Elmhurst University’s painting "Tree at Aledo" by Gertrude Abercrombie is currently on a national tour as part of the retrospective exhibition "Gertrude Abercrombie: The Whole World Is a Mystery." The work is presently on display at the Milwaukee Art Museum following stops at the Carnegie Museum of Art and the Colby College Museum of Art, with a final scheduled stop at the Norton Museum of Art through early 2027.
The CAMP Gallery in North Miami is hosting "Under the Red Tent," an immersive fiber art exhibition presented in collaboration with Red Thread Art Studio Miami. Featuring over 20 women artists, the show transforms the gallery into a monochromatic red environment where threads are suspended, woven, and draped to create a tactile sanctuary. The exhibition launched on International Women’s Day and functions as an evolving space that integrates a living oral history archive alongside physical textile works.
The BYU Museum of Art (MOA) has unveiled a meticulously restored gypsum cast replica of Lorenzo Ghiberti’s Renaissance masterpiece, the "Gates of Paradise." The restoration project spanned a decade and involved approximately 13,000 hours of labor, largely performed by BYU students who repaired damage and applied gold leaf to the ten ornate panels. The restored work is now the centerpiece of the exhibition "Gilded Paradise," which features immersive projections of Florence and will remain on view through October 2026.
The McMullen Museum of Art at Boston College has launched "Collaborating in Conflict: The Yeats Family and the Public Arts," a comprehensive exhibition exploring three generations of the Yeats family. Featuring approximately 200 works including paintings, embroideries, and rare manuscripts, the show highlights the collaborative yet often tense creative output of patriarch John Butler Yeats and his children, including the poet William Butler Yeats and the painter Jack B. Yeats. Many of the items on display are being shown publicly for the first time or for the first time outside of Ireland.
The White House has suggested that the Smithsonian's National Portrait Gallery create a dedicated section to display multiple images of President Donald Trump, including a new painted portrait, during his current term. This proposal came during a December visit by State Department and White House officials, who noted the president receives much artwork from supporters that could be curated for display.
The Smith College Museum of Art (SCMA) is presenting the exhibition 'Don’t mind if I do,' a project conceived by artist Finnegan Shannon. The show features a 25-foot conveyor belt loop that displays 30 small, touchable sculptures by eight artists, allowing visitors to view the art from comfortable seating without needing to move through the gallery. The project originated from a 2019 residency at the Museum of Contemporary Art Cleveland and has toured to several university galleries before arriving at Smith.
A long-lost portrait of Robert Burns by Henry Raeburn, painted in 1803, has gone on public display for the first time at the National Gallery of Scotland in Edinburgh, just in time for Burns Night on 25 January. The painting resurfaced in a house clearance in Surrey and was auctioned in Wimbledon in March 2025 with a guide price of £300–£500; collector and Burns enthusiast William Zachs purchased it for £68,000 after a tense bidding war, gambling on the Raeburn attribution. Experts including Patricia Allerston and Duncan Thomson have since confirmed the work is authentic, and it is now exhibited alongside Alexander Nasmyth's 1787 portrait of Burns.
The Ackland Art Museum in Chapel Hill will open two new exhibitions on January 30, 2026. "Bill Bamberger: Boys Will Be Men" presents introspective portraits of male students from Durham School of the Arts, exploring masculinity through photography and audio interviews. "Color Concentrated: A Salon-Style Show from the Robertson Collection" reimagines modernist works from the museum's collection in a dense, single-wall installation inspired by 19th-century Parisian Salons.
Fine artist Vanessa Johansson is presenting her debut solo exhibition in the Sky Garden Penthouse of Gramercy’s 200E20TH in New York City. The show features atmospheric acrylic abstract paintings, displayed in a residential setting that complements CetraRuddy’s contemporary architecture. Johansson, who studied at the Art Students League, will next participate in the group exhibition “Women and Abstraction” at Pierre Cornette de Saint Cyr in Paris.
The Helsinki Art Museum (HAM) in Finland is opening a new permanent gallery dedicated to Tove Jansson, the illustrator of the Moomins. The Tove Jansson Gallery will open on 13 February, spanning three exhibition halls, with the inaugural exhibition inspired by Jansson’s book *Comet in Moominland* and running through 24 January 2027. The gallery aims to showcase Jansson's art diversely and introduce new perspectives on her as both a Helsinki-based and international artist.
The Cleveland Museum of Art has opened a fashion exhibition titled "Renaissance to Runway" that uses AI-generated video to animate historical garments too delicate to wear. The 2-minute, 45-second video, "Renaissance Remixed" by Francesco Carrozzini and Henry Hargreaves, shows lifelike figures in archival clothing moving through dreamlike settings, solving the problem of displaying fragile pieces without risking damage. The exhibition pairs Renaissance and Baroque artworks with modern designs from Versace, Valentino, Armani, Ferragamo, and Gucci, and is the largest of its kind at the museum.
The Smithsonian's National Museum of Asian Art announced a new exhibition, "Of the Hills: Pahari Paintings from India's Himalayan Kingdoms," on view from April 18 to July 26, 2026. Featuring 48 paintings and colored drawings, the show includes canonical masterpieces and never-before-displayed works from the renowned Benkaim Collection, acquired by the museum in 2017–2018. The exhibition explores collaboration and creativity across three key periods from 1620 to 1830, highlighting intricate details, naturalistic figures, and vivid stylizations created with materials like ground pigments, beetle wings, and gold.
The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.
An exhibition opening at Strawberry Hill House in London on November 1 will explore the history of a jewel-encrusted Ottoman dagger long believed to have belonged to Henry VIII. Curator Silvia Davoli has uncovered that the dagger was actually made in late 16th-century Istanbul, decades after Henry's death, and was mistakenly attributed to the king by 18th-century engraver George Vertue. The dagger was owned by Horace Walpole, then passed through several hands before being stolen in a 1946 heist at Hever Castle, where it was kept by the Astor family. Though the original dagger remains missing, the exhibition will display two similar Ottoman daggers from Welbeck Abbey and Vienna's Kunsthistorisches Museum.
The Art Institute of Chicago will present "Korean National Treasures: 2,000 Years of Art" from March 7 to July 5, 2026, featuring 140 artworks spanning from 6th-century Buddhist sculpture to contemporary paintings. The exhibition includes 22 objects officially recognized as National Treasures or Treasures by the Korean government, all drawn from a landmark 2021 donation of over 23,000 works by the family of late Samsung Group chairman Lee Kun-Hee. Highlights include Joseon dynasty ceramics, Buddhist paintings, and works by modern artists such as Kim Whanki and Park Rehyun.
Fragments of silk from a ceremonial robe buried with Norwich Bishop Walter Lyhert in 1472 have been recreated after 550 years. The tiny pieces were discovered in 1899 during building works at Norwich Cathedral and have been on long-term loan to Norwich Castle. A project led by assistant curator Agata Gomolka used high-resolution photography, chemical fiber analysis, and dye testing by scientists at the British Museum and KIK-IRPA in Brussels to reconstruct the red and purple fabric. The recreated silk is now on display at Norwich Castle, and Norwich Cathedral plans to make ceremonial copes from it for use in services.
The Musée du Louvre has acquired its first-ever video work, a piece titled *Les 4 temps (The 4 Seasons)* by Algeria-born artist Mohamed Bourouissa. The work documents the Tuileries Gardens over the course of a year, originally created as 52 weekly videos for the Louvre’s Instagram channel between February 2024 and February 2025. It will be displayed in the Salle de la Chapelle from 22 October to 19 January 2026. Bourouissa also composed the music for the piece by recording the vibrations of the garden’s plants.
The Newport Art Museum will open "THE COURT: Art in Play" on September 24, an exhibition featuring works by seven artists who also compete in court tennis, the historic precursor to modern tennis. Organized by artist and court tennis champion Frederika Adam, the show runs through April 2026 at the Historic Griswold House and includes animation, book art, painting, photography, and memorabilia. Items from the International Tennis Hall of Fame’s permanent collection are displayed alongside the artists’ works.
The David Bowie Centre opens on 13 September at the V&A East Storehouse in Stratford, east London, offering free timed-entry access to a 90,000-piece archive acquired from the Bowie estate. Lead curator Madeleine Haddon highlights discoveries like Bowie's paint palette and a framed photo of Little Richard, alongside an interactive installation tracing his influence on pop culture. The centre features nine rotating curated displays, including guest-curated ones by Nile Rodgers and The Last Dinner Party, and connects to the upcoming V&A East Museum exhibition 'The Music Is Black: A British Story'.
Nearly 200 Old Master treasures from the Schroder Collection, amassed by the late banker Bruno Schroder and his family over more than a century, will go on long-term display at the Holburne Museum in Bath, UK, starting 10 September. The collection includes silver, maiolica, and paintings by artists such as Lucas Cranach the Elder and Hans Holbein the Elder, many shown publicly for the first time. The loan was facilitated by Bruno’s daughter Leonie, who requested the works remain in the UK and be placed in a regional museum rather than London.
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A rare 18th-century tapestry, *The Battle of Arbela*, has gone on public display at Blenheim Palace in Oxfordshire, UK, after more than a century in storage. The tapestry, part of the *Story of Alexander the Great* series commissioned by the first Duke of Marlborough in 1707, was woven by Flemish weaver Judocus de Vos and designed by French artist Charles Le Brun. It depicts Alexander the Great's victory over the Persian Army at the Battle of Gaugamela in 331 BC. The piece is now exhibited in the palace's Great Hall until 26 August, following conservation work completed in the early 2000s.
The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.
Sicily has inaugurated the Museum of the Present (Museo del Presente) inside Palermo's historic Palazzo Jung on 23 May, marking 33 years since the assassination of anti-Mafia judge Giovanni Falcone. The museum commemorates Mafia victims and confronts the ongoing threat of Cosa Nostra through personal artifacts, multimedia installations, and historical documentation, including items from Falcone and his colleague Paolo Borsellino. The opening was attended by Italy's interior, justice, and culture ministers, and entry remains free until 19 July.
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King Charles and Queen Camilla held a reception on July 9, 2025, to celebrate a new exhibition at Buckingham Palace featuring 72 artworks from the monarch's personal collection. The works, created by artists who accompanied Charles on foreign tours over the past 40 years, include paintings, sketches, and even an iPad image. The exhibition, titled "The King’s Tour Artists," opens to the public from July 10 to September 28 and marks the summer opening of the palace. Charles began inviting artists on tours in 1985, and since then, 43 artists have joined him on 70 tours to 95 countries, with the King acquiring at least one piece from each artist.
The Kimbell Art Museum in Fort Worth will host "Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection" from September 14, 2025, to January 25, 2026. This exhibition features 58 marble masterpieces from the Torlonia Collection, the world's greatest private collection of ancient Roman sculpture, many of which have never left Italy. It marks the first time these works are displayed in North America, and the Kimbell is one of only two U.S. museums to receive this honor. The sculptures range from the fifth century B.C. to the early fourth century A.D., with thematic sections exploring mythology, imperial power, and restoration.
The Frist Art Museum's summer exhibition, "Venice and the Ottoman Empire," presents over 150 artifacts from Venice's civic museums, Fondazione Musei Civici di Venezia, and the University of Zadar's museum. Co-curated by Stefano Carboni and Trinita Kennedy, the show explores the complex relationship between the Ottoman Empire and the Republic of Venice, highlighting not only their centuries of brutal warfare but also their extensive trade networks and cultural exchange. Luxury textiles, including silk and velvet with Ottoman designs, feature prominently, alongside books, a qibla indicator, and military artifacts like a 17th-century Ottoman banner. The exhibition focuses on commerce and the elite who commissioned portraits, though it notably omits discussion of the slave trades and minimizes production processes.
Bristol City Council has launched a one-week public fundraising campaign to raise £100,000 toward purchasing a newly attributed J.M.W. Turner oil painting, *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, which is consigned to auction at Sotheby’s London on 2 July with an estimate of up to £300,000. The painting, made in 1792 when Turner was 17, was previously sold at Dreweatts Donnington Priory for £524.80 as a work by a follower of Julius Caesar Ibbetson. If acquired, the work would go on display at Bristol Museum and Art Gallery this summer and will also be included in the upcoming *Turner and Constable* exhibition at Tate Britain.
The Kunstmuseum Basel has reinstalled a collection of extremely fragile Hans Holbein drawings in a dedicated gallery as part of a major rehang of its 14th- to 19th-century galleries. The works, mostly preparatory studies by the Northern Renaissance painter, have not been publicly displayed for nearly 20 years and are so light-sensitive that the gallery's lighting system activates only when visitors enter. The museum's director, Elena Filipovic, notes that the drawings entered the collection in 1661 and have been kept undercover since the 1980s, last appearing in a major Holbein exhibition in 2006.
The Orlando Museum of Art has opened its 11th annual Florida Prize in Contemporary Art exhibition, running from May 31 to August 24, 2025. The show features ten emerging and mid-career artists from across Florida, each given approximately 1,000 square feet to display their work. Colombian-born artist Nathalie Alfonso, who lives in South Florida, was named this year's Florida Prize winner, receiving a $20,000 award for her pastel wall piece "LineScape—Onset," which she created over three weeks on an 87-by-17-foot wall.