Body, Territory, and Food Sovereignty at MAMM

CUERPO, TERRITORIO Y SOBERANÍA ALIMENTARIA EN EL MAMM

The Museo de Arte Moderno de Medellín (MAMM) has inaugurated a trio of exhibitions titled 'Nos habitan pájaros y montañas', 'La luz, el fuego y la ceniza', and 'El susurro del barro'. These shows collectively explore the intersection of the human body, territorial sovereignty, and food security, featuring a dialogue between the museum's permanent collection—specifically the work of Débora Arango—and contemporary artists. The exhibitions utilize diverse media, including sound and raw materials like clay and soil, to address environmental and social crises.

ELENA DAMIANI, XIMENA GARRIDO-LECCA AND ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA

ELENA DAMIANI, XIMENA GARRIDO-LECCA E ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA

An exhibition titled 'Signal and Strata' featuring Peruvian artists Elena Damiani, Ximena Garrido-Lecca, and Ishmael Randall-Weeks was presented at the Carpenter Center for the Visual Arts from February 5 to April 5, 2026. The show, examined in an accompanying essay by curator Madeline Murphy Turner, focuses on how the artists use materials like travertine, copper, and concrete to interrogate narratives of modernity, resource extraction, and the climate crisis.

How a Remote California Artists’ Retreat Inspired Vhernier’s Latest Ring Collection

Italian jewelry maison Vhernier has collaborated with artist Pae White to create a 10-design limited-edition ring collection inspired by White's childhood memories of Sea Ranch, a remote artists' retreat in Sonoma County, California. The collection translates the architecture of crustaceans and abalone into precious materials, using sapphires, diamonds, and rock crystal set in white or rose gold, with only two versions of each design produced.

History Made Material

Material gewordene Geschichte

The German Pavilion at the 61st Venice Biennale has been transformed by artist Sung Tieu, who clad its Nazi-era facade with millions of small marble tiles to replicate the look of a prefabricated East German apartment block—specifically the Gehrenseestraße housing complex in Berlin where she spent part of her childhood. Inside, the exhibition features glass casts of her mother's limbs, aluminum beams evoking cramped living quarters, and works by the late Henrike Naumann, all curated by Kathleen Reinhardt to explore bureaucracy, migration, and systemic violence.

Monopol Gives Away 5 x 2 Tickets for Photo Exhibition at Museum Rietberg

Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg

The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.

It is Naive to Believe that Bombs Bring Freedom

"Es ist naiv zu glauben, dass Bomben Freiheit bringen"

Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.

art shakers movement ica philadelphia religion

The article reviews "A World in the Making: The Shakers," an exhibition at the Institute of Contemporary Art, Philadelphia, running through August 9, 2026. It pairs Shaker material culture with works by seven contemporary artists, including Kameelah Janan Rasheed, who responds to the archive of Rebecca Cox Jackson, a Black Shaker leader. The exhibition explores how Shaker communal practices, craft traditions, and devotional art resonate in today's digital age, where handmade aesthetics often become lifestyle signals rather than shared experiences.

fashion dior lady art handbag

Dior has launched the 10th edition of its Lady Art initiative, inviting a new roster of artists to reimagine the iconic Lady Dior handbag. The project, which began nearly a decade ago, has previously featured artists like Judy Chicago, Jack Pierson, and Mickalene Thomas. This year's participants include Jessica Cannon and Ju Ting, who discuss their creative processes, material explorations, and the dialogue between their artistic practices and Dior's heritage. The handbags incorporate sculpted tulle, pleated silk, stones, glass beads, and pearlized elements, blending fine art with fashion.

artmosphere nonprofit arts education nationwide

Colette Thiebaud and Leon Barhoum founded Artmosphere, a nonprofit that delivers curated art education boxes called ARTicles to underserved schools across five U.S. states. Launched as a tribute to Thiebaud’s grandfather, the late artist Wayne Thiebaud, the organization recently received its largest donation from philanthropist Maria Manetti Shrem and has partnered with FOG Design+Art to debut a family program. The founders are now planning an event at Art Basel Miami called Confections & Connections for emerging collectors and patrons.

sanford biggers sag harbor parrish museum

Sanford Biggers, a 54-year-old Los Angeles-born artist known for his "conceptual patchworking" across quilts, sculpture, and Afrofuturist themes, will be honored by the Parrish Museum at its annual Midsummer Gala in July, ahead of a solo exhibition opening next summer. In an interview with CULTURED's Hamptons Editor Jacoba Urist, Biggers discusses his connection to Sag Harbor, the museum's architecture, and his use of antique quilts inspired by Underground Railroad histories.

Marcos Kueh in Turbulent Seas

Artist Marcos Kueh presents his solo exhibition 'Smooth Sailing' at ESEA Contemporary in Manchester. The show features new sculptures, tapestries, and a large-scale installation that reflect on the histories of Chinese labour and migration, particularly to northwest England, drawing inspiration from 19th-century trade union banners found in Manchester's People's History Museum.

In love with trees, sculptor Lélia Demoisy elevates nature through hybridization

Amoureuse des arbres, la sculptrice Lélia Demoisy sublime la nature par l’hybridation

Lélia Demoisy, a French sculptor born in 1991, creates hybrid works that blend wood with animal elements, such as a yew wood sculpture covered in fox fur or a suspended skeleton made from naturally curved thuya branches. She lives in a small village in the Yvelines region, where she works with wood and metal herself, often sourcing materials locally, and recently participated in the Maif pour le vivant committee as the only artist on the jury.

Kengo Kuma: "The first time architecture moved me, it was a church"

Kengo Kuma : « La première fois qu’une architecture m’a ému, c’était celle d’une église »

Renowned Japanese architect Kengo Kuma discusses his design philosophy and his recent intervention at the Angers Cathedral in France. He emphasizes a "dialogue with the place" over architectural ego, focusing on topography, local materials, and the Japanese concept of wabi-sabi, which finds beauty in the aging of materials over time. Kuma reflects on how his first emotional encounter with architecture occurred in a Christian chapel as a child, an experience that continues to inform his use of light and verticality.

SILENCE HAS MATTER ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE

The Ethiopia Pavilion at the 61st Venice Biennale presents "Shapes of Silence," an exhibition by artist Tegene Kunbi, curated by Abebaw Ayalew, running from May 9 to November 22, 2026, at Palazzo Bollani. The show marks the culmination of Kunbi's thirty-year practice, exploring silence as a social and political condition through abstraction, textiles, and assemblage, drawing on Ethiopian folkloric traditions and material histories.

Plastic Visions. Tony Chrenka by Maxwell Smith-Holmes

Tony Chrenka's studio in the Gowanus neighborhood of New York City is the subject of this article, which explores his artistic practice centered on salvaged materials and industrial processes. Chrenka works with PET plastic (Mylar) and polyester fabrics, creating collages and sculptures that investigate the gap between use-value and exchange-value. His upcoming exhibition at Toby78 in Brooklyn will feature new works made from pleated polyester textiles, inspired by Issey Miyake's Pleats Please clothing line.

Rockefeller Center Unveils Sculpture by German Iranian Artist Bettina Pousttchi.

Rockefeller Center in New York has installed a new public sculpture, 'Vertical Highways V03 (2025)', by German Iranian artist Bettina Pousttchi. The work, composed of bent and battered red guardrails arranged in a tangle, will be on view in the Channel Gardens through April 17th.

Resisting Death: Glitches and Ornaments at CASTLE

An exhibition titled "Resisting Death: Glitches and Ornaments" is on view at CASTLE in Los Angeles from March 21 to May 2, 2026. Curated by Oriane Durand, the show features works by artists Ull Hohn, Bod Mellor, and Bruno Pélassy, presenting 22 images and no videos in the documentation.

Gaylen Gerber at Hans Goodrich

Artist Gaylen Gerber presented a solo exhibition at Hans Goodrich gallery in Chicago from April 4 to May 17, 2026. The show featured his work "Support" (n.d.), an installation using cremated remains, a felt pen, and a zipper bag, alongside a 1990 painting by Georg Herald.

Aileen Murphy at Deborah Schamoni

Aileen Murphy at Deborah Schamoni

Aileen Murphy has opened a solo exhibition titled "We must go under the wallpaper" at the Deborah Schamoni gallery in Munich. The show, running from January 9 through March 21, 2026, features new works by the artist, documented extensively with twenty installation photographs.

Maxwell Mustardo Sculpts Ancient Ornamentation in Brilliant Glazed Forms

Maxwell Mustardo creates ceramic vessels that blend ancient Greek forms like amphorae, kraters, and kylix with organic, fungal-like surface textures in fluorescent oranges, pinks, and greens. Based in New Jersey, he works as studio manager at the former residence of artist Toshiko Takaezu, and his practice focuses on pushing classical ornamentation—such as gadrooning—back into its natural origins, blurring the line between cultural artifact and living growth.

Semiprecious Stones Coat Kathleen Ryan’s Oversized Sculptures of Rotting Food

Artist Kathleen Ryan creates large-scale sculptures of rotting fruit and food items, meticulously covering them with thousands of semiprecious stones and beads to mimic the textures and colors of mold and decay. Works like "Bad Lemon (Slice of Paradise)" and "Screwdriver" juxtapose luxurious materials like amethyst, turquoise, and serpentine with salvaged metal from vintage cars, creating a dual personality of hidden beauty and grotesque rot.

A Short Film Joins In the Timeless Swiss Masked Tradition of Silvesterchlausen

A new short film titled 'Silvesterchlausen' by writer and director Andrew Norman Wilson documents the centuries-old Swiss New Year's tradition of the same name. The film captures groups of men and boys in the Appenzell regions who don elaborate, handmade masks and headdresses made from natural materials like pinecones and moss, forming groups to yodel, ring bells, and visit homes over 18-hour days to mark the turn of the year on both the Gregorian and Julian calendars.

Myth, Masks, and LEGO: Ekow Nimako’s Elaborate Afrofuturistic Sculptures

Ghanaian-Canadian artist Ekow Nimako creates intricate Afrofuturistic sculptures using exclusively black LEGO bricks. His work explores African diaspora mythology, folklore, and cultural phenomena, with recent series drawing inspiration from ceremonial masks, interstellar travel, and geometric forms.

Ron Nagle in Milan: at Gió Marconi the first Italian solo exhibition 'Phantom Banter'

Gió Marconi Gallery in Milan will host 'Phantom Banter', the first Italian solo exhibition of American sculptor Ron Nagle, from May 29 to July 24, 2026. The show features eleven ceramic sculptures created between 2024 and 2026, along with a selection of recent drawings, highlighting Nagle's process-oriented practice focused on material, surface, and language. Nagle, born in San Francisco in 1939, is a key figure in the California Clay Movement, having apprenticed with Peter Voulkos in the 1960s and influenced by Ken Price. His small-scale works, rarely exceeding 15 centimeters, explore reduction of scale and surface construction through cast and fired ceramics combined with resins and synthetic materials.

Kellogg Gallery spotlights unconventional, colorful artists

Cal Poly Pomona's W. Keith and Janet Kellogg University Art Gallery is presenting "Color & Quirk," an exhibition running from August 25 to November 18, 2025, curated by Michele Cairella Fillmore. The show features unconventional, colorful artists who avoid white, black, and gray, including Megan Geckler, known for immersive flagging tape installations like "You can never quarantine the past," Colin Roberts, who creates plexiglass sculptures inspired by glass architecture, and Seda Saar, whose work explores perception, light, and color through interior architecture and themed entertainment design.

May Exhibitions

The article lists May art exhibitions and events in Charlottesville, Virginia, including the grand opening of Milkweed Clay Studio, a new creative space offering pottery demonstrations and workshops. Other highlights include "Spring Bouquets in Oils" at Atlas Coffee, "Artful Gardens Bouquet Display" at The Center at Belvedere, and shows at Chroma Projects, Create Gallery, Crozet Artisan Depot, C’ville Arts Cooperative Gallery, and Fairhaven Guesthouse. The Fralin Museum of Art at UVA presents multiple exhibitions featuring works by Joan Mitchell, Jody Folwell, and African American artists, among others.

“Porous Grounds, Sacred Codes” at Marres, Maastricht

Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.

Dominique White “All Great Powers Collapse from the Centre” at Kunsthalle Basel

Dominique White (b. 1993) presents her solo exhibition "All Great Powers Collapse from the Centre" at Kunsthalle Basel, transforming the galleries into immersive environments with her sculptures. The exhibition evokes a sense of submersion, as if walking along an ocean floor where orientation shifts and measures dissolve, creating a weighty, water-like atmosphere.

Franco Bellucci “Works (c. 2010–2018)” at a. SQUIRE, London

Franco Bellucci's exhibition "Works (c. 2010–2018)" is on view at a. SQUIRE gallery in London. The show features his sculptures, which are composed of knotted, humble, and mass-produced materials like socks, bandages, cables, and plastic bags, reflecting a direct engagement with his immediate surroundings.

Alice Peach “Still Curly” at Iowa, New York

Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.