Artist Jordan Wolfson has directed a new advertising campaign for Prada's Spring/Summer 2026 collection. The campaign, titled "I, I, I, I AM… PRADA," features unsettling, computer-generated birds and a bird-man hybrid alongside models including actors Carey Mulligan, Nicholas Hoult, Damson Idris, and Hunter Schafer, continuing Wolfson's signature style of disturbing digital avatars.
A guide highlights ten notable art exhibitions opening in Chicago this spring, focusing on shows at smaller, community-focused, and artist-run spaces like Good Weather, Hyde Park Art Center, and the Ukrainian Institute of Modern Art. Featured exhibitions include Hunter Foster's "Involition," which repurposes a Cold War siren to comment on infrastructure and threat, and Alison Ruttan's ceramic installation "The Paradox of Inaction," which visualizes climate disaster.
The exhibition "Seeds of Exchange" at London's Garden Museum highlights a 1773 botanical collaboration between British amateur plant hunter John Bradby Blake and Cantonese painter Mak Sau. Centered on Blake’s unpublished "Flora Sinensis," the project attempted to systematically catalogue Chinese flora, including the Camellia japonica, through detailed watercolors that blended Western objective illustration with Chinese artistic expertise. These works served as the primary medium for introducing Chinese plant species to the West long before live specimens could survive the journey.
The advisory board of Chicago's DePaul Art Museum has sent a strongly worded letter to DePaul University leadership, condemning the decision to permanently close the 40-year-old museum on June 30. The letter, signed by board chair Scott J. Hunter and members including artists Brendan Fernandes and former Expo Chicago head Tony Karman, expresses "anger, frustration, and deep sadness" over the abrupt closure and the university's unilateral plans for the museum's 4,000-object collection.
A groundbreaking study from Colorado State University reveals that Native Americans in the western Great Plains were using dice for gaming over 12,000 years ago. Researcher Robert J. Madden identified two-sided dice made of bone or wood from archaeological sites in Wyoming, Colorado, and New Mexico, pushing the known history of games of chance back significantly further than previously recorded.
Archaeological research from Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. These two-sided "binary lots," found at Folsom-period sites in Wyoming, Colorado, and New Mexico, predate the earliest known Old World dice by more than 6,000 years. The study reclassifies artifacts previously overlooked or misidentified, highlighting that these objects were the only decorated, non-utilitarian items found at these late-Pleistocene sites.
Archaeologist Robert J. Madden of Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. By re-examining artifacts from Late Pleistocene Folsom-period sites in Wyoming, Colorado, and New Mexico, Madden discovered that these "binary lots" predate the earliest known Old World dice by more than 6,000 years. These objects are often the only decorated, non-utilitarian items found at these ancient sites, featuring artistic markings that distinguish them from everyday tools.
Author Bruce Pascoe and a new generation of Australian chefs are spearheading a movement to revive Indigenous agricultural practices and native ingredients. Drawing from Pascoe’s influential book *Dark Emu*, which challenges the colonial narrative of Aboriginal people as purely nomadic hunter-gatherers, the movement highlights sophisticated ancient systems of aquaculture, irrigation, and grain harvesting. From kangaroo grass to Kakadu plums, these native foods are being reintegrated into the Australian landscape and high-end culinary scene.
Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.
Hunter Foster presents a solo exhibition titled "Involition" at Good Weather in Chicago. Running from February 6 through April 4, 2026, the show features a new body of work documented through an extensive series of installation views and a detailed works list.
The American Museum of Natural History in New York has launched a new ongoing exhibition dedicated to the legacy of its most prolific fossil hunters. The display specifically highlights the contributions of Mark Norell and his colleagues, showcasing the significant paleontological discoveries that have shaped the museum's world-renowned collection.
Archaeologists have discovered that Native Americans were engaging in games of chance using handmade dice as far back as 12,000 years ago, during the Late Pleistocene. A new study by researcher Robert Madden reveals that these artifacts, found in sites across Wyoming, Colorado, and New Mexico, predate the previously oldest known dice from Mesopotamia and the Indus Valley by over 6,000 years. These early dice, often made of bone and decorated with pigments, were used by the hunter-gatherer Folsom culture.
The Seattle region is hosting a diverse array of visual arts exhibitions throughout April and May 2026, with a strong emphasis on cultural identity and heritage. Highlights include Akash Pamarthy’s solo photography show "Sikh Ohio" at the M. Rosetta Hunter Art Gallery, Miya Sukune’s historical installation "TADAIMA: I’m Home" at MOHAI, and a permanent mural installation by Erin Shigaki at Bellevue College. These shows span various media, from traditional Korean moon jar-inspired ceramics by Kelly Haejung Paik to experimental works made of rice and lentils by Yaminee Patel.
The New York City gallery scene is experiencing a significant surge of activity for the first week of March 2026, with dozens of new exhibitions scheduled to open across Manhattan. Major highlights include a survey of Edouard Vuillard’s early interiors at Skarstedt, Sigmar Polke at VeneKlasen, and a comprehensive Robert Mapplethorpe presentation at Gladstone. The week also features high-profile institutional and blue-chip gallery shows, including Carol Bove at the Guggenheim and new works by Daniel Arsham and Gelitin at Perrotin.
New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys." Curated by Koyo Kouoh, the exhibition marks the first time since 2015 that artists from New Orleans have been featured in the main international section. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon represents the Black Masking culture of the Young Seminole Hunters, showcasing the city's intersection of contemporary innovation and ancestral tradition.