Renowned Victoria artist hosts exhibition with proceeds going to 10 local charities

Renowned Victoria artist and philanthropist Tanya Bub is presenting a new exhibition titled "Wild Art for the Big of Heart" at the Gage Gallery in Victoria’s Bastion Square from May 12th to 31st. The show features dozens of sculptural works made from driftwood, wire, and paper, with prices ranging from $30 to $8,000. Twenty-five percent of all sales will go to the charity of the buyer’s choice, with 10 local charities benefiting, including Broken Promises Rescue, Elder Carl Olsen — Goldstream / SELE₭TEȽ Watershed, CNIB Victoria, Georgia Strait Alliance, Mustard Seed, Rainbow Haven, Soap for Hope, The Thinking Garden, Victoria Therapeutic Riding Association, and Voices in Motion. The exhibition also includes three weeks of talks, performances, and interactive events in partnership with the charities.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Wood takes on all forms in Space 900 Gallery exhibition

The 'Evanston Woods II' exhibition at Space 900 Gallery in Evanston, Illinois, showcased wood in various forms through works by six local designers and makers over three days. Organized by Chicago woodworker Paul Segedin, the show featured visual wood sculptures, practical furniture, and mixed-media pieces, including Madeline Usher's sculpture 'I Wish You Could Join Me Up Here' and a coffee table by architect Len Koroski made from a downed tree. The event aimed to connect the public with handmade furniture and woodcraft, highlighting the challenges of finding such work in Chicago.

In My Place in My Time: Brian Tripp Archive Exhibition – 2 Upcoming Events

Cal Poly Humboldt's Reese Bullen & Goudi’ni Native American Arts Galleries will present "In My Time, In My Place: Brian Tripp Archive," an exhibition exploring the late Karuk artist Brian D. Tripp's (1945–2022) use of personal texts, symbols, and geometric language. The show runs April 2 through May 16, 2026, featuring reproduced archival materials from Tripp's papers held in the Cal Poly Humboldt Library Special Collections. Two related events are scheduled: an Artist on Artist Talk with Bob Benson on April 29 and an Archivist Talk with Susan Gehr and Carly Marino on May 7.

Marie Antoinette Fashion at Museum Exhibitions [PHOTOS]

A photo essay showcases fashion and decorative arts associated with Marie Antoinette, drawn from multiple museum exhibitions in France. Images include an English-style dress and skirt (circa 1780-1790) from the Palais Galliera-Paris Musées, a shoe from 1895 at the Musée des Beaux Arts de Caen, a pug on a cushion from the Berlin Manufactory (circa 1760) courtesy of Les Arts Décoratifs, and a painting titled "The Bad News" by Jean-Baptiste-Marie Pierre. The collection also features a French-style dress (circa 1755-1765), a formal corset attributed to Queen Marie Antoinette (circa 1770-1780), and a view of the exhibition "Fashion in the 18th Century: A Fantasized Legacy" at the Palais Galliera fashion museum in Paris.

Mirror Silk Art Exhibitions

Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.

Gunjan Tyagi Selected for Women’s History Month Exhibition in NYC

Gunjan Tyagi, a multidisciplinary visual artist based in Schenectady, New York, has been selected to exhibit at Pen + Brush, one of New York's oldest nonprofit galleries, during Women's History Month. Tyagi's work spans painting, sculpture, site-specific installation, nature art, video, photography, and mixed media, often incorporating unconventional materials like cow dung and found objects to explore identity, cultural exchange, and humanity's relationship with nature. She also serves as organizer of the India chapter of the Global Nomadic Art Project and as a jury member at the Biennale of Seychelles.

Exhibition | Dini Nur Aghnia, 'What Gathers, What Holds' at Gajah Gallery, Yogyakarta, Indonesia

Indonesian artist Dini Nur Aghnia presents her solo exhibition 'What Gathers, What Holds' at Gajah Gallery in Yogyakarta, opening April 25, 2026. The exhibition features a new body of work exploring landscape through layered compositions of clay, resin, and patchwork textiles, moving away from a totalized vista to focus on fragments and accumulative change.

Art Beat Review: Artists explore flight, community and materials in Lynnwood art exhibition

The Lynnwood Event Center recently hosted a "Meet the Artists" reception for its juried exhibition, "Flight Patterns: The Art & Motion of Winged Life." Curated by Mary Adams and Julie Carlos, the show features over 45 works by 27 regional artists from the Pacific Northwest, ranging from traditional paintings and photography to innovative metal etchings and fiber arts. Highlights include Graham Schodda’s holographic bird imagery ground into stainless steel and Alexandra Nason’s participatory installation, "The True Butterfly Effect," which invited guests to decorate aluminum butterflies to contribute to a growing communal wall piece.

Dual Exhibitions at Emami Art Kolkata Explore Memory, Materiality, and City Life

Emami Art in Kolkata is set to launch two concurrent exhibitions on March 20, 2026, titled "Nothing Twice" and "Chance Remains of Another Time." "Nothing Twice," a group show curated by Ushmita Sahu, features nine emerging women artists exploring themes of impermanence and domesticity through diverse media including textiles, ceramics, and video. Running alongside it is a solo presentation by Kolkata-based artist Suman Dey, whose new polyptych works utilize abstract fragments to mirror the complexities and decay of contemporary urban life.

Ajing Wang | Flower In A Bottle (2025) | Available for Sale

Contemporary Chinese artist Ajing Wang has released her 2025 work 'Flower In A Bottle' for sale through Blue Green Galleria. The painting, an oil on canvas, exemplifies Wang’s signature style of merging traditional Chinese xieyi ink painting techniques with Western oil painting to achieve a balance between abstraction and figuration. The work is part of her 'Bottle Flower Series' and is currently listed on the Artsy platform for $425.

Call for Artists: Join America, Unfinished?! in Providence, RI

WaterFire Providence has issued an open call for artists to participate in "America, Unfinished?!", a major group exhibition scheduled for the summer of 2026. Hosted at the 15,000-square-foot WaterFire Arts Center, the show seeks large-scale installations, multimedia works, and performances that explore the United States as an evolving and unresolved project. The curatorial framework focuses on themes of labor, migration, identity, and material culture within the context of the American landscape.

AVA Gallery Highlights Wearable Art And Jewelry With Their New March Exhibit

The AVA Gallery in Chattanooga is launching three distinct exhibitions for its March First Friday event. The main gallery features 'Jewelry & Adornment,' an annual members-only showcase of handcrafted wearable art, while the Landis Gallery hosts a juried exhibition of works by high school students from the Center for Creative Arts. Additionally, the gallery’s front window features 'Material Intimacies / Sacred Bodies,' a site-specific installation by Kris Bespalec utilizing rust- and salt-dyed fabrics to explore themes of industrial decay and ritual.

Art Exhibition, “By Any Means Necessary”, opens to the public

The Milton Rhodes Center for the Arts in Winston-Salem is set to debut "By Any Means Necessary," a collaborative exhibition featuring local artists Owens Daniels, Leo Rucker, and Affee Vickers. Opening February 27, 2026, the show integrates digital photography, traditional portraiture, and mixed-media sculpture to explore themes of activism, personal identity, and community history. Each artist utilizes a distinct medium—from Daniels’ layered digital canvases to Rucker’s historical murals and Vickers’ engineered material studies—to address the central question of what causes individuals are willing to pursue at any cost.

‘A force of nature’: Posthumous show at Lawrence gallery celebrates the feminist textile art of Becky Johnson

A posthumous exhibition at Off-Site Art Space in Lawrence, Kansas, celebrates the feminist textile art of Becky Johnson, who died in September 2025 at age 47 from bladder cancer. The show features her weavings and feltwork, including a floor loom programmed by Johnson where visitors can contribute to a communal weaving using scraps from her studio. Co-curated by Merry Sun, the exhibition spans two rooms and includes experimental pieces with materials like felt tucked into pockets, showcasing Johnson's prolific output from a brief year-and-a-half period in grad school.

US National Park Service removes slavery memorial at Philadelphia historic site

The US National Park Service has removed an outdoor exhibit titled “Freedom and Slavery in the Making of a New Nation” at Independence National Historical Park in Philadelphia. The exhibit, which focused on nine people enslaved by George Washington and explored the paradox between slavery and freedom in the nation's founding, was dismantled following a directive from President Donald Trump to eliminate “corrosive ideology” from cultural heritage sites. The removal, captured on social media on January 22, aligns with a March 2025 executive order instructing the NPS to emphasize American achievements and avoid materials that “inappropriately disparage Americans.”

Robert Smith & José Bayro C.’s “Parallel Origins” Exhibition to Open at Barton Art Galleries

Barton Art Galleries in Wilson, North Carolina, will open "Parallel Origins: From Distant Roots to Shared Worlds" on February 5, 2026, featuring works by Robert Smith and José Bayro C. The exhibition runs through March 13 and pairs two artists who share a studio in Puebla, Mexico, but present distinct bodies of work exploring memory, material, and personal history. It marks Barton College's first dual-artist residency, during which Smith and Bayro will collaborate with students in the "Studio Concepts" course, lead community workshops, and engage in open studio sessions and interdisciplinary conversations.

Grove Gallery to host opening reception for ‘Triptych’ exhibition on Jan. 10

Grove Gallery in Grove Street will host an opening reception on January 10 for "Triptych," a group exhibition featuring works by artists Kate Berry-Brown, Vanessa Filley, and Darren Oberto. The show runs through January 31 and brings together figurative photography, pencil-based portraits, and oil paintings, exploring themes of motherhood, belonging, place, and the cosmos through geometric abstraction and experimental mark-making.

‘Materials are so easily imported, but the people are not welcome’: Diana Eusebio’s show at the Museum of Contemporary Art North Miami tackles the realities of immigration

Diana Eusebio’s first solo museum exhibition, *Field of Dreams*, has opened at the Museum of Contemporary Art North Miami, featuring over 30 works that combine hand-dyed textiles with digital prints. The artist, who grew up in Miami, uses natural dyes from materials like avocado, cochineal, and indigo to overlay portraits, family photos, and landscapes, exploring themes of identity, migration, and home. The exhibition includes a Q&A where Eusebio discusses her Peruvian Dominican heritage, the influence of baseball as a symbol of the American dream, and the current climate of fear for immigrants in the US.

The South River fire’s quiet toll on Atlanta’s printmakers

A fire at South River Art Studios in Atlanta on November 12 destroyed or damaged over 50 works in "En Masse," a group exhibition of 21 regional printmakers that had opened just 11 days earlier in the Gogo Gallery. Curator Chloe Alexander and artists Maurice Evans, Grace Kisa, and Jamaal Barber describe the loss of unique, irreplaceable prints due to soot, smoke, and water damage, with many pieces on paper rendered unsalvageable despite appearing intact.

Iranian-Australian artist Yasamin Khadembashi’s debut solo exhibition celebrates resilience

Iranian-Australian artist Yasamin Khadembashi will present her debut solo exhibition, "Dreaming in Farsi," at PS Art Space (PSAS) in Perth from January 16, 2026. The two-week show features large-scale sculptural paintings that blend Persian miniature traditions with Western portraiture, using materials like piped impasto oil paint, gold leaf, and rhinestones. Khadembashi, who has been working from a subsidized studio through the PSAS Studio 7 initiative and completed a residency at WFAC, will also include a performance element, painting in the gallery to engage visitors in dialogue about her process and themes.

DeLuce Gallery to exhibit work by Arkansas-based artist and illustrator

Northwest Missouri State University’s School of Fine and Performing Arts will host an exhibition of work by Arkansas-based illustrator and artist Sean Fitzgibbon at the Olive DeLuce Art Gallery, opening November 3, 2025. Fitzgibbon will deliver a lecture, visit art classes, and conduct studio critiques. The exhibition features original pages from his graphic nonfiction book “What Follows is True: The Crescent Hotel,” which investigates the Crescent Hotel’s history as a Depression-era cancer hospital in Eureka Springs, Arkansas. Fitzgibbon is a 2022 recipient of the Arkansas Arts Council Individual Artist Fellowship Award.

Art exhibition preserves a moment in time using historical scientific research, microbiology and macabre curiosity

Artist Emily Mulvaney has opened her debut solo exhibition, "Preservation of Bodies," at Off-Site Art Space, exploring themes of preservation and degradation through a blend of art and science. The show features bioplastics, mold, vacuum-sealed bags, and synthetic organ-like forms, drawing on historical scientific research from the Kenneth Spencer Research Library and the Linda Hall Library. Mulvaney, who was the Lance Williams Art and Science Artist-in-Residence at the University of Kansas, uses materials like bioplastics to address ethical and environmental concerns, collaborating with PhD student Eryk Yarkosky on bacterial communication pieces.

Art Center Waco showcases 5 female artists in new exhibition

Art Center Waco is presenting "In Her Element," an exhibition spotlighting five Austin-based female artists: Valerie Fowler, Tara Eales, Georgie Miller, Amy Twomey, and Philana Oliphant. The show, curated by Andrea La Valleur-Purvis in partnership with the nonprofit Women & Their Work, opens with a reception on Thursday at 6 p.m. and runs through October 31. The artists explore personal narratives through experimental materials, bold concepts, and vivid visuals, with works ranging from Fowler's oil paintings on environmental and feminine themes to Miller's collages based on her muses' last meals.

Exhibitions by Lee Sipe and Chase Lanier open at Sumter County Gallery of Art on Aug. 28

Two new exhibitions open at the Sumter County Gallery of Art on August 28: Lee Sipe's "Precious Vessels, Asian Spirit" and Chase Lanier's "Within the Margin of Err/Or." Sipe, a Korean-born artist based in Columbia, South Carolina, creates intricate vessels from copper wire, pine needles, and natural materials, drawing on her Asian heritage. Her work has been acquired by the Smithsonian's Renwick Gallery. Lanier, a University of Georgia graduate, produces works that explore form, color, and the passage of time using fire and precise delineation. Both artists will attend the opening reception.

Gaza Biennale, featuring works by artists from the war-torn strip, will come to New York City

The Gaza Biennale, a 60-artist exhibition featuring works by artists from Gaza, will debut in New York City from September 10-14 at Recess, a non-profit art space in Brooklyn, with a smaller iteration remaining on view through December 20. The biennale is a decentralized event taking place across 19 venues in 12 cities worldwide, including new pavilions in Toronto, Washington, DC, and New York. It builds on previous editions in London, Athens, Istanbul, Padua, Valencia, and elsewhere, showcasing art made from humble materials like garment scraps and old aid boxes, and includes works by 22 Gaza-based artists in its New York iteration.

San Francisco’s Trash Company Marks 35 Years of Stunning Art Made of Recycled Garbage With Free Gallery Opening

San Francisco's waste management company Recology is celebrating 35 years of its Artist-in-Residence program with a free retrospective exhibition featuring artworks made from recycled garbage. The show, held at the Minnesota Street Project in collaboration with Recology, includes pieces by 63 artists who have scavenged materials from the company's 47-acre recycling center since 1990. Notable works include Nemo Gould's 'Impala' sculpture, made from scavenged antlers, power tools, and household items. The exhibition runs through August 30, 2025, and a traveling version called 'Reclaimed: The Art of Recology' is touring the country.

Space as Practice. A Decade of WL4 Art Space.

WL4 Art Space in Gdańsk, Poland, celebrates its tenth anniversary. Founded in 2015 when a group of artists took over a former bakery at Wiosny Ludów 4, the space has evolved from a practical need for studios into a self-organized, grassroots collective. Operating in a raw industrial building that once housed a giant steam bread oven, WL4 resists traditional display protocols, treating the site as a collaborator rather than a neutral container. Co-founder Adriana Majdzińska recalls the early euphoria as artists quickly filled the studios, building and adapting spaces while maintaining a simple rule: you had to be actively creating.

Levitation: CERN’s new temporary exhibition explores space and time through glass art

From 13 June to 24 August 2025, the Globe of Science and Innovation at CERN presents *Levitation*, a temporary exhibition featuring glass sculptures by Slovak artist Ján Zoričák. The works incorporate metal, bronze, natural materials, and even materials from CERN experiments, exploring themes of space and time. A short AI-generated film by Nina Tahy and curator Ivan Jančár accompanies the artworks, offering additional technological perspectives.

Kazuko Miyamoto @ Take Ninagawa

宮本和子 @ Take Ninagawa

Kazuko Miyamoto is the subject of a comprehensive solo exhibition at Take Ninagawa in Tokyo, running from February 14 to April 11, 2026. The showcase features a diverse array of the artist's signature string constructions, maquettes, and drawings, spanning several decades of her career from the early 1970s through the late 2000s. Key works on display include her intricate string maquettes from 1973 and large-scale geometric explorations like "Study of Lines in Ring #3" and "Mariana."