From Eurovision to the Venice Biennale, culture contests are being overshadowed by politics

The Venice Biennale and Eurovision Song Contest are being overshadowed by political controversies rather than artistic merit. At the Venice Biennale, the Russian pavilion opened for press previews for the first time since the Ukraine invasion, a decision that may cost the festival €2m in EU funds. The Israeli pavilion will open despite protests from 200 artists and curators, while the South African pavilion will remain empty after its government blocked an artist's tribute to a Palestinian poet. The Iranian pavilion is also shut, and the awarding jury has resigned en masse, meaning no Golden or Silver Lion awards will be given for the first time in 40 years. Similarly, Eurovision's 70th anniversary is dominated by five countries boycotting over Israel's participation, with little focus on the music.

LACMA inaugurates its new building

Le Lacma inaugure son nouveau bâtiment

The Los Angeles County Museum of Art (LACMA) has inaugurated its new David Geffen Galleries building, a massive horizontal structure spanning Wilshire Boulevard. Designed by architect Peter Zumthor, the $720 million project features 32,000 square meters of exhibition space across 90 non-hierarchical galleries, a free public park level, and a radical departure from traditional museum departmental organization.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

10 Must-See Shows During the Venice Biennale 2026

The 2026 Venice Biennale is embroiled in multiple controversies, including the cancellation and reinstatement of Australia's representative artist Khaled Sabsabi, ongoing calls to bar Israel from participating, criticism over allowing Russia to participate, and mounting voices to exclude the U.S. in response to President Donald Trump's actions in Iran. Despite these disputes, the article highlights that many of the city's most exciting shows will take place away from the main Biennale venues.

Alessandro Rabottini on the Impact of Artists’ Moving Image

Alessandro Rabottini, artistic director of Fondazione In Between Art Film, reflects on the closing of 'Canicula', the final chapter of the foundation's 'Trilogy of Uncertainties' exhibition series in Venice. The article explores how staging time-based moving-image works interacts with the fast-paced environment of the Venice Biennale, and how artists' film and video have evolved as a medium within the art world.

‘Into Other Spaces' to reexamine trailblazing women artists across decades

The Leeum Museum of Art in Seoul is hosting 'Inside Other Spaces: Environments by Women Artists, 1956-1976,' an exhibition that reconstructs immersive room-scale works by 11 women artists from underrepresented regions. Co-curated by Andrea Lissoni and Marina Pugliese, the show traces two decades of experimental environments made from light, sound, plastic, and foam, which anticipated installation and media art. The Seoul edition features a new version of Jung Kang-ja's 1967 work 'Muche-jeon (Incorporal Exhibition),' a smoke-filled chamber that evokes the tension of 1970s authoritarian Korea.

Un itinerario fotografico tra installazioni e progetti d’autore della Design Week 2026. La collaborazione tra Artribune e i computer di MSI

This article outlines a one-day itinerary through Milan's 2026 Fuorisalone design week, highlighting key installations and exhibitions. It begins at Torre Velasca, featuring Polish Modernism and Brazilian modernist Jorge Zalszupin, then moves to the University of Milan's cloisters for the Interni magazine exhibition themed 'Materiae,' with oversized sculptures and a yacht installation by Piero Lissoni for Sanlorenzo. Other stops include Palazzo Litta, where architect Lina Ghotmeh presents 'Metamorphosis in Motion,' and Galleria Rossana Orlandi, focusing on the theme of doors. The itinerary concludes at Alcova in the former Baggio Military Hospital, an abandoned space reactivated by curators Valentina Ciuffi and Joseph Grima.

Gallery Conversation: Ideal Landscapes in Painting and Photography

The Art Institute of Chicago is hosting a gallery conversation on June 1 titled "Ideal Landscapes in Painting and Photography." The program, led by curators Yechen Zhao and Felice Graciela Robles, will examine idealized representations of nature in East Asian art, comparing painted landscapes from the Korean National Treasures exhibition with a 1938 photograph by Chinese artist Lang Jingshan. The discussion will explore the blurred boundaries between ideal and real, as well as between painting and photography.

Jersey Arts TV: Exploring Native Knowledge and Art at Montclair Art Museum

Jersey Arts TV has released a new episode exploring Native knowledge and art at the Montclair Art Museum. The episode highlights the museum's commitment to showcasing Indigenous perspectives through its collections and exhibitions, featuring interviews with curators and artists who discuss the cultural significance and contemporary relevance of Native American art. The segment aims to educate viewers on the intersection of traditional knowledge and modern artistic expression.

Bildmuseet opens the MFA exhibition from Umeå Academy of Fine Arts.

Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.

ArtFields festival returns to Lake City April 10 to May 2, featuring Southeast artists

Lake City, South Carolina, is set to host the annual ArtFields festival from April 10 to May 2, 2026. The event transforms the town into a massive gallery, displaying hundreds of works by Southeastern artists across local boutiques, restaurants, and historic warehouses. This year's competition features over $100,000 in prize money, with winners determined by both a professional jury and a popular vote.

Authentic Michelangelo

Michel-Ange authentique

Jean-René Gaborit, former head of Sculptures at the Louvre, has published a major new book, "Les Sculptures de Michel-Ange. Le vrai, l'incertain et le faux," which rigorously examines the authenticity of works attributed to Michelangelo. The 500-page volume, based on fifty years of study, categorizes the master's sculptural corpus into works of certain authenticity, lost-and-found pieces that spark debate, sculptures executed by others after his designs, and works mistakenly attributed due to stylistic similarities.

[Gallery Walk] The Vanished Rooms of Women Reopened

Leeum Museum of Art in Seoul is presenting "Into Other Spaces: Synesthetic Environments by Women Artists 1956-1976," a major exhibition opening May 5 that reconstructs immersive environmental artworks by 11 women artists from Asia, the Americas, and Europe. The show features full-scale recreations of works that were often dismantled or lost, including Jeong Gangja's "Muchejeon" (1970), which was shut down by authorities after just days. Curators Andrea Lissoni and Marina Pugliese used archival materials, photographs, and direct consultations with artists or their estates to piece together these ephemeral pieces.

Making Rent: New York’s New Apartment Galleries and Artist-Run Spaces

A wave of new artist-run and apartment galleries is emerging in New York's outer boroughs, driven by artists and organizers seizing unconventional, often temporary, spaces. These include the Gallery in Crown Heights, a massive group show staged in a vacant office loft secured with a two-month free lease, and the more established Iowa Projects, which presents solo exhibitions in a domestic setting.

'Is This Art?': Mulberry Art Studios' newest exhibition features cryptic art from telephone poles

Mulberry Art Studios in Lancaster, Pennsylvania, has launched a posthumous exhibition titled "Is This Art?: The Collected Works of Donald Shoffstall." The show features a collection of photocopied signs and posters that Shoffstall, a local figure who experienced homelessness, stapled to telephone poles throughout the city during the late 20th century. Curated by Steve Sylvester and Jerry Greiner, the exhibition presents these stream-of-consciousness writings and abstract graphic works as significant pieces of outsider art.

Russia and Israel cannot win any prizes at the next Venice Art Biennale 2026. The jury takes a stand

Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione

The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.

And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

Pinakotheke Cultural Opens Spacious New Gallery in São Paulo

Pinakotheke Cultural, founded by Max Perlingeiro in Rio de Janeiro in 1979, will open a new, significantly larger gallery space in São Paulo on May 16. Located on Rua Minas Gerais in the Higienópolis neighborhood, the venue nearly doubles the size of the gallery's previous São Paulo outpost. The inaugural exhibition, "Surrealisms: Art Beyond Reason," curated by Max Perlingeiro and Tadeu Chiarelli, will feature approximately one hundred works by sixty artists from Europe, Latin America, North America, and the Caribbean, offering a comprehensive overview of the surrealist movement.

Walk through UAE’s first contemporary art exhibition dedicated to the Urdu language

The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.

Mafalda meets Pimpa. In Rome, the dialogue between two authentic comic icons: interview with the curators

Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori

A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

Working in Art and Culture: Opportunities from Premio di Pittura Casciaro, Fondazione MUS.E, Comune di Roma, Fondazione Officine Saffi

Lavorare nell’arte e nella cultura: opportunità da Premio di Pittura Casciaro, Fondazione MUS.E, Comune di Roma, Fondazione Officine Saffi

This article from Artribune compiles five current job and grant opportunities in the Italian visual arts and culture sector. It lists open calls for the Premio di Pittura Giuseppe Casciaro (a painting prize with a career award and a solo exhibition prize), a residency program for artists and curators under 36 at Fondazione MUS.E's MAD Murate Art District, an open call for artists on the theme of play by Associazione Circuiti Dinamici, a search by the Comune di Roma for a three-year artistic director for the La Vaccheria cultural space, and a stage (internship) position at Fondazione Culturale Officine Saffi for exhibition programming and project coordination.

Working in the arts: opportunities from Arte Laguna Prize, Reggio Parma Festival, Italian Cultural Institute of London, Museo Mitoraj

Lavorare nell’arte: opportunità da Arte Laguna Prize, Reggio Parma Festival, Istituto Italiano di Cultura di Londra, Museo Mitoraj

Artribune has compiled a list of five open calls and job opportunities in Italy for visual artists, theater professionals, curators, and digital media specialists. The opportunities include the Arte Laguna Prize 2026 offering exhibitions at Venice's Arsenale Nord and international residencies at venues like The Swatch Art Peace Hotel in Shanghai and BigCi in Australia; the Gradus theater residency program by Reggio Parma Festival; an artist residency for Italians under 40 at Camberwell College of Arts in London organized by the Istituto Italiano di Cultura di Londra; the Terre Alte residency for visual artists and curators under 36 by CasermArcheologica; and a digital media specialist position at the Fondazione Museo Igor Mitoraj.

Dismantling Orbán's 16-Year Grip on Hungary's Art World

Following the recent electoral defeat of Viktor Orbán’s Fidesz-KDNP coalition by the opposition party Tisza, the Hungarian art world faces a monumental task of institutional restoration. For 16 years, the regime’s 'System of National Cooperation' (NER) systematically co-opted cultural institutions, installing loyalists in leadership roles at major venues like the Kunsthalle and Ludwig Museum to promote an ethno-nationalist agenda. This period was marked by the exodus of independent curators, the occupation of museums by activists, and a fractured ecosystem where state funding was tied to political compliance.

Pavilions of the Venice Biennale go on strike

Pavillons der Venedig-Biennale werden bestreikt

Cultural workers and participants of the Venice Biennale went on strike on Friday, protesting Israel's participation in the art exhibition. Organized by the Art Not Genocide Alliance (ANGA) alongside several cultural groups and Italian grassroots unions, the 24-hour walkout led to the closure of several national pavilions on the final preview day. A rally was planned near the Arsenale grounds. The strike aims to oppose the "normalization of genocide in culture" and poor working conditions at the Biennale, following an earlier open letter signed by over 230 artists and curators demanding the exclusion of the Israeli pavilion. Israel is represented by sculptor Belu-Simion Fainaru, who opposes cultural boycotts and advocates for dialogue. The Biennale's leadership has distanced itself from the strike, emphasizing adherence to regulations and support for freedom of speech and pluralism.

From Minor Keys to Uproar: The Crisis of the Venice Biennale

DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA

The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.

Doosan Yonkang Foundation Backs Venice Korean Pavilion

The Doosan Yonkang Foundation has announced its sponsorship of the Korean Pavilion at the 61st Venice Biennale, which will take place from May 9 to November 22, 2026, at Giardini Park in Venice, Italy. The Korean Pavilion, titled "Liberation Space: Fortress and Nest," explores political events and historical transitions in Korean society from 1945 to the present, under the artistic direction of Choi Bitna. Participating artists include Noh Hyeri and Choi Goeun, along with fellows such as novelist Han Kang, farmer and activist Kim Huju, writer and singer Lee Lang, photographer Hwang Yeji, and artist Christian Nyampeta. Notably, Noh Hyeri and Choi Bitna are alumni of the foundation's support programs, Doosan Art Lab and Doosan Curator Workshop, respectively.

Al Museo Egizio di Torino ora c’è un centro di ricerca per studiare la scrittura dell’Antico Egitto attraverso tremila anni di storia

The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.

8 Must-See Shows during Gallery Weekend Berlin 2026

Gallery Weekend Berlin 2026 features over 50 galleries across the city, with a strong emphasis on painting. The event, founded in 2005 by a cooperative of local gallerists as an alternative to traditional art fairs, this year confirms the lasting power of painting despite its original anti-painting ethos.

Nature is healing? Seagull lays eggs in the Giardini during Venice Biennale preview

During the VIP preview of the Venice Biennale, a seagull laid three eggs near the entrance of the Polish Pavilion in the Giardini. Pavilion staff built a protective barrier around the nest and warned visitors to avoid the protective bird, which one Italian collector called "the main attraction."