filter_list Showing 3133 results for "STALL" close Clear
search
dashboard All 3133 museum exhibitions 2219article local 236article news 225article culture 123rate_review review 103person people 80trending_up market 77article policy 40candle obituary 20gavel restitution 7article events 2article event 1
date_range Range Today This Week This Month All
Subscribe

What the Water Refuses to Forget: Nuits Balnéaires and the Poetics of Ancestral Return

Ivorian artist Nuits Balnéaires presents 'Eboro', a solo exhibition at the Fondation Henri Cartier-Bresson in Paris, running until 4 October 2026. The show blends photography, installation, fashion, and archival elements to explore memory, mythology, and family history, centered on the unresolved death of the artist's uncle, journalist and playwright Noël X. Ebony, in Dakar in 1986. Produced through the Fondation d’entreprise Hermès’ Latitudes programme, the exhibition draws on Akan, Agni-Bona, and Malinké cosmologies, treating remembrance as a porous, spiritual condition shaped by oceans, dreams, and ancestral echoes.

The Cosmic Entanglements and Inner Transformations of ‘Metamorphosis’.

Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

parties art production fund 2026 gala ski chalet

The Art Production Fund held its 15th annual gala at the Seagram Building in New York, transforming the venue into a ski chalet fantasy. The event featured performances by Amanda Ross-Ho, including ice skating choreography, and raised over $1 million for public art. Attendees included artists Derrick Adams, Mickalene Thomas, Sanford Biggers, and Marilyn Minter, along with patrons, designers, and cultural figures.

fashion hermes boutique artist lisha bai

Korean-American painter and sculptor Lisha Bai unveiled a new window installation at Hermès Maison Madison in New York, created to coincide with New York Fashion Week. The installation features polychrome fabrics molded into geometric forms, drawing inspiration from the Korean patchwork tradition of bojagi and the quilts of Gee’s Bend, reflecting Bai’s experience growing up as a Korean-American in Alabama. A conversation between Bai and Cooper Hewitt curator Alexandra Cunningham Cameron explored how Bai translates textile techniques and light into immersive art. The event was attended by Hermès Americas President and CEO Diane Mahady and VP Diane Kruger, among other guests.

art frieze la art production fund

Frieze Los Angeles has announced its 2025 public art program, titled "Body & Soul," developed in partnership with the Art Production Fund. Seven Los Angeles-based artists—including Patrick Martinez, Amanda Ross-Ho, Kelly Wall, Shana Hoehn, Polly Borland, Dan John Anderson, and Cosmas & Damian Brown—will present site-specific installations outside the fair's main venue at Santa Monica Airport. Works include a neon billboard by Martinez addressing ICE raids, a durational performance by Ross-Ho rolling a giant inflatable Earth, and a resurrected newsstand by Wall filled with disappearing glass magazines. The program also features youth art workshops and three prizes for emerging artists.

dale chihuly exhibition kentucky makers mark

Dale Chihuly has opened a new exhibition titled 'Chihuly x Maker’s Mark' at the Maker’s Mark distillery in Kentucky, featuring nine sculptural glass works installed across the grounds of Star Hill Farm. The show includes pieces such as the 12-foot 'Sapphire and Platinum Waterdrop Tower' (2017) and 'Moonbow Fiori' (2025), with the permanent installation 'Spirit of the Maker' (2013) at its center. The exhibition is accompanied by after-dark tours, limited-release whisky pours, and a revamped restaurant, Star Hill Provisions.

christian dior couture scad fash lacoste exhibition

A new exhibition titled “Christian Dior: Jardins Rêvés” has opened at SCAD FASH Lacoste, the Provençal campus of the Savannah College of Art and Design in France. The show features nearly 30 archival Dior couture silhouettes, over 60 accessories, perfume bottles, press sketches, René Gruau illustrations, and personal ephemera, all organized around a botanical theme. A bespoke paper installation by Spanish studio Wanda Barcelona crowns the exhibition, which traces the house’s evolution from founder Christian Dior’s childhood gardens in Granville to the work of his successors, including Yves Saint Laurent, Raf Simons, and Maria Grazia Chiuri.

See Inside the Belarus Free Theatre’s Venice Exhibition on Art Under Authoritarianism

The Belarus Free Theatre has opened an exhibition titled “Official. Unofficial. Belarus.” at La Chiesa di San Giovanni Evangelista di Venezia, marking Belarus's first presence at the Venice Biennale in six years and its first appearance not as a state but as a self-governing cultural body. Curated by Daniella Kaliada, the show features Belarusian artists working across painting, installations, and large-scale sculptures, aiming to make the experience of living under authoritarianism viscerally legible through works that explore surveillance, repression, and bodily experience.

Biennale’s Kazakh Pavilion Roiled by Controversy after Artwork Fails to Make It on View

Controversy has erupted at the Kazakhstan pavilion of the Venice Biennale after artist Äsel Kadyrhanova's multimedia installation *Machine* (2013), which addresses Stalin-era repression in Kazakhstan, was dismantled before the exhibition opened. An open letter published on e-flux, signed by prominent Kazakhstani art community members, alleges the work was removed on May 5 on orders from the nation's Ministry of Culture or pavilion organizers. The pavilion's curator, Syrlybek Bekbota, claims he personally made the decision to dismantle the work after negotiations with the artist failed, citing contractual restrictions from the venue, the Museo Storico Navale di Venezia, which prohibits "political, ideological," or "propagandistic" content. The venue's management company, D'Uva, denies any role in the removal, while the project's co-commissioner, Danagul Tolepbay, disputes the accuracy of the open letter's claims.

Criminal review – homelessness show delivers a rage-making punch in the gut

The article reviews "Criminal: An Untold Story of Homelessness, Resistance and Survival," an installation at London's Museum of Homelessness. The show features works by Romany Gypsy poet and artist Gemma Lees, including a caravan installation with china decorated with hostile Sun newspaper headlines about Gypsy and Traveller encampments, and festive bunting printed with historical state proscriptions against nomadic communities dating from the Egyptians Act of 1530 to the 2022 Police, Crime, Sentencing and Courts Act. The exhibition, set largely in the garden of the museum's new home at Finsbury Park's Manor House Lodge, explores how homeless people and nomadic communities have been criminalized over 400 years.

Giant glacier painting disappears from Argentina’s presidential palace after new law passes loosening protections for these icy regions

Days before Argentina’s Congress approved an amendment to the glacier law that weakens protections for glacial regions to facilitate mining, President Javier Milei’s government removed a monumental painting of the Perito Moreno Glacier from the Casa Rosada presidential palace. The work, Helmut Ditsch’s photorealist *The Triumph of Nature* (2006), had been on loan and on display since 2012. The government cited “maintenance reasons” and “structural damage,” but the artist says he was not notified and has contacted lawyers. A portrait of Juan Domingo and Evita Perón was also removed the same day, with the same vague explanation.

ArtPhilly Presents “What Now: 2026”

ArtPhilly has announced the inaugural edition of its city-wide festival, "What Now: 2026," scheduled to open on May 27, 2026, coinciding with the 250th anniversary of the United States. The five-week event will feature over 30 newly commissioned projects by Philadelphia-based artists, including performances, installations, and podcasts, staged across festival districts in public spaces and institutions. The festival is led by Creative and Executive Director Bill Adair and Curatorial and Deputy Director Tania Isaac, with a curatorial committee of 17 local curators selecting works that explore the nation's past, present, and future.

A sonic tribute to the act of speech on New York City’s Roosevelt Island

Sound artist Hans Rosenström has launched a site-specific sound installation titled "Out of Silence" at Four Freedoms Park on New York City's Roosevelt Island, running until 21 June. The multi-speaker work features layered voices sung by the Estonian choir Vox Clamantis, arranged across four sections of the park as an homage to Franklin D. Roosevelt's 1941 Four Freedoms speech. Rosenström, a Finnish artist based in Stockholm, developed the project during an International Studio & Curatorial Program residency in New York in 2024, after being approached by Latvian curator Alina Girshovich to mark the 90th birthday of composer Arvo Pärt. The park's memorial to FDR was designed by architect Louis Kahn, who was born in Estonia and benefited from New Deal programs.

How sweet it is: chocolate Russell Crowe at the Malta Pavilion

Artist Charlie Cauchi presents a 150-kg chocolate sculpture of Russell Crowe as Maximus from *Gladiator* in her installation *Dolce* at the Malta Pavilion's group exhibition *No Need To Sparkle: Experiments in Love and Revolution* in the Arsenale during the Venice Biennale. The chocolate effigy, originally made by Tiziano Cassar for the Hamrun Chocolate Festival in 2023, was previously admired by Crowe himself, who joked about being made of chocolate.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

Historic Monument Honors New York's First Arabic-Speaking Community

New York City unveiled its first commemorative public artwork under Mayor Zohran Mamdani's administration on April 30, honoring the historic "Little Syria" neighborhood in Manhattan's Financial District. The monument, titled "Al Qalam (The Pen): Poets in the Park," is a mosaic installation and sculpture by French-Moroccan artist Sara Ouhaddou, created over the past decade. It celebrates nine members of the enclave's literary community, including Lebanese-American poet Khalil Gibran, who co-founded the writers' association Pen Bond in 1920. The $1.6 million artwork sits in Elizabeth H. Berger Plaza, within the blocks where immigrants from Greater Syria settled in the late 19th century before being displaced by tunnel construction in the 1940s.

A Theatre Group of Exiled Belarusian Artists Arrive in Venice, With an Exhibition That Shows What Repression Feels Like

The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.

Co-Working Meets Art at Brooklyn’s Newest Experimental Space

Brooklyn’s newest experimental art space, The Gallery (stylized as “The Gallry”), has opened on the fourth floor of a former automobile service station in Prospect Heights, now converted into creative offices. Curated by artist Florian Meisenberg, the exhibition features site-specific works by over 40 artists installed throughout a former guitar-string manufacturer’s office, including cubicle walls, utility closets, and HVAC systems. The space also functions as a co-working hub, with free daily spots for subscribers. The show runs through May 24 and includes events like screenings, poetry readings, and satirical corporate-themed programming.

A Buddha Is Reborn on the High Line

Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.

Ruins of a ‘Unique‘ Temple Complex Discovered in Northern Sinai

An Egyptian archaeological mission has unearthed a unique temple complex at Tell el-Farama, the site of the ancient city of Pelusium in northern Sinai. The discovery features a massive circular water basin, approximately 100 feet in diameter, surrounded by drainage channels and a central plinth likely intended for a statue. Initially mistaken for a civic building when first excavated in 2019, further study has revealed the site to be a sacred water installation used for religious rituals between the 2nd century BC and the 6th century AD.

Rawya El Chab Tends to the Wounds of Lebanon's Civil War

Lebanese performance artist Rawya El Chab has debuted the second installment of her trilogy, "Crossing the Water," at The Brick in Brooklyn. The performance explores the collective trauma of the 1982 Israeli invasion of Lebanon and her family's subsequent flight to the Ivory Coast, blending personal memory with political satire and mythology. By embodying various roles—from suspicious neighbors to puppet-like politicians—El Chab navigates the complexities of life under military occupation and the persistent feeling of surveillance.

lincoln center mural kicks off project improve access damrosch park

Lincoln Center for the Performing Arts has unveiled a new large-scale mural titled "The Future We Create" by Spanish artist Vanesa Álvarez and local artist Derval Fairweather. Installed on construction fencing along Amsterdam Avenue, the vibrant public artwork was produced in collaboration with the nonprofit ArtBridge. The design was informed by community workshops involving local residents and students, transforming a temporary urban barrier into a celebratory visual narrative.

Colosseum Facelift Restores Ancient Southern Entrance to Its Former Glory

Rome’s Colosseum has unveiled a major four-year restoration of its southern entrance, a project led by Stefano Boeri Interiors in collaboration with the Colosseum Archaeological Park. The renovation lowered the surrounding piazza to its original Roman-era height, reintroduced travertine flooring sourced from ancient quarries, and installed seating blocks that mark the locations of long-lost marble columns. During the excavation process, archaeologists recovered a wealth of historical artifacts, including ancient coins, statues, and gold jewelry, while leaving a specific section untouched to showcase the arena's complex hydraulic foundations.

trump admin white house ballroom national security risk

The Trump administration has filed an emergency motion to overturn a federal judge's ruling that halted a $400 million, 90,000-square-foot ballroom renovation at the White House. U.S. District Judge Richard Leon previously ordered a stop to the project following a lawsuit by the National Trust for Historic Preservation, which argues the president lacks the unilateral authority to alter the historic site. The administration's appeal claims the construction pause creates grave national security risks and that the court lacks the authority to interfere with presidential renovations.

The shot that shows the absurdity of war: Peter van Agtmael’s best photograph

Photographer Peter van Agtmael reflects on a photograph he took 20 years ago while embedded with the U.S. military in Iraq. The image, captured during his first experience of war, depicts a dejected American soldier sitting in an ordinary Iraqi living room, a scene he describes as showing the vast military machine mobilized in the Middle East.

The world’s largest light installation shines on a small Australian town

Finnish artist Kari Kola has unveiled 'Lighting the Sound,' the world's largest light installation, in Albany, Western Australia. The work, spanning over 10 million square meters across King George Sound, uses massive beams of colored light to transform the night sky over three weekends as part of the city's bicentenary celebrations.

belarus free theatre venice biennale collateral event

The Belarus Free Theatre (BFT), an underground performance group currently in exile, has announced its first major visual art exhibition titled "Official. Unofficial. Belarus." as a collateral event for the 61st Venice Biennale. Staged at the historic La Chiesa di San Giovanni Evangelista, the show features site-specific works by exiled artists including Sergey Grinevich, Vladimir Tsesler, and Nicolai Khalezin. The installations range from paintings functioning as altar panels to a massive sphere of banned books and a crucifix made of CCTV cameras, all designed to critique the surveillance and censorship of the Lukashenko regime.

courtney mcclellan evangelical college supreme court simulation shirley fiterman liberty

Courtney McClellan's exhibition "Simulations" at the Shirley Fiterman Art Center in Lower Manhattan features deadpan photographs of empty mock courtrooms at universities across the American South, including a haunting simulation of the Supreme Court's chambers at Liberty University, an evangelical Southern Baptist college in Virginia. The show, which includes images taken over six years, is installed with blue borders and wainscoting that blur the line between architecture and image, placing viewers in the position of judge and jury while highlighting the theatricality of these spaces.

the beatles white album art installation lands in liverpool

New York artist Rutherford Chang has brought his installation of over 1,000 copies of The Beatles' 'White Album' to FACT in Liverpool, the band's hometown. The piece, which took eight years to assemble, features copies of the album with handwritten notes, drawings, and other traces left by previous owners, and is on view for the first time in the UK. The exhibition, titled 'We Buy White Albums,' also invites the public to sell their copies to the artist.