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Forged Picasso, Rembrandt and Kahlo paintings seized by Bavarian police

Bavarian police seized forged artworks falsely attributed to Pablo Picasso, Rembrandt, Juan Miró, Amedeo Modigliani, and Frida Kahlo in coordinated raids across Germany, Switzerland, and Liechtenstein on October 15. The operation targeted a 77-year-old German man and ten suspected accomplices, who are accused of conspiring to commit fraud with art forgeries. The main suspect attempted to sell two fake Picasso paintings—including a portrait of Dora Maar—out of a car boot, prompting a buyer to alert authorities. Other seized works include a copy of Rembrandt's *The Syndics*, offered for SFr 120 million, and pieces falsely attributed to Anthony van Dyck, with prices ranging from €400,000 to €14 million.

Monumental exhibition of works by Anselm Kiefer heads to the Saint Louis Art Museum

The Saint Louis Art Museum will host "Becoming the Sea," a monumental exhibition of works by German artist Anselm Kiefer, from October 18, 2025 through January 25, 2026. The show marks Kiefer's first U.S. retrospective in 20 years and features towering works up to 30 feet tall, including site-specific pieces inspired by the Mississippi and Rhine rivers. Curated by museum director Min Jung Kim and assistant curator Melissa Venator in direct collaboration with the 80-year-old artist, the exhibition will fill the museum's Sculpture Hall and contemporary galleries with over 30 loans from other collections, requiring custom installation systems and even the removal of a doorway to accommodate a large painting.

Introducing Erich Heckel, the unsung driving force of Die Brücke

The Neue Galerie in New York is opening the first US museum exhibition dedicated to German Expressionist artist Erich Heckel (1883-1970), running from October 9, 2025 to January 12, 2026. Heckel was a co-founder of the influential group Die Brücke in 1905, alongside Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, and Fritz Bleyl. Unlike the more flamboyant Kirchner, Heckel was introverted and avoided scandal, but he served as the group's organizational driving force, organizing key exhibitions and transforming Die Brücke into a promotional platform. The show features around 40 works from 1905 to 1920, including loans from the Harvard Art Museums and the Metropolitan Museum of Art.

The Disturbing Lessons of the 1937 ‘Degenerate Art’ Show

The article examines the historical context and enduring relevance of the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's roots in 19th-century Social Darwinism, its adoption by Adolf Hitler and the Nazi Party to denigrate modern art, and the gradual escalation of cultural purification policies after Hitler seized power in 1933, including the firing of museum directors and the construction of the Haus der Deutschen Kunst.

Georges de La Tour, once a victim of the academy’s collective amnesia, can be seen in a new light in Paris

The Musée Jacquemart-André in Paris opens a new exhibition, "Georges de La Tour: From Shadow to Light," running from 11 September 2025 to 25 January 2026. This is the first Paris show dedicated to the 17th-century French painter in nearly 30 years, featuring about 20 original works and a dozen studio pieces. The exhibition explores La Tour's working practice and his influence from Caravaggio, highlighting how his oeuvre—now counted at only 48 known works—was rediscovered after centuries of misattribution, thanks largely to German art historian Hermann Voss in 1915.

A queer art exhibition in Germany shines a spotlight on marginalized modernist artists

A new exhibition titled "Queer Modernism. 1900 to 1950" opens at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany, featuring over 130 works by 34 artists from Europe and the United States. The show highlights queer contributions to modernism during the first half of the 20th century, a period of both sexual liberation in cosmopolitan centers and persecution under fascism. Works include Lotte Laserstein's "I and My Model" (1929/30) and Ludwig von Hofmann's "The Source" (1913), once owned by Thomas Mann.

Phillips’ Mill’s “96th Juried Art Show” Opens Sept. 20

Phillips’ Mill Community Association will host its 96th Juried Art Show from September 20 to October 26 at the historic grist mill in New Hope, Pennsylvania. The exhibition features a record-breaking 700+ artworks submitted by artists from Bucks County and the River Towns region, with an opening night preview on September 19 for patrons and accepted artists. The event includes 25 awards totaling $14,500, and for the first time, the opening requires tickets. Honored Artist Shawn Campbell and Signature Image artist Jay McPhillips will greet guests, and a jury of art professionals selected the works.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

Giorgio Armani, designer who changed how museums engage with fashion, has died aged 91

Giorgio Armani, the Italian fashion designer who bridged fashion and contemporary art, has died aged 91. Born in Piacenza in 1934, he founded his eponymous label in 1975 and became a global brand. In 2000, he became the first fashion designer to have a solo exhibition at the Solomon R. Guggenheim Museum in New York, curated by Germano Celant, which marked a turning point in how museums engage with fashion. In 2015, he opened Armani/Silos in Milan, a converted warehouse serving as an archive and cultural venue, hosting retrospectives of photographers Aldo Fallai and Peter Lindbergh. He also collected photography, sponsored exhibitions like Magnum on Set at the Museo della Permanente, and lent his archive to institutions including the Victoria and Albert Museum.

Artists and scholars respond to White House’s list of Smithsonian grievances

Over the weekend, artists, scholars, and concerned citizens responded to the White House's list of objectionable Smithsonian Institution exhibits and texts, released under the heading 'President Trump Is Right About the Smithsonian.' The list includes bullet points targeting exhibits on white culture, LGBTQ+ history, Afrofuturism, and works by artists such as Ibram X. Kendi, Ayana V. Jackson, Hugo Crosthwaite, Rigoberto A. Gonzalez, and Amy Sherald. Those singled out defended their work, with some comparing the administration's actions to Jim Crow-era censorship or Nazi Germany's 'degenerate art' campaigns, while others expressed pride in being included and vowed to continue making political art.

New $31m art-filled park planned for downtown Pittsburgh

The Pittsburgh Cultural Trust (PCT) will open a four-acre art-filled park called Arts Landing in 2026, part of a $600 million government plan to revitalize the city's cultural district. The $31 million project will feature ten regional artists, including Pittsburgh-based vanessa german, whose work 'Lifted' honors local elders, and Thaddeus Mosley, whose exhibition 'Touching the Earth' will travel from New York's City Hall Park via a partnership with the Public Art Fund. Other commissions include Darian Johnson's wildlife sculptures with VaultArt Studio and John Peña's interactive kinetic work with the Children's Museum of Pittsburgh.

Influencer, politician, museum director: what Eike Schmidt did next

Eike Schmidt, the German-born museum director who led Florence's Uffizi Galleries from 2015, has taken on a series of high-profile and controversial roles. After restructuring the Uffizi and nearly leaving for Vienna's Kunsthistorisches Museum in 2019, he stayed on, then moved to Naples' Museo di Capodimonte in 2024. Months later, he ran for mayor of Florence as a centre-right independent backed by far-right parties, losing in a run-off. Now settled at Capodimonte, he reflects on his unpredictable career with no regrets.

Christie’s celebrates the late Syrian artist Marwan with non-selling London show

Christie’s is presenting a non-selling exhibition titled "Marwan: A Soul in Exile" at its London headquarters this summer, featuring over 150 works by the late Syrian artist Marwan (1934-2016). The show draws from major private and institutional collections including the Barjeel Art Foundation, the Ramzi and Saeda Dalloul Art Foundation, the Pinault Collection, and the Berlinische Galerie. This marks Christie’s third such non-selling exhibition of Arab art in London over the past three summers, following shows focused on Arab artists from the Barjeel collection and Saudi artist Ahmed Mater. The exhibition coincides with Christie’s 25th anniversary in the UAE and a broader surge in the Middle Eastern art market, including a recent white-glove sale for its online Modern and contemporary Middle Eastern art auction in Dubai.

Your weekly dose of wonder: introducing The Specialist, a new podcast by Sotheby's

Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.

One Fine Show: “Ai, Rebel – The Art and Activism of Ai Weiwei” at the Seattle Art Museum

The Seattle Art Museum has opened "Ai, Rebel: The Art and Activism of Ai Weiwei," the largest-ever U.S. survey of the Chinese artist and activist. Featuring over 130 works spanning performance, photography, sculpture, video, and installation from the 1980s to the present, the exhibition includes iconic pieces like *Sunflower Seeds* (2010) and *Circle of Animals/Zodiac Heads (Gold)* (2010), as well as international debuts such as a LEGO recreation of the Mueller Report. The show runs through September 7, 2025.

Albuquerque Museum Presents German Modernism Amid Empire, Democracy, and Dictatorship

The Albuquerque Museum will present "Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin" from August 23, 2025, to January 4, 2026. The exhibition features over 70 paintings and sculptures tracing German modern art from the early 20th-century avant-garde through the Weimar Republic to the Nazi dictatorship, including works by Max Beckmann, Otto Dix, George Grosz, Hannah Höch, Wassily Kandinsky, Paul Klee, and Salvador Dalí, many rarely shown in the U.S.

One Fine Show: “Alex Da Corte, The Whale” at the Modern Art Museum of Fort Worth

The Modern Art Museum of Fort Worth has opened “Alex Da Corte, The Whale,” a solo exhibition dedicated to the painting practice of artist Alex Da Corte (b. 1980). Featuring more than forty paintings, the show highlights Da Corte’s lesser-known work in two dimensions, as he is more widely recognized for his installations and video pieces. The exhibition includes works such as *Siren (After E K Charter)* (2015) and *Electronic Renaissance* (2021), and places Da Corte’s paintings alongside those of Robert Mapplethorpe and Vija Celmins to explore themes of self-representation and perception.

Vitra Design Museum celebrates the enduring influence of egalitarian religious sect, the Shakers

The Vitra Design Museum in Germany has opened "The Shakers: A World in the Making," an exhibition exploring the minimalist designs and democratic beliefs of the Shakers, an egalitarian religious sect founded in the 18th century. Organized with the Milwaukee Art Museum, the Institute of Contemporary Art Philadelphia, and Germany's Wüstenrot Foundation in collaboration with the Shaker Museum in Chatham, New York, the show features historic Shaker objects like oval boxes and ladder-back chairs alongside newly commissioned works by contemporary artists including Amie Cunat, David Hartt, and Kameelah Janan Rasheed.

In pictures: Art Basel's Unlimited section offers visions of utopia

Art Basel's Unlimited section, curated by Giovanni Carmine, features monumental works and performances with themes of utopia, community, and being in sync. Highlights include Oscar Murillo's participatory drawing installation, David Owens' film on Lonnie Holley, Alia Farid's tapestries on Middle Eastern-Cuban migration, Taloi Havini's shell money piece, Atelier Van Lieshout's 160-sculpture march to utopia, Andrea Büttner's shame punishment prints, and Mario Merz's inhabitable igloo.

Ernst Ludwig Kirchner painting thought to be lost for decades goes on display in Basel

A long-lost Ernst Ludwig Kirchner painting, *Tanz im Varieté* (Dance at the Varieté, 1911), has gone on display at the Kunstmuseum Basel after being rediscovered and purchased at auction. The work, previously known only through photographs, was sold at Ketterer Kunst in Munich for around €7 million to the Im Obersteg Foundation, which loans its collection to the museum. The painting depicts a cakewalk dance and had not been exhibited since 1923 in Berlin. Its provenance includes ownership by a German collector during the Nazi era, when Kirchner's art was deemed 'degenerate,' and damage by French soldiers who discovered it in a crate after World War II.

Philadelphia’s “Cardboard Genius” Takes Center Stage in a New Exhibition

A new exhibition titled "Cardboard Genius: The Architectural Marvels of Kambel Smith" has opened at Historic Germantown in Philadelphia, running through June 29. The show features large-scale, intricate replicas of architecturally significant buildings—such as Philadelphia's Police Administration Building and the Georgia State House—all constructed from salvaged cardboard by self-taught artist Kambel Smith, who is autistic. Smith's father, Lonnie, coined the term "Autisarians" to describe his sons' super-human abilities and has been a key supporter of Kambel's creative journey, which has included solo shows in New York, London, and Atlanta since 2019.

Metropolitan Museum receives 6,500 works from photography collector Artur Walther

The Metropolitan Museum of Art in New York has received a promised gift of more than 6,500 works from German American photography collector Artur Walther and his Walther Family Foundation. The trove spans post-war and contemporary photography from Africa, Japan, Germany, and China, alongside vernacular photos from Europe and the Americas. A special showcase of African photographers' works will debut in the Met's Michael C. Rockefeller Wing when it reopens after renovation later this month. The collection, which has operated exhibition spaces in Neu-Ulm, Germany, and New York's Chelsea district since 2010, includes major names such as Malick Sibidé, Zanele Muholi, Ai Weiwei, Bernd and Hilla Becher, and Thomas Struth.

Key member of Die Brücke art movement gets museum in hometown

A new museum dedicated to Karl Schmidt-Rottluff, a founding member of the German Expressionist group Die Brücke, has opened in his hometown of Rottluff, a village on the western edge of Chemnitz. The Karl Schmidt-Rottluff Haus, acquired by the city in 2023 and opened in April, displays works spanning the artist's entire career, including early pieces never before shown publicly. The museum also features works by fellow Brücke artists and a secretly painted 1944 self-portrait created in the same house during the Nazi era, when Schmidt-Rottluff was branded a degenerate artist and banned from painting.

‘Degenerate’ or ‘woke,’ Paris museum exhibit shows what happens to art in the crosshairs of politics

The Picasso Museum in Paris has opened an exhibition titled "Degenerate Art: Modern Art on Trial Under the Nazis," the first such show in France, running until May 25. It features works by Van Gogh, Klee, Picasso, Kandinsky, Chagall, and others that were condemned by Hitler and the Third Reich as "degenerate" — targeted for destruction, sale, or concealment. The exhibition is organized thematically around Nazi persecution, including sections on race, museum purges, and the art trade, and highlights the fates of artists like Ernst Ludwig Kirchner, who died by suicide, and Otto Freundlich, who was murdered in a concentration camp.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

With a cut and a caress: Italian exhibition explores Rebecca Horn’s legacy

Castello di Rivoli near Turin is hosting "Rebecca Horn: Cutting Through the Past," the first major Italian exhibition dedicated to the German artist since her death in September 2024 at age 80. The show, co-organized with Munich's Haus der Kunst, centers on Horn's kinetic installation of the same name and explores her six-decade career through kinetic sculptures, early performance videos, and drawings. Chief curator Marcella Beccaria emphasizes a focus on Horn's spiritual concerns and the motif of circularity, with works displayed in the museum's narrow Manica Lunga corridor.

Rembrandt works called into question by experts in the Netherlands

Conservators at the Mauritshuis gallery in The Hague have called into question the attribution of three paintings long believed to be by Rembrandt van Rijn. Technical analysis revealed an underdrawing beneath *Portrait of Rembrandt with a Gorget* (c. 1629), proving it is a copy and that the original is in Nuremberg. *Tronie of an Old Man* (c. 1630) may be by a student or employee, and *Study of an Old Man* (c. 1655), though signed by Rembrandt, shows less accomplished brushwork and a date applied later in different paint, suggesting studio production. All three works remain on view in the exhibition *Rembrandt?* (17 April–13 July).

Swiss Bührle Foundation reaches settlement with heirs of Jewish collector over Manet’s ‘La Sultane’

The foundation overseeing the Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg, allowing Édouard Manet's painting 'La Sultane' (c. 1871) to remain on display at the Kunsthaus Zurich. The painting was purchased in 1953 by Emil Bührle, a Swiss arms dealer who sold to both Allies and Nazis during WWII and benefited from slave labor. Silberberg, forced to sell his villa to the SS in 1935 and later deported to Auschwitz, had consigned the work in 1932, but his heirs argue the 1937 sale to dealer Paul Rosenberg was a consequence of Nazi persecution. The settlement terms are confidential.

At the Galleries for April 9, 2026

The Hamptons art scene is entering the spring season with a diverse array of gallery openings across Montauk, East Hampton, Sag Harbor, and Bridgehampton. Key highlights include Timothy Tibus’s abstract retrospective at The Lucore Art, a Matisse-centered group show at The Drawing Room featuring rare etchings, and Kristy Gordon’s myth-inspired "Primavera" at Grenning Gallery. Other notable exhibitions include a showcase of artists from the Cold Castle collective at Keyes Art and a curated group show titled "Connections" at Dan Welden Studio/Gallery.

Islamic Futurism Here and Now

Hyperallergic's daily newsletter highlights several key art world stories, including a protest by nearly 200 artists, curators, and staff at the 61st Venice Biennale calling for Israel's exclusion from the event. It also features a guide to New York's spring art fairs, a new exhibition on Frida Kahlo, a campaign against a Palestinian artist in Germany, and a profile on artists advancing Islamic Futurism through calligraphy and installation.