Alessandro Giuli Threatens to Boycott the Vernissage of the Biennale

Alessandro Giuli menace de boycotter le vernissage de la Biennale

Alessandro Giuli, a prominent Italian cultural figure, has threatened to boycott the vernissage of the Venice Biennale. This action is a response to the ongoing controversy surrounding the potential return of Russia to the event, which has sparked political debate in Italy and drawn an ultimatum from the European Commission. The Biennale has also decided not to award prizes to Russia or Israel, further intensifying the situation.

From Minor Keys to Uproar: The Crisis of the Venice Biennale

DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA

The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.

The Biennale Must Remain Open – Also for Russia

Die Biennale muss offen bleiben – auch für Russland

The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.

Baby dolls, whale songs and swimming in urine: The Venice Biennale’s must-see national pavilions

The 61st Venice Biennale, themed 'In Minor Keys' by late curator Koyo Kouoh, has been marked by political protests against Russia and Israel's participation, pavilion closures, and threats to funding. Despite this tense atmosphere, several national pavilions quietly embody Kouoh's vision of nurture, intimacy, and reflection. Highlights include the Japan Pavilion's 'Grass Babies, Moon Babies' by Ei Arakawa-Nash, where visitors carry and care for baby dolls, and the Polish Pavilion's 'Liquid Tongues' by Bogna Burska and Daniel Kotowski, an immersive sound installation exploring Deaf culture and marginalized communication.

in venice, ukrainian artists reclaim joy with tender force

The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.

Ukrainians seeking cultural escape from war’s brutality find comfort and resilience at Kyiv art fair

The Art Kyiv fair, titled "This is Normal," has been held in Kyiv, Ukraine, as a contemporary art event designed to help society cope with the realities of war. Organized by director Anna Avetova, the fair features hundreds of works by Ukrainian artists at the Lavra Gallery, deliberately avoiding any booths dedicated to the war itself. The event aims to provide cultural continuity, emotional sustenance, and a boost to the domestic art market, which has struggled since the COVID-19 pandemic and the Russian invasion.

Venice Biennale previews in chaos, overshadowed by Israeli and Russian participation

The Venice Biennale previews have descended into chaos, with the event overshadowed by controversies surrounding Israeli and Russian participation. Protests and disruptions have marked the lead-up to the prestigious international art exhibition, as demonstrators voice opposition to the inclusion of Israel amid the Gaza conflict and Russia's ongoing war in Ukraine. The situation has created a tense atmosphere, drawing significant media attention and complicating the Biennale's usual celebratory preview period.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

After the firestorm: First look at Australian artist’s Venice Biennale works

Australia has opened its pavilion at the Venice Biennale featuring artist Khaled Sabsabi's multimedia installation "conference of one's self," a vivid work inspired by a 12th-century Sufi poem. The exhibition follows a political firestorm: Creative Australia initially selected Sabsabi and curator Michael Dagostini to represent the country, then rescinded the invitation after controversy over a 2007 video featuring Hezbollah leader Hassan Nasrallah. The decision was later reinstated, and Sabsabi also has a companion work in the main Biennale exhibition curated by Koyo Kouoh. The pavilion is funded by the federal government and private donors including Simon Mordant and the Turnbull Foundation.

Venice Biennale jury resigns amid row over Russian entry

The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.

Night of the Museums will be held in Tampere on Saturday, May 16 [City of Tampere]

The Night of the Museums will take place in Tampere, Finland, on Saturday, May 16, featuring over 40 exhibitions across multiple venues including the Tampere Art Museum, Sara Hildén Art Museum, Museum Centre Vapriikki, Moomin Museum, Finnish Labour Museum Werstas, and others. The event offers special guided tours, children's activities with clowns and circus performances, art workshops led by visual artists, live music and poetry, dance lessons, and themed tours covering topics from football history to men's fashion.

With Free Vodka, and a Few Protests, Russia Returns to the Venice Biennale

Russia has reopened its national pavilion at the Venice Biennale for the first time since its full-scale invasion of Ukraine in 2022. The pavilion’s opening featured free vodka and drew a few protests, while Ukraine’s own exhibition is located nearby, highlighting the stark geopolitical tensions playing out at the prestigious art event.

The Venice Biennale and Its Many Flashpoints: An Explainer

The Venice Biennale, often described as the Olympics of the art world, is set to begin previews on Tuesday amid several controversies. Key flashpoints include the sudden death of a curator, Russia's surprise participation despite ongoing geopolitical tensions, and an unconventional entry from the United States. These developments have intensified scrutiny and debate around the prestigious international exhibition.

Endangered Species? Venice Biennale Ditches Golden, Silver Lions for 2026 Edition

The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.

The Women of Grigory Gluckmann on Display at the Archaeological Museum of Aosta

Le donne di Grigory Gluckmann in mostra al Museo Archeologico di Aosta

The Museo Archeologico Regionale di Aosta is hosting the first Italian exhibition dedicated to Grigory Gluckmann (1898–1973), a Belarusian-born American painter. Curated by Daria Jorioz and Valeria Gorbova, the show, titled "Grigory Gluckmann. Tra luce e grazia," runs until June 2, 2026, and features works centered on the female figure. Gluckmann's career spanned Russia, Berlin, Florence, Paris, and the United States, and his style blends Renaissance techniques with modern sensibility.

Il Padiglione della Natura alla Biennale di Venezia. Ovvero due gabbiani che mettono in crisi il patriarcato

At the 2026 Venice Biennale, two seagulls built a nest in front of the Polish Pavilion in the Giardini. Organizers chose to protect the nest with a small fence and a sign, turning it into an unofficial "Nature Pavilion." The birds share incubation duties equally, drawing large crowds who pause to watch their cooperative behavior amid the Biennale's intense geopolitical tensions, including protests against the Russian Pavilion, pro-Palestinian actions, and debates over Israel's cultural role.

Ministry of Culture inspectors present report on Biennale: Russia pavilion will remain closed

Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso

Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.

61st Venice Biennale: Cultural workers and artists strike and protest against the Israeli genocide in Gaza

Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.

National Museum opens 'Pioneers of Omani Art' exhibition in Russia

The National Museum of Oman has opened an exhibition titled "Pioneers of Omani Art" at the State Tretyakov Gallery in Moscow, Russia. Running until 16 August, the show features 23 works by 17 Omani artists, highlighting how they draw inspiration from their culture, heritage, history, and environment. The exhibition traces the journey of fine art in Oman, from prehistoric rock art to the modern art movement, shaped by historical commercial and cultural exchanges with European artists.

Jury of the Venice Biennial resigns, Russia and Israel return to Award Contention

The five-member international jury of the 61st Venice Biennale, led by Brazilian curator Solange Farkas, has resigned effective April 30, 2026. The jury—comprising Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—announced their resignation in a written statement, referencing a prior Statement of Intention issued on April 22. In response, La Biennale di Venezia postponed the Awards Ceremony from May 9 to November 22, the final public day, and introduced two new "Visitors' Lions" awards—one for the Best Participant in the main exhibition "In Minor Keys" by Koyo Kouoh, and one for the Best National Participation—to be decided by ticket-holder vote.

Il Museo Nazionale d’Arte dell’Ucraina di Kiev colpito e danneggiato dai bombardamenti russi. Le immagini

Between the night of May 23 and the early hours of May 24, 2026, Russia launched a massive attack on Kyiv and other areas of Ukraine using 600 drones and 90 missiles. The National Art Museum of Ukraine (NAMU) in Kyiv suffered severe structural damage, along with government buildings. The attack was reportedly a response to a Ukrainian bombing of a dormitory in Russian-occupied Starobilsk. The museum, founded in the late 19th century and housed in a neoclassical building opened in 1904, holds nearly 40,000 works spanning over a thousand years of Ukrainian art, including medieval icons, Baroque masterpieces, and avant-garde pieces.

Iran will not participate in the Biennale

Iran nimmt nicht an Biennale teil

Iran has withdrawn from the Venice Biennale, according to an announcement by the Biennale organization reported in Italian media. No reasons were given for the decision. The withdrawal comes amid significant turmoil at the Biennale just days before its official opening on Saturday: the entire jury resigned over disputes regarding the treatment of Russia and Israel, the opening ceremony was canceled, and the traditional awarding of Golden Lions at the start has been postponed to the final day in November, with winners now to be decided by visitor vote rather than a jury.

Meloni on Venice Biennale: 'I've somewhat lost track'

Meloni über Venedig-Biennale: "Habe den Überblick etwas verloren"

Days before the opening of the Venice Biennale, the entire international jury resigned in protest over Russia's participation despite its war against Ukraine. The jury had previously excluded Russia and Israel from prize consideration due to International Criminal Court warrants against their leaders. Italy's Prime Minister Giorgia Meloni admitted she had "lost track" of the situation, while the government sent inspectors to Venice. Biennale organizers responded by postponing the Golden Lion awards until November and introducing two audience-choice awards that will include Russian and Israeli entries.

Ukraine war stories captured in powerful art exhibition

Fine artist Louise Pasterfield will open her exhibition 'Colour and Courage' at St Stephen’s Church in Saltash, Cornwall, on May 28. The show features 18 watercolour portraits from her ongoing Ukraine series, which began after Russia’s 2022 invasion and now totals 295 portraits of civilians, soldiers, and families. Among the works is a tribute to Christopher Parry, a Cornish volunteer killed in Ukraine in 2023, painted from a photograph given by his parents. The exhibition also includes botanical paintings inspired by Tresco Abbey Gardens.

Venice Biennale jury resigns after demanding, in vain, that Israel and Russia be excluded

The jury of the Venice Biennale has resigned after their demand to exclude Israel and Russia from the event was rejected. The jurors had called for the removal of both countries' national pavilions due to ongoing geopolitical conflicts, but the Biennale organizers declined to comply, leading to the mass resignation.

National Art Museum of Kyiv Forced to Close After Russian Strike

Le Musée national d’art de Kiev contraint de fermer après une frappe russe

The National Art Museum of Ukraine (NAMU) in Kyiv was damaged during a massive Russian airstrike on the night of May 23-24, which involved 90 missiles and 600 drones. The museum has closed indefinitely after windows were blown out, window frames damaged, plaster fell from walls, and the skylight roof was hit. No staff or collections were harmed, as the main artworks had been evacuated to secret storage sites since February 2022. The museum had maintained partial activity with temporary exhibitions and conferences, and had loaned over sixty works to the Royal Museums of Fine Arts of Belgium for the exhibition 'In the Eye of the Storm.'

EU sanctions Mikhail Piotrovsky, director of the Hermitage

L’UE sanctionne Mikhaïl Piotrovski, directeur de l’Ermitage

The European Union has added Mikhail Piotrovsky, the 81-year-old director of the State Hermitage Museum in St. Petersburg, to its sanctions list as part of the 20th package of measures against Russia. Brussels accuses him of publicly supporting the war in Ukraine and of conducting archaeological excavations by the museum in occupied Crimea. His assets in the EU are frozen and he is banned from entering European territory.

The Biennale and the Weight of Flags. What Is the Point of National Pavilions?

La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?

The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.

The Story of Alexey Shor: From Mathematician to Contemporary Classical Composer. The Interview

La storia di Alexey Shor: da matematico a compositore classico contemporaneo. L’intervista

Alexey Shor, a 1970-born Ukrainian-American composer who originally earned a PhD in mathematics and worked in finance, has transitioned to a full-time career in contemporary classical music. From April 28 to 30, 2026, his neo-romantic compositions were performed at the Auditorium RAI "Arturo Toscanini" in Turin, Italy, by the RAI National Symphony Orchestra under Estonian conductor Anu Tali, alongside works by Rachmaninoff, Schubert, and Grieg. The concerts featured renowned musicians including Russian conductor Mikhail Pletnev, violinist Giuseppe Gibboni, violinist Daniel Lozakovich, and pianist Arsenii Moon. In an interview with Artribune, Shor discussed his dual career, his emotional connection to audiences, and his openness to having his music used in films.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.