An art exhibition titled 'The Family Album' opened at the Mustafa Ali Gallery in Damascus, Syria. The show features works by contemporary Syrian artists who use family photographs, documents, and personal archives to examine themes of lineage, memory, and belonging.
Visual artist Karen Mahaffy has created a new installation titled 'Deluge' that directly responds to the devastating floods that struck Texas in the summer of 2023. The work uses materials and imagery drawn from the event to process the environmental and human impact of the disaster.
The Ananda Art Exhibit, titled "Springtime," opened with a collection of works by various artists exploring interpretations of heavenly realms and spiritual themes. The exhibition features diverse artistic approaches to visualizing concepts of paradise, transcendence, and the divine.
The University of Wisconsin-Stevens Point is hosting a textile art exhibition on its campus, which is open to the public and will remain on view until April 17. The show features contemporary works created with fabric, thread, and other fiber-based materials.
Northland Pioneer College’s Performing Arts Department is set to debut a world-premiere theatrical adaptation of Jane Austen’s classic novel, "Emma." The production, which opens on April 10 at the college’s Performing Arts Center in Snowflake, Arizona, offers a fresh take on the beloved story of a well-meaning but meddlesome matchmaker.
The Jiadu Art Center in Yanjiao, Hebei Province, represents a strategic architectural intervention by MINOR lab to transform existing residential and commercial stock into a community-focused art network. The project reconfigures three distinct spaces—an ancillary structure, a commercial unit, and a residential apartment—into a cohesive system featuring a flexible exhibition hall, a café, and an adaptable artist studio. Utilizing movable walls, modular furniture, and a consistent material palette of strawboard and hot-rolled steel, the design prioritizes spatial fluidity and multi-functional use.
The Hi-Desert Nature Museum has issued an open call for its 20th annual recycled art exhibition, titled "Wondrous Waste." Local artists and community members are invited to submit up to two original works created from repurposed trash and discarded materials. Submissions will be accepted between March 11 and March 14, with the exhibition scheduled to open to the public on March 21.
Fine artist Serena Read recently presented her solo exhibition, "The Alignment of Peace and Chaos," at Unity Art Studio in Andover. The showcase featured works that blend realism and abstraction, utilizing materials like sparkle to explore themes of trauma, recovery, and the balance between internal tranquility and external turmoil. The exhibition included a 'Meet the Artist' event attended by local community figures, highlighting Read's transition from cross-cultural communications to a therapeutic art practice.
Kate and Jerry Enewold are set to debut a joint exhibition titled "Carved, Painted and Crafted" at the Kootenay Gallery of Art on March 5. The showcase spans forty years of the couple's creative output, featuring a diverse array of disciplines including woodworking, painting, weaving, and jewelry design. An opening reception will allow the public to engage with the artists before the show runs through mid-April.
Emerging multidisciplinary artist Isabella Kennedy has unveiled her installation 'Ballast' at Firstdraft in Sydney, a site-specific work that blends paper sculpture, video projection, and sound. The exhibition draws on the unfinished research of her late father, journalist Les Kennedy, regarding the 1941 disappearance of the HMAS Sydney II. Through delicate stitched paper forms and immersive blue light, Kennedy explores themes of familial grief, maritime history, and the meditative acts of remembrance that bridge personal and national narratives.
The gallery at Eastern Connecticut State University is hosting the annual exhibition of the Prison Arts Program, featuring over 600 works by 161 incarcerated artists. The collection includes diverse media ranging from traditional drawings and crochet to intricate sculptures fashioned from unconventional materials like bread, dental floss, and soap. Managed by Community Partners in Action, the program facilitates artist collectives within state prisons, providing supplies and a collaborative environment for those behind bars.
The Goldstein Museum of Design at the University of Minnesota has opened a new exhibition titled 'Resist and Reclaim,' which explores design as a tool of both oppression and liberation. The show focuses on denim as a material linked to labor, exploitation, and resistance, featuring 20 custom denim jackets created by local Black and Indigenous women and femme artists, alongside faculty research on architecture and visual culture.
The McEachern Art Center (MAC) in Macon, Georgia, is presenting an exhibition titled 'Guilty Pleasures' by artist Brittany Coburn. The show, which runs from February 6 to March 22, explores vices and coping mechanisms through a range of materials, using bright colors and layered symbolism to invite viewers into conversations about mental health and resilience.
Blunk Space, a gallery known for its focus on craft and design, has mounted an exhibition titled "100 Candleholders" that elevates the everyday object of the candleholder into a subject of artistic exploration. The show features works from numerous artists, each contributing a unique interpretation of the humble candleholder, transforming it from a functional item into a sculptural and conceptual piece.
The Arboretum at Penn State is calling for proposals from Pennsylvania-based artists for a new outdoor art exhibition titled "Penn’s Woods Outdoor Art Exhibition." The exhibition will feature 10 works displayed in the H.O. Smith Botanic Gardens from June through August, with wood as a central material or inspiration. Selected artists will receive a $1,000 honorarium, and proposals must be submitted by February 28.
The City of San José’s Office of Economic Development and Cultural Affairs is hosting an art exhibition reception on November 7, 2025, at The Citadel Art Studios to showcase projects by the 2025 Creative Ambassadors. The five ambassadors—Julie Cardenas, Matt Casey (More Mas Marami), Jessica Gutierrez, Miguel Ozuna, and Steven Rubalcaba—have each developed community-engaged creative works over the past year, including a shared film camera photography project, zine-making workshops, a community audio archive, a collaborative collage using repurposed materials, and art workshops for mothers and children.
BGC Glass Studio is presenting “GLASSWORKS: A Contemporary Glass Art Exhibition,” featuring works by nine emerging glass artists. The show highlights diverse techniques including glassblowing, fusing, and mixed materials, alongside a special collection tracing the evolution of Thai glass art.
A group of 11 rings and two medallions, believed to be medieval, was discovered at a Thrifty Boutique charity shop in Chilliwack, British Columbia. A volunteer found the items while sorting donations, and a customer with an archaeology background alerted staff that the objects might be ancient. The manager contacted Sabrina Higgins, an associate professor at Simon Fraser University (SFU), who arranged for the artefacts to be donated to the university's Museum of Archaeology and Ethnology. Higgins and colleague Cara Tremain have designed a course for autumn 2026 in which students will analyze the objects' materials and designs to determine their provenance, culminating in an exhibition at the museum.
Heather Hertel, a professor of art at Slippery Rock University, led a team of students to create a floating art exhibition at the Erie Yacht Club on August 14. The artworks were painted directly onto recycled J22 yacht sails, attached to working yachts, and sailed out on Presque Isle Bay. The project began in 2015 when Hertel, an experienced sailor, wondered why she had never painted on sails. The team conducted material investigations to find paint that would stick to sail cloth, ultimately producing nine large-scale paintings. The exhibition also involved cross-disciplinary learning, with engineering professor Louis Christensen giving a presentation on sailboat physics to ensure the sails moved correctly.
Melissa Nightingale reports on a two-year art project inspired by binge-watching *Wheel of Fortune*. The project reimagines the game show's prize wheel, replacing material goods like sewing machines and cars with intangible rewards such as belonging and dignity. Participants can spin the wheel, but the prizes are conceptual rather than physical, reflecting a shift in values from consumerism to human connection.
Three master’s students from Stellenbosch University—Rebekah Pringle, Thabo Ngwenya, and Emily Fitzgerald—launched an exhibition titled "Matter of Self: Private fragments, public forms" on 7 August at the Gallery University Stellenbosch (GUS). The show is part of a master’s review series that highlights their academic year progress. Pringle’s work explores her domestic experience and caretaker relationship with her grandmother using repurposed furniture; Ngwenya’s pieces address alienation as a Ndebele man in Zimbabwe through pop culture references and self-portraits as "boundary objects"; Fitzgerald’s art challenges patriarchy and heteronormativity using archival photographs, clay, and photolithographic processes.
The Riverfront Arts Center in Stevens Point, Wisconsin, is inviting artists to submit proposals for an upcoming fall exhibition titled "The Studio." Unlike traditional shows, this exhibition will focus on the creative process by recreating artist workspaces, displaying tools, materials, and works-in-progress rather than just finished artworks. Proposals are due by August 22, 2025, with no entry fee, and participating artists will receive free entry to the center's open calls throughout 2026.
A Recology art show brings discarded materials from the dump into a gallery setting, featuring works created by artists who have participated in Recology's artist-in-residence program. The exhibition transforms trash into art, highlighting the creative reuse of waste materials.
Rachel Du, a specialist in Chinese art and history, has written an article examining the Reeves Collection of Asian ceramics, focusing on the cross-cultural exchanges reflected in these objects. The collection, housed at the Reeves Center in Washington and Lee University, includes porcelain and ceramic pieces that trace trade routes and artistic influences between Asia and the West.
Oolong Gallery in La Jolla, California, is presenting 'Sun Goin’ Down,' the first solo exhibition of painter John Singletary, a 2025 UC San Diego MFA graduate. The show features a series of haunting, symbolic paintings that explore memory, myth, and themes of death, love, and fear through techniques like sgraffito and sanding. It runs through June 25, with a special Juneteenth event planned for June 19.
Pakistan's first textiles museum, The Haveli, has opened in Karachi, housed in the Modernist villa of collector Nasreen Askari and her husband Hasan Askari. The museum preserves indigenous weaving, embroidery, and dye work from the Sindh province, focusing on the material culture of diverse communities including Hindus and Muslims. Nasreen Askari began collecting these textiles in the 1970s while working as a doctor, inspired by the intricate designs on her patients' clothing that revealed their identity, religion, and social status. The collection includes rare shawls, bridal tunics, and embroidered dowry pouches called bujhki, many from nomadic and tribal communities.
St Stephen’s College is hosting a wine and cheese art exhibition fundraiser called "Palette of Love: Sip, Savour, and Celebrate" today at 6 p.m. at the JR&D Centre in Princes Town. The event features an art exhibition centered on love, paired with fine wines and cheeses, and includes an interactive art experience for attendees.
Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.
DON NADIE THE LATIN AMERICAN PROJECT AT MILANO DESIGN ART WEEK
The design collective DON NADIE, founded by Ecuadorian industrial designers Lisandro Carrasco and Mono Alvarado, is presenting its project "1 m² / 1 second" at Milano Design Week. The installation, part of the IN BETWEEN collective at the Fuorisalone circuit, consists of sixteen folded-paper pieces within a cubic meter, each referencing native plant morphology. It translates the rate of deforestation into a tangible measure of time, representing one square meter of forest lost every second.