Cameron Art Museum to feature Andy Warhol’s ‘Silver Clouds’ in extended summer installation

The Cameron Art Museum in Wilmington, North Carolina, will present Andy Warhol's 1966 installation 'Silver Clouds' from June 19 through September 27. The interactive work, featuring reflective, helium-filled forms that float and respond to movement, will be on view longer than the museum's broader summer exhibition, 'Fresh Air: Inflatable Sculptures,' and includes a member preview and opening celebration.

HOSOO to Present “Glorious Robe,” a Collaborative Exhibition with Theaster Gates

Kyoto-based textile house HOSOO has announced a collaborative exhibition with American artist Theaster Gates titled “Glorious Robe,” scheduled to run from April 11 to August 30, 2026. The showcase centers on the “Dashikimono,” a hybrid garment merging the West African dashiki with the Japanese kimono, alongside ceramic vessels and traditional obi sashes. These works incorporate motifs from the American Civil Rights Movement, including tributes to Martin Luther King Jr. and Malcolm X, woven directly into the fabric using HOSOO’s centuries-old Nishijin techniques.

Artist Lee Bae's solo exhibit questions his understanding of art and interrogates his farming roots

South Korean artist Lee Bae has opened a major solo exhibition titled "En attendant: Waiting" at Museum SAN in Wonju. The show features 39 works, including his signature "Issu du feu" charcoal sculptures and massive 10-meter-tall bronze "Brushstroke" installations placed within the museum's Stone Garden. The exhibition is designed to harmonize with the unique architecture of Tadao Ando, utilizing natural light and the surrounding mountain landscape to create a meditative experience for visitors.

Ruth Asawa: Retrospective

A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.

Spring Arts Guide 2026: The Visual Art Exhibitions Making a Splash This Season

The Spring Arts Guide 2026 highlights several major exhibitions opening in the Washington D.C. area, ranging from local photography to expansive collection surveys. Alan Sislen’s 'AMBIGUITY' at Multiple Exposures Gallery explores architectural abstraction, while the National Museum of Women in the Arts hosts 'Making Their Mark,' a traveling exhibition of the Shah Garg Collection featuring luminaries like Howardena Pindell and Joan Semmel. Additionally, the National Museum of African Art presents 'Here: Pride and Belonging in African Art,' a landmark show centering queer voices within the African diaspora.

Expert Eye: curator Cornelia Stokes’s Frieze LA favourites

Cornelia Stokes, the newly appointed assistant curator of the art of the African Diaspora at SFMoMA and MoAD, shares her top selections from Frieze Los Angeles. Her picks highlight a diverse range of artists including Narsiso Martinez, Ebony G. Patterson, Hugh Hayden, and Kenturah Davis, focusing on themes of migrant labor, the African Diaspora, and the intersection of personal history with material culture.

Rose Wylie: ‘It’s very, very fragile where a painting ends. All the time it sits on a precarious edge’

British artist Rose Wylie is currently the subject of a major career survey at the Royal Academy of Arts in London, titled "The Picture Comes First." At 91 years old, Wylie is the first woman painter to occupy the institution's main galleries, showcasing over 90 works that span her idiosyncratic career. The exhibition highlights her signature style of large-scale, exuberant figurative paintings that draw from a vast range of influences, including cinema, celebrity culture, and art history.

Why yellow was Van Gogh's favourite colour

The Van Gogh Museum in Amsterdam has launched a new exhibition titled "Yellow: Beyond Van Gogh’s Colour," running until May 17. The show explores Vincent van Gogh’s profound obsession with the color yellow, featuring eight of his works alongside pieces by contemporaries like Paul Gauguin and Aubrey Beardsley. It highlights Van Gogh's technical use of chrome yellow pigments to capture the "high yellow note" of the Provencal sun and the symbolic association of the color with modernity and life-giving energy.

One Fine Show: “Michael Rakowitz, Proxies for Poets and Palaces” at the Stavanger Art Museum

Iraqi-American artist Michael Rakowitz has opened his first major survey exhibition in Norway, titled "Proxies for Poets and Palaces," at the Stavanger Art Museum. The show features eight new reliefs from his long-running series *The Invisible Enemy Should Not Exist*, which recreates artifacts looted from Baghdad's Iraq Museum using cardboard, Arabic newspapers, and food packaging, alongside older works like the 2017 film *The Ballad of Special Ops Cody*.

At SLAM, Anselm Kiefer’s Material Transformations

The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," an exhibition of 40 works by the German artist dating from the 1970s to the present, including 20 recent pieces and five monumental site-specific paintings. Curated by museum director Min Jung Kim, the show features Kiefer's characteristically vast, heavy works built from materials like tar, melted lead, and steel, displayed without stanchions and with minimal labels to encourage immersive viewing. The exhibition was inspired by a conversation between Kim and Kiefer about the confluence of rivers—the Rhine in his native Germany and the Mississippi and Missouri in St. Louis—and makes use of SLAM's grand 1904 World's Fair building.

Harlem’s Studio Museum reopening was a fitting reflection of its history and work

The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.

Beyoncé, Nicole Kidman and Venus Williams will co-chair 2026 Met Gala

The Metropolitan Museum of Art's Costume Institute has announced the co-chairs for the 2026 Met Gala, scheduled for May 4, 2026. Pop superstar Beyoncé, actor Nicole Kidman, tennis legend Venus Williams, and Vogue editor-in-chief Anna Wintour will serve as co-chairs of the annual benefit. The host committee includes fashion designer Anthony Vaccarello, actor Zoë Kravitz, and a roster of celebrities and artists such as Sabrina Carpenter, Doja Cat, and artist Anna Weyant. The gala will support the Costume Institute's exhibition "Costume Art" (May 10, 2026–January 10, 2027), which will inaugurate the new Condé M. Nast Galleries. The exhibition pairs 200 artworks from the Met's collection with 200 garments, exploring the relationship between the dressed body and Western art. Lauren Sánchez Bezos and Jeff Bezos are sponsoring the event.

Comment | Why Frank Gehry was the ultimate artist’s architect

Frank Gehry (1929-2025) is remembered as the ultimate artist's architect, a figure whose career was deeply intertwined with the visual arts. The article highlights his lifelong friendships with numerous Los Angeles artists, his design of exhibitions for them, and his creation of iconic art museums like the Museo Guggenheim Bilbao (1997) and the Fondation Louis Vuitton in Paris (2014). Gehry believed his buildings offered artists a strong alternative to the white cube, and he renovated museums such as the Geffen Contemporary at MOCA and the Philadelphia Museum of Art with a remarkably light touch. His early exposure to art through a ceramics course with Glen Lukens at USC helped steer him toward architecture.

In pictures: a sculptural celebration at Art Basel Miami Beach

Nora Lawrence, executive director of Storm King Art Center, curated a selection of her favorite three-dimensional works at Art Basel Miami Beach, highlighting sculptures by Thaddeus Mosley, Rashid Johnson, Mary Ann Unger, Paloma Varga Weisz, and Claes Oldenburg, as well as a painting by Saif Azzuz. The tour, published by The Art Newspaper, showcases works from galleries including Karma, Hauser & Wirth, Berry Campbell, Nicelle Beauchene Gallery, Konrad Fischer Galerie, and Paula Cooper.

Steely gaze: a look back at Richard Hunt’s early work at the Institute of Contemporary Art Miami

The Institute of Contemporary Art Miami has opened "Richard Hunt: Pressure," the largest survey to date of American sculptor Richard Hunt (1935-2023), focusing on his work from 1955 to 1989. The exhibition traces Hunt's evolution from self-taught welder at the School of the Art Institute of Chicago to a master of welded steel, featuring early pieces like *Telescopic Construction* (1955) and *Hero's Head* (1956), the latter created after attending Emmett Till's open-casket funeral. Co-curated by Gean Moreno and Alex Gartenfeld, the show highlights Hunt's negotiation between formal innovation and social awareness, with works that balance beauty and brutality.

One Fine Show: “Anselm Kiefer, Becoming the Sea” at the Saint Louis Art Museum

The Saint Louis Art Museum has opened “Anselm Kiefer: Becoming the Sea,” an exhibition featuring 40 works by the German artist from the 1970s to the present, including over 20 pieces made in the last five years and five monumental site-specific paintings. The show highlights Kiefer's 1991 journey up the Mississippi River during a visit to St. Louis, a formative trip that inspired new works such as the 30-by-27-foot painting *Missouri, Mississippi* (2024), which depicts the artist encountering the Melvin Price Lock and Dam in Alton, Illinois. The exhibition also includes pieces like *Die Milchstraße* (1985-87) and two works dedicated to beat poet Gregory Corso, whose lines about eternal life gave the show its title.

Gustav Klimt's rare 'Elisabeth Lederer' painting fetches record $236.4 million - Most expensive work of mo

Gustav Klimt's rare portrait 'Elisabeth Lederer' sold for $236.4 million at Sotheby's, setting a new record as the most expensive work of modern art ever sold at auction. The painting, created in the final years of Klimt's life, narrowly survived World War II after being separated from other works destroyed in a fire at Immendorf Castle. It came from the collection of Estée Lauder heir Leonard A. Lauder, who died earlier this year. The sale also featured Maurizio Cattelan's 18-karat gold toilet 'America', which drew only a single bid and sold for $12.1 million.

Gustav Klimt's rare 'Elisabeth Lederer' painting fetches record $236.4 million - Most expensive work of mo

Gustav Klimt's portrait 'Elisabeth Lederer' sold for $236.4 million at Sotheby's on Tuesday, setting a new record as the most expensive work of modern art ever sold at auction. The painting, created in the final years of Klimt's life, narrowly survived World War II after being separated from other works destroyed in a fire at Immendorf Castle. It came from the collection of Estée Lauder heir Leonard A. Lauder, who died earlier this year. The sale also featured Maurizio Cattelan's 18-karat gold toilet 'America', which drew only a single bid and sold for $12.1 million.

In major auction night, rare Klimt painting smashes records at $236.4 million

Sotheby's inaugural sale at its new New York headquarters on Tuesday evening set multiple records, led by Gustav Klimt's "Portrait of Elisabeth Lederer," which sold for $236.4 million—the most valuable work of modern art ever auctioned and the highest price ever achieved by Sotheby's globally. The painting, spared from destruction during World War II, was part of the collection of Estée Lauder heir Leonard A. Lauder, whose holdings fetched $527.5 million total. Other highlights included an Edvard Munch painting at $35.1 million, a Klimt landscape at $86 million, and a Jean-Michel Basquiat work at $48.3 million, while a Cecily Brown set a new record at $9.8 million. However, works by Kerry James Marshall and Barkley L. Hendricks failed to sell, and Maurizio Cattelan's gold toilet "America" drew only a single bid from Ripley's Believe It or Not! at $12.1 million.

The elusive artist Cady Noland has made a shock return: will it impact her reputation?

The elusive artist Cady Noland has made a shock return with a sprawling exhibition of almost entirely new work at Gagosian’s 555 West 24th Street space in New York. After withdrawing from the public eye for over a decade and becoming infamous for disavowing her own works and suing collectors over attribution, Noland re-emerged with a survey show at Frankfurt’s Museum of Modern Art in 2018, followed by commercial shows at Galerie Buchholz in 2021 and Gagosian in 2023. Her latest exhibition, featuring 38 entries mostly made this year, was a hit, with many works placed with major collectors and institutions.

‘A love letter to drawing’

Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.

The Broad Sets Yoko Ono’s First SoCal Solo Exhibition ‘Yoko Ono: Music of the Mind’ for 2026

The Broad museum in Los Angeles will present 'Yoko Ono: Music of the Mind' in spring 2026, marking the artist's first solo museum exhibition in Southern California. Organized in collaboration with Tate Modern, London, the show spans Ono's seven-decade career across visual art, music, and activism, featuring participatory works like 'Wish Trees for Los Angeles' on the East West Bank Plaza and materials from her peace campaigns with John Lennon, including 'Acorn Event' (1968) and 'Bed Peace' (1969).

Maurizio Cattelan's solid gold toilet going to auction at Sotheby's

Sotheby's will auction Maurizio Cattelan's solid gold toilet sculpture, *America* (2016), during its evening sale of contemporary art in New York on 18 November. Bidding starts at approximately $10 million, based on the current market value of the 18-karat gold used in the work. The piece, a fully functioning toilet modeled after a standard Kohler design, will be on view at Sotheby's Breuer Building from 8 to 17 November, though visitors will not be allowed to use it. This is the only surviving edition; another was famously stolen from Blenheim Palace in 2019 and believed melted down.

Robert Rauschenberg at 100: How the Relentless Experimenter Rewired American Art

A global celebration marks the centennial of Robert Rauschenberg's birth on October 22, 1925, with a bumper program of exhibitions at major museums including the Museum of the City of New York, the Guggenheim in New York, the Walker Art Center in Minneapolis, the Virginia Museum of Fine Arts, Des Moines Art Center, the Menil in Houston, Museum Ludwig in Cologne, and M+ in Hong Kong. The article highlights eight key facts about Rauschenberg's life and career, from his early use of the G.I. Bill to study art in Paris and at Black Mountain College, to his rebellion against teacher Josef Albers, and his invention of the "Combines"—radical painting-sculpture hybrids that broke with Abstract Expressionism and predicted Pop Art.

High Wire: Calder’s Circus at 100

The Whitney Museum of American Art in New York is presenting "High Wire: Calder’s Circus at 100," a centennial exhibition celebrating Alexander Calder's seminal work, Calder's Circus (1926-31). The show brings together the miniature circus—complete with handmade figures, props, and lighting—along with Calder's circus-themed wire sculptures, drawings, archival materials, and early abstract works. Co-curated by Jennie Goldstein and Roxanne Smith, the exhibition runs from October 18, 2025, to March 9, 2026, and is supported by major donors including Kenneth C. Griffin and Griffin Catalyst.

High Wire: Calder’s Circus at 100

The Whitney Museum of American Art in New York is presenting "High Wire: Calder’s Circus at 100," a centennial exhibition celebrating Alexander Calder's iconic work "Calder’s Circus" (1926-31). The show brings together the miniature circus figures, wire sculptures, drawings, archival materials, and early abstract works, exploring how the circus inspired Calder's lifelong exploration of balance and movement, leading to his invention of the mobile. The exhibition runs from October 18, 2025, to March 9, 2026, and is co-curated by Jennie Goldstein and Roxanne Smith.

Van Gogh’s ‘Postman’, and the very chair seen in the painting, go on show in a revelatory Amsterdam exhibition

The Van Gogh Museum in Amsterdam has opened "Van Gogh and the Roulins: Together Again at Last," the first comprehensive exhibition dedicated to the artist's portraits of postman Joseph Roulin and his family. The show, which runs until January 11, 2026, features Van Gogh's first portrait of Roulin on loan from Boston's Museum of Fine Arts, alongside the actual wicker armchair on which Roulin posed in 1888, displayed together for the first time since the chair was acquired by the museum in 1969. The exhibition previously drew 280,000 visitors at the Museum of Fine Arts, Boston.

Christie's Paris Art Week - Christie's

Christie's Paris will hold a major modern and contemporary art week in late October 2025, coinciding with the fourth edition of Art Basel Paris. The sales feature exceptional works including a monumental Yves Klein monochrome (estimate on request), Alberto Giacometti's 'Femme debout' (€5-7M), Paul Signac's 'La Passerelle Debilly' (€4-6M), and works by Pierre Soulages, Pierre-Auguste Renoir, René Magritte, Egon Schiele, and others. The week opens on October 23 with 'Moderne(s), une collection particulière européenne,' a private collection of 40 European avant-garde works, followed by the flagship 'Avant-Garde(s) including Thinking Italian' sale highlighting Italian art.

Pinta Panama Art Week 2026 Reaffirms the Country as a Hub for Regional Contemporary Art

PINTA PANAMA ART WEEK 2026 REAFFIRMS THE COUNTRY AS A HUB FOR REGIONAL CONTEMPORARY ART

The second edition of Pinta Panamá Art Week will be held from March 18-22, 2026, featuring works by Panamanian artists like Cisco Merel, Lulu Molinares, Arístides Ureña Ramos, and Isabel de Obaldía. Their projects, ranging from sculpture and textiles to immersive installations and studio visits, explore themes of memory, territory, and everyday life through the manipulation of materials and space.

V&A Pulls Catalog Materials Due to Chinese Censorship Laws

The Victoria and Albert Museum (V&A) in London has admitted to removing maps and images from two exhibition catalogs following censorship demands from a Chinese printing firm. Documents revealed that C&C Offset Printing flagged content in the catalogs for the exhibitions "Music Is Black" and "Fabergé: Romance to Revolution" as violating Chinese law. The censored items included a 1930s map of British trade routes and a photograph of Vladimir Lenin, which the printer claimed could not be produced under Beijing’s strict regulations.