Los Angeles Modern Auctions (LAMA) is hosting a specialized sale titled "PRESENT TENSE: Ultra-Contemporary & Street Art" via the Artsy platform. The auction features a curated selection of works from high-profile contemporary and street artists, including Barry McGee, Shag, and RETNA. Bidders are invited to participate through pre-registered max bids or real-time live bidding as the sale concludes on March 17, 2026.
The curatorial team for the 61st Venice Biennale has unveiled the details for the 2026 exhibition, titled "In Minor Keys." The project follows the vision of the late Koyo Kouoh, the first African woman appointed to curate the Biennale, who passed away in May 2024. The exhibition will feature 111 artists and collectives, with a significant focus on the Global South and themes such as Shrines, Schools, and the Creole Garden. The team emphasized that the show is designed as a "collective score" rather than a traditional commentary on world events, prioritizing spiritual rest and radical social connection.
The Hanwha Foundation will present a solo exhibition by Korean American artist Michael Joo titled 'Sweat Models 1991-2026' at its New York space, Space Zero One, from February 20 to April 18, 2026. This marks the first exhibition of the year for the Tribeca-based platform, which opened in November with a mission to support emerging artists internationally.
The Hanwha Cultural Foundation is presenting a major solo exhibition, 'Sweat Models 1991-2026,' by Korean American artist Michael Joo at its New York venue, Space Zero One. The show, running from February 20 to April 18, is a 30-year survey of Joo's work across sculpture, installation, and video, exploring themes of body, system, matter, and information.
Megan Monaghan, director of arts at Springside Chestnut Hill Academy (SCH), organized an exhibition at the school's Barbara Crawford Gallery titled "Echoes of Our Future: 250 Years of Black Artistic Legacy in Philadelphia" to honor the city's Black artistic heritage ahead of America's semiquincentennial. Collaborating with Claudia Volpe, director and curator of the Petrucci Family Foundation Collection of African American Art, Monaghan selected over 30 works by 27 artists—including Barbara Bullock, Eustace Mamba, Tim McFarlane, Dox Thrash, and Henry Ossawa Tanner—organized into three themes: faces and community, music and movement, and environment. The exhibition runs from Jan. 15 to March 12 and is accompanied by The Next 250, an educational project connecting students through workshops, mentorship, and visual storytelling.
180 Studios in London has extended two exhibitions—'Paradigm Shift' and Ryoji Ikeda's 'data-cosm [n°1]'—through February 1, 2026, due to popular demand. 'Paradigm Shift' presents moving-image works from the 1970s to the present by artists including Andy Warhol, Pipilotti Rist, Nan Goldin, and Arthur Jafa, exploring the evolution of screen culture across avant-garde cinema, TV, music video, and internet culture. Ikeda's 'data-cosm [n°1]' is a world-premiere, site-specific audio-visual installation commissioned by 180 Studios, charting data from particle physics to astrophysics.
Christie's and Sotheby's reported nearly flat first-half 2025 sales of $2.1bn and $2.2bn respectively, with Christie's 20th/21st-century art sales down 2% but luxury up 29%. The Mei Moses Art Index shows over 50% of auction lots sold at negative compound annual returns, which analyst Michael Moses calls 'the worst overall financial performance in the 21st century.' Meanwhile, Bitcoin, gold, and stocks have significantly outperformed art, with BlackRock's Bitcoin ETF alone attracting $84bn—far exceeding the global art market's total value. A record $43.9m Canaletto sale to a Bezos-linked buyer underscores that top-tier works still command attention, but the broader trend suggests wealthy investors are prioritizing financial returns over art as a status symbol.
Market Gallery, founded by Adam Zhu, has been hosting intimate solo shows from a storage shed on his Chinatown apartment balcony for the past eight months. On July 17, the gallery opened its first group exhibition, "Revolve," in a pop-up space at 51 Mercer Street in Soho, formerly home to Virgil Abloh's Em Pty Gallery. The show, organized by Zhu and his friends Jack Irv and Andrew Kass, features works by emerging and established artists including Lorenzo Amos, Amanda Ba, Maggie Lee, Rene Ricard, and Mike Kelley, and runs until August 10.
Prospect, New Orleans' international art exhibition, has canceled its next planned show in 2027. The decision was announced by the organization's most recent director, Nick Stillman, who cited the current political climate and cuts to government arts funding as making the financial outlook for the multi-million-dollar event "ominous." Stillman has since left the organization. Instead of mounting another exhibition, Prospect will publish a book titled "20 Years of Prospect" and shift focus to exploring sustainable models for presenting global art discourse while archiving its past work.
Hotels are increasingly transforming their spaces into dynamic platforms for contemporary art, moving beyond generic decor to embed curation into their operational core. The article highlights 21c Museum Hotels, which operates nearly 80,000 square feet of free exhibition space across seven U.S. locations, featuring works by artists such as Xenobia Bailey, María Magdalena Campos-Pons, Natia Lemay, and Xavier Daniels. Chief Curator Alice Gray Stites emphasizes radical accessibility, removing barriers like ticket prices and elitism, and fostering partnerships with institutions like Artadia to support local artists.
Evan Mirapaul, an art collector and former concert violinist, has transformed four ordinary homes in Pittsburgh's Troy Hill neighborhood into immersive, site-specific art installations. Inspired by Naoshima, Japan's art houses, Mirapaul commissioned artists including Thorsten Brinkmann, Robert Kuśmirowski, Lenka Clayton, Phillip Andrew Lewis, and Mark Dion to create entire-house works, such as a Cold War radio hub, a functioning lighthouse, and a natural history-filled home. The project began in 2013 and continues to expand, with Brinkmann's La Hütte Royal set to reopen in October.
Henri Matisse made two pivotal trips to Tangier, Morocco, in 1912-1913, documented in Jeff Koehler's new book *Matisse in Morocco: A Journey of Light and Colour*. At a low point in his career—having lost patrons and critical support after his Fauve period—Matisse sought new inspiration, producing over 20 paintings despite challenges like rain, insomnia, and difficulty finding models. Commissions from Russian collectors Sergei Shchukin and Ivan Morozov helped fund the trips, and Matisse worked at the Villa Brooks estate, creating works such as *Moroccan Landscape (Acanthus)* (1912) and *The Palm* (1912). The article also highlights Matisse's discovery of fingerprints on *View of the Bay of Tangier* (1912-13) and his reliance on a Moroccan model named Zorah.
The article reports on the growing revival of folk culture in the visual arts, centered on the Neo Ancients festival in Stroud, Gloucestershire, UK. The second edition of the festival, held over May Day weekend, featured an eclectic mix of music, Morris dancing, talks, film screenings, and exhibitions celebrating British folklore. Art dealer James Elwes organized a show at the local gallery Rattle and Brash, featuring artists like Sue Webster, Jeremy Deller, and Stanley Donwood, who presented works outside their usual practices. Exhibitions included Donwood's 'Floralia' and Webster's new self-portraits exploring pregnancy and reinvention.
The Colour Inspired Academy's 'I Can Change the World' Exhibition and Student Art Contest opens tomorrow at the Lakeshore branch of the Innisfil ideaLAB and Library in Innisfil, Ontario. Thirty-nine artists aged eight to sixteen will showcase paintings and sculptures, with awards presented in four categories (Junior, Intermediate, Senior, and Community Choice). Judges include Mayor Lynn Dollin, Innisfil Arts, Culture and Heritage Council vice chair Jeanette Luchese-Jacobs, and Community 4 Kids representatives Debra Harrison and Charlotte Hamilton. Winners receive Van Gogh Immersive Experience tickets donated by Lighthouse Immersive and Eugenia Protsko. Proceeds from sales benefit Community 4 Kids, a local charity supporting families in need.
The NSU Art Museum Fort Lauderdale has become the permanent home of Christo and Jeanne-Claude's "Surrounded Islands," featuring over 43 original preparatory drawings and collages by Christo, along with large-scale photo murals, photographs, engineering surveys, environmental reports, permits, personal correspondence, scale models, and actual fabric segments from the project. The exhibition is ongoing and includes rare archival materials gifted by the Christo and Jeanne-Claude Foundation.
The Ökohaus (Eco-House) project in Berlin stands as a radical experiment in participatory architecture, born from the 1987 Internationale Bauausstellung (IBA) urban renewal program. Designed by Frei Otto, the complex features three residential buildings characterized by a 'double informality' where dense foliage and a patchwork of diverse cladding materials—ranging from timber and metallic shingles to exposed concrete—create a ruin-like yet meticulously resolved aesthetic. The project challenged traditional housing models by allowing residents, or 'Ökohäusler,' to engage in a collective and individualized construction process.
The inaugural Enzo art fair has launched in Echo Park, Los Angeles, featuring nine galleries primarily from New York’s Chinatown and Lower East Side. Founded by collector R Parmar at Alabaster Projects, the fair operates on a unique fee-free model for exhibitors and visitors alike, removing the traditional financial barriers of booth fees and wall build-outs. The opening saw a vibrant atmosphere with works ranging from Peggy Chiang’s suspended sculptures to Radek Szlaga’s textile installations.
The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.
The Haystack Mountain School of Crafts, supported by the Windgate Foundation, has announced the eight recipients of its inaugural Artist Grant Initiative. Each emerging artist received an unrestricted $10,000 grant and participated in an online mentorship program with artists Vivian Chiu and Cedric Mitchell. The 2025 cohort, selected by jurors Curtis Arima and Annie Evelyn, includes Aminata Conteh, David Gutierrez, Payton Harris-Woodard, Celina Hernandez, Jason McDonald, Alex Paat, David Vuong, and Tzyy Yi (Amy) Young.
The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.
DDR-Frauen ohne Filter
The Kunsthaus Apolda in Thuringia is presenting a posthumous retrospective of Günter Rössler, the East German photographer who defined nude and fashion photography in the GDR, on what would have been his 100th birthday. The exhibition features 130 works spanning six decades, including fashion assignments, reportage from his travels abroad, and large-format black-and-white nudes. It is curated by his widow and estate manager Kirsten Schlegel, and complemented by an audio guide in which Rössler's models reflect on their collaboration with him.
Warum KI uns nicht die Fantasie raubt – mit Jenifer Becker
Author and cultural scholar Jenifer Becker discusses the impact of artificial intelligence on creativity in the Monopol podcast "Fantasiemuskel." She argues that while AI-generated text is often generic, it can liberate us from the romantic myth of the solitary genius by demonstrating that most ideas already exist. Becker leads the "AI Lab Kit" at the Hildesheim Literature Institute, using experimental projects to push language models beyond their algorithmic comfort zones.
Explorez les projets des promotions 2024 et 2025 de l’Ésad
The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.
Amandine Blier : « Aura est le nouveau nom d’Edeis Culture »
Trévise Participations, the holding company of the Noisiez family, has consolidated its cultural activities by granting autonomy to its subsidiary Edeis Culture and rebranding it as Aura. Amandine Blier, a seasoned communications professional with experience at the City of Versailles and the opening of Citéco, has been confirmed as the head of the new entity, which manages eight cultural sites including venues in Nîmes and the recently won concession for the Villa Kérylos.
UK government ministers are exploring the possibility of charging international tourists for entry to the permanent collections of national museums. This proposal is part of a broader search for long-term funding solutions for the arts sector, outlined in the government's response to the Arts Council England review led by Margaret Hodge. The review also prompted commitments to simplify funding applications and protect the Arts Council from political interference.
A new auction platform called Bam Auctions will launch in Dubai this May, with its inaugural sale held on Saturday at Bayt AlMamzar, an independent cultural space in a restored villa. The sale features 21 lots of contemporary art from the UAE and the wider region, including works by Jaber Al Azmeh, Manal Al Dowayan, and Hale Tenger, with estimates ranging from a few hundred to several thousand dollars. Bidding will be in person with remote options via phone, WhatsApp, and absentee bids.
Wayne Koestenbaum, a leading figure in New York's queer and literary scenes since the 1980s, is releasing his first novel in nearly two decades, *My Lover, the Rabbi*, in March. The 464-page book centers on an unnamed narrator's psychosexual affair with an aging rabbi, exploring themes of desire, repulsion, internalized homophobia, and the lingering aftermath of the Holocaust. Koestenbaum, known for his confessional prose and genre-straddling criticism—including his 1993 book *The Queen's Throat*—discusses the novel's intellectual filth, the conflation of desire and disgust, and his literary role models such as Samuel Delany and Jean Genet.
German acrobat-turned-photographer Isabelle Wenzel photographed Fall/Winter 2025 looks from Balenciaga, Loewe, Miu Miu, Alaïa, and other fashion houses for CULTURED's Art + Fashion issue. Her images capture models in sculptural garments—voluminous fabrics, reflective leather, silky fringe—as they tumble, leap, and contort, blending precision with play. The shoot features models Anneliek Heuvel and Akti Konstaninou wearing pieces by Vaquera, Acne Studios, Issey Miyake, Prada, Valentino, Gucci, Chanel, Givenchy, Saint Laurent, and more, with creative direction by Studio&.
Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.
The art auction market showed signs of recovery in 2025, with total sales increasing for the first time since 2021, driven by a strong late-season surge in New York. The U.K. market grew by 11.3%, aided by major sales like the $136 million dispersal of Pauline Karpidas's Surrealist collection, while the ultra-contemporary sector declined for a fourth year as investment flowed to established Impressionist and Modern works.