngwarray show and the National Gallery of Art's 'The Stars We Do Not See'.

‘Geometry of Light’: Step into the shadows at Seattle Asian Art Museum

The Seattle Asian Art Museum has opened 'Geometry of Light,' an immersive exhibition featuring artist Anila Quayyum Agha's 300-pound laser-cut steel lantern sculpture that projects intricate geometric shadows across the gallery walls, ceiling, and floor. Visitors' movements become part of the artwork as their own shadows interact with the light patterns. The show spans three galleries, including paper and fabric works and two light-box installations, and also features Ai Weiwei's 'Water Lilies' rendered in LEGO bricks, on view through March 2026.

Caravaggio’s ‘Judith Beheading Holofernes’ coming to Kimbell Art Museum from Rome

The Kimbell Art Museum in Fort Worth announced on August 29, 2025, that it will display Caravaggio’s monumental painting *Judith Beheading Holofernes* (1599–1600) as a Guest of Honor loan from the Gallerie Nazionali di Arte Antica in Rome, where it normally hangs in the Palazzo Barberini. The canvas, approximately six feet wide and five feet tall, will be on view in the Louis I. Kahn Building from September 14, 2025, through January 11, 2026. The painting depicts the biblical moment of Judith decapitating the Assyrian general Holofernes, showcasing Caravaggio’s signature bold realism and dramatic chiaroscuro. The loan follows the museum’s 2022 Focus Exhibition “SLAY,” which featured Artemisia Gentileschi’s and Kehinde Wiley’s interpretations of the same subject.

Pinacoteca de São Paulo and Chanel Culture Fund launch new residency for women artists

The Pinacoteca de São Paulo and the Chanel Culture Fund have launched a new residency for women artists, with Brazilian artist Juliana dos Santos as its inaugural recipient. Dos Santos, who holds a doctorate from São Paulo State University, creates work exploring plants, pigments, and the sensory experience of color, notably using the blue pigment of the Clitoria ternatea flower. She recently opened her first solo museum exhibition, "Juliana dos Santos: Temporã," at Galeria Praça within Pina Contemporânea, and will present a VR work at the 36th Bienal de São Paulo in September 2025.

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

Magnum Photos agency’s first exhibition, lost for a half-century, to make its North American debut

The Image Centre in downtown Toronto will stage the North American debut of Magnum Photos' first-ever exhibition, originally titled 'Gesicht der Zeit' (Face of Time) and shown in Austria in 1955-56. The show, lost for half a century, was rediscovered in 2006 in the basement of the Institut Français in Innsbruck, Austria, along with its original poster and hanging instructions. It features 83 original gelatin-silver prints by legendary Magnum photographers including Henri Cartier-Bresson, Robert Capa, Inge Morath, Ernst Haas, and Marc Riboud. The exhibition will run concurrently with 'Chim’s Children of Europe,' a show devoted to Magnum co-founder David 'Chim' Seymour's 1949 Unesco project on postwar European children.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Record Prices, New Buyers and Global Reach: Design’s Moment Has Arrived

Global auction sales for design, decorative arts, and furniture surged 20.4 percent to $172 million in the first half of 2025, according to ArtTactic, while other art market segments declined. Sotheby’s design sales in New York and Paris reached $75 million combined, among the highest totals ever for the category, with Christie’s and Phillips also posting strong results. Record prices were set for works by Tiffany Studios, including the Danner Memorial Window ($12.4 million) and a Frank Lloyd Wright lamp ($7.5 million), fueled by new and younger buyers and institutional acquisitions.

From PBS to Priceless: Bob Ross Paintings Smash Auction Records

Bob Ross paintings shattered auction records at Bonhams New York's American Art Online auction (July 28–August 7, 2025). Two mountain landscapes by the beloved "The Joy of Painting" host sold for $95,750 and $114,800, with the latter more than doubling its high presale estimate. The previous record of $69,300 had been set just weeks earlier at Eldred's auction house for a painting originally purchased for $250 at a PBS auction in the 1980s.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

Arts of Life Showcases 25 Years of Creativity and Opportunity for Artists With Disabilities

Arts of Life, a Chicago-based organization supporting artists with intellectual and developmental disabilities, celebrates its 25th anniversary with the exhibition “Community on the Make: Arts of Life 2000-2025” at the Design Museum of Chicago. The show features vibrant works by 80 artists from five studios across Chicago and the North Shore, with pieces available for sale at affordable prices. Co-founded by executive director Denise Fisher and the late Veronica Cuculich, the organization provides artists with studio space, professional support, and income through stipends and sales bonuses.

Walker Art Center hosts the work of Jessi Reaves in her first major museum show

The Walker Art Center in Minneapolis has opened "Jessi Reaves: process invented the mirror," the New York-based artist's first major solo museum exhibition. Curated by Walker director Mary Ceruti, the show features a single body of new work that blends readymade furniture, found objects, and recycled materials, exploring the tension between functionality and absurdity. Ceruti, who previously worked with Reaves at the SculptureCenter in 2016, describes the work as playful yet rigorous, pushing viewers to reconsider how objects function in daily life.

Alexandria Biennale—third-oldest after Venice and São Paulo—announces return following 12-year hiatus

The Alexandria Biennale, the third-oldest biennial in the world after Venice and São Paulo, is relaunching in September 2026 after a 12-year hiatus. Curated by Egyptian artist Moataz Nasr under the title "This Too Shall Pass," the event will feature artists mainly from the Mediterranean basin, along with performances, music, and lectures. In a shift from its previous state-funded model, the biennial now operates as a private-public partnership, with seed money from the Egyptian and Alexandria governments and pledges from local businesses. The exhibition will take place at historic venues across Alexandria, including the Roman amphitheatre, the Alexandria Library, and the Qaitbay Citadel.

Behind-the-scenes Beatles photographs shot by Paul McCartney to go on sale at Gagosian London

Gagosian London will present 'Rearview Mirror: Liverpool–London–Paris' from August 28 to October 4, showcasing behind-the-scenes photographs taken by Paul McCartney between December 1963 and February 1964. The images, remastered from long-lost negatives and contact sheets, capture pivotal moments in the Beatles' early fame, including their Paris residency at the Olympia Theatre and their appearance on BBC's Juke Box Jury. The prints are signed by McCartney, available in editions of six to ten, and priced between $20,000 and $85,000. The exhibition follows a larger presentation at Gagosian Beverly Hills earlier this year.

London's Dulwich Picture Gallery prepares to reveal £5m redevelopment

Dulwich Picture Gallery in south London will open a newly transformed sculpture garden to the public on 6-7 September, as the centerpiece of its £5m Open Art project. The redevelopment reclaims previously underused green space for a rotating programme of contemporary art on two-year loans, alongside permanent works including a land art piece by Kim Wilkie, an ArtPlay Pavilion designed by HoLD Collective and Carmody Groarke, and a new entrance restoring elements of John Soane's 1811 plans. The project is funded by principal donor The Lovington Foundation, The Julia Rausing Trust, the Manton Foundation, and a public campaign, as the gallery receives no regular government funding.

New York non-profit Art in General, shuttered since 2020, stages a comeback

Art in General, the New York non-profit art space that closed its physical location in 2020 during the Covid-19 pandemic, is returning after a five-year hiatus. It will stage a pop-up exhibition at Yve Yang Gallery in Soho starting August 22, led by new director Xiaoyu Weng, who also serves as artistic director of the Tanoto Art Foundation in Singapore. New board members include artist Paul Pfeiffer, digital strategist Jiajia Fei, and gallerist Yve Yang. The organization plans to host pop-up exhibitions, talks, and events while searching for a permanent space.

Landmark George Morrison show foregrounds Abstract Expressionism’s debt to Native art

A new exhibition at New York's Metropolitan Museum of Art, titled "The Magical City: George Morrison’s New York," showcases the largest-ever show of works by Ojibwe abstract painter George Morrison (1919-2000). Running until 31 May 2026, the exhibition features 25 works and archival materials, highlighting Morrison's Abstract Expressionist style and the tension between his life in New York City and his roots on the Grand Portage Chippewa reservation. The show includes pieces like "The Antagonist" (1956) and "Aureate Vertical" (1958), revealing his dual experiences of urban glamour and Native displacement.

Powerful Photography Explores and Reimagines Black Identity Through Classical Art History

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Tawny Chatmon: Sanctuaries of Truth, Dissolution of Lies," a solo exhibition of over 25 large-scale photographs by artist Tawny Chatmon, running from October 15, 2025, to March 8, 2026. The works, drawn from series dating from 2019 to the present, blend photography with hand-applied paint, gold leaf, and precious materials, depicting Black children and families in gilded frames inspired by Gustav Klimt and medieval icons. This is Chatmon's first museum exhibition in the nation's capital.

Art Museum Launches Fall 2025 Season With Dynamic, Interdisciplinary Exhibitions

The Syracuse University Art Museum will launch its Fall 2025 season on August 26 with four new exhibitions. Highlights include 'What If I Try This?', a survey of Helen Frankenthaler's printmaking career curated by Melissa Yuen, featuring loans from multiple institutions and a gift from the Helen Frankenthaler Foundation. Other exhibitions include Kevin Adonis Browne's multimedia installation 'A Sense of Arrival' on Caribbean blackness, and 'Human/Environment: 4,000 Years of Art', a permanent collection show exploring human-environment relationships. An opening reception on September 11 will feature a talk by Stanford professor Alexander Nemerov.

‘You’re so close you can see how their toes grip the floor’: Wayne McGregor on his radical new immersive dance experience

Wayne McGregor, artistic director of the Biennale Danza in Venice, has created a new immersive dance installation titled 'On the Other Earth' in collaboration with artist Jeffrey Shaw and digital museologist Sarah Kenderdine. The work features a 360-degree 'nVis' environment with a massive 12K LED screen, allowing dancers from McGregor's company and the Hong Kong Ballet to perform in extreme close-up. The installation will travel to the Venice Film Festival, Stone's Nest in London as part of McGregor's exhibition 'Infinite Bodies' at Somerset House, and later to the Tai Kwun Centre for Heritage and Arts in Hong Kong.

Artists who didn’t make Minnesota State Fair get second chance in ‘Rejects’ show

The article reports on the 2025 'State Fair Rejects' show at Douglas Flanders & Associates Gallery in Minneapolis, which accepts artworks that were not selected for the Minnesota State Fair's juried fine arts exhibition. Artist Attila Ray Dabasi, who had been accepted regularly in the past but was rejected this year, is among about 75 participants displaying works like his sculpture 'Armageddon.' The gallery, led by owner Doug Flanders, started the show last year to give rejected artists a second chance to exhibit and sell their work, with all drop-offs accepted. The State Fair received 2,834 submissions but only 337 were chosen, highlighting the competitive nature of the fair.

Dulwich Picture Gallery: Famous London Art Museum Is Opening a Brand New Pavilion and Sculpture Garden

Dulwich Picture Gallery, the world's oldest purpose-built public art gallery, is opening a new £5m pavilion and sculpture garden in September 2025. The redevelopment includes the ArtPlay Pavilion designed by Carmody Groarke with artists Sarah Marsh and Stephanie Jefferies, a family cafe, and the expanded Lovington Sculpture Meadow featuring works by Amy Stephens, Tai Shani, Nika Neelova, and Harold Offeh. A two-day ArtPlay Festival on September 6-7 will celebrate the unveiling with workshops, printmaking, storytelling, and performances.

New $31m art-filled park planned for downtown Pittsburgh

The Pittsburgh Cultural Trust (PCT) will open a four-acre art-filled park called Arts Landing in 2026, part of a $600 million government plan to revitalize the city's cultural district. The $31 million project will feature ten regional artists, including Pittsburgh-based vanessa german, whose work 'Lifted' honors local elders, and Thaddeus Mosley, whose exhibition 'Touching the Earth' will travel from New York's City Hall Park via a partnership with the Public Art Fund. Other commissions include Darian Johnson's wildlife sculptures with VaultArt Studio and John Peña's interactive kinetic work with the Children's Museum of Pittsburgh.

On the Market: Artist Lorna Simpson's Studio, Custom-Designed by David Adjaye in Brooklyn, New York

Lorna Simpson's custom-designed Brooklyn studio, created by architect David Adjaye in 2006, has been listed for sale at $6.5 million. The 3,300-square-foot, four-story property at 208 Vanderbilt Avenue in Fort Greene features a double-height great room, three bedrooms, a rear garden, and was originally built as a live/work space for the artist and her then-husband James Casebere. The listing is handled by Leslie Marshall and Nick Hovsepian of the Corcoran Group. Simpson, whose survey exhibition "Lorna Simpson: Source Notes" is currently on view at the Metropolitan Museum of Art, has moved her primary practice to a larger nearby space, using the Vanderbilt Avenue property for archives and events.

Ancient marble bust returned to Italy following seven-year legal battle

A first-century CE marble bust, known as the "Head of Alexander," was returned to the Italian government on August 5, ending a seven-year legal battle. The bust, believed stolen from an Italian museum decades ago, was seized in 2018 by the Manhattan District Attorney's Antiquities Trafficking Unit from Safani Gallery in New York. The gallery filed multiple lawsuits against Italy and the Italian Ministry of Culture, claiming unlawful taking and seeking compensation, but all claims were dismissed. The bust, excavated in the early 1900s along Rome's Via Sacra, had passed through multiple cities and auctions, including sales at Sotheby Park Bernet and later for $150,000 by Safani Gallery in 2017.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.