UAE galleries close amid Iran missile strikes

Art galleries and museums across the United Arab Emirates, Bahrain, and Qatar have shuttered their physical spaces following a series of Iranian missile strikes targeting the Arabian Gulf. Major institutions including the Jameel Arts Centre and commercial galleries like Lawrie Shabibi and The Third Line have moved operations online or closed entirely as the UAE government advises residents to remain at home. The regional instability follows a cycle of retaliatory strikes between Iran and US-Israeli forces, resulting in casualties within the UAE.

Comment | After a market shake up in 2025, it's time to create a right-sized art trade

The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.

Where to see art in Singapore this week (Oct 24 to 31)

South-east Asia's largest art book fair, the Singapore Art Book Fair (SGABF), returns from October 31 to November 2, 2025, with over 120 exhibitors—its largest edition yet. The fair moves to a larger venue at New Art Museum Singapore and Whitestone Gallery, with ticket prices unchanged from 2024 ($6 online, $8 on-site). About half the exhibitors are first-timers, including Saigon-based studio WEDOGOOD, Cairo-based Rizo Masr, and local participants like graphic design trio Hause, Con-Temporary Art Editions, and visual artists Chin Lew and Isabell Hansen. The pilot Thing Books Residency Programme presents three new artist books by musician Yuen Chee Wai, filmmaker Seth Cheong, and vocalist Nur Wahidah. Visitors can also register for bookmaking workshops at additional cost.

Is the art world’s big summer break a thing of the past?

As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.

Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

Architectures, Projects and Visions: The Story of Santa Maria della Scala Goes on Show in Siena

Architetture, progetti e visioni. La storia del Santa Maria della Scala va in mostra a Siena

The Fondazione Antico Ospedale Santa Maria della Scala in Siena has launched a new regeneration project for the historic complex, 40 years after it ceased functioning as a hospital. The foundation, led by president Cristiano Leone and director Chiara Valdambrini, commissioned Luca Molinari Studio to analyze the original design by Guido Canali and coordinate a collaborative masterplan involving three international architecture firms: LAN Architecture, Odile Decq with Pangalos Feldmann Architectes, and Hannes Peer Architecture. An exhibition titled "Santa Maria della Scala. Architetture, progetti e visioni" will open on May 30, 2026, curated by Luca Molinari, showcasing the architectural plans and visions for the site.

Two photographers tried to tell Tuscany beyond the usual clichés

Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché

The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

Delicacy as Resistance. Interview with the Curator of the Turkey Pavilion at the Venice Biennale

La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia

For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

Venice Biennale Scraps “Golden Lion” Awards as Turmoil Continues

The 61st Venice Biennale has scrapped its traditional Golden Lion awards, replacing them with public-voted “Visitor Lions” after the entire award jury resigned on April 30. The jury had previously announced its intention to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively targeting Russia and Israel. The Biennale Foundation, however, stated that all official national pavilions—including Russia and Israel—will be eligible for the new Visitor Lions, citing principles of inclusion and equal treatment. The awards ceremony has been moved from May 9 to November 22, the final day of the Biennale, to allow ticket holders to vote throughout the event.

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

The project that brings Michelangelo's David to the Swiss Alps: a full-scale copy will be installed among the mountains

Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale

A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.

Two years ago Russia ceded its pavilion at the Biennale to Bolivia. A testimony from within

Due anni fa la Russia cedette il suo padiglione in Biennale alla Bolivia. Una testimonianza da dentro

Two years ago, Russia ceded its national pavilion at the Venice Biennale to Bolivia, a move that artist Inés Fontenla experienced firsthand when she was invited by Bolivia to participate in the 2024 edition. Fontenla recounts how the pavilion's organization shifted after Bolivia's 2025 elections, with the curator replaced by the new Minister of Culture just one month before the opening. She realized Russia was using Bolivia as a front to re-enter the Biennale after closing its own pavilion in 2022 in protest of the Ukraine invasion, and she ultimately withdrew from the project to avoid being instrumentalized by a military power.

“Yellow Letters”: arte e politica, libertà e censura nel nuovo film di İlker Çatak

Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.

Milan Design Week 2026: A Guide to What to See in the Isola District (Celebrating its 10th Anniversary)

Milano Design Week 2026: guida sulle cose da vedere al distretto di Isola (che compie 10 anni)

The Isola Design Festival is celebrating its 10th anniversary during Milan Design Week 2026 with the theme "TEN: The Evolving Now." Originally founded to provide an affordable platform for independent and young designers, the festival has expanded from a local neighborhood initiative into a global organization with a permanent presence in Dubai. The 2026 edition centers on the historic Fabbrica Sassetti, a 1930s wool mill, alongside various venues across the Isola district including Fondazione Catella and Stecca3.

Trees are a model to follow: A festival in Modena confirms it

Gli alberi sono un modello da seguire. A Modena c’è un festival che lo conferma

The Alberi Festival in Modena transforms the Villaggio Artigiano Ovest into an open-air laboratory focused on the intersection of botany, architecture, and urban planning. Inspired by the seminal 1960s research of Cesare Leonardi and Franca Stagi, the event features exhibitions, installations, and discussion tables centered around the "Officina Botanica," an experimental green regeneration project housed in a former industrial warehouse.

Bologna's Most Vibrant Artist Collective Turns 10 and Launches Crowdfunding

Il collettivo di artisti più vivace di Bologna compie 10 anni e lancia un crowdfunding

The Bologna-based artist-run space Gelateria Sogni di Ghiaccio is celebrating its 10th anniversary by transitioning into a broader collective and launching a crowdfunding campaign. Founded in 2016 by artists Filippo Marzocchi, Mattia Pajè, and Marco Casella, the space has hosted nearly 150 artists and over 50 solo exhibitions, filling a critical gap between art education and professional practice in Italy.

The Flat Gallery in Milan Relocates: New 280 sqm Space Near Central Station

La galleria The Flat di Milano trasloca: nuovo spazio da 280 mq vicino alla Stazione Centrale

The Flat – Massimo Carasi gallery is relocating to a new 280-square-meter space near Milan’s Central Station after 18 years in the Porta Venezia district. To mark the opening on April 9, 2026, the gallery will present "Here… Now!", a group exhibition featuring artists such as Hiva Alizadeh, Michael Johansson, and Leonardo Ulian. The show serves as a retrospective of the gallery’s history since its founding in 2002, showcasing the experimental and international practices that define its program.

In Rome, the major company Acea launches its Foundation for art and culture: The interview

A Roma la grande azienda Acea lancia la sua Fondazione per l’arte e la cultura. L’intervista

The Italian multi-utility giant Acea has officially launched the Acea Foundation, signaling a shift from being a mere cultural sponsor to an active producer and curator of cultural projects. Central to this initiative is the Acea Heritage Museum, which showcases the company’s 117-year history through a massive 12km historical archive and a rediscovered art collection valued at two million euros. The foundation aims to integrate art into corporate spaces, including a dedicated contemporary art section in its foyer and a focus on site-specific works by artist Gino Marotta.

Pride of place: the rise of LGBTQ+ art in Hong Kong

Hong Kong's art scene is witnessing a significant rise in the visibility and institutional embrace of LGBTQ+ art, particularly during its annual Art Week. Exhibitions like the Sunpride Foundation's 'Myth Makers—Spectrosynthesis III' at Tai Kwun Contemporary have acted as major accelerants, moving queer discourse from semi-private contexts into prominent public institutions.

CONDUCTOR Is New York’s First Art Fair Committed to the Global Majority

A new art fair called CONDUCTOR: Art Fair of the Global Majority will launch in Brooklyn from April 30 to May 3, 2026. Hosted at Powerhouse Arts, the inaugural edition will feature 27 gallery exhibitors and 17 special projects dedicated to artists from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations worldwide.

Magnum Gallery Celebrates the Enduring Vision of Martin Parr

Magnum Gallery in Paris is opening a solo exhibition titled "Martin Parr: In Plain View" from March 28 to June 6, 2026, dedicated to the late English photographer Martin Parr. The show features works from his three-decade tenure with the Magnum Photos cooperative, tracing his evolution from black-and-white documentary work to his influential color photography, and includes archival materials and interactive experiences.

From Mallorca to St. Moritz, Art Fairs Are Meeting Collectors Where They Vacation

A new wave of high-end art fairs is targeting luxury vacation destinations like St. Moritz, Mallorca, and the Hamptons, moving beyond traditional market hubs. These events, such as the inaugural St. Moritz Art Week and Art on the Island in Mallorca, are strategically timed for the summer and winter holiday seasons to directly engage wealthy collectors during their leisure time.

Wereldmuseum Amsterdam ponders space to ‘respectfully’ house human remains

The Wereldmuseum Amsterdam has announced it will no longer publicly exhibit any human remains from its colonial-era collection, which includes around 4,000 body parts such as skulls and a preserved Surinamese newborn. At the opening of the exhibition "Unfinished past: return, keep, or…?", director of content Wayne Modest suggested the museum may create a dedicated space for "ritual practices" where descendants can respectfully engage with ancestral remains until a permanent repatriation solution is found. The exhibition features contemporary artworks, including Pansee Atta's "To Make One Particle," which reproduces each body part as a small wooden token, and draws on a four-year research program called Pressing Matter.

Exhibition brings together 23 contemporary artists in exploration of styles across generations | Hindustan Times

An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened at Bikaner House in New Delhi, bringing together 23 contemporary Indian artists. Curated by Kiran K Mohan with a critical essay by art historian Johny ML, the show features works by veterans like Ashok Bhowmick and emerging talents like Nilisha Phad, spanning paintings, sculptures, and mixed media. The non-chronological arrangement aims to present artistic lineages as a landscape rather than a linear progression, encouraging dialogue across generations. The exhibition runs until May 14 before moving to Shailja Art Gallery in Gurugram from May 17 to June 13.

Where Words End Exhibition Brings Tom Vattakuzhy’s Story Paintings to Mumbai

Mumbai will host the first exhibition of artist Tom Vattakuzhy's work in the city, titled 'Where Words End,' at the Institute of Contemporary Indian Art (ICIA) from May 3–17, 2026. The exhibition presents a series of his "story paintings," which explore experiences that elude verbal expression, moving beyond his illustrative background to create ambiguous, emotionally resonant works.

In Kelantan, 'After Monsoon: Tera-Kota' project connects art with local community

The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.

SOLO CSV Is a New Madrid Art Venue That Should Be On Your Radar

SOLO CSV, a new art venue in Madrid, Spain, has opened as part of the international SOLO arts project led by Ana Gervás and David Cantolla. The space, located near Parque del Oeste, was transformed from a 4,000-square-meter former printworks by Spanish architecture firm Estudio Herreros into an unconventional art labyrinth. Its inaugural exhibition at the Bowman Hal gallery featured William Mackinnon, followed by Aaron Johnson's current show 'WE ALL SHINE ON.' The venue also houses the SOLO arts incubator, including the ONKAOS digital arts initiative, a conservation lab, and the newly announced Movimiento 37 program.

Why AI Doesn't Steal Our Imagination – with Jenifer Becker

Warum KI uns nicht die Fantasie raubt – mit Jenifer Becker

Author and cultural scholar Jenifer Becker discusses the impact of artificial intelligence on creativity in the Monopol podcast "Fantasiemuskel." She argues that while AI-generated text is often generic, it can liberate us from the romantic myth of the solitary genius by demonstrating that most ideas already exist. Becker leads the "AI Lab Kit" at the Hildesheim Literature Institute, using experimental projects to push language models beyond their algorithmic comfort zones.