A group of artists has announced a strike to protest Israel's participation in the upcoming Venice Biennale. The action is intended to draw attention to the Israeli-Palestinian conflict and to pressure the Biennale organizers to exclude Israel from the event, reflecting growing tensions around cultural boycotts in the art world.
South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.
At the 2026 Venice Biennale, Somalia has established its first-ever national pavilion, commissioned by the Somali government to showcase the richness of Somali culture through the theme of Saddaxleey, a triadic form of Somali poetry and proverbs. The pavilion features works by Somali Swedish artist Ayan Farah, UK-based Somali Danish multidisciplinary artist Asmaa Jama, and Somali British poet Warsan Shire. However, a collective of queer Somali artists, curators, and culture workers called Warbixinta Cidda has publicly criticized the pavilion for overrepresenting the diaspora, selecting an all-male advisory board, and appointing an Italian co-curator instead of Somali curators, raising concerns about representation and neocolonialism.
The Venice Biennale previews have descended into chaos, with the event overshadowed by controversies surrounding Israeli and Russian participation. Protests and disruptions have marked the lead-up to the prestigious international art exhibition, as demonstrators voice opposition to the inclusion of Israel amid the Gaza conflict and Russia's ongoing war in Ukraine. The situation has created a tense atmosphere, drawing significant media attention and complicating the Biennale's usual celebratory preview period.
The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.
Australia has opened its pavilion at the Venice Biennale featuring artist Khaled Sabsabi's multimedia installation "conference of one's self," a vivid work inspired by a 12th-century Sufi poem. The exhibition follows a political firestorm: Creative Australia initially selected Sabsabi and curator Michael Dagostini to represent the country, then rescinded the invitation after controversy over a 2007 video featuring Hezbollah leader Hassan Nasrallah. The decision was later reinstated, and Sabsabi also has a companion work in the main Biennale exhibition curated by Koyo Kouoh. The pavilion is funded by the federal government and private donors including Simon Mordant and the Turnbull Foundation.
An exhibition at POD! community art gallery in Dundee, Scotland, features works by three Palestinian artists: Maysa Yousef, who is alive and exhibiting, and two others—Dorgham Qreaiqea and Heba Zaqout—who were killed in Israel's military campaign in Gaza. The display also includes artwork by children in Gaza who participated in art therapy workshops led by Yousef, who describes art as a means of survival and resistance amid ongoing violence and trauma.
The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.
British artist and art critic Matthew Collings has sparked significant legal and ethical debate with his exhibition 'Drawings Against Genocide.' The collection, which features imagery and text critical of Israel, has been labeled as antisemitic by various community groups and observers, leading to questions about where the line is drawn between political artistic expression and illegal hate speech under UK law.
British artist and critic Matthew Collings has sparked intense legal and ethical debate with his exhibition "Drawings Against Genocide" at Joseph Wales Studios in Margate. The show features graphic imagery, including depictions of Jewish figures consuming infants and denials of sexual violence committed on October 7, 2023. Despite calls from Israeli officials and Jewish community members for legal intervention, Kent Police have stated that no criminal offenses were identified, as the work is currently classified as political criticism rather than a direct incitement of racial hatred.
Artist and former art critic Matthew Collings has sparked intense controversy with his exhibition 'Drawings Against Genocide' at Joseph Wales Studios in Margate. The show features provocative imagery, including a Star of David juxtaposed with Nazi symbols and depictions of IDF soldiers, which critics argue cross the line into antisemitism. The backlash intensified after Sunday Telegraph columnist Zoe Strimpel reported a hostile confrontation with the artist, leading to public condemnation from figures such as Dover MP Mike Tapp and Israel’s charge d’affaires, Daniela Grudsky.
A South African high court has dismissed an urgent application by artist Gabrielle Goliath and curator Ingrid Masondo to reinstate their cancelled pavilion for the 2026 Venice Biennale. The project was scrapped by Sport, Arts and Culture Minister Gayton McKenzie after Goliath refused to remove a segment of her work 'Elegy' that referenced Hiba Abu Nada, a Palestinian poet killed in an Israeli airstrike. The minister labeled the content "highly divisive" and "polarizing."
Palestinian artist Dima Srouji's exhibition *A Cosmogram of Holy Views* opens at London's Ab Anbar Gallery, presenting a decade of research into the built heritage of Palestinian Christians. The show juxtaposes European Renaissance depictions of the Holy Land with the reality of life under Israeli occupation, using media such as tinted glass collages, blown glass, carved stone, and mother-of-pearl objects. Works like *Return to Nazareth* overlay biblical scenes with personal childhood memories, while *Phantom Votives* offers wax votive forms as a response to the destruction in Gaza.
The Chicago Bears are collaborating with UK artist Christian Jeffery and OOF Gallery to celebrate the 40th anniversary of the 1985 Super Bowl XX championship team. A free exhibition at OOF Gallery inside Tottenham Hotspur Stadium in London will run from October 10-12, featuring a one-of-a-kind art piece by Jeffery, limited-edition t-shirts with his bespoke design, and appearances by former Bears defensive end Israel Idonije. The collaboration marks the Bears' continued push into the UK lifestyle market following their London game last season.
Dozens of arts and media professionals have set sail for Gaza aboard a flotilla called the Thousand Madleens, led by Bangladeshi photographer and curator Shahidul Alam. The group departed Otranto, Italy on 1 October and is currently in international waters, expecting to be apprehended by Israeli forces. Alam is traveling on the Conscience, the largest private vessel attempting to break the siege since October 2023, carrying 92 civilians from 26 countries, mostly medics and arts workers. The mission aims to challenge the legality of the siege and demonstrate solidarity with Palestinian journalists and medics, who Alam says have been specifically targeted by Israel.
The Gaza Biennale, a 60-artist exhibition featuring works by artists from Gaza, will debut in New York City from September 10-14 at Recess, a non-profit art space in Brooklyn, with a smaller iteration remaining on view through December 20. The biennale is a decentralized event taking place across 19 venues in 12 cities worldwide, including new pavilions in Toronto, Washington, DC, and New York. It builds on previous editions in London, Athens, Istanbul, Padua, Valencia, and elsewhere, showcasing art made from humble materials like garment scraps and old aid boxes, and includes works by 22 Gaza-based artists in its New York iteration.
Yad Vashem – The World Holocaust Remembrance Center in Jerusalem has unveiled a new exhibition titled "Journey in the Wake of Catastrophe" by Israeli artist Tal Mazliach. The exhibition features eleven original works commissioned specifically for the show, which draw a visual and emotional connection between the Holocaust and the October 7th Hamas attack. Mazliach, a resident of Kibbutz Kfar Aza who survived the attack by barricading herself in her home for over 20 hours, is the second artist selected for Yad Vashem's 'Residency' Project. Her paintings incorporate tribal motifs, bold colors, and layered text, blending personal testimony with collective memory by drawing on Yad Vashem's archival collections.
Malak Mattar, a 25-year-old self-taught Gazan artist, has become the first Palestinian to receive a solo exhibition at London's Central Saint Martins (CSM). After winning a scholarship for a Master's in Fine Art at CSM, she was trapped in Gaza until October 6, 2023, the day before the Hamas attack and subsequent Israeli invasion. Her show, opening May 15 at Window Galleries, features powerful works like 'No Words' (2024), a monochrome canvas likened to Picasso's Guernica, and 'Gaza's Phoenix' (2025), a colorful collage symbolizing resilience. Mattar has also faced institutional challenges, including a lack of public solidarity from the University of the Arts London (UAL) regarding Gaza and financial disparities compared to Ukrainian students.
Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.
The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.
An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.
At the 2026 Venice Biennale, two seagulls built a nest in front of the Polish Pavilion in the Giardini. Organizers chose to protect the nest with a small fence and a sign, turning it into an unofficial "Nature Pavilion." The birds share incubation duties equally, drawing large crowds who pause to watch their cooperative behavior amid the Biennale's intense geopolitical tensions, including protests against the Russian Pavilion, pro-Palestinian actions, and debates over Israel's cultural role.
Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso
Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.
On May 14, 2026, the Salt Lake Art Museum (SLAM) hosted a launch event for X5, a new convergence platform, inside the historic B'nai Israel Temple in Salt Lake City. The event featured an interactive moment where attendees drew on the museum's bare walls before they are painted over. The following day, the Salt Lake Art Show opened at the Mountain America Expo Center in Sandy, serving as X5's first public activation. X5 Vice Chair Joe Ross outlined the platform's three clusters—industry/STEM, culture, and capital/workforce—positioning it as a successor to Sundance's economic impact in Utah.
Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.
The five-member international jury of the 61st Venice Biennale, led by Brazilian curator Solange Farkas, has resigned effective April 30, 2026. The jury—comprising Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—announced their resignation in a written statement, referencing a prior Statement of Intention issued on April 22. In response, La Biennale di Venezia postponed the Awards Ceremony from May 9 to November 22, the final public day, and introduced two new "Visitors' Lions" awards—one for the Best Participant in the main exhibition "In Minor Keys" by Koyo Kouoh, and one for the Best National Participation—to be decided by ticket-holder vote.
Recent US-Israeli strikes in the Iranian city of Isfahan have caused significant damage to several UNESCO World Heritage sites and historic landmarks. Reports indicate that the 17th-century Chehel Sotoun Palace suffered shattered windows, broken doors, and a large crack in a major fresco depicting Shah Tahmasp and the Mughal Emperor Humayun. Nearby, in the historic Naqsh-e-Jahan Square, the Ali Qapu Palace and the Jame Abbasi Mosque also sustained damage, including the destruction of iconic turquoise tiles and intricate fretwork.
The Geneva Museum of Art and History (MAH) coordinated a frantic evacuation of thousands of archaeological artefacts from Gaza’s main storage facility on 9 September, ahead of an Israeli strike that destroyed the Al-Kawthar residential tower housing the repository. The facility, operated by the French Biblical and Archaeological School of Jerusalem (EBAF), contained finds from key sites including the fourth-century Saint Hilarion Monastery, a UNESCO World Heritage site. MAH staff, led by curator Béatrice Blandin, negotiated with Israeli authorities, Swiss diplomats, UNESCO, and the Aliph Foundation to secure a brief window for removal. Despite the operation, 30% of the artefacts—mostly ceramics and lapidary objects—could not be saved.
The official opening of the Grand Egyptian Museum (GEM), originally scheduled for July 3, has been postponed again due to the outbreak of war between Israel and Iran. Egyptian Prime Minister Mostafa Madbouly announced the delay on Saturday, with the tourism and antiquities ministry citing "current regional developments" and stating the full launch will now occur in the last quarter of this year. The museum is already partially open, including its conservation studios (operating since 2010), contemporary program (since 2023), and most Egyptian galleries with the grand staircase, but the Tutankhamen galleries are being held back for the formal opening.
The British Museum (BM) in London hosted a private event on 16 May marking the anniversary of the founding of Israel, organized by the Israeli embassy. Speakers included Israeli ambassador Tzipi Hotovely and UK minister Maria Eagle, with attendees such as comedian Jimmy Carr and politicians Kemi Badenoch and Nigel Farage. The event has sparked anger among museum staff and external critics, who argue it is insensitive given the ongoing conflict in Gaza, which has led to widespread famine and civilian deaths. Staff have organized a petition demanding the museum cease relations with Israeli cultural institutions, gathering 250 signatures.