Venice Biennale opens under shadow of protests over Russia and Israel

The 61st Venice Biennale opened under heavy protest as Russia returns to the event for the first time since its 2022 invasion of Ukraine. Ukrainian feminist collective Femen and Russian punk band Pussy Riot demonstrated outside the Russian pavilion, with activists accusing Russia of using art as a weapon in a hybrid war. Meanwhile, pro-Palestinian protesters gathered outside Israel's pavilion, holding banners reading 'No artwashing genocide' and demanding Israel's exclusion over the war in Gaza. The Biennale's international jury resigned last month, refusing to award prizes to countries led by figures subject to ICC arrest warrants, namely Vladimir Putin and Benjamin Netanyahu. EU foreign policy chief Kaja Kallas called Russia's participation 'morally wrong' and threatened to cut €2 million in funding, while culture ministers from 22 European countries urged organizers to reconsider.

Venice Biennale opens without a jury amid strife over Russian and Israeli participation

The Venice Biennale, one of the world's most prestigious contemporary art exhibitions, opens its most contested edition in memory without a jury after the jury resigned in protest over the participation of Israel and Russia, both under investigation by the International Criminal Court for human rights abuses. Protests have erupted outside the Israeli and Russian pavilions, with demonstrators clashing with police, while feminist groups from Ukraine and Russia converged on the Russian Pavilion and Palestinians remembered artists killed in Gaza. The Biennale has replaced the jury with a public vote via email, with winners announced at the close on November 22.

More UNESCO-Listed Sites Damaged by Airstrikes in Iran

Multiple UNESCO World Heritage sites in Iran, including the 17th-century Chehel Sotoun palace in Isfahan, have sustained significant damage from recent US-Israeli airstrikes. The attacks shattered historic windows, doors, and decorative tiles at several monuments in Isfahan's historic center, and also damaged the third-century Falak-ol-Aflak Citadel, despite the display of protective Blue Shield emblems.

Jury for Venice Biennale's art prize resigns after refusing to recognise Israeli, Russian artists

The international jury of the 61st Venice Biennale art exhibition resigned just over a week before the May 9 prize ceremony, after announcing they would not consider artists from countries whose leaders face International Criminal Court charges—an apparent reference to Russia and Israel. The jury included president Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. In response, the Biennale established two Visitors’ Lions to be awarded by ticket-holder vote, postponed the awards to November 22, and reaffirmed that all national participations remain eligible, effectively reinstating Russian and Israeli artists.

'There's Always a Beef': A New Exhibition Turns Identity Politics Between Arabic Speakers Into Art

A new exhibition titled 'Mother Tongue' has opened at the Haifa Museum of Art, exploring the hierarchy of Arabic dialects and the politics of language among Arabic speakers. The show turns identity politics into art, examining how language can be a battlefield in a region where one language holds power over another and political expression can lead to legal consequences.

Cover | DIA Welcomes Jewish Museum Treasures in ‘Guests of Honor' Exhibit

The Detroit Institute of Arts (DIA) has launched a long-term exhibition titled 'Guests of Honor,' featuring significant loans of Jewish ceremonial objects from the Jewish Museum in New York. Running through January 2027, the display includes intricate items such as Torah crowns, pointers, menorahs, and spice boxes sourced from Europe, the Middle East, and North Africa. The objects are integrated into various galleries, including the Arts of the Islamic World section, to highlight shared aesthetic motifs and historical connections between different cultures.

Dr Kurt A. Gitter, Japanese Art Collector, 89

Dr. Kurt A. Gitter, a pioneering retinal surgeon and world-renowned collector of Japanese art, has passed away at the age of 89 in New Orleans. Born in Vienna and having escaped the Holocaust as an infant, Gitter discovered his passion for Japanese culture while serving as a U.S. Air Force flight surgeon in the 1960s. Over several decades, he and his wife Alice Yelen Gitter amassed one of the most significant private collections of Edo-period paintings and self-taught American art in the Western world.

Flowers laid after Bondi terror attack will form new work of art at Sydney Jewish Museum

Floral tributes left at Bondi Beach after a deadly terrorist attack on a Hanukkah celebration in December 2024 have been collected and will be transformed into an art installation at the Sydney Jewish Museum. Jewish Australian artist Nina Sanadze, born in Georgia and based in Melbourne, is working with volunteers to dry and process the flowers in a Sydney warehouse, experimenting with resin, bronze casting, and composted materials to create a work that may depict beachgoers fleeing the attack. The museum, currently closed for redevelopment, plans to feature the installation in a special exhibition when it reopens in 2027.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

Artist reaches settlement with US city that cancelled her residency over a pro-Palestine message

Danielle SeeWalker, a Húŋkpapȟa Lakȟótaits artist, reached a settlement with the town of Vail, Colorado, after her art residency and mural commission were cancelled in 2024 over an Instagram post supporting Palestine. The American Civil Liberties Union (ACLU) of Colorado and law firm Newman McNulty filed a federal civil rights lawsuit in October 2024, citing free speech violations. The settlement includes annual cultural sensitivity training for Vail’s Arts in Public Places employees, an annual powwow organized by SeeWalker, a community forum on Israel and Palestine, a new art program for underrepresented groups, and a confidential payment. SeeWalker’s painting *G for Genocide* (2024) will be exhibited at Art at a Time Like This’s pop-up space in New York City this autumn.

Frustrated by Chicago's Jewish institutions, anti-Zionist artists are forming their own Jewish cultural center

Anti-Zionist Jewish artists in Chicago, led by Gabriel Chalfin-Piney-González, founded the Jewish Museum of Chicago in 2023 as a decentralized cultural center without a permanent physical space. The initiative emerged from frustration with the lack of a Jewish museum in the city and a desire to create a welcoming community for anti-Zionist Jews, especially galvanized by the war in Gaza. The museum has since hosted over a dozen exhibitions and events, including a Liberation Seder and an artists collective, and is planning a brick-and-mortar space.

Thai Art Center Censors Exhibition After “Pressure” From China

The Bangkok Art and Culture Center (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese Embassy in Thailand. Works by artists from Hong Kong, Tibet, and the Uyghur diaspora were blacked out or removed to avoid 'diplomatic tensions between Thailand and China.' The curators fled the country after Chinese officials and Thai police visited the museum. Affected artists include Doc Tenzin, Mukaddas Mijit, Clara Cheung, and Gun Cheng Yee Man, whose names were blacked out, along with Tibetan and Uyghur flags and a graphic comparing China to Israel.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

Artists accuse Whitney Museum of censorship for cancelling pro-Palestine performance

The Whitney Museum of American Art has been accused of censorship by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi after canceling their performance titled *No Aesthetics Outside my Freedom: Mourning, Militancy and Performance*, scheduled for May 14 as part of the exhibition *A Grammar of Attention*. The museum cited the work's "exclusionary and inflammatory" content, referencing a prior iteration where Tbakhi called for those who believe in Israel or America to leave the audience and valorized specific acts of violence. The artists argue the cancellation is an act of anti-Palestinian censorship, while the museum claims the decision was necessary to uphold its policies. In response, Sara Nadal-Melsió, associate director of the Whitney Independent Study Program (ISP), canceled a related critical studies symposium, and the ISP cohort alleged the museum surveilled and intervened in their work.

Venice Biennale 2026 Roundup

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.

‘In Minor Keys’: discover the themes that define the 61st Venice Biennale exhibition

The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.

Venice Biennale in crisis: The controversies explained

The Venice Art Biennale's official awards ceremony, scheduled for May 9, has been canceled after the entire five-member jury resigned days before the event. The jury had previously announced they would not consider countries whose leaders face International Criminal Court charges, directly impacting Russia and Israel. Instead of jury-selected prizes, visitors will vote throughout the Biennale's run, with "Visitor Lions" awarded on November 22. The event, running from May 9 to November 22, features 100 national participations, including seven first-time countries, and a posthumous main exhibition titled "In Minor Keys" curated by the late Koyo Kouoh, the first African woman to lead the show. Iran withdrew on May 4 amid Middle East tensions, while Russia's return to the Biennale in 2026 has sparked EU threats to cut funding.

Brussels, Russia and the Venice Biennale

The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.

Aichi Triennale confronts war, memory and environmental collapse

The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.

‘From Gaza to the World’: A Devastating Art Show Arrives in Brooklyn

A devastating exhibition titled 'From Gaza to the World' has opened at Recess, a nonprofit art venue in Brooklyn, as the first North American pavilion of the Gaza Biennale. Organized by the Forbidden Museum of Jabal Al Risan and launched in 2024, the show features 25 Palestinian artists, many still in Gaza or displaced. Due to the ongoing Israel-Gaza War, most works are documentation—printouts, facsimiles, and video—rather than original objects. Highlights include Malaka Abu Owda's 'When the Body Became a Message' (2024), Firas Thabet's tapestry 'Gaznica' (2025) adapting Picasso's Guernica, and Emad Badwan's docudrama 'Live Broadcast' (2024). The exhibition bears witness to life under bombardment, famine, and displacement, with wall labels including heartbreaking artist quotes.

Pro-Palestine mural boarded up overnight at University of North Carolina

A pro-Palestine mural at the University of North Carolina (UNC) in Chapel Hill was boarded over overnight on August 17 by university administration without warning to the art department. The mural, created by students and community members in a course taught by artist Hồng-An Trương, had been displayed in the Hanes Art Center lobby for over a year. It features collaged prints in the colors of the Palestinian flag and the text “I told you I loved you and I wanted genocide to stop.” University officials cited the need to remove the artwork after its one-year display period and to repair the wall, but faculty and students have condemned the action as censorship.

Pook & Pook Presents Exceptional Works of Modern and Post-war Art in its Upcoming Auction

Pook & Pook will hold an online auction on July 16, 2025, featuring over 500 lots of modern and post-war art deaccessioned from a distinguished East Coast educational institution. Highlights include eight works by Romare Bearden, over one hundred pieces by Leonid Sokov, paintings by Mikhail Turovsky, conceptual works by Lydia Dona, and a sculpture by Frederick Eversley. The auction will be accessible via PookLive, Bidsquare, and Invaluable, with in-person previews at Pook & Pook's Downingtown, Pennsylvania gallery on July 14-15.

The Palestinian artist channelling ‘rage, love and hope’ into her paintings

Palestinian artist Malak Mattar presents her new solo show "Falasteen" at Central Saint Martins, featuring works created during her MFA that respond to the ongoing genocide in Gaza. The exhibition marks a synthesis of her earlier vibrant style and the stark monochrome she adopted after Israel's latest assault, with colors cautiously returning alongside themes of hope, resilience, and freedom. The show includes large-scale paintings, a concertina book, and new techniques like photo transfer and collage, including her 2024 painting "No Words," a black-and-white mural recalling Picasso's "Guernica." This is the first solo show by a Palestinian artist ever held at Central Saint Martins.

Cultural Losses Across West Asia

Since February 28, 2026, US-Israeli strikes on Iran have escalated into a major military confrontation across the Middle East, causing heavy casualties and infrastructure damage. Multiple UNESCO World Heritage sites have been hit, including Tehran's Golestan Palace (damaged on March 2), Isfahan's Chehel Sotoun palace and Naqsh-e Jahan Square (attacked March 9), and Tel Aviv's White City Bauhaus architecture, which suffered severe damage from Iranian counterattacks.

Cultural Institutions in Beirut Suspend Operations Amid Escalating Conflict

Several major cultural institutions in Beirut have suspended public operations due to escalating regional conflict. The Ramzi and Saeda Dalloul Art Foundation, Sursock Museum, Dar El-Nimer for Arts & Culture, and Beirut Art Center have all paused programs following Israeli airstrikes on Beirut's southern suburbs and southern Lebanon, which were a response to rocket attacks by Hezbollah.

Art Dubai Postpones 2026 Fair Amid Iran War Fears

Art Dubai has postponed its 2026 fair from April to May 14–17, shifting to an "adapted format" at its usual venue, the Madinat Jumeirah resort. The fair, a cornerstone of the Middle Eastern art scene, will proceed with a more focused model, featuring galleries from over thirty-five countries but altering its financial structure, with participating galleries paying a percentage of sales instead of standard booth fees.

Lebanese Artist Ali Sbeity Reportedly Killed in Israeli Strike

Lebanese artist Ali Sbeity was killed in an Israeli airstrike on the southern town of Kafra. The death was confirmed by the Artists at Risk Connection and reported by local media. Sbeity was known for his vibrant portraits and landscapes of his rural hometown, which he frequently shared on social media.

Russia and Israel cannot win any prizes at the next Venice Art Biennale 2026. The jury takes a stand

Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione

The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.

UAE galleries close amid Iran missile strikes

Art galleries and museums across the United Arab Emirates, Bahrain, and Qatar have shuttered their physical spaces following a series of Iranian missile strikes targeting the Arabian Gulf. Major institutions including the Jameel Arts Centre and commercial galleries like Lawrie Shabibi and The Third Line have moved operations online or closed entirely as the UAE government advises residents to remain at home. The regional instability follows a cycle of retaliatory strikes between Iran and US-Israeli forces, resulting in casualties within the UAE.

Painting through trauma

Israeli artist Ilan Adar, whose Jaffa studio was a cultural hub before October 7, found himself unable to paint after the attacks as tourism and daily visitors vanished. Encouraged by collector Josh Liberman, Adar created 'Echoes of the Tribe,' an exhibition now showing in Melbourne, Australia. The works, built from red pigment and layered with emotion, explore themes of shared human connection, memory, and resilience. The exhibition was organized with the help of Alexandra Pyke to support Israeli artists facing discrimination and economic hardship post-October 7.