Galleries and museums in Gulf states like the UAE, Qatar, and Saudi Arabia are reopening and projecting normalcy despite the ongoing US-Israel war on Iran, which has entered its fourth week. Major events like Art Dubai have been postponed, and institutions like the Sharjah Art Foundation have delayed gatherings, but many cultural venues are operating with adjusted formats or by appointment.
Les Rousseau américains de retour à Paris
The Musée de l’Orangerie in Paris is hosting a landmark exhibition titled "Henri Rousseau, l’ambition de la peinture," featuring 50 works by the self-taught master. The show is distinguished by a historic loan from the Barnes Foundation in Philadelphia, which has sent nine paintings to France for the first time since they were acquired a century ago by Albert Barnes. A highlight of the exhibition is the rare gathering of three "manifesto paintings"—The Sleeping Gypsy, Unpleasant Surprise, and The Snake Charmer—displayed together in a dedicated gallery.
The Metropolitan Museum of Art in New York has opened "Raphael: Sublime Poetry," the first comprehensive exhibition of the Renaissance master in the United States. The ambitious show gathers 237 works, including 33 paintings and 142 drawings, spanning Raphael's entire career and featuring major loans like *The Alba Madonna* from the National Gallery of Art in Washington and *Portrait of Baldassare Castiglione* from the Louvre.
The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.
Expo Chicago has distinguished itself within the global art fair circuit through its unique Curatorial Forum, a partnership with Independent Curators International (ICI) that began in 2014. Originally conceived by Tony Karman and Renaud Proch, the program has evolved from a small gathering into a major national convening that provides curators with professional development, networking opportunities, and a platform for thought leadership. The initiative has been so successful that ICI established its only year-round satellite office in Chicago to support the local curatorial community.
French contemporary artist Claire Tabouret has been commissioned to create six new stained-glass windows for the Notre-Dame de Paris cathedral, replacing six existing 19th-century grisaille windows designed by architect Eugène-Emmanuel Viollet-le-Duc. The project, announced by President Emmanuel Macron and the Archbishop of Paris as a "contemporary gesture" following the 2019 fire, has sparked a major public and institutional controversy, with a petition against it gathering over 335,000 signatures.
Thai artist Rirkrit Tiravanija will headline the Qatar Pavilion at the 61st Venice Biennale with a collaborative project titled “Untitled (a gathering of remarkable people).” Curated by Tom Eccles and Ruba Katrib, the exhibition will be housed in a temporary tent in the Giardini on the site of Qatar’s future permanent pavilion. The presentation features a multidisciplinary roster including filmmaker Sophia Al-Maria, sound artist Tarek Atoui, sculptor Alia Farid, and chef Fadi Kattan, blending live performance, cinema, and Middle Eastern culinary traditions.
Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.
Art critic Paddy Johnson addresses the common dilemma faced by unrepresented artists regarding the necessity of attending major art fairs. While acknowledging that fairs can be physically exhausting and prohibitively expensive, Johnson argues that their true value lies in strategic information gathering and long-term career planning rather than immediate sales or representation.
A major exhibition titled 'Let Us Gather In a Flourishing Way' has opened at the Buffalo AKG Art Museum, featuring 58 artists in a comprehensive survey of contemporary Latinx painting. The show, curated by Andrea Alvarez over several years, is organized into seven thematic sections and is designed as a fluid, conversational space that celebrates community and cultural convergence.
Maurizio Cattelan ti invita a una colazione-baratto all’alba in Piazza Duomo a Milano: porti un oggetto e lo scambi con quello degli altri
Maurizio Cattelan and Nicolas Ballario will host a massive "barter breakfast" in Milan’s Piazza Duomo to kick off the 2026 Milan Design Week. Scheduled for the early morning of April 20, the event invites the public to bring a personal object—ranging from the iconic to the eccentric—to exchange with other participants. The gathering will feature live music from various performers and coffee provided by Lavazza, creating a communal performance piece centered on the symbolic and emotional value of objects.
The Frist Art Museum in Nashville has announced the upcoming exhibition "Anila Quayyum Agha: Interwoven," scheduled to run from May 22 through August 30, 2026. This career-spanning survey features two decades of the Pakistani American artist's work, including her signature immersive light installations, drawings, and sculptures. The exhibition highlights major pieces such as "All the Flowers Are for Me (Red)" and the poignant installation "A Flood of Tears (Gathering Storms)," which reflects on the catastrophic 2010 Pakistan floods.
Art Paris, un bilan meilleur que prévu
The 28th edition of Art Paris concluded with stronger-than-expected sales despite a sluggish start and a volatile global climate. Featuring 165 galleries, the fair solidified its position as a key regional event for French collectors, offering a price range typically between €10,000 and €40,000. While mega-galleries like Almine Rech participated with accessible works, the fair also welcomed newcomers like Esther Schipper and In Situ-Fabienne Leclerc, who reported positive results across various media including ceramics, photography, and painting.
Students at Southern Methodist University (SMU) gathered at the Meadows Museum in Dallas for the inaugural 'ArtMix Thursday,' a monthly event designed to foster creativity and community through hands-on art-making. The debut session featured a mosaic-making workshop held in collaboration with the SMU Craft Club, allowing students to engage with the museum in a relaxed, non-academic setting. This initiative is part of a broader effort by the institution to integrate more deeply with student life through new programming and expanded membership benefits.
Students at Emerson College recently completed a comprehensive curatorial project titled "Gather," an exhibition that served as the capstone for their Curatorial Practices course. Tasked with managing every facet of the show—from registrarial duties and marketing to the physical installation of artworks—the students juried a regional open call that resulted in a final selection of 14 artists. The project was designed to provide a holistic understanding of the industry, moving beyond the siloed experience of traditional museum internships to prepare students for a volatile professional landscape.
The National Gallery of Art in Washington, D.C. hosted its popular 'NGA Nights' series, featuring a 'Garden Party' theme that blended paper flower crafting with after-hours gallery access. The upcoming April event, 'United We Create,' shifts focus to the West Building to highlight five centuries of American creativity as part of the 'Celebrating American Art' exhibition and the broader America250 celebrations.
James and Kathryn Murdoch, through their respective organizations Lupa Systems and Futurific, are partnering with MCH Group, the parent company of Art Basel, to create a new major festival called the Futurific Institute. The event, set to launch in Basel, Switzerland in the summer of 2028, aims to be a cross-disciplinary gathering focused on art, culture, technology, and future-oriented problem-solving, drawing comparisons to world's fairs and events like TED Talks.
Renoir : un festival de prêts pour une double exposition
The Musée d'Orsay in Paris has launched a major two-part exhibition dedicated to Auguste Renoir, titled "Renoir dessinateur" (Renoir as a Draughtsman) and "Renoir et l'amour" (Renoir and Love). The initiative began with a study for Renoir's controversial painting *Les Grandes Baigneuses* and has grown into an international loan effort, featuring over 150 rarely seen drawings, watercolors, pastels, and paintings from major museums and private collections worldwide, including the Philadelphia Museum of Art, the MET, and the Barnes Foundation.
Chandler Jones founded Room 412, a small, appointment-only gallery in a Birmingham, Alabama loft, in March 2022. The space functions as an intimate, immersive exhibition environment, described as a cross between a gallery and a mystical hotel room, designed to showcase Alabama artists and foster community connection. Jones, a musician, was motivated by a desire to create a visually and energetically compelling gathering place after being inspired by the historic Chelsea Hotel in New York.
The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.
Glasgow International has revealed the complete programme for its 11th edition, scheduled for 5-21 June 2026. The biennial, now under the direction of Helen Nisbet, will feature new works by artists including Kate Cooper, Tanoa Sasraku, and Luke Fowler, and will explore themes of memory, kinship, and cultural resonance. The festival also includes the 'Gatherings' event series and a new 'Special Projects' initiative highlighting community-embedded organizations in Glasgow.
La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte
The article details the infamous 1969 theft of Caravaggio's masterpiece, "Natività con i santi Lorenzo e Francesco d'Assisi" (The Nativity with Saint Francis and Saint Lawrence), from the Oratory of San Lorenzo in Palermo, Sicily. The painting, a large-scale work measuring three by two meters, was expertly cut from its frame and has never been recovered, remaining second on the FBI's Top Ten Art Crimes list. The theft is widely attributed to the Sicilian Mafia, with theories suggesting it was stolen to order or for use in secret mafia gatherings.
A groundbreaking study from Colorado State University reveals that Native Americans in the western Great Plains were using dice for gaming over 12,000 years ago. Researcher Robert J. Madden identified two-sided dice made of bone or wood from archaeological sites in Wyoming, Colorado, and New Mexico, pushing the known history of games of chance back significantly further than previously recorded.
Archaeological research from Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. These two-sided "binary lots," found at Folsom-period sites in Wyoming, Colorado, and New Mexico, predate the earliest known Old World dice by more than 6,000 years. The study reclassifies artifacts previously overlooked or misidentified, highlighting that these objects were the only decorated, non-utilitarian items found at these late-Pleistocene sites.
Archaeologist Robert J. Madden of Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. By re-examining artifacts from Late Pleistocene Folsom-period sites in Wyoming, Colorado, and New Mexico, Madden discovered that these "binary lots" predate the earliest known Old World dice by more than 6,000 years. These objects are often the only decorated, non-utilitarian items found at these ancient sites, featuring artistic markings that distinguish them from everyday tools.
Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.
Author Bruce Pascoe and a new generation of Australian chefs are spearheading a movement to revive Indigenous agricultural practices and native ingredients. Drawing from Pascoe’s influential book *Dark Emu*, which challenges the colonial narrative of Aboriginal people as purely nomadic hunter-gatherers, the movement highlights sophisticated ancient systems of aquaculture, irrigation, and grain harvesting. From kangaroo grass to Kakadu plums, these native foods are being reintegrated into the Australian landscape and high-end culinary scene.
The Buffalo AKG Art Museum has announced a major upcoming exhibition titled "Let Us Gather in a Flourishing Way," featuring fifty-eight contemporary Latinx artists. Curated by Andrea Alvarez, the show examines how artists from the Latin American and Caribbean diaspora are redefining the traditions of painting while challenging political and disciplinary boundaries. After its debut in Buffalo in March 2026, the exhibition will embark on a national tour to Des Moines, Phoenix, and Seattle.
The Bank of Art Gallery in Brazil, Indiana, is launching an immersive spring-themed exhibition titled "Bloom/Hum/Glow." Featuring the work of seven artists, the show transforms the gallery space into a sensory meadow through a combination of glasswork, floral prints, and a unique sound installation. A central highlight is a haptic audio experience by artist Kevin Naylor that replicates the vibrations and sounds of a beehive, allowing visitors to feel as though they are enveloped within a hive.
Sixteen artists from the Isle of Wight have gathered at Monkton Arts in Ryde for a comprehensive group exhibition showcasing the region's creative breadth. Running through May 2, 2026, the showcase features a multidisciplinary collection including painting, sculpture, and jewelry from local figures such as Rachael Berry, Martin Swan, and Margarette Moore.