‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.

"Shared Spaces" Opens Season at Haley Art Gallery

Haley Art Gallery in Kittery, Maine, has opened its 21st season with the group exhibition "Shared Spaces," featuring works by Paul Burke, Sheridan Cudworth, Barbara D’Antonio, Jozimar Matimano, Bill Oakes, and Carlos Vega. The show runs through August, with gallery artist talks scheduled for June 13 and June 27. The gallery also offers special purchasing incentives for local business owners and designers, as well as a Victorian Tea-Time Art experience for groups.

Homecoming for local artist in new West Lothian exhibition

Artist Leo du Feu is returning to his hometown of Linlithgow, Scotland, for his largest solo exhibition to date, titled 'Homecoming,' at the Gallery at Linlithgow Burgh Halls. Running from 22 May to 17 September 2026, the show traces the evolution of his work across nature, landscape, wildlife, and storytelling, and includes new pieces inspired by fatherhood and emotional well-being. The exhibition also marks the 15th anniversary of the gallery's opening in 2011, and a free artist talk is scheduled for 17 June.

‘Breeders’ is a collaborative Lawrence art show on parenthood that took a village

A group of 17 Lawrence-based artists with children have collaborated on a new exhibition titled 'Breeders' at Cider Gallery, opening April 24. Organized by local artist and teacher John Sebelius, the show explores the joys and challenges of parenthood through diverse media, including paintings, collages, and ceramics. A sister show, 'Offspring,' featuring works by the artists' children, will open simultaneously at Seedco Studios. Participating artists include Mona Cliff, Stan Herd, Angie Pickman, Kevin Willmott, Megan Embers, and Katie Winter, among others.

A Firenze nasce la “nuova” istituzione GAMB che riunisce la Galleria dell’Accademia di Firenze e i Musei del Bargello (con nuovo logo d’autore)

A new museum institution called GAMB (Galleria dell’Accademia di Firenze e Musei del Bargello) has been established in Florence, unifying seven cultural sites under a single autonomous museum system. The sites include the Galleria dell’Accademia, Museo Nazionale del Bargello, Orsanmichele, Casa Martelli, Palazzo Davanzati, Cappelle Medicee, and the former Church of San Procolo. A new visual identity designed by Milanese studio Migliore+Servetto features a pictogram that maps the geographic distribution of the venues, along with a custom typeface and color palette unique to each location. The launch also coincides with the start of a public restoration project for the base of Benvenuto Cellini’s *Perseo* at the Bargello, open to visitors from May 12 to September 5, 2026.

61st Venice Biennale: Cultural workers and artists strike and protest against the Israeli genocide in Gaza

Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.

Ullger reflects on ‘quite special’ Berlin exhibition with Cane-Yo collective

Artist Karl Ullger recently participated in the group exhibition "Running with Scissors" at Anders Galerie in Berlin, organized by the global artist collective Cane-Yo. The show featured over 40 artists, including five invited Berlin artists, and displayed some 200 artworks. Ullger described the experience as "quite special," highlighting the energy of the packed opening and the direct engagement with visitors. He noted standout works by Austrian artist Theo Ritzinger, Chilean artist Diego Palacios, and Italian artist Yasmine Elgamal, as well as the opportunity to reconnect with fellow artists Alf Sims, Alex May, Shanice Farrugia, and Nicole Debono.

Harmless Art: Kim Sang-yu Exhibition Becomes Healing Space

A retrospective exhibition for the late Korean artist Kim Sang-yu, titled 'A Person Who Does Not Easily Fade,' is being held at the Seoul Museum of Art to mark the centennial of his birth. The show, featuring over 150 works, has become a popular destination for meditation and healing, with visitors describing the serene paintings as comforting and harmless.

The perceptual effects of Alessandro Gioiello's paintings are on show in Rome

Gli effetti percettivi dei dipinti di Alessandro Gioiello sono in mostra a Roma

Alessandro Gioiello's solo exhibition "Pensieri Sparsi" is on view at Galleria Richter Fine Art in Rome, featuring oil-on-canvas works such as "Broken Flowers" (2026), "Quarantatreesimo" (2025), and "Tiscert" (2026). The show presents a stream-of-consciousness approach where color and composition emerge from a lengthy process of selection and transformation, inviting viewers to reconstruct meaning through the creative gesture rather than a linear narrative.

design formafantasma andrea trimarchi simone farresin

Andrea Trimarchi and Simone Farresin of Milan-based design studio Formafantasma have become fashion and art's go-to design duo. In the past year, they designed runways for Meryll Rogge's Marni debut, scenography for the new Fondation Cartier, and a radical take on the Shaker legacy for a show at the Vitra Design Museum. In an interview, they discuss their critical approach to design, the gap between design's progressive claims and its environmental and labor impacts, and their commitment to using design as a tool for inquiry rather than mere form-making.

Nature is healing? Seagull lays eggs in the Giardini during Venice Biennale preview

During the VIP preview of the Venice Biennale, a seagull laid three eggs near the entrance of the Polish Pavilion in the Giardini. Pavilion staff built a protective barrier around the nest and warned visitors to avoid the protective bird, which one Italian collector called "the main attraction."

Today’s war, tomorrow’s loot: attempts at stemming the illicit trade in art

The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.

Was This Anne Boleyn’s Seat? Rare 500-Year-Old Chair Linked to Tudor Queen

A rare, intricately carved wooden chair, potentially used by Anne Boleyn during her time in the French courts between 1510 and 1520, has been acquired and is now on display at Hever Castle. The chair was purchased by antiques dealer Paul Fitzsimmons from an online American auction in 2022, and its carvings—featuring dolphins, a Tudor rose, and the initials "AB" intertwined with a cordelière emblem of Queen Claude—suggest a strong link to the Tudor queen's early life.

Punching the light: Sydney’s 90s raves – in pictures

Simon Burstall, at age 17, began photographing Sydney's underground rave scene in the 1990s, using borrowed school cameras and sneaking out in the family car to capture the burgeoning subculture. His images from that era were later compiled into the photobook '93: Punching the Light, published by Damiani in 2019.

Man who pocketed tiles from medieval priory as boy returns them 60 years later

Simon White, now 68, returned three fragments of medieval clay tiles he took as a nine-year-old from Wenlock Priory in Shropshire during a family outing in the late 1960s. The tiles, dating from the late 13th to early 14th century, were discovered in an old toffee tin during a house move. White contacted English Heritage, which confirmed the provenance using family diaries and historical analysis. One fragment features a previously unknown dragon motif, exciting medievalists.

‘I want people to see nature as a wondrous work of art’: Jon McCormack’s best phone picture

Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.

Spain, sculpted in sand at Tottori museum’s landmark 20th exhibition

The Tottori Sand Museum in Japan has opened its 20th anniversary exhibition, themed around Spain. The show features monumental sand sculptures recreating iconic Spanish landmarks, including several of Antoni Gaudí's structures, most notably the Sagrada Familia basilica. The exhibition began last month and will run through January 3, continuing the museum's tradition of annual themed displays that began outdoors in 2006 and moved to a dedicated indoor building in 2012.

in venice, ukrainian artists reclaim joy with tender force

The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.

Israeli Artists Slam Venice Biennale Participation: 'Again, Israel as a Victim'

The 61st Venice Biennale opened on Saturday amid significant upheaval, including the unexpected death of its curator Koyo Kouoh and the passing of German artist Henrike Naumann. Israeli artists have publicly criticized their country's participation in the event, with one artist quoted as saying, 'Again, Israel as a victim,' reflecting ongoing anti-Israel protests and the resignation of the Biennale's judges.

Artists strike to protest Israeli participation ahead of Venice Biennale

A group of artists has announced a strike to protest Israel's participation in the upcoming Venice Biennale. The action is intended to draw attention to the Israeli-Palestinian conflict and to pressure the Biennale organizers to exclude Israel from the event, reflecting growing tensions around cultural boycotts in the art world.

Inside the UAE Pavilion at Venice Biennale, a whisper becomes a portrait of a nation

The UAE Pavilion at the 61st Venice Biennale presents 'Washwasha,' an exhibition curated by Bana Kattan with assistant curator Tala Nassar. The show features six artists—Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva—whose works explore the concept of whispering in Arabic, encompassing oral history, language, rumor, and daily noise. Installations include glass sculptures, sound-based pieces from barbershops and farms, and a reconstructed hammam installation by Al Malhi that plays recordings of wedding rituals. The exhibition runs until November 22.

Venice Biennale previews in chaos, overshadowed by Israeli and Russian participation

The Venice Biennale previews have descended into chaos, with the event overshadowed by controversies surrounding Israeli and Russian participation. Protests and disruptions have marked the lead-up to the prestigious international art exhibition, as demonstrators voice opposition to the inclusion of Israel amid the Gaza conflict and Russia's ongoing war in Ukraine. The situation has created a tense atmosphere, drawing significant media attention and complicating the Biennale's usual celebratory preview period.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

After the firestorm: First look at Australian artist’s Venice Biennale works

Australia has opened its pavilion at the Venice Biennale featuring artist Khaled Sabsabi's multimedia installation "conference of one's self," a vivid work inspired by a 12th-century Sufi poem. The exhibition follows a political firestorm: Creative Australia initially selected Sabsabi and curator Michael Dagostini to represent the country, then rescinded the invitation after controversy over a 2007 video featuring Hezbollah leader Hassan Nasrallah. The decision was later reinstated, and Sabsabi also has a companion work in the main Biennale exhibition curated by Koyo Kouoh. The pavilion is funded by the federal government and private donors including Simon Mordant and the Turnbull Foundation.

Venice Biennale jury resigns amid row over Russian entry

The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.

Artist's books by Guido Strazza in Subiaco (Rome): the exhibition at Santa Scolastica

The State Library of Santa Scolastica in Subiaco, Rome, is hosting an exhibition titled 'Libri d’artista. Guido Strazza for Subiaco' from April 30 to June 2, 2026, dedicated to the artist's books of Guido Strazza. Curated by Simona Ciofetta with scientific coordination by Stefano Petrocchi, the show is part of Subiaco's initiatives as Italian Book Capital 2025. It explores the artist's book as an autonomous art form blending text, image, and materials, featuring limited-edition works and engravings by Strazza, including his 1980 portfolio 'Insects'.

Legacy of printmaking highlighted in Sonoma art exhibit

A new exhibition titled “Etched in Sonoma: A Living Legacy” has opened at the Sonoma Community Center, showcasing the art of printmaking through works by 16 local and international artists. Curated by Simon Blattner and Barbara Wells, the free exhibition runs through May 24 in Gallery 212 and includes an opening reception on May 1 with curator talks and live music. The show features prints from Eastside Editions alongside new works created at the center’s Print Studio, which houses the historic Griffin etching press. A public discussion on art collecting, led by Blattner, gallery owner David Keaton, and artist Chester Arnold, is scheduled for May 21.

Gallery famous for Fakes and Forgeries exhibition celebrates 20-year anniversary

The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.

SAD, MAD, THINKING birthday - Celebrating Studio A’s Diamond Decade

Studio A, a leading Australian supported studio for artists with intellectual disability, is celebrating its tenth anniversary with a retrospective exhibition titled "SAD, MAD, THINKING birthday." The show features iconic Archibald Prize portraits by the studio's finalists, works that inspired major public artworks, and standout pieces from across the studio's artists. It culminates in a dining room installation created in collaboration with designers and brands including Mud Australia, Canberra Glassworks, Alémais, Erth, and Armadillo.

African Diaspora Art Museum of Atlanta revisits the works of W.E.B. Du Bois

The African Diaspora Art Museum of Atlanta (ADAMA) has opened a new exhibition revisiting W.E.B. Du Bois' groundbreaking "Exhibit of American Negroes" from the 1900 Paris World's Fair. Developed in partnership with The Atlanta Journal-Constitution (AJC), the show builds on a Black History Month project by reporter Mirtha Donastorg and photographer Natrice Miller, who revisited Du Bois' original data and photographs. The exhibition features contemporary portraits of Black Atlantans alongside historical images, asking what has changed and what has endured in Black American life over the past century.