The Invisible Pain: The Story of the Asylum in Alessandro Bencivenga's Latest Film

Il dolore che non si vede: il racconto del manicomio nell’ultimo film di Alessandro Bencivenga

Director Alessandro Bencivenga’s new film, L’invisibile filo rosso, debuted out of competition at the 82nd Venice Film Festival, offering a poignant look at the Pergine Valsugana psychiatric hospital in the 1950s. Based on extensive archival research, the narrative follows a young nurse from Ischia who witnesses the hidden horrors and human dignity within the asylum. The film features a notable cast including Massimo Bonetti, who portrays the real-life figure Giovanni Giulio Anesini, and Ornella Muti as Ida Dalser, the persecuted first wife of Benito Mussolini.

Toulouse is the European capital of space travel (and knows how to celebrate it)

Tolosa è la capitale europea dei viaggi nello spazio (e sa come celebrarli)

Toulouse has solidified its status as Europe’s aerospace capital, blending industrial prowess with cultural engagement. The city, home to the Airbus headquarters and the National Centre for Space Studies (CNES), celebrates the legacy of flight from Clément Ader’s 1890 steam-powered takeoff to modern satellite technology. Key institutions like the Cité de l’espace and the Envol des Pionniers museum offer immersive experiences, including flight simulators, real-scale rocket replicas, and exhibitions on the history of Air France.

A Massive Design Store is About to Open Inside an Entire 19th-Century Palace in Milan

A Milano sta per aprire un enorme negozio di design dentro un intero palazzo dell’Ottocento

The American luxury interior design giant RH (formerly Restoration Hardware) is set to open its first Italian flagship store in Milan's historic Palazzo del Principe di Piombino. Located on Corso Venezia, the massive 5,000-square-meter "Gallery" occupies a 19th-century neoclassical palace that has undergone an extensive restoration costing at least €10 million. The site will feature multiple floors of luxury furnishings, a 1,000-square-meter garden, and a subterranean restaurant called La Volta housed under a crystal dome.

Design and Motorcycle Collector Opens a Museum Dedicated to the Piaggio Vespa in Milan: Unique 80-Year-Old Specimens

Collezionista di design e moto ha aperto un museo dedicato alla Vespa Piaggio a Milano: esemplari unici di 80 anni fa

Former Ikea executive Stefano Biffi has transformed a 700-square-meter former tire workshop in Milan into "My Vintage," a private museum and event space housing one of the world's most significant collections of Piaggio Vespa scooters. The venue features rare specimens from the 1940s, 50s, and 60s, including original 1946 models displayed without kickstands to reflect the muddy road conditions of post-war Italy. The space is designed to be a sustainable cultural hub, offering guided tours alongside rentals for events, film shoots, and ceremonies.

Super Mario Galaxy is the first true video game film

Super Mario Galaxy è il primo vero film videoludico

The article analyzes the 2023 animated film 'Super Mario Galaxy – Il film,' arguing it represents a significant evolution in video game adaptations. The film, a sequel to 'Super Mario Bros. – Il film,' abandons traditional narrative concerns and instead structures itself like a video game, constantly introducing new characters, power-ups, and scenarios directly from the Super Mario game series, as if the protagonists are moving through game levels.

Luxe art gallery picks River Oaks District for first Texas location; major French brands reopen

Paris-based Opera Gallery plans to open its first Texas location in Houston's River Oaks District, with a $7 million build-out of a 3,000-square-foot space at 4444 Westheimer, Suite A115. Construction is scheduled from early September to December 2025, and the gallery has hired Houston-based Abel Design Group as the design firm. Opera Gallery, which began in 1994 with simultaneous openings in Paris and Singapore, caters to high-wealth collectors.

61st Venice Biennale: Cultural workers and artists strike and protest against the Israeli genocide in Gaza

Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.

Winners of the Leicester Open announced

The winners of the Leicester Open exhibition have been announced, with Simon Farrow winning the prestigious Attenborough Award for his drawing "Clock Tower: Heaven or Hell," which depicts Leicester's Clock Tower with a street preacher and passers-by. Farrow, an amateur artist from Leicester, was selected from over 1,000 entries across paintings, sculptures, prints, and photographs. Other winners include Peter J Lester, Lisa Davies, Alexis Hutson, and several young artists in categories for ages 5-18. All winning works are on display at Leicester Museum & Art Gallery until January 30, 2026, with adult artworks available for purchase starting at £50.

Bark Art Stuns Opening Night Crowd

The Wondai Regional Art Gallery in Queensland, Australia, opened its May 2025 exhibitions with a standout piece: a 3D bark portrait of the late actor Uncle Jack Charles by art student Charlotte Simpson, which won the People's Choice award. The show also features a rare photograph of a bee urinating, captured by Moffatdale photographer Liz Barratt, alongside works by the Tomlinson Family Collective and other local artists. The exhibitions were officially opened by South Burnett Mayor Kathy Duff and will run through May 31.

Ari Emanuel to buy Frieze from Endeavor

Endeavor has announced the sale of Frieze, the leading art fair and media brand, to a new company founded by Ari Emanuel, Endeavor's former chief executive. The deal, reportedly valued at nearly $200 million, includes all seven Frieze art fairs, the magazine Frieze, and its gallery sharing initiative No.9 Cork Street in London. Emanuel, who co-founded Endeavor, created an as-yet-unnamed global events company backed by investors including Apollo Global Management and Redbird Capital Partners. The acquisition is expected to close in the third quarter of 2025, and Frieze's leadership, including CEO Simon Fox, will remain in place.

University fine art museum to showcase MFA thesis exhibition

The Western Carolina University (WCU) Fine Art Museum is presenting the 2025 MFA Thesis Exhibition, running from April 8 through May 2, 2025. The show features work by four graduating Master of Fine Art students from WCU’s School of Art and Design: Daniel Simone, Yuwen Renjie, Jeannie Regan, and Joey Martin. Their works span alternative printmaking, social practice, material experimentation, and narrative painting, addressing themes of identity, cross-cultural experience, community engagement, and environmental challenges.

Two Visitors’ Lions have been established for the Biennale Arte 2026

La Biennale di Venezia has announced the establishment of two Visitors' Lions for the 61st International Art Exhibition, following the resignation of the International Jury appointed by curator Koyo Kouoh. The awards ceremony, originally scheduled for May 9, has been moved to November 22, the final public day, echoing a similar shift during the 2021 Architecture Exhibition due to COVID-19. The Visitors' Lions will be voted on by ticket holders who visit both exhibition venues between May 9 and November 22, with one award for the Best Participant in the exhibition "In Minor Keys" by Koyo Kouoh and another for the Best National Participation.

Spectral Nomenclature. Anastasia Pavlou  by Arnisa Zeqo

Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.

‘In Mali, When Animals Dance’ – Inside the Pulse of Sogo Bò

Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.

NEYRA PÉREZ: RETURN TO ROEBIRI

NEYRA PÉREZ: RETORNO A ROEBIRI

Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.

design la cavalarie cosima ungaro austin feilders

Cosima Ungaro and Austin Feilders, who run the creative agency Concept, have taken over the restoration and operation of Domaine de La Cavalerie, a 12th-century Knights Templar compound in France that was acquired by Emanuel Ungaro in 1985. The estate, which includes the original La Commanderie building, a 17th-century Bergerie, and 160 acres of land, has been updated with geothermal power, 1,000 additional olive trees, and a hospitality concept for stays and events. The article highlights the library as a key example of Ungaro's design philosophy, blending medieval roots with Italian antiques and artworks.

Nearly 70 Student Artists Featured in SUNY Oneonta’s Annual Juried Art Show

Nearly 70 student artists are featured in SUNY Oneonta’s 2026 Juried Student Show, now on display at the Martin-Mullen Art Gallery through May 2. The exhibition includes over 90 works in media such as painting, sculpture, ceramics, photography, digital art, and mixed media, selected by faculty from more than 100 submissions. A public reception with 17 awards will be held on April 30.

Solana’s first physical art gallery is using a Frank Ape solo show to prove the onchain art model works in the real world

Brandon Sines, the artist behind FrankApeWorld, opens his first solo exhibition in eight years, titled “Let’s Be Frank,” on May 1 at Cycol Gallery in New York. The show features a cohesive, journey-like curation culminating in a site-specific immersive installation, with every piece minted on Exchange.Art. Cycol Gallery, located at 91 Allen Street, describes itself as Solana’s first brick-and-mortar gallery, built on Solana infrastructure and powered in part by the BONK memecoin, which acquired Exchange.Art in March 2025. Physical display uses Blackdove Art’s digital frames, allowing works to exist as tangible objects and verifiable onchain assets simultaneously.

MFA Boston will lay off 33 employees amid rising deficit and restructuring

The Museum of Fine Arts, Boston, announced it will lay off 33 employees, representing 6.3% of its workforce. The cuts, which take immediate effect, include 16 unionized positions represented by United Auto Workers Local 2110, with the union claiming it received only one day's notice. The museum cites an "unsustainable deficit" and the need for a restructuring to achieve financial sustainability.

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Grundy Art Gallery in Blackpool is celebrating its 115th birthday in 2026 with a winter exhibitions programme that includes a giant birthday cake drawing installation in the foyer, the largest-ever Grundy Open Exhibition for local artists, newly commissioned paintings by locally based artist Jayne Simpson, and a collection spotlight exhibition themed around 1926 featuring loans from Showtown History Centre. The gallery invites the public to a special launch on January 24, 2026, and the exhibitions run through March 7.

Oregon artist’s ‘Don’t Touch My Hair’ exhibition makes complying impossible

Ashland artist Crystal Proffitt's interactive installation 'Don't Touch My Hair: An Interactive Crowned Experience' at the Langford Art Gallery in Phoenix, Oregon, invites viewers to touch the braids and locs attached to portraits of local Black models while listening to voice recordings about hair as cultural identity and resilience. The work, supported by the Oregon Cultural Trust and the Black Alliance & Social Empowerment (BASE) Southern Oregon, debuted January 3 and runs through January 24, after which it will join BASE's Black Cultural Legacy Series at the Rogue Gallery & Art Center in Medford. Proffitt intentionally allows the hair to show wear from handling, treating the erosion as part of the artwork's meaning.

D’ART Gallery opens in Baku’s White City with inaugural “From Generation to Generation” exhibition [PHOTOS]

D’ART Gallery has opened in Baku’s White City district with its inaugural exhibition, “From Generation to Generation,” featuring nearly 50 works by Azerbaijani artists spanning multiple generations, including People’s Artists, Honoured Artists, and emerging painters, graphic artists, and sculptors. The gallery aims to bridge Azerbaijan’s historical artistic heritage with contemporary art, and all exhibited works are available for sale. The opening ceremony included remarks from notable figures such as sculptor Ömər Eldarov, Executive Director Rəvan Həsənov, Vice-Rector Fuad Salayev, and gallery co-founder and director Dilara Muzaffarli.

Louvre to raise ticket prices by 45% for most non-EU visitors

The Louvre museum in Paris will increase ticket prices by 45% for visitors from outside the European Union, effective January 14, 2026. The cost for non-EU visitors from countries such as the UK, US, and China will rise from €22 to €32, generating an estimated €17.5 million in additional annual revenue. The decision comes as the museum faces significant budget cuts, including a 7% reduction in public subsidies, and seeks funding for a €1.1 billion renovation project. Staff unions have criticized the move as undermining the museum's universal mission since its founding in 1793.

Trajan’s force: Houston exhibition to explore Ancient Rome’s imperial peak

The Museum of Fine Arts, Houston is opening "Art and Life in Imperial Rome: Trajan and His Times," an exhibition exploring the artistic and cultural legacy of Emperor Trajan (AD 98–117). The show features loans from major Italian institutions including the Museo Archeologico Nazionale di Napoli and the Vatican Museums, with standout works such as a 2-meter marble statue of Trajan and a colossal portrait of his wife Plotina. The exhibition, conceived in 2021 with Italian consultancy StArt, will travel to the Saint Louis Museum of Art in March 2026, with each venue offering a different focus—Houston emphasizing large-scale objects like a recreation of Trajan's Column, and St. Louis delving into the port city of Ostia.

‘Final spurt’: decades-long rebuilding of Dresden’s Royal Palace nears completion

The decades-long reconstruction of Dresden's Royal Palace (Residenzschloss), a project costing €400 million, is nearing completion after beginning in 1985. The palace, which was reduced to a burnt-out shell by Allied bombing in February 1945 and remained a ruin through much of East Germany's history, will see its final phases unfold from autumn 2024 through 2027. These include a new installation in the former picture galleries, the rebuilt Schlosskapelle (palace chapel) opening in November, a Rüstkammer installation in the ballroom in early 2026, the completion of the Grosser Schlosshof courtyard in 2027, and a new exhibit in the Gothic Hall chronicling the palace's history. The palace now houses major collections of the Staatliche Kunstsammlungen Dresden (SKD), including the Grünes Gewölbe, Kupferstich-Kabinett, and Rüstkammer.

Power to the people: London’s National Gallery seeks public panel to help shape its future

London's National Gallery is launching NG Citizens, a citizens' assembly that will advise the museum on its future policy and direction. Starting next month, 15,000 households across the UK will receive invitations, from which 50 participants will be selected via a civic lottery, eventually narrowing to 20 individuals who will serve on the panel for five years. The gallery states the initiative places audiences at the heart of decision-making, aiming to shape programs around the needs of diverse UK communities, though the assembly will not directly choose exhibitions or acquisitions but will produce recommendations on purpose, priorities, and public value.

National Museum of Korea names new director as part of post-election reshuffle

You Hong-jun, a Myongji University art historian and author, has been appointed director of the National Museum of Korea and its 13 provincial affiliates. This appointment is part of a broader reshuffle following South Korea's snap presidential election in June, which brought Lee Jae-myung's Democratic Party to power. Other key appointments include Youn Bummo as president of the Gwangju Biennale Foundation, and Amal Khalaf and Evelyn Simons as co-curators of the 2026 Busan Biennale, marking the first female duo to curate that event.

Georgia writer Flannery O’Connor was also an artist. Here’s where her paintings were discovered

An exhibition of 70 artworks by legendary writer Flannery O'Connor has opened at Andalusia, the farm outside Milledgeville, Georgia, where she spent her final years. The paintings and pencil drawings—depicting birds, cows, landscapes, and a striking self-portrait—were discovered in a storage unit behind a Cook Out restaurant, where they had been hidden for decades. Curated by Cassie Munnell, the show offers a rare glimpse into O'Connor's visual art practice, revealing another dimension of the author known for her Southern Gothic prose.

A Torino arriva una provocatoria fiera d’arte dedicata all’olfatto inventata da una artista-erborista

The first edition of Olfacta Art Fair, a provocative art fair dedicated to scent, will take place from September 18 to 20, 2026, at EDIT Garden in Turin, Italy. Conceived by artist and herbalist Francesca Casale (born 1990) and her association Olfacta, the fair features ten artists and independent spaces under the curatorial direction of Gianluigi Ricuperati, with exhibition design by Maurizio Cilli. The event transforms the venue into an immersive environment where smells, emanations, and olfactory traces interact with installations, performances, scientific research, and sensory design, challenging traditional notions of art as a collectible object.

MASP Contested Narratives Between Replica and Weaving

MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING

The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.