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9 artists having major museum moments this year and next

Nine artists are featured in major museum exhibitions this year and next, including John Singer Sargent at the Musée d'Orsay, Alexander Calder at Calder Gardens and the Whitney Museum, Beauford Delaney at the Studio Museum in Harlem, Man Ray at the Metropolitan Museum of Art, and Cecily Brown at the Barnes Foundation. The article highlights key shows such as Sargent: Dazzling Paris, High Wire: Calder's Circus at 100, and When Objects Dream, each presenting significant works and historical context.

Ten essential works of art to see in Dresden

The article presents a curated guide to ten essential artworks in Dresden, Germany, highlighting the city's recovery from World War II devastation to reclaim its status as a Kunststadt (city of art). It focuses on masterpieces housed in the Staatliche Kunstsammlungen Dresden (SKD), including Raphael's *Sistine Madonna* (1512/13) at the Gemäldegalerie Alte Meister, Caspar David Friedrich's *The Great Enclosure* (1832) at the Albertinum, and a tiny cherry pit with 185 carved heads from the Grünes Gewölbe. The piece traces Dresden's golden age under rulers Augustus the Strong and Frederick Augustus II, whose acquisitions built one of Europe's most celebrated art collections.

‘I’m not trying to impress anyone with what I buy’: how Catherine Walsh went from cosmetics queen to art collector

Catherine Walsh, a former cosmetics executive at Estée Lauder and Revlon who pioneered celebrity fragrances at Coty, recounts her journey from buying her first Harry Callahan photograph at age 22 to building a minimalist art collection. She commissioned architect John Pawson to design a house in Telluride, Colorado, after a lecture, and has since acquired works by Gerhard Richter, Donald Judd, Jenny Holzer, Josef Albers, and a 17th-century Dutch portrait, among others. Walsh now lives in a London apartment near the Victoria & Albert Museum, where she displays her carefully curated collection with minimal furniture.

Van Gogh’s exuberant ‘Tarascon Stagecoach’ will be donated to a Los Angeles museum

The Henry and Rose Pearlman Foundation is donating 63 works to three major U.S. museums, led by Vincent van Gogh's *Tarascon Stagecoach* (October 1888). The painting will debut at the Los Angeles County Museum of Art (LACMA) from February 22 to July 5, 2026, then travel to the Brooklyn Museum of Art in autumn 2026 and New York's Museum of Modern Art in 2027. The work depicts a horse-drawn coach in Arles, was sketched in a letter to Van Gogh's brother Theo, and has a rich provenance including early ownership by sculptor Medardo Rosso and a journey to Uruguay as the first Van Gogh in the Americas.

Robert Rauschenberg at 100: How the Relentless Experimenter Rewired American Art

A global celebration marks the centennial of Robert Rauschenberg's birth on October 22, 1925, with a bumper program of exhibitions at major museums including the Museum of the City of New York, the Guggenheim in New York, the Walker Art Center in Minneapolis, the Virginia Museum of Fine Arts, Des Moines Art Center, the Menil in Houston, Museum Ludwig in Cologne, and M+ in Hong Kong. The article highlights eight key facts about Rauschenberg's life and career, from his early use of the G.I. Bill to study art in Paris and at Black Mountain College, to his rebellion against teacher Josef Albers, and his invention of the "Combines"—radical painting-sculpture hybrids that broke with Abstract Expressionism and predicted Pop Art.

A brush with… Peter Doig—podcast

The article is a podcast interview with renowned painter Peter Doig, who discusses his upcoming exhibition "House of Music" at Serpentine South in London, running from October 10, 2025, to February 8, 2026. Doig reflects on his career, his evolving body of work informed by memory, personal photographs, art history, and music, as well as his time living in Trinidad and Canada. He delves into specific paintings in the show, his influences including Edward Burra, Henri Matisse, and Caravaggio, his collaboration with poet Derek Walcott, and the repertory cinema he founded in Port of Spain.

In the Studio With 33 of the Hottest Art Stars on the Planet

Vanity Fair profiles 33 emerging art stars who have broken into the upper echelon of the art world within the last five years, despite a contracting art market. The feature, written by Nate Freeman and photographed by Jeff Henrikson, highlights artists like Jadé Fadojutimi, Anna Weyant, and Chase Hall, whose work commands high prices and long waiting lists from top collectors. The selection was based on research including gallerist interviews, museum acquisitions, auction results, and dealer insights.

When is art sacred? A Jesuit artist on what makes the absurd, the abstract and the ordinary holy

The article is a first-person reflection by Jesuit artist Nick Leeper on the 2024 Biennale d'Art Contemporain Sacré in Menton, France. Leeper describes entering the Grand Hôtel des Ambassadeurs expecting a traditional sacred art show but finding instead a mix of abstract sculptures, Venetian glassworks, and works by Man Ray, alongside more conventional religious pieces. The biennale, founded in 2019 by Liana Marabini, features 180 artists from 29 countries exploring the theme of "forgiveness," including major names like Damien Hirst, Yayoi Kusama, and Gerhard Richter, as well as artists from religious orders. Leeper recounts how visitors at the opening asked what makes such diverse works sacred.

When is art sacred? A Jesuit artist on what makes the absurd, the abstract and the ordinary holy

The article is a first-person reflection by Nick Leeper, a Jesuit artist and scholastic, on the Biennale d'Art Contemporain Sacré in Menton, France. Leeper describes entering the Grand Hôtel des Ambassadeurs expecting a traditional sacred art show but finding abstract sculptures, Venetian glassworks, and Man Ray's mirrors alongside his own works and those of artists like Damien Hirst, Yayoi Kusama, and Gerhard Richter. The biennale, founded in 2019 by Liana Marabini, features 180 artists from 29 countries exploring the theme of forgiveness, prompting viewers to question what makes art sacred.

In the Studio With 33 of the Hottest Art Stars on the Planet

Vanity Fair presents a guide to 33 emerging art stars who are attracting intense attention from collectors despite a contracting art market. The feature, photographed by Jeff Henrikson and written by Nate Freeman, profiles artists like Jadé Fadojutimi, Anna Weyant, and Chase Hall, who have broken into the upper echelon in the last five years. These artists were selected through extensive research including interviews with gallerists and advisers, tracking museum acquisitions, and monitoring auction results.

Your Go-To Guide to All the Art Fairs in Paris This Week

Paris is hosting a busy week of art fairs, headlined by Art Basel Paris returning to the Grand Palais from October 24–26, 2025, under outgoing director Clément Delépine. The fair features 206 galleries across three sections, public programs at nine iconic venues including an inflatable Kermit the Frog by Alex Da Corte and a participatory installation by Harry Nuriev, and a talks series hosted by Edward Enninful. Satellite fairs include Design Miami Paris at L’Hôtel de Maisons, the dealer-run 7 Rue Froissart co-founded by Brigitte Mulholland and Sara Maria Salamone, and others like Paris Internationale and Asia Now.

Georg Baselitz: A Life in Print

The article reviews "Georg Baselitz: A Life in Print," a comprehensive survey of the German painter's printmaking at Kode in Bergen, Norway, running from October 2025 to February 2026. Featuring 244 prints from 1964 to 2024, the exhibition showcases Baselitz's mastery of old master techniques like etching, woodcut, and linocut, revisiting motifs from his paintings such as deer, eagles, and upside-down figures. Curated by Cornelius Tittel, the show aims to correct the artist's perception that museums neglect prints, highlighting his evolution from an enfant terrible expelled from art school to a self-proclaimed top artist.

High Wire: Calder’s Circus at 100

The Whitney Museum of American Art in New York is presenting "High Wire: Calder’s Circus at 100," a centennial exhibition celebrating Alexander Calder's seminal work, Calder's Circus (1926-31). The show brings together the miniature circus—complete with handmade figures, props, and lighting—along with Calder's circus-themed wire sculptures, drawings, archival materials, and early abstract works. Co-curated by Jennie Goldstein and Roxanne Smith, the exhibition runs from October 18, 2025, to March 9, 2026, and is supported by major donors including Kenneth C. Griffin and Griffin Catalyst.

High Wire: Calder’s Circus at 100

The Whitney Museum of American Art in New York is presenting "High Wire: Calder’s Circus at 100," a centennial exhibition celebrating Alexander Calder's iconic work "Calder’s Circus" (1926-31). The show brings together the miniature circus figures, wire sculptures, drawings, archival materials, and early abstract works, exploring how the circus inspired Calder's lifelong exploration of balance and movement, leading to his invention of the mobile. The exhibition runs from October 18, 2025, to March 9, 2026, and is co-curated by Jennie Goldstein and Roxanne Smith.

Fondation Louis Vuitton in Paris opens epic Gerhard Richter retrospective

The Fondation Louis Vuitton in Paris is opening a major retrospective of Gerhard Richter's work, featuring 275 pieces spanning his entire career from the 1960s to recent ink-cloud drawings. Curated by Dieter Schwarz and Nicholas Serota at Richter's suggestion, the exhibition is strictly chronological and occupies over 3,000 square meters of Frank Gehry-designed space, drawing loans from public and private collections worldwide.

Sound and vision: artists take to the decks for Peter Doig’s Serpentine show

Peter Doig's exhibition 'House of Music' at Serpentine South in London features his paintings alongside a restored Western Electric/Bell Labs sound system from the late 1920s, salvaged from UK cinemas. The show includes works like 'Maracas' (2002-08), inspired by a memory of a sound system in Trinidad, and 'Music of the Future' (2002-07). A series of live Sunday events called 'Sound Service' activates the sound system, with Doig, Ed Ruscha, Arthur Jafa, and Linton Kwesi Johnson among those playing records.

Fondation Louis Vuitton in Paris opens epic Gerhard Richter retrospective

The Fondation Louis Vuitton in Paris is opening a massive retrospective of Gerhard Richter's work, featuring 275 pieces spanning his entire career from the 1960s to recent ink-cloud drawings. Curated by Dieter Schwarz and Nicholas Serota at Richter's own suggestion, the exhibition is strictly chronological and occupies over 3,000 square meters of Frank Gehry-designed gallery space. It includes iconic works like *Uncle Rudi* (1965) and *Table* (1962), alongside very recent small-scale drawings, and draws from both public and private collections.

A manure mystery: why did Van Gogh depict heaps of sand in a painting of his beloved Yellow House?

A new study by Van Gogh Museum senior researcher Teio Meedendorp proposes that the mysterious piles of sand in Vincent van Gogh's painting *The Yellow House* (September 1888) are not, as previously thought, related to gas pipe installation, but rather cleansing sand used to absorb horse manure and urine on the streets of Arles. Meedendorp supports his theory with 1902 postcards showing similar sand piles and street-cleaning practices, and notes that the Arles municipal council had outsourced street cleaning in August 1888, just before the painting was made.

A manure mystery: why did Van Gogh depict heaps of sand in a painting of his beloved Yellow House?

A new study by Van Gogh Museum senior researcher Teio Meedendorp proposes that the mysterious piles of sand in Vincent van Gogh's 1888 painting "The Yellow House" are not, as previously thought, related to gas pipe installation, but rather cleansing sand used to absorb horse manure and urine on the streets of Arles. Meedendorp supports his theory with historical postcards from 1902 showing similar sand piles and street-cleaning practices, as well as municipal records indicating the city had outsourced dung removal in August 1888.

In the frame: photography comes to the fore at Frieze London and beyond

Photography takes center stage at Frieze London and across the city, with major exhibitions of Lee Miller at Tate Britain, Wolfgang Tillmans at Maureen Paley, Arthur Jafa at Sadie Coles, and Peter Hujar at Pace Gallery. Commercial galleries like Gagosian and David Zwirner are investing heavily in photography, appointing specialists and staging solo shows, while prices for vintage prints range from $25,000 to $90,000. The surge reflects a post-pandemic market shift where photography's compatibility with online viewing rooms has boosted its fine-art status.

In the frame: photography comes to the fore at Frieze London and beyond

Photography takes center stage at Frieze London and across the city, with major exhibitions of Lee Miller at Tate Britain, Wolfgang Tillmans at Maureen Paley, Arthur Jafa at Sadie Coles, and Marina Abramović stills at Saatchi Yates. At Frieze Masters, Pace Gallery dedicated its booth to Peter Hujar, selling six prints on opening day at prices from $25,000 to $45,000. Commercial galleries like Gagosian and David Zwirner are investing heavily in photography, with Zwirner bringing Diane Arbus to London for the first time in a UK commercial context.

Art Basel Paris 2025 Public Program transforms the city – watch the video

Art Basel Paris 2025 will transform the French capital with a free public program featuring exhibitions, monumental installations, talks, and debates from October 21 to 26. Highlights include Helen Marten's multidisciplinary installation '30 Blizzards' at the Palais d'Iéna, presented by Miu Miu; Fabienne Verdier's 'Mute' and the group show 'Chromoscope' at the Cité de l'architecture et du patrimoine; seven large-scale sculptures on Avenue Winston Churchill by artists including Leiko Ikemura and Vojtěch Kovařík; and Julius von Bismarck's quirky sculptures at the Petit Palais.

A tale of two philanthropies: why private foundations differ in London and Paris

Two new private philanthropic art spaces have opened in London this month: YDP (Yan Du Projects) in Bedford Square, founded by Chinese patron Yan Du, and Ibraaz in Fitzrovia, funded by Tunisian-Swiss banker Kamel Lazaar and run by his daughter Lina Lazaar. YDP focuses on Asian and Asian diasporic art, while Ibraaz showcases art of the "global majority," featuring works like Ibrahim Mahama's installation and a library by the Otolith Group. Meanwhile, Paris has seen the opening of the Fondation Cartier's vast new museum opposite the Louvre, joining other luxury-brand-backed institutions like the Fondation Louis Vuitton and the Pinault Collection.

'I want to show the real deal': property developer Rajan Bijlani on his Modernist design collection

Property developer Rajan Bijlani, based in north London, has turned his home Fonthill Pottery—formerly the residence and studio of ceramicist Emmanuel Cooper—into a showcase for his collection of 20th-century design, sculpture, and paintings. His focus is Modernist furniture, particularly works by Pierre Jeanneret, one of the architects of Chandigarh, India. Bijlani owns over 500 pieces, including Jeanneret's 1960 Dining Table and Easy Chairs (1956), as well as works by Le Corbusier and George Nakashima. He staged his first home exhibition last year featuring South Asian diaspora artists, and this year presents 'Electric Kiln,' pairing Jeanneret and Le Corbusier pieces with works by Cooper, Lucie Rie, and Frank Auerbach. Some works are for sale to fund future shows, including a Japan-themed exhibition and one timed to London Gallery Weekend.

'I want to show the real deal': property developer Rajan Bijlani on his Modernist design collection

Property developer Rajan Bijlani, a north London collector, has amassed over 500 pieces of Modernist design, focusing on Pierre Jeanneret’s furniture from Chandigarh, India. He recently opened his home, Fonthill Pottery, for a second exhibition titled "Electric Kiln," pairing Jeanneret and Le Corbusier works with pieces by ceramicist Emmanuel Cooper, potter Lucie Rie, and painter Frank Auerbach. Some works are for sale to fund future shows, including a Japan-themed exhibition and one timed to London Gallery Weekend.

'I want to show the real deal': property developer Rajan Bijlani on his Modernist design collection

Property developer Rajan Bijlani, based in north London, has amassed a collection of over 500 pieces of Modernist design, with a particular focus on Pierre Jeanneret's furniture created for Chandigarh, India. He recently opened his home, Fonthill Pottery, for a second exhibition titled 'Electric Kiln', pairing works by Jeanneret and Le Corbusier with ceramics by Lucie Rie and Emmanuel Cooper, and paintings by Frank Auerbach. Some works are for sale to fund future shows and preservation efforts.

A tale of two philanthropies: why private foundations differ in London and Paris

Two new private philanthropic art spaces have opened in London this month: YDP (Yan Du Projects) in Bedford Square, founded by Chinese patron Yan Du, and Ibraaz in Fitzrovia, funded by Tunisian-Swiss banker Kamel Lazaar and run by his daughter Lina Lazaar. YDP focuses on Asian and Asian diasporic art, while Ibraaz centers art of the "global majority," featuring works like Ibrahim Mahama's installation and a library by the Otolith Group. Both founders, in their early 40s, represent a younger generation of patrons prioritizing social impact over legacy.

A tale of two philanthropies: why private foundations differ in London and Paris

Two new private philanthropic art spaces have opened in London this month: YDP (Yan Du Projects) in a Georgian townhouse on Bedford Square, founded by Chinese patron Yan Du, and Ibraaz in Fitzrovia, funded by Tunisian-Swiss investment banker Kamel Lazaar and run by his daughter, curator Lina Lazaar. YDP focuses on Asian and Asian diasporic art, while Ibraaz showcases art of the "global majority," featuring works like Ibrahim Mahama's installation and a library by the Otolith Group. Both philanthropists, in their early 40s, aim to foster community and support underrepresented voices. Meanwhile, in Paris, the Fondation Cartier has relocated to a vast Haussmann building opposite the Louvre, joining other luxury-brand-funded museums like the Fondation Louis Vuitton and the Pinault Collection, highlighting a contrasting model of grand-scale cultural philanthropy.

Yoko Ono: Music of the Mind

The Broad museum in Los Angeles will present 'Yoko Ono: Music of the Mind,' the artist's first solo museum exhibition in Southern California, from May 23 to October 11, 2026. Organized in collaboration with Tate Modern, London, the show spans Ono's seven-decade career, featuring interactive instruction works, participatory installations like 'Wish Trees for Los Angeles,' films such as 'Cut Piece' (1964) and 'FILM NO. 4 (BOTTOMS)' (1967), and collaborative pieces with John Lennon including 'Bed Peace' (1969). Visitors will be invited to engage directly with works that turn simple acts into expressions of peace and connection.

Yoko Ono: Music of the Mind

The Broad museum in Los Angeles will host "Yoko Ono: Music of the Mind," the artist's first solo museum exhibition in Southern California, from May 23 to October 11, 2026. Organized in collaboration with Tate Modern, London, the show spans Ono's seven-decade career, featuring interactive instruction works, participatory installations like "Wish Trees for Los Angeles" on the museum's plaza, and key pieces such as "Grapefruit" (1964), "Cut Piece" (1964), and collaborative projects with John Lennon including "Bed Peace" (1969). The exhibition includes film, video, and contemporary works like "Helmets (Pieces of Sky)" (2001), emphasizing audience participation and Ono's lifelong themes of peace, activism, and imagination.