Waiting to Be Discovered? Curators Reveal How Emerging Artists Can Get Noticed

Top curators share advice on how emerging artists can get noticed in a tough art world. Key tips include being proactive in building networks, approaching curators directly, and presenting organized online portfolios. Curators like Hitomi Iwasaki (Queens Museum), Marie-Anne McQuay (Liverpool Biennial), and Lisa Long (formerly Julia Stoschek Foundation) emphasize that artists should not wait to be discovered but instead engage with peers, attend shows, and reach out to curators, even those early in their careers.

New Canadian art museum seeks to connect disparate disciplines and a university campus

Simon Fraser University (SFU) near Vancouver will open the Marianne and Edward Gibson Art Museum on September 20, its first purpose-built art museum. The inaugural exhibition, "Edge Effects," features 15 artists including Sameer Farooq, Liz Magor, Cindy Mochizuki, and Debra Sparrow, and reflects the interdisciplinary ethos of the original SFU campus designed by Arthur Erickson and Geoffrey Massey. The 12,000-square-foot building by Hariri Pontarini Architects and Iredale Architecture includes a research laboratory, art studio, courtyard, and salon, and will be admission-free.

When Art Meets Nature

The Taoyuan Museum of Fine Arts and the National Gallery Singapore have jointly organized "When Art Meets Nature," a children's art exhibition running from July 2 to November 9, 2025, at the Taoyuan Children's Art Center. Featuring five artists from Taiwan and Singapore, the show presents interactive installations, audiovisual works, and immersive environments centered on ecology, sustainability, and the human-nature relationship. Artists include Zul Mahmod, Chen Po-I, Hsu Yenting, Tan Zi Xi, and Soh Ee Shaun, with works inspired by local waterways, forests, and indigenous ecological wisdom.

Toledo Museum of Art exhibition to explore landscape of digital and generative art

The Toledo Museum of Art will open "Infinite Images: The Art of the Algorithm," a special exhibition curated by Julia Kaganskiy that explores digital and generative art from the 1960s to the present. The show features works created using custom software, algorithms, and machine learning models developed by the artists themselves, emphasizing rule-based systems and automation as part of the creative process. Associate Curator Paige Rozanski notes that the exhibition contextualizes generative art within a longer tradition of analog algorithmic processes, distinguishing it from AI-generated images produced by large language models like ChatGPT.

Paris gallery directors join forces to launch ‘open-ended’ advisory

Two Paris-based art dealers, Samy Ghiyati and Nicolas Nahab, have launched NG, a new multi-pronged art advisory business. The venture combines traditional advisory services with a roving exhibition programme, collection management, and foundation management. Nahab previously led Mendes Wood DM’s Paris gallery and worked at Marian Goodman and Yvon Lambert; Ghiyati was a director at David Zwirner’s Paris gallery after a stint at Kamel Mennour. Their first public project will be a selling exhibition of videos by Meriem Bennani in Essaouira, Morocco, opening in December.

Whales and the stories they carry about climate change are the subject of new art and science exhibition at the IAS - UC Santa Cruz

The Institute of the Arts and Sciences (IAS) at UC Santa Cruz will present "Weather and the Whale," a major art and science exhibition running from May 29, 2025, to March 8, 2026. The show features immersive displays of original scientific research from the Friedlaender Lab, alongside newly commissioned contemporary artworks by ten artists and collectives, including Carolina Caycedo. The exhibition explores how climate change affects whales and marine mammals, using video, painting, photography, sculpture, and installations to communicate ecological threats such as environmental toxins and sea ice retreat.

A Look Back at Newport’s Historic 1974 Sculpture Show

The Preservation Society of Newport County is hosting "Full Circle" at the Rosecliff mansion, an exhibition that revisits the landmark 1974 outdoor sculpture show "Monumenta." The current display features scale models, preparatory drawings, and archival photographs of works by modern masters such as Claes Oldenburg, Alexander Calder, and Willem de Kooning. A significant portion of the show is dedicated to Richard Fleischner, whose site-specific earthwork "Sod Maze" remains the only original piece from the 1974 project still standing in its original Newport location.

Artists and Gulf royalty top ArtReview Power 100 list

ArtReview has released its 2025 Power 100 list, ranking the most influential figures in the art world over the past year. Artists dominate the top ten, with Ghanaian artist Ibrahim Mahama taking the first place for using his art profits to build institutions and community spaces in Tamale. Other top artists include Wael Shawky, Ho Tzu Nyen, Amy Sherald, Kerry James Marshall, Forensic Architecture, and Wolfgang Tillmans. Gulf royalty also feature prominently: Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani of Qatar ranks second, and Sheikha Hoor Al Qasimi of Sharjah ranks third, reflecting the region's growing art-world influence. The list also includes academic Saidiya Hartman as a "thinker" in eighth place.

WHO ARE THE CURATORS THAT WILL LEAD THE NEXT BIENAL DE SAO PAULO

The Fundação Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for the 37th Bienal de São Paulo, scheduled for 2027 at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park. Carneiro, a curator at MASP since 2018 and an artistic organizer for the 2024 Venice Biennale, and Fonseca, a visual arts curator at Culturgest and curator-at-large at the Denver Art Museum, will lead the largest visual arts event in Latin America.

In Venice, a new project aims to transform museums into living, participatory spaces

A Venezia un nuovo progetto punta a trasformare i musei in spazi vivi e partecipati

The Fondazione Musei Civici di Venezia (MUVE) has launched "Performing MUVE," a new program set to begin in spring 2026 that reimagines museums as dynamic, participatory spaces. The initiative, developed by MUVE Academy and MUVE Education, will unfold across three venues: Museo Fortuny, Casa di Carlo Goldoni, and the new MUVEC – Casa delle Contemporaneità in Mestre. The program includes four distinct projects—led by Mattia Berto, choreographer Elena Ajani, actress Sara Urban, and dancer Giulia Gemma Manfrotto—that use dance, theater, and embodied practices to transform visitors from passive observers into active participants.

That Time Raphael Visited Tivoli, Transforming Antiquity into Art

Quella volta che Raffaello visitò Tivoli trasformando l’antichità in arte

In April 1516, Raphael Sanzio embarked on a historic excursion to Tivoli alongside a prestigious circle of Renaissance intellectuals, including Baldassarre Castiglione and Pietro Bembo. This journey served as a critical field study for Raphael, who had recently been appointed as Rome's prefect of antiquities. By examining the complex ruins of Hadrian's Villa and the Sanctuary of the Sibyl, the group engaged in a sophisticated blend of archaeological investigation and humanist leisure that defined the cultural climate under Pope Leo X.

An Italian artist makes an exhibition in Tunis inspired by Le Corbusier's architectures

Un artista italiano fa una mostra a Tunisi ispirandosi alle architetture di Le Corbusier

Italian artist Cristian Chironi has opened the seventh chapter of his ongoing project "My house is a Le Corbusier" with an exhibition in Tunis titled "My house is a Le Corbusier (Villa Baizeau)". The project centers on Villa Baizeau, a Le Corbusier-designed house built between 1928 and 1930 for industrialist Lucien Baizeau, which is now inaccessible inside the Tunisian presidential park. Chironi, inspired by a failed attempt by artist Costantino Nivola to bring Le Corbusier's architecture to his hometown Orani, instead travels the world temporarily inhabiting Le Corbusier's buildings. For this iteration, he set up a residency at La Boîte – Centre d'Art & d'Architecture in the Medina of Tunis from January 22 to April 5, 2026, culminating in an exhibition that opened April 3, 2026, using the villa as a lens to read the city rather than a physical space to occupy.

Near Parma, the Timeless Elegance of Erté is on Display at Labirinto della Masone

Vicino a Parma c’è l’intramontabile eleganza di Erté in mostra al Labirinto della Masone

The Labirinto della Masone near Parma is hosting a comprehensive exhibition titled "Erté. Lo stile è tutto," showcasing the work of the Russian-born Art Déco master Romain de Tirtoff, known as Erté. The display features a diverse array of drawings, gouaches, models, and sketches, many of which were originally acquired by the late publisher Franco Maria Ricci. The exhibition traces Erté's journey from his aristocratic Russian roots to his rise in Paris as a collaborator of Paul Poiret and a visionary of theatrical and couture design.

Felix Art Fair brings good vibes—and healthy sales

The Felix Art Fair returned to the Hollywood Roosevelt hotel in Los Angeles, maintaining its reputation for a relaxed, community-focused atmosphere. Gallerists utilized the hotel's cabana suites and upper floors to showcase a diverse range of works, with a notable emphasis on artists blending craft, design, and fine art. The fair's unique hotel-based model continues to attract both returning participants and twenty first-time exhibitors who appreciate the lower overhead costs compared to larger fairs like Frieze.

Katie DeGroot: The Arboreal Life

Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.

2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

fashion art 6397 creative growth

On a rainy evening at 495 Broadway in SoHo, fashion label 6397, founded by designer Stella Ishii, partnered with the Oakland-based nonprofit Creative Growth for a fashion show and fundraiser. The event, hosted by PAPER Magazine's Kim Hastreiter and Mickey Boardman alongside Ishii and Creative Growth's executive director Sunny A. Smith, featured a runway collection of minimalist silhouettes adorned with artworks by Creative Growth's artists, who are individuals with disabilities. Guests browsed limited-edition pieces and wearable art before the show, which included New York creatives as models.

UK Government AI Copyright Rules Decision

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The UK government is currently navigating a contentious legal overhaul of intellectual property laws regarding artificial intelligence and copyright. A controversial proposal that would allow AI firms like OpenAI to train models on copyrighted material without creator consent has sparked fierce backlash from artists, MPs, and the House of Lords. While a formal update is expected in mid-March, reports suggest the government may delay a final decision for another year to gather further evidence.

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Phillips auction house will launch a new "priority bidding" fee structure this September, offering a lower buyer's premium rate to bidders who place a binding written bid at least 48 hours before a live auction, provided the bid meets or exceeds the lot's low estimate. The standard buyer's premium will remain at 29/22/15 percent for New York sales, while priority bidding rates drop to 25/20/14 percent. The policy applies to live auctions across New York, London, Hong Kong, Geneva, and Paris, but excludes watch auctions and timed online-only sales.

wetransfer changes terms licensing rights ai 1234747368

WeTransfer, the cloud-based file transfer company widely used by art institutions, updated its terms of service on July 14 to include a clause granting the company a perpetual, royalty-free license to use uploaded content for training machine learning models and creating derivative works, which it could monetize without compensating users. After widespread criticism from the art community, including post-production professional Ashley Lynch, who noted conflicts with non-disclosure agreements, WeTransfer removed the controversial language and issued a statement assuring users that it does not use their content to train AI or machine learning models.

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A group of high-profile art market veterans—Ed Dolman, Alex Dolman, Brett Gorvy, Philip Hoffman, and Patti Wong—have launched a new collaborative consultancy called New Perspectives Art Partners (NPAP). Unlike traditional advisory firms, NPAP operates on a flexible, project-based model where partners retain their existing roles and assemble only for high-level, specialized challenges. The consultancy aims to advise collectors, fiduciaries, and family offices on managing, growing, or dispersing significant collections, leveraging the partners' deep experience across auction houses, galleries, institutions, and advisory, with a global footprint spanning Hong Kong to Doha.

Co-Working Meets Art at Brooklyn’s Newest Experimental Space

Brooklyn’s newest experimental art space, The Gallery (stylized as “The Gallry”), has opened on the fourth floor of a former automobile service station in Prospect Heights, now converted into creative offices. Curated by artist Florian Meisenberg, the exhibition features site-specific works by over 40 artists installed throughout a former guitar-string manufacturer’s office, including cubicle walls, utility closets, and HVAC systems. The space also functions as a co-working hub, with free daily spots for subscribers. The show runs through May 24 and includes events like screenings, poetry readings, and satirical corporate-themed programming.

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This episode of the podcast series "How to Get Ahead in the Art World" features Loïc Gouzer, the former Christie's executive known for orchestrating the record-breaking $450 million sale of Salvator Mundi. Gouzer discusses his career risks, including pioneering the curated sale format and launching Fair Warning, a private auction app that has achieved new price records. He emphasizes trusting instinct over data in the art market and offers advice on spotting opportunities, mastering skills before breaking rules, and building an authentic personal brand.

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Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.

57th CIMAM Annual Conference: Together Forever

The 57th CIMAM Annual Conference brought together 300 museum professionals in Turin for discussions on pressing institutional issues. The event featured keynote speeches from figures like political scientist Francoise Vergès and economist Mariana Mazzucato, who addressed themes of power structures and public arts funding. Performances by artists such as Alessandro Sciarroni and Abdullah Miniawy served as central, unifying experiences for the attendees.

culture harmonia rosales ingrid best interview

Harmonia Rosales, an Afro-Cuban artist known for reimagining Renaissance and baroque iconography with Black bodies, and Ingrid Best, an Afro-Latina wine entrepreneur and art collector, discuss their friendship and mutual support in an interview for Cultured. They first connected at Rosales’s 2022 show at UTA in Los Angeles, where Best was part of a collective that purchased Rosales’s work, including the piece *Strangler Fig: Adam and Eve*. Rosales later became the first artist to invest in Best’s wine business, IBEST Wines, which sources from underrepresented regions. Their conversation covers ownership, community, and creating structures that sustain women’s legacies beyond mere representation.

parties toteme los angeles frieze week

Toteme and CULTURED hosted a pre-Frieze week cocktail party at Toteme's Melrose Avenue flagship in West Hollywood. The intimate sunset gathering featured Ruinart champagne, Grey Goose martinis, and a curated collection of artworks by Swedish women artists, including pieces by Barbro Bäckström, Lisa Larson, and Alina Chaiderov. Guests included fashion tastemakers, arts patrons, interior designers, dealers, artists, and models, such as Christine Wuerfel-Stauss, Michelle Rubell, Yana Peel, Emma Webster, and Esther Kim Varet.

parties art21 chanel yana peel screening

Chanel and Art21 hosted a screening event at the Roxy Cinema in New York to celebrate the launch of their new docuseries "IRL/url," which premieres on TikTok. The evening featured remarks by Yana Peel, Chanel’s President of Arts, Culture & Heritage, and a screening of selected films from the series, followed by a conversation between Art21’s Executive Director Tina Kukielski and seven of the eight featured artists: Neïl Beloufa, Jacky Connolly, Julien Creuzet, Sara Cwynar, Xin Liu, Rachel Rossin, and Jacolby Satterwhite. The event also drew a crowd of notable artists, advisors, curators, and cultural figures.

In Paris, the unRepresented fair brings together artists without galleries in a private mansion

À Paris, le salon unRepresented réunit dans un hôtel particulier des artistes sans galerie

The unRepresented art fair returns to Paris for its fourth edition, taking place from April 10 to 12 at the Hôtel Molière. Founded by Emilia Genuardi, the salon provides a platform for fifteen independent artists who are not currently represented by galleries, allowing them to showcase their work during the busy Art Paris week. This year's selection focuses on artists who "experiment with the image," featuring diverse practices ranging from Regina Anzenberger’s painted photographs to Tania Arancia’s textile-based archival works.

One of the fairs during Milan Art Week will be open until midnight (and you can even have dinner there)

Una delle fiere in corso a Milano durante questa Art Week sarà visitabile fino a mezzanotte (e ci puoi anche cenare)

MEGA Art Fair has announced an unconventional schedule for its third edition during Milan Art Week 2026, extending its opening hours until midnight. Located in the former Esperis perfume factory known as PROFUMO, the fair will occupy over 3,000 square meters of industrial space. The event features a multidisciplinary public program and a unique "sensory dinner" titled The Perfume Table, which translates the olfactory structure of perfumes into a gastronomic experience set among artworks.