An art project 150 years in the making

Artist Janet Fry discovered a 150-year-old pocket diary belonging to her great-great-grandmother, Caroline Currey Kelso, which had been stored in a nightstand drawer for nearly two decades. In May 2024, Fry decided to create an exhibition titled "The 1875 Diary Project" at Storage Space Gallery, opening October 17. The show features recorded diary excerpts read by 12 women artists, enlarged reproductions of the diary pages, and Fry's own artistic responses. Fry transcribed the diary using a magnifying glass, revealing Kelso's experiences as a 19th-century Illinois housewife, including her loneliness, daily chores, and repeated pregnancies.

Rocío Sáenz: Wild Order

ROCÍO SÁENZ: ORDEN SALVAJE

Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.

Annalee Davis at the 2026 Venice Art Biennale. Landscape as mourning, archive and resistance in the Barbados Pavilion

Annalee Davis alla Biennale Arte di Venezia 2026. Il paesaggio come lutto, archivio e resistenza nel Padiglione Barbados

Annalee Davis, an artist from Barbados, will represent her country at the 2026 Venice Biennale with an installation titled "Let this be my Cathedral" within the exhibition "In Minor Keys." The work addresses ecological grief, colonial memory, and the possibility of care without erasing conflict, using suspended plants and organic materials to create a threshold where loss, vulnerability, and wonder remain in tension. Davis discusses the influence of curator Koyo Kouoh, whose vision shaped the Biennale, and the importance of research as an integral part of her artistic process.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

Elevating High Fashion. Issey Miyake and Ensamble Studio Together at Fuorisalone 2026

Valorizzare l’alta sartoria. Issey Miyake e Ensamble Studio insieme al Fuorisalone 2026

Satoshi Kondo, a director at the Miyake Design Studio, has partnered with the Madrid-based architecture firm Ensamble Studio to explore the creative potential of the Paper Log, a byproduct of Issey Miyake's signature pleating process. The collaboration will culminate in an exhibition titled 'The Paper Log: Shell and Core' during the 2026 Fuorisalone in Milan, featuring prototype furniture and sculptural forms made from the compressed paper rolls and unfolded pleated paper.

Milan Design Week 2026: A Guide to What to See in the Isola District (Celebrating its 10th Anniversary)

Milano Design Week 2026: guida sulle cose da vedere al distretto di Isola (che compie 10 anni)

The Isola Design Festival is celebrating its 10th anniversary during Milan Design Week 2026 with the theme "TEN: The Evolving Now." Originally founded to provide an affordable platform for independent and young designers, the festival has expanded from a local neighborhood initiative into a global organization with a permanent presence in Dubai. The 2026 edition centers on the historic Fabbrica Sassetti, a 1930s wool mill, alongside various venues across the Isola district including Fondazione Catella and Stecca3.

Trees are a model to follow: A festival in Modena confirms it

Gli alberi sono un modello da seguire. A Modena c’è un festival che lo conferma

The Alberi Festival in Modena transforms the Villaggio Artigiano Ovest into an open-air laboratory focused on the intersection of botany, architecture, and urban planning. Inspired by the seminal 1960s research of Cesare Leonardi and Franca Stagi, the event features exhibitions, installations, and discussion tables centered around the "Officina Botanica," an experimental green regeneration project housed in a former industrial warehouse.

Sound Archives Open in Ravenna: The Best of National and International Performing Arts Now Available

A Ravenna aprono gli Archivi Sonori: a disposizione il meglio delle arti performative nazionali e internazionali

The city of Ravenna has officially inaugurated the Archivi Sonori (Sound Archives) at Palazzo Malagola, a new international center dedicated to vocal and sonic research. Founded by actress Ermanna Montanari and scholar Enrico Pitozzi, the archives offer public access to a vast collection of audio and video materials documenting the experimental work of 33 influential Italian and international performers, including Demetrio Stratos, Joan La Barbara, and Alvin Curran. The facility features specialized listening and viewing rooms, including an immersive sonic chamber and a cinema hall, all navigated via touchscreens featuring anatomical heart motifs designed by artist Stefano Ricci.

We Interviewed Pixar's Historic Archivist: The History and Secrets of the Legendary Production House

Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione

Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.

Open Call for Contemporary Art Commissions for the V&A South Kensington's new South Asia Gallery

The Victoria and Albert Museum in London has issued an open call for contemporary artists and designers to create new carved wooden panels for a 19th-century coffered ceiling from a temple in Kochi, South India, which will be the centerpiece of its redesigned South Asia Gallery at South Kensington. The ceiling, measuring 6 by 1.7 meters and originally comprising 45 panels, has been in storage for over 70 years; more than half of its panels are missing. The commission invites applicants to replace the lost panels with sensitivity to the original materials, design, and craftsmanship, integrating them into the restored structure. Expressions of interest are due by 28 February 2026.

Patricia Fernandez at Whistle

Artist Patricia Fernandez presents a solo exhibition titled "A constellation of its other" at Whistle in Seoul. The exhibition, which runs from March 20 to May 2, 2026, features a body of work documented through extensive installation photography by Ian Yang and is supported by Commonwealth and Council in Los Angeles.

Oviedo to host the world's first philosophy museum

Oviedo accueillera le premier musée de philosophie au monde

The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.

Gaylen Gerber at Hans Goodrich

Artist Gaylen Gerber presented a solo exhibition at Hans Goodrich gallery in Chicago from April 4 to May 17, 2026. The show featured his work "Support" (n.d.), an installation using cremated remains, a felt pen, and a zipper bag, alongside a 1990 painting by Georg Herald.

Stained Glass Objects by Pia Hinz Reflect the Contrast Between Strength and Fragility

Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.

Marvel at Manabu Kosaka’s Hyperrealistic Paper Sculptures of Retro Objects

Japanese artist Manabu Kosaka creates hyperrealistic, scale replicas of everyday and retro objects using only paper. His meticulously crafted sculptures—ranging from 35mm film cameras and vintage transistor radios to luxury wristwatches and fast food—feature functional internal components like gears, levers, and moving hatches that mimic the mechanics of the original items.

Alex Thake “I Know This Much is True” at Triangolo, Cremona

Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.

New Currents: Jungeun Park

Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.

Hyeree Ro: What Bears

Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.

Echoes from the Margins: Guinea’s Debut Pavilion Resonates in Venice.

Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.

‘Apoi’ and Weaving What Remains

Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.

Diane Victor at Académie des Beaux-Arts.

South African artist Diane Victor has been awarded the 10th Mario Avati Engraving Prize 2025 by the Academy of Fine Arts in Paris. Her work is currently the subject of an exhibition at the Académie des Beaux-Arts, which runs until May 31, 2026.

SILENCE HAS MATTER ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE

The Ethiopia Pavilion at the 61st Venice Biennale presents "Shapes of Silence," an exhibition by artist Tegene Kunbi, curated by Abebaw Ayalew, running from May 9 to November 22, 2026, at Palazzo Bollani. The show marks the culmination of Kunbi's thirty-year practice, exploring silence as a social and political condition through abstraction, textiles, and assemblage, drawing on Ethiopian folkloric traditions and material histories.

Resonances from the Abyss: Uruguayan Artists

Resonancias Desde El Abismo Artistas Uruguayos

The exhibition 'Resonancias desde el abismo. Prácticas artísticas entre presiones y frecuencias extrañas' (Resonances from the Abyss. Artistic Practices Between Pressures and Strange Frequencies), curated by Fabiana Puentes, opened at the Centro Cultural de España in Montevideo. It features works by eight Uruguayan artists—including Guadalupe Ayala, Karina Flores, and Sofía Córdoba—working across sculpture, video, sound, and installation. The show uses the extreme, dark, and high-pressure ecosystem of the ocean abyss as a conceptual framework to explore artistic practices that resist immediate interpretation and conventional systems of reference.

AKKA Venice Project: Beyond the Exhibition

Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.

Forest Tales: Lélia Demoisy's exhibition at Domaine de Chamarande

Lélia Demoisy presents 'Forest Stories' (Récits de forêts), a solo contemporary art exhibition at the Domaine départemental de Chamarande in Essonne, France, from May 10 to August 30, 2026. The exhibition features sculptures and installations across the orangery, park, and domain spaces, using materials such as wood, fibers, organic fragments, hides, charcoal, and animal tracks to explore the forest as a living network of relations, traces, and transformations. Key works include 'Laissés sur la rive', 'Le Foyer', 'Les chairs froides', 'Cedrus deodara – Forêts futures', and 'Créature'.

Two New Exhibits at Penn’s Institute of Contemporary Art

The Institute of Contemporary Art (ICA) at the University of Pennsylvania has opened two new exhibitions. "Mavis Pusey: Mobile Images" (through December 7, 2025) is the first major museum survey dedicated to Jamaican-born geometric abstractionist Mavis Pusey (1928-2019), featuring over 60 works from her 50-year career, including her "Broken Construction" series. Co-organized with the Studio Museum in Harlem and curated by Hallie Ringle and Kiki Teshome, the show includes archival materials. The second exhibition, "Entryways: Xenobia Bailey" (through August 9, 2026), continues ICA's collaboration with textile studio Maharam, featuring a window installation by Philadelphia-based fiber artist Xenobia Bailey, curated by Denise Ryner.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

A Shift in Void – Exhibition of Abstracts

Sameksha Gallery in New Delhi presents 'A Shift in Void', a group exhibition curated by Yamini Telkar featuring six contemporary artists—Rashmi Khurana, Savya Jain, Prateek Gupta, Megha Madan, Aman Kumar Bavaria, and Sweeta Rai—who explore abstraction through diverse materials and visual languages. The show runs until 31 May 2026 at the gallery's space within the Sanatan IILM Centre for Arts and Ideas.

'Artistic Gems from the Past' exhibit coming to Friedman Art Gallery

Penn State Wilkes-Barre's Friedman Art Gallery will open a new exhibit titled "Artistic Gems from the Past" on May 1, featuring artwork by current and former students, including pieces created over 25 years ago. The exhibit includes works from two courses taught by Jonathan Pineno—Art History 112 and Integrative Arts 001—where students created art using recycled materials and techniques inspired by Bob Ross. Unattributed works from the 1990s are also on display, and the gallery is asking the public to help identify the original student artists.

Student-curated exhibition to explore ‘The Shape of Being’ at Washington Gallery

A student-curated exhibition titled 'The Shape of Being' opens Friday at Washington Gallery in Waco, Texas. Organized by Baylor University senior Aleah Burns, the show features work from five female Baylor student artists, each contributing three pieces plus a collaborative installation centered on hands. The exhibition focuses on figurative painting, exploring themes of identity, memory, human connection, and technology-mediated relationships. Featured works include Kate Swayze's 'Left Unsaid,' which uses layered materials like reused painting rags, and Burns' own 'Unstable Connection,' depicting fragmented figures embracing through screens.