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An exhibition in a most extraordinary building explores Japan’s love for Van Gogh

An exhibition titled 'A Renewal of Passion: The Impact of Van Gogh' opens at the Pola Museum of Art in Hakone, Japan, running from May 31 to November 30. It explores Van Gogh's influence on Japanese art, featuring three Van Gogh paintings from the museum's own collection—acquired by founder Suzuki Tsuneshi—alongside loans from other Japanese institutions, including the Morohashi Museum of Modern Art and the Kuboso Memorial Museum of Arts. The show highlights works by Japanese artists like Kishida Ryusei, Maeta Kanji, and Nakamura Tsune, who were inspired by Van Gogh, as well as contemporary pieces such as Fiona Tan's photographic series 'Ascent' (2016).

Korea’s first privately owned Van Gogh unveiled at newly opened museum

Hong Gyu Shin, a New York-based gallery owner originally from Ulsan, South Korea, became the first named Korean to purchase a Van Gogh when he acquired *Head of a Peasant* (January-March 1885) at Sotheby’s in May 2024 for $787,000—well below its estimate. The painting has now gone on display at the newly opened KAIST Art Museum (KAM) in Daejeon, South Korea, as part of Shin's exhibition *The Vault of Masterpieces* (until 30 August). The show features 49 works from his personal collection, including a recreation of his New York apartment, and marks the first time a Van Gogh has been exhibited on loan from a Korean collector.

As Kazakhstan cautiously strengthens ties with western Europe, new art venues herald a change of direction

Two wealthy Kazakh entrepreneurs, Kairat Boranbayev and Nurlan Smagulov, are opening private art institutions in Almaty this year: the Tselinny Center of Contemporary Culture and the Almaty Museum of Arts. The Tselinny Center, designed by British architect Asif Khan, will open in September in a repurposed Soviet-era cinema, while the Almaty Museum of Arts, a 10,000 sq. m building by Chapman Taylor, aims to open the same month. These developments come as Kazakhstan cautiously strengthens ties with western Europe to reduce dependence on Russia, following the 2022 invasion of Ukraine, and positions itself as an energy supplier to Europe and a logistical hub for China's Belt and Road Initiative.

5 noteworthy art gallery exhibitions to check out during Expo Chicago

Expo Chicago returns to Navy Pier from April 9-12, featuring over 130 international galleries and anchoring a city-wide week of major art programming. Local institutions and commercial galleries are strategically timing their most significant exhibitions to coincide with the fair, including a major presentation of Chicago Imagist Roger Brown at Gray gallery and architectural collages by Marshall Brown at Western Exhibitions.

The extraordinary boom in modern Indian art

Despite a general art market downturn, modern Indian art auctions have seen extraordinary demand. Over the past two weeks, sales at Christie’s in New York, Saffron Art in New Delhi, Pundole’s in Mumbai, and Sotheby’s in London all sold out. Sotheby’s London sale raised £19 million, more than five times its estimate, led by record-breaking works from Francis Newton Souza, including *Houses in Hampstead* (1962) sold for £5.6 million and *Emperor* (1957) sold for £5.2 million. The article traces Souza’s rebellious career, from his expulsion from school in Mumbai for pornographic graffiti, to his founding role in the Progressive Artists’ Group, his struggles in England and the US, and his eventual death in 2002 with little recognition.

Post-Mortemism: An Autopsy of “Nigerian Modernism: Art and Independence” at Tate Modern.

A critical essay by Ayọ̀ Akínwándé performs a forensic 'autopsy' of the Tate Modern exhibition 'Nigerian Modernism: Art and Independence.' The review dissects the show's structure, arguing it fails in its curatorial framework by isolating Nigerian artists within a regional category, using ethnographic display methods, relying on incomplete research, and excluding key artists and historical context.

Turkey Notches Another Successful Restitution After Denver Art Museum Returns 1500-Year-Old Marble Head

The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.

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The British Museum has sent approximately 80 artifacts on long-term loan to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India. The loan includes an ancient Egyptian wooden riverboat model, Sumerian statues from 2200 BCE, a Roman mosaic from London, and a marble bust of Emperor Augustus. It is the largest loan of ancient material to India and the first such deal between the British Museum and a non-Western museum. The exhibition aims to counter "colonial misinterpretation" by emphasizing India's contributions to civilization.

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South African video game studio Nyamakop unveiled its latest project, Relooted, at the Summer Game Fest in Los Angeles. The game is a side-scrolling puzzle platformer where players join a crew of thieves to steal back African artifacts from Western museums and repatriate them to their original communities. The artifacts in the game are based on real looted objects, such as the Ngadji drum held by the British Museum, and the missions involve heists from fictionalized museums. The studio spent two years researching artifacts with compelling stories of looting.

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Open Restitution Africa (ORA), an African-led research organization, has compiled case studies including the Ngadji drum, a sacred instrument confiscated from Kenya's Pokomo people by British colonial officers in 1902 and now held by the British Museum. With a $600,000 grant from the Mellon Foundation, ORA provided microgrants to scholars like William Mutta Tsaka of the National Museums of Kenya, who documented the drum's cultural significance and the community's ongoing struggle for repatriation. The project aims to fund independent researchers and community activists across Africa, covering fieldwork costs often neglected by larger provenance grants.

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The British Museum faced significant criticism from archaeologists and the public after posting images containing A.I.-generated content on its Instagram and Facebook accounts. The posts, which featured a young woman contemplating exhibits, were tagged to an A.I. model and a marketing agency. Following a wave of negative comments, the museum removed the posts approximately six hours later and reportedly unfollowed critics on social media.

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Sotheby's Hong Kong offered the Qing dynasty imperial painting *The Blue Goats* as a single-lot sale during its Asian Art Week. Commissioned by Emperor Qianlong in the late 1750s, the seven-by-six-foot hanging scroll was created by Italian Jesuit painter Giuseppe Castiglione (Lang Shining) and Chinese court artist Jin Tingbiao, blending Western and Eastern techniques. Despite a presale estimate of HK$60–150 million ($7.7–19.3 million), the work sold for HK$58.9 million ($7.6 million) after fees, below the low estimate. The painting depicts a pair of gorals in a rocky landscape and is inscribed with a poem by the emperor symbolizing his military conquests.

In Venice, Hernan Bas Paints the Problem With Modern Tourism

American artist Hernan Bas has created a series of 40 paintings critiquing modern tourism, set to open in May at Ca' Pesaro–International Gallery of Modern Art in Venice during the Biennale. Titled "The Visitors," the exhibition depicts young white male American tourists engaging in objectionable behaviors worldwide—from begpacking to visiting disaster sites—painted with Bas's signature attention to clothing details. The works were developed during a residency in Venice, a city emblematic of overtourism, in collaboration with Victoria Miro, Lehmann Maupin, and Perrotin galleries.

Barkley L. Hendricks | Biography, Paintings, Photography & Legacy

Barkley L. Hendricks was a transformative American portrait artist known for depicting ordinary Black men and women with the scale and technical mastery typically reserved for European Old Masters. After a pivotal trip to Europe in the 1960s where he noted the absence of Black subjects in museum collections, Hendricks dedicated his career to elevating Black identity through bold, life-sized oil paintings and photography. His work often featured vibrant monochromatic backgrounds and subjects drawn from his personal life, popular music, and urban culture.

Sundaram Tagore Gallery Expands to London with New St James’s Space

Sundaram Tagore Gallery is expanding its international footprint with the opening of a new 310-square-meter flagship space in London’s St James’s district this May. Located in a renovated Edwardian building on Pall Mall, the multi-level gallery will feature exhibition areas, a private viewing room, and dedicated spaces for live performances and screenings. The inaugural exhibition, titled "Hybridity and Belonging in Contemporary Art," will showcase a diverse roster of artists including Hiroshi Senju, Tayeba Lipi, and Sohan Qadri, focusing on themes of displacement and cross-cultural identity.

7 Art Events and Exhibitions to See in Los Angeles This February

Several major Los Angeles institutions are opening new exhibitions in February. Highlights include the Academy Museum's interactive "Studio Ghibli’s Ponyo" show, the Autry Museum's "Desert Dreams and Coastal Currents" exhibition on Southwestern art, a performance by Wild Up at The Broad, the Getty Center's "Photography and the Black Arts Movement" survey, LACMA's display of modern masterpieces from the Pearlman collection, and the Marciano Art Foundation's Bruce Conner retrospective.

‘The good, the bad and the ugly’: a short history of how artists depict the female body

Art historian Amy Dempsey has published a new book, 'The Female Body in Art,' which examines the historical representation of women in Western art. The book moves from Renaissance archetypes to contemporary works, focusing on a celebratory selection of artists and images rather than critiquing the often problematic history of the female nude.

‘Rubens with jokes’: UK exhibitions place Beryl Cook in the art historical canon

Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.

Paris exhibition provides a new canon-busting vision of Minimalism

The Bourse de Commerce in Paris hosts "Minimal," a groundbreaking exhibition curated by Jessica Morgan, director of the Dia Art Foundation. The show centers on five large-scale natural-material works by 81-year-old US artist Meg Webster, while featuring over 100 works by more than 50 artists to challenge the traditional narrative that 1960s-70s Minimalism was exclusively a white, male, American movement. It includes thematic sections on light, balance, and monochrome, a gallery devoted to Japan's Mono-ha movement, and retrospectives of Agnes Martin and Lygia Pape, drawing largely from the Pinault Collection with international loans.

Three key takeaways from Lagos’s newest African art symposium

The second week of November 2025 marks Lagos Art Week, featuring the 10th edition of Art X Lagos, West Africa’s leading international art fair, and the 15th edition of Lagos Photo Festival, now a biennial. A new symposium, Re: assemblages, hosted by the Alliance Française de Lagos and organized by the Guest Artists Space and Yinka Shonibare Foundations, brought together cultural practitioners from across Africa and the diaspora to discuss African and Afro-diasporic art archives. Key takeaways include the importance of archives as living tools for shaping the future, concerns about restricted access to the archives of late curators Okwui Enwezor and Bisi Silva, and the need for restitution efforts to incorporate African knowledge systems and language, not just the return of objects.

Nigerian Modernism, Tehran’s art scene after the war, Wayne Thiebaud’s ‘Cake’—podcast

This episode of The Art Newspaper's podcast covers three major stories. First, Tate Modern's new exhibition 'Nigerian Modernism' explores modern art beyond Western canons, featuring co-curator Osei Bonsu and artist Jimoh Buraimoh. Second, correspondent Sarvy Geranpayeh reports on Tehran's art scene following the 12-day Israel-Iran war in June 2025. Third, the 'Work of the Week' segment highlights Wayne Thiebaud's painting 'Cakes' (1963), now on view at the Courtauld Gallery in London for the artist's first UK museum exhibition.

12 art exhibits to explore this fall

Greater Boston's fall art exhibitions feature a range of shows that reflect on social issues and artistic traditions. Notable exhibits include Jean Shin's "Fabricated Imaginaries: Crafting Art" at the Rose Art Museum, which explores textile consumption and Asian stereotypes; "Sketch, Shade, Smudge: Drawing from Gray to Black" at Harvard Art Museums, showcasing monochromatic works; "Andrew Gn: Fashioning the World" at the Peabody Essex Museum, highlighting the designer's blend of Eastern and Western aesthetics; and "List Projects 33: Every Ocean Hughes" at MIT List Visual Arts Center, examining the process of dying through video installation.

Despite new autumn slot, Tokyo Gendai remains a largely local affair

Tokyo Gendai held its third edition from September 11-14, 2025, in Yokohama, shifting from its original July slot to an early autumn date to attract more international dealers and collectors. The fair reported mixed sales amid a slow economy, with local Japanese collectors making up the vast majority of buyers. Notable sales were reported by Pace Gallery, while other galleries like Anomaly noted a slower start but eventual sales. The fair also featured a new partnership with Art Busan, bringing Korean and Chinese galleries with subsidized booth fees.

How to Plan an Art-Filled Day Trip to the Berkshires

This article is a travel guide for planning an art-focused day trip to the Berkshires in western Massachusetts, highlighting key cultural destinations for summer 2025. It details MASS MoCA in North Adams, a vast contemporary art museum housing works by Sol LeWitt, Anselm Kiefer, Louise Bourgeois, and James Turrell, with current exhibitions including a Vincent Valdez retrospective and Alison Pebworth's "Cultural Apothecary." The guide also covers the Clark Art Institute in Williamstown, featuring its "Ground/work 2025" outdoor sculpture exhibition curated by Glenn Adamson, alongside shows by Mariel Capanna, mid-century modern graphic design, and Isamu Noguchi. Additional attractions include the LOUD Weekend and FreshGrass music festivals, plus dining options like the museum campus's cafe and the Tourists hotel restaurant.

Hallie Ford Museum of Art showcases Oregon’s foremost Modernist painter with ‘C.S. Price: A Portrait’

The Hallie Ford Museum of Art in Salem, Oregon, has opened 'C.S. Price: A Portrait,' a retrospective exhibition of more than 40 works by Clayton Sumner Price, a Modernist painter who helped shape America’s view of the West. The show was organized by Roger Saydack, a retired attorney and self-taught scholar who first encountered Price’s painting 'The Fisherman' as a boy at the Detroit Institute of Arts and spent decades researching the artist. It runs through August 30 and is the first solo exhibition of Price’s work in over 25 years, accompanied by a 312-page catalog.

Prix de West 2025 Celebrates Excellence In Western Art In Grand Tradition

The 53rd annual Prix de West Invitational Art Exhibition & Sale took place in late June at the National Cowboy & Western Heritage Museum in Oklahoma City, featuring nearly 300 original works by nearly 100 artists. The event generated over $3.2 million in sales, with Utah-based artist James Morgan winning the prestigious Purchase Award for his oil-on-linen painting *White on White*, which will enter the museum's permanent collection. Morgan also received the Robert Lougheed Memorial Award for best display of three or more works.

Asian galleries move westward: their growing presence and influence in New York

Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).

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Pace Gallery is closing its exhibition space at H Queen’s in Hong Kong later this month, with its final show—featuring Alejandro Piñeiro Bello—ending on October 18. The gallery chose not to renew its lease, citing that the location was no longer serving its needs. Pace will maintain its Hong Kong and Beijing offices and remains open to finding new spaces, signaling it is not fully exiting the city.

Poly Auction Hong Kong Spring Auctions 2026: High Jewels and Watches, Modern and Contemporary Art Auctions to Be Held on 6 April

Poly Auction Hong Kong has announced its Spring 2026 auction series, scheduled to take place from April 6 to April 8 at the Shun Tak Centre. The sales feature a diverse array of categories including Modern and Contemporary Art, Chinese Ceramics, Chinese Paintings, and High Jewelry and Watches. Highlighting the contemporary selection is Liu Wei’s 1995 masterpiece "You Like Pork?", a rare work previously exhibited at the Venice Biennale, alongside a significant 1960s "White period" abstract canvas by Zao Wou-Ki.

Counterpublic Triennial Names 47 Artists and Collectives for Upcoming Third Edition, Including Glenn Ligon, Rebecca Belmore, Rirkrit Tiravanija

The St. Louis-based triennial Counterpublic has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12, 2025. The exhibition features 47 artists and collectives, including major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija, alongside posthumous presentations of works by Juanita McNeely and Benjamin Patterson. Curated by a five-person international team, the triennial will activate various sites across the city, including the Mississippi Riverfront and the historically Black neighborhood of The Ville.