We’ve Been at the Tapestry Studio Since the 90s

An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.

‘Materials are so easily imported, but the people are not welcome’: Diana Eusebio’s show at the Museum of Contemporary Art North Miami tackles the realities of immigration

Diana Eusebio’s first solo museum exhibition, *Field of Dreams*, has opened at the Museum of Contemporary Art North Miami, featuring over 30 works that combine hand-dyed textiles with digital prints. The artist, who grew up in Miami, uses natural dyes from materials like avocado, cochineal, and indigo to overlay portraits, family photos, and landscapes, exploring themes of identity, migration, and home. The exhibition includes a Q&A where Eusebio discusses her Peruvian Dominican heritage, the influence of baseball as a symbol of the American dream, and the current climate of fear for immigrants in the US.

Lisa Jarrett: Tenderhead

Lisa Jarrett's first solo museum exhibition in Oregon, "Tenderhead," opens at an unspecified venue on May 21, 2026. The show features new works and site-responsive installations that explore Beauty Supply stores and salons as critical intersections of Black life, migration, and diaspora. Jarrett uses materials like pink kanekalon hair, pigment prints, foam rollers, and lace, treating the Beauty Supply as her art supply store and a living archive of memory and community.

Iranian-Australian artist Yasamin Khadembashi’s debut solo exhibition celebrates resilience

Iranian-Australian artist Yasamin Khadembashi will present her debut solo exhibition, "Dreaming in Farsi," at PS Art Space (PSAS) in Perth from January 16, 2026. The two-week show features large-scale sculptural paintings that blend Persian miniature traditions with Western portraiture, using materials like piped impasto oil paint, gold leaf, and rhinestones. Khadembashi, who has been working from a subsidized studio through the PSAS Studio 7 initiative and completed a residency at WFAC, will also include a performance element, painting in the gallery to engage visitors in dialogue about her process and themes.

DeLuce Gallery to exhibit work by Arkansas-based artist and illustrator

Northwest Missouri State University’s School of Fine and Performing Arts will host an exhibition of work by Arkansas-based illustrator and artist Sean Fitzgibbon at the Olive DeLuce Art Gallery, opening November 3, 2025. Fitzgibbon will deliver a lecture, visit art classes, and conduct studio critiques. The exhibition features original pages from his graphic nonfiction book “What Follows is True: The Crescent Hotel,” which investigates the Crescent Hotel’s history as a Depression-era cancer hospital in Eureka Springs, Arkansas. Fitzgibbon is a 2022 recipient of the Arkansas Arts Council Individual Artist Fellowship Award.

New Sweet Factory exhibition in Southport celebrates shared histories of sweet making and seaside culture

Artist Linny Venables presents 'Sweet Factory,' a new exhibition at The Atkinson in Southport, opening October 18, 2025 and running through February 28, 2026. The show draws parallels between glassmaking and sweet-making processes, featuring Venables' glass artworks alongside pieces created by workshop participants from Southport and Bootle, as well as research and objects from local sweet factories.

Art exhibition preserves a moment in time using historical scientific research, microbiology and macabre curiosity

Artist Emily Mulvaney has opened her debut solo exhibition, "Preservation of Bodies," at Off-Site Art Space, exploring themes of preservation and degradation through a blend of art and science. The show features bioplastics, mold, vacuum-sealed bags, and synthetic organ-like forms, drawing on historical scientific research from the Kenneth Spencer Research Library and the Linda Hall Library. Mulvaney, who was the Lance Williams Art and Science Artist-in-Residence at the University of Kansas, uses materials like bioplastics to address ethical and environmental concerns, collaborating with PhD student Eryk Yarkosky on bacterial communication pieces.

‘I'm sending a piece of Gaza to the world’: Palestinian artist Ahmed Muhanna discusses his exhibition of works painted on aid boxes

The United Nations World Food Programme (WFP) has launched a traveling exhibition titled "Gaza: Stories of Hope and Resilience," featuring over 40 paintings by Gazan artist Ahmed Muhanna. Muhanna created the works on WFP aid boxes and paper over three intense months under constant threat of bombings, using the boxes as canvas due to a lack of art materials. The exhibition opened on 15 September in Brussels and will tour nine European cities before closing on 23 October, with funding from the EU.

Art Center Waco showcases 5 female artists in new exhibition

Art Center Waco is presenting "In Her Element," an exhibition spotlighting five Austin-based female artists: Valerie Fowler, Tara Eales, Georgie Miller, Amy Twomey, and Philana Oliphant. The show, curated by Andrea La Valleur-Purvis in partnership with the nonprofit Women & Their Work, opens with a reception on Thursday at 6 p.m. and runs through October 31. The artists explore personal narratives through experimental materials, bold concepts, and vivid visuals, with works ranging from Fowler's oil paintings on environmental and feminine themes to Miller's collages based on her muses' last meals.

‘Faraday Cage’ art exhibition reimagines Kerhonkson house slated for demolition

Brooklyn-based street artist RAE BK has transformed a modular home at 1049 Samsonville Road in Kerhonkson, New York, into an immersive exhibition titled “Faraday Cage.” The house, slated for demolition by spring 2026, has been painted and reimagined as an art installation before its materials are recycled. The exhibition includes themed rooms such as the “Eggman” room, and was documented on September 14, 2025.

Exhibitions by Lee Sipe and Chase Lanier open at Sumter County Gallery of Art on Aug. 28

Two new exhibitions open at the Sumter County Gallery of Art on August 28: Lee Sipe's "Precious Vessels, Asian Spirit" and Chase Lanier's "Within the Margin of Err/Or." Sipe, a Korean-born artist based in Columbia, South Carolina, creates intricate vessels from copper wire, pine needles, and natural materials, drawing on her Asian heritage. Her work has been acquired by the Smithsonian's Renwick Gallery. Lanier, a University of Georgia graduate, produces works that explore form, color, and the passage of time using fire and precise delineation. Both artists will attend the opening reception.

25 Artists in Gaza Stage Exhibition of New Works Expressing Grief Amid Genocide

In July 2025, 25 artists in Gaza staged an exhibition titled "Aphenix" inside a coffee shop in Gaza City, organized by Mohaned Asayas, a student at Al-Aqsa University. The exhibition featured 55 new works created during a month-long workshop that provided a rare space for artistic expression amid the ongoing war, offering materials like soft charcoal, pastel, and acrylic. Artists such as Bisan Al Amasy produced pieces addressing themes of starvation, displacement, bombardment, and loss, using symbolic imagery like a fatigued donkey to represent Gaza City.

ATHICA opens 'Material Archive' exhibition featuring textile art by Amanda Britton, Johanna Norry

ATHICA (Athens Institute for Contemporary Art) has opened a new exhibition titled 'Material Archive,' featuring textile-based artworks by artists Amanda Britton and Johanna Norry. The show explores the use of fabric and fiber as mediums for personal and historical storytelling, presenting works that engage with material culture and archival practices.

FACT Celebrates Creative Exploration and Development One Year On From Opening Artist Studios

FACT, the Liverpool-based cultural center, marks one year since opening Studio/Lab, a creative hub on its top floor designed to support emerging artists in Liverpool and the North West. Over 500 creatives have engaged with the space through workshops, masterclasses, residencies, and social events. The autumn program features new immersive installations by artists Helen Anna Flanagan and Gavin Gayagoy, developed during their residencies at Studio/Lab. Flanagan's film 'Burnt Toast' (2025) uses machine learning and archival materials to explore class and alienation, while Gayagoy's 'Doomscroll_1' (2025) examines digital isolation and compulsive smartphone use.

San Francisco’s Trash Company Marks 35 Years of Stunning Art Made of Recycled Garbage With Free Gallery Opening

San Francisco's waste management company Recology is celebrating 35 years of its Artist-in-Residence program with a free retrospective exhibition featuring artworks made from recycled garbage. The show, held at the Minnesota Street Project in collaboration with Recology, includes pieces by 63 artists who have scavenged materials from the company's 47-acre recycling center since 1990. Notable works include Nemo Gould's 'Impala' sculpture, made from scavenged antlers, power tools, and household items. The exhibition runs through August 30, 2025, and a traveling version called 'Reclaimed: The Art of Recology' is touring the country.

Space as Practice. A Decade of WL4 Art Space.

WL4 Art Space in Gdańsk, Poland, celebrates its tenth anniversary. Founded in 2015 when a group of artists took over a former bakery at Wiosny Ludów 4, the space has evolved from a practical need for studios into a self-organized, grassroots collective. Operating in a raw industrial building that once housed a giant steam bread oven, WL4 resists traditional display protocols, treating the site as a collaborator rather than a neutral container. Co-founder Adriana Majdzińska recalls the early euphoria as artists quickly filled the studios, building and adapting spaces while maintaining a simple rule: you had to be actively creating.

Local art exhibition confronts apartheid silence

A live exhibition titled "Uncovering / Recovering the Past" was held on 21 May at the Stellenbosch University Museum in South Africa, featuring sound, sculpture, and archival material. Created by artist Haroon Gunn-Salie, the exhibition explores the Truth and Reconciliation Commission's failure to prosecute apartheid-era crimes, focusing on the reopened inquest into the 1969 death of anti-apartheid cleric Imam Abdullah Haron while in police detention. The event was presented by the Centre for the Study of the Afterlife of Violence and The Reparative Quest (AVReQ) and included speakers such as human rights lawyer Odette Geldenhuys and senior research coordinator Westley Ceasar.

Levitation: CERN’s new temporary exhibition explores space and time through glass art

From 13 June to 24 August 2025, the Globe of Science and Innovation at CERN presents *Levitation*, a temporary exhibition featuring glass sculptures by Slovak artist Ján Zoričák. The works incorporate metal, bronze, natural materials, and even materials from CERN experiments, exploring themes of space and time. A short AI-generated film by Nina Tahy and curator Ivan Jančár accompanies the artworks, offering additional technological perspectives.

Arts of Oceania

The article explores the rich artistic traditions of Oceania, emphasizing how the vast network of islands and ocean passageways fostered a dynamic exchange of cultures, materials, and ideas over millennia. It describes Oceanic art as vessels for metaphysical journeys, with objects like fishhooks, stick charts, and carved figures serving as tangible expressions of ancestral power and cultural knowledge. The text highlights the role of artists as chiefs and orators who manipulate local materials to manifest spirits, and traces the region's entanglements with European colonial powers from the sixteenth century onward.

Orange Art Center to present first Emerging Artist Residency exhibition this summer

The Orange Art Center in Pepper Pike, Ohio, will present its first Emerging Artist Residency exhibition this summer, featuring multi-media artist Lauren Sylvia. Her show, “The Many Hues Between Brown and Blue,” explores themes of love, loss, and remembrance inspired by her late cat Twila, using watercolor, acrylic, and experimental materials. The exhibition opens during the Orange Community Art Fest on August 16 and runs through September 30.

How can art fairs become greener?

Art fairs face significant sustainability challenges due to their temporary nature. Untitled Art in Miami Beach, held in a tent on the beach, works with environmental departments to ensure zero impact, reusing its tent annually. Fairs in permanent venues like Art Basel Miami Beach at the LEED Silver-rated convention center must manage temporary walls, energy use, and waste. Exhibitors struggle with high carbon emissions—art fair activities account for a third of a gallery's annual emissions—and waste from packing materials. Shipping constraints often force reliance on air freight over slower, greener options like ocean or rail, especially for last-minute, high-value consignments. The competitive, secretive atmosphere further hinders consolidated shipments and sustainable practices.

Exhibition showcases sculptural installations promoting local landmarks

One Central Macau is hosting an exhibition titled “One Central Loves Macao,” featuring seven sculptural art installations by local artist Tramy Lui. The centerpiece, “Love Macao,” is an interactive piece inspired by stained-glass windows from Macau’s landmarks like the Ruins of St. Paul’s and the Church of Our Lady of Sorrows, using rainbow colors and transparent materials to play with light and shadow. Other works include “Beacon of Sound,” an interactive piano installation based on the Guia Hill Pedestrian Tunnel, and “Time Capsule Mailbox,” a colorful postbox evoking nostalgia. The free exhibition runs until May 11.

Spring Senior Art Exhibition Showcases Student Achievements

West Liberty University (WLU) is hosting its Spring Senior Art Exhibition in the Nutting Gallery, starting April 30 with an opening reception from 5:30-7 p.m. The exhibit, running through May 8, features capstone projects by senior art majors in graphic design, art education, and studio art, including students Olivia Bernola, Allison Diantonio, Lilianna Hardt, Ireland McCafferty, Briston Ramby, Kaylee Savage, Nico Walker, and Nathan Wharton. The work was guided by Professor Brian Fencl, director of the Nutting Gallery, and Professor of Graphic Design Moonjung Kang.

In Venedig findet Lotus L. Kang Schönheit im Vergänglichen

Canadian artist Lotus L. Kang has opened an exhibition titled "The Face of Desire Is Loss" at the new Bvlgari Pavilion in Venice. The show features her fluid, changeable works that explore themes of desire, loss, absence, and impermanence, with the artist describing the experience as a charged, chaotic, yet focused pursuit of something elusive.

Exit Homo?

Hua Wang and Emanuel Heim are presenting their dual exhibition "Natural Inversions" in Berlin, curated by John Silvis. The show features abstract queer painting, sculptural installations, and explores themes of perception, materiality, and transformation. An artist talk moderated by Monopol editor Sebastian Frenzel accompanies the exhibition, where the artists discuss transhumanism, artificial intelligence, spirituality, and how technology is reshaping our understanding of being human.

NRW will Verbot für Handel mit Holocaust-Dokumenten

The German state of North Rhine-Westphalia (NRW) is introducing a legislative bill to ban the commercial trade of personal Holocaust documents and artifacts, such as letters from concentration camps, Gestapo cards, and yellow stars. The initiative follows international outrage over a planned auction in Neuss in November 2025, which was halted at the last moment; around 460 objects from that auction were transferred to the Auschwitz-Birkenau Foundation. The bill, to be presented at the Bundesrat session on May 8, aims to prohibit the sale of items directly linked to Nazi victims, while exempting museums, archives, and research institutions.

A 1st-Century Roman Cargo Uncovered in Lake Neuchâtel

Une cargaison romaine du Ier siècle mise au jour dans le lac de Neuchâtel

Archaeologists have completed two major underwater excavation campaigns in Lake Neuchâtel, Switzerland, recovering over 1,000 artifacts from a Roman cargo shipment dating between 20 and 50 AD. The discovery, initially spotted via aerial photography in 2024, includes exceptionally well-preserved items such as Spanish olive oil amphorae, tableware, military weaponry, and rare organic materials like a wicker basket and chariot wheels. The site was kept secret for two years to prevent looting while divers meticulously retrieved the historical treasures.

Why Contemporary Photographers Are Rejecting the Camera

Contemporary photographers are increasingly rejecting traditional cameras in favor of alternative, camera-less techniques such as photograms, cyanotypes, and chemigrams. These artists draw inspiration from early scientific experiments with light-sensitive materials, like those of Johann Heinrich Schulze and Thomas Wedgwood, who created temporary images using silver nitrate and sunlight before photography was formally invented.

Luca Vanello at Z33

The contemporary art center Z33 in Hasselt is hosting a solo exhibition by artist Luca Vanello titled "Withering into breath, wetness undoes itself." Running from February 12 through April 12, 2026, the presentation features a series of sculptural installations documented through extensive photography by Silvia Cappellari. The exhibition explores themes of materiality and transformation, characteristic of Vanello's practice of manipulating organic and inorganic substances.

Lin May Saeed at Kunsthalle Bern

Kunsthalle Bern is hosting a significant solo exhibition of the late artist Lin May Saeed, running from March 6 through May 10, 2026. The presentation features a comprehensive selection of Saeed’s signature styrofoam reliefs and sculptures, documented through extensive installation photography by David Aebi in collaboration with the artist's estate and Jacky Strenz gallery.