Artist David Hockney has died at the age of 88. The celebrated British painter was widely known for his iconic works, including the 'Swimming Pool' series, which helped define the Pop Art movement and made him one of the most recognizable figures in contemporary art.
Artsy is offering Alexander Calder's 1971 work 'Mountain and Sun' for sale as an art print. The piece, created by the renowned American sculptor and artist known for his mobiles and stabiles, is listed in the Art & Prints category on the platform. This listing matters because it makes Calder's iconic abstract forms accessible to a broader audience through prints, reflecting the ongoing market for modern masters' works in reproduction. It also highlights how online platforms like Artsy continue to expand access to high-profile artists beyond traditional gallery sales.
An exhibition poster for Alexander Calder, created around 1976, is being offered for sale on Artsy. The poster is associated with a Calder exhibition and is listed as a collectible art object.
David Hockney, the celebrated British artist known for his vibrant paintings, drawings, and stage designs, has died at the age of 88. The article reflects on his life as a Yorkshire native, a Renaissance man, a superlative draughtsman, and a brilliant conversationalist who by 2023 had mounted more than 400 exhibitions yet felt he was 'just getting going.' It portrays him not only as a sublime artist but also as the life and soul of every party, emphasizing his enduring energy and social charisma.
David Hockney, the celebrated English painter known for his vibrant, figurative works that challenged mid-20th-century abstraction, has died at the age of 88. The news was first reported by The New York Times, with a link to the full obituary.
An exhibition at the Geelong Gallery in Australia explores the legacy of Paul Durand-Ruel, the pioneering art dealer who championed the Impressionists in the late 19th century. The show highlights how Durand-Ruel financially supported artists like Claude Monet when they were ridiculed by critics, buying their works and organizing exhibitions that eventually transformed public taste. The article, written by Elizabeth Fortescue, frames Durand-Ruel as the "father of Impressionism" whose business acumen and risk-taking changed the course of art history.
The International Association of Pastel Societies (IAPS) is bringing its flagship biennial convention and free public exhibition, “PastelWorld,” to the Hotel Albuquerque at Old Town from June 17–20. The exhibition features 175 rigorously juried pastel works by members of pastel societies worldwide, divided into open and master circle divisions. IAPS President Richard McKinley and exhibition chair Caprise Cooper oversee the event, which includes a judging by Sylvie Poirson and a $2,000 best-of-show prize called the Prix de Pastel.
Hastings-based artist, photographer, and writer Anne Lydiat has been selected for The Football Art Prize exhibition, which coincided with the 2026 FIFA World Cup. Her work, an austere photograph of a football stadium in a remote corner of Greenland, was displayed at the Sheffield Millennium Gallery and later at the Manchester Football Museum, alongside works by over 60 UK and international artists.
The Casa Axis International Open is reimagining tennis as a form of contemporary art, blending athletic competition with artistic expression. The event, covered by stupidDOPE, presents tennis not merely as a sport but as a curated experience that intersects with visual art, performance, and design, likely featuring installations or collaborations with artists.
Larry Dierdorff, a longtime muralist in Redlands, California, is the featured artist at the Redlands Art Association from June 13 to July 10, 2026. The exhibition showcases nearly 50 of his smaller canvas paintings, offering a departure from his usual large-scale murals. Dierdorff has painted nearly 20 murals across downtown and local schools over decades, and this show highlights his shift to canvas work, which he describes as more neurologically demanding and detail-oriented.
The Towner Eastbourne presents "Comrades in Art: Artists Against Fascism," an exhibition curated by Andy Friend that chronicles the history of the Artists International Association (AIA). The AIA began as a radical leftwing collective in the early 1930s, founded by artists including Cliff Rowe, Misha Black, Pearl Binder, and James Fitton, and grew into a central force in Britain's wartime art scene. The show features over 320 loans from 62 collections, highlighting the group's evolution from a revolutionary union to an exhibition powerhouse, culminating in the 1943 "For Liberty" exhibition at the bomb-damaged John Lewis department store on Oxford Street.
Korean artist Shim Moonseup presents a solo exhibition titled "Harnessed From Nature" at Ca' Faccanon in Venice, running until September 30, 2026. Curated by Sim Eunlog, the show spans over 50 years of the artist's career, featuring sculptures, paintings, and installations that explore anti-sculpture, ecological thinking, and the relationship between natural materials and technology. Key works include "Re-present" (2010) and pieces from his "Wood Deity" series, alongside works like "Relation (Place)" (1972) and "Thoughts on Clay" (2010).
Landscape artist Eileen Williamson is presenting her solo exhibition "Wanderings" at the Art 10 Gallery in Nanaimo North Town Centre throughout June and July 2026. The show features bold acrylic landscape paintings inspired by Vancouver Island locations, including works like *Over the Rise* (based on Westwood Lake) and *Storm Glow*. Williamson, who began her art journey as a child with pen and ink before studying graphic arts at Capilano, cites influences such as Salvador Dalí and Peter Paul Rubens. An opening reception is scheduled for June 13, and her paintings are also available for purchase on her website.
The Bundeskunsthalle in Bonn presents "Amazônia. Indigenous Worlds," an exhibition of nearly 400 artworks, craft objects, and artefacts that reframes the Amazon region through the perspectives of its Indigenous peoples. Curated by anthropologist Leandro Varison and artist Denilson Baniwa, the show juxtaposes contemporary works with archaeological and historical objects from the Musée du quai Branly – Jacques Chirac, organized into five thematic sections that explore Amazonian cosmologies, knowledge systems, and futures beyond exoticism.
Nonostante la crisi il sistema dell’arte continua a far finta di niente. Perché?
The article critiques the contemporary art world's apparent indifference to its own structural crises, pointing to recent events such as the closure of Air de Paris and significant staff reductions at Pace Gallery, where CEO Marc Glimcher has publicly described the system as "broken" and "impossible to repair." Despite these clear signals of systemic failure, the author observes a widespread tendency within the art sector to carry on as if nothing is wrong, maintaining a disconnect between the art world's internal codes and the pressing realities of the broader social and political context.
Massimo De Carlo, the renowned Italian gallerist, discusses the current state of the art market in an interview with Artribune. He reflects on the recent announcement by mega-gallery Pace to cut 50 artists and 50 employees, interpreting this as a sign that even major players are seeking new sustainability strategies amid market unpredictability. De Carlo describes the gallerist as a 'seismograph' who must register and interpret the spirit of the times through artists' voices, and notes a widespread impatience with the hierarchies and rules that have structured the art world for the past thirty years.
Greek artist Anna Samara will launch her first solo exhibition, titled 'Orion', on June 12 at Hyacinth Gallery in New York City's Lower East Side. The show features new oil paintings created over the past year, drawing from thermal imagery, hunter vlogs, online archives, and digitally altered source material to explore themes of observation, vulnerability, and the shifting relationship between hunter and hunted. Samara, who studied at the Athens School of Fine Arts and completed a residency at Vermont Studio Center, describes the work as a meditation on how images move between digital and physical space, inspired by the myth of Orion.
Alias editorial has published the Spanish translation of "Exit Interview" (No Place Press, 2024), a book-length conversation between art critics and historians Benjamin H. D. Buchloh and Hal Foster. The translation, titled "Entrevista de salida," was done by Mexican artist Gabriel Kuri with technical review by Juan Carlos Calvillo. The book traces Buchloh's six-decade career from his early years in Berlin communes and London, through his work editing the journal Interfunktionen and teaching at the Düsseldorf Academy, to his move to North America and collaborations with Foster on October magazine and the book "Art Since 1900." The conversation is structured in three parts—Biographemes, Schisms, and Dissents—and includes an epilogue by Buchloh on the potential of critical art amid commodification.
Le catarsi imperiture dell’artista Alessandro Piangiamore in mostra a Lugano. La recensione
Italian artist Alessandro Piangiamore (born 1976 in Enna) presents his latest solo exhibition, "La polvere ci mostra che la luce esiste" (Dust Shows Us That Light Exists), at Galleria Repetto in Lugano. The show features works from several ongoing series, including a triangular expanse of volcanic ash from Mount Etna, glass sculptures preserving fragrant essences, funereal floral compositions in cement, ink prints of bird feathers, and a rainbow-inspired installation. The exhibition is inspired by a 2011 essay by French aesthetician Georges Didi-Huberman on suspended dust.
The article explores the life and work of Angelo Morbelli (1854–1919), a Divisionist painter known for his socially conscious scenes of elderly residents at Milan's Pio Albergo Trivulzio. It highlights the recent cataloging and presentation of the Fondo Angelo Morbelli, an archive of 740 documents, 96 archival units, and over 1,200 sheets held at the Pinacoteca Divisionismo in Tortona, Italy. The archive includes letters, sketches, and correspondence with 48 contacts, most notably fellow painter Pellizza da Volpedo, revealing Morbelli's witty and unconventional personality beneath his melancholic imagery.
Hypermaremma, an art project founded in 2019 by Carlo Pratis, Giorgio Galotti, and Matteo d'Aloja, has launched its eighth edition for 2026, featuring new site-specific works across the Maremma region of Tuscany. Among the highlights is Azzurra Galatolo's "L'albero della Maremma," a corten steel sculpture installed in a vineyard of Cantina Monteverro, inspired by her watercolors and also reproduced on wine labels. Other works include Luca Bertolo's mobile installation "Osservatorio M1" on the beach at Ansedonia, and the permanent piece "Prospettiva Cielo" (2004-24) by the late Mauro Staccioli. The project has been recognized as an associate partner in the Rete del Contemporaneo of the Tuscany Region, a prestigious acknowledgment of its role in promoting contemporary art in remote and hidden corners of the territory.
Un libro racconta il ruolo di abiti e manichini nella costruzione delle nostre identità
Maria Luisa Frisa's new book "Il corpo alla moda" explores the relationship between clothing, mannequins, and identity construction. The text examines how garments become unstable and incomplete without a body, and how mannequins serve as abstract, idealized forms that mediate between the living body and fashion. Frisa draws on examples from art history, such as Giorgio de Chirico's metaphysical paintings, and contemporary fashion culture, including a reflection on a store window in Florence displaying a piece from the Stockman collection. The book argues that the body is not fixed but continuously constructed through fashion, adapting to and interpreting garments.
Osservatorio curatori. Gabriella Rebello Kolandra e il Sud come categoria critica
Gabriella Rebello Kolandra, a curator born in Brazil in 1993 and active in Milan, develops her practice from a condition of displacement that is both biographical and structural. Her work, which intersects architecture, visual arts, and curating, questions disciplinary boundaries and language as a field of tension. She has created projects such as the exhibition program at Platea in Lodi and "Santa do pau oco," which won the Premio Meridiana at the Museo Madre in Naples. In an interview, she discusses how her personal experience of migration informs her curatorial approach, emphasizing process, material conditions, and relationships around the artwork.
Guida ai tre cimiteri monumentali di Bologna: la Certosa, il Cimitero Ebraico e il Polacco
The article explores three monumental cemeteries in Bologna, Italy: the Certosa, the Jewish Cemetery, and the Polish Military Cemetery. The Certosa, founded in 1801 on a 14th-century convent, evolved into a neoclassical masterpiece and a UNESCO World Heritage site, housing the tombs of figures like Giosue Carducci, Giorgio Morandi, and Lucio Dalla. The Jewish Cemetery, established in 1867, features three distinct sections with notable artistic tombs, including a Liberty-style monument by Silverio Montaguti and a modernist chapel by Enrico De Angeli, built in 1938 amid racial laws. The Polish Military Cemetery, the largest of four Polish cemeteries in Italy, contains 1,432 graves of soldiers from the 2nd Corps who died liberating Bologna in 1944-1945, and is part of the Liberation Route Europe.
La metropolitana di Parigi si espande scommettendo sull’arte contemporanea
Paris is undertaking the Grand Paris Express, a massive public transport project that will add 200 kilometers of new automated metro lines and 68 stations by 2031. The cultural program L'Art du Grand Paris has commissioned 70 permanent installations, pairing architects with artists such as Michelangelo Pistoletto, Daniel Buren, Sophie Calle, and Anselm Kiefer. The extended Line 14, already operational, showcases early examples of this collaboration, including works by Ned Kahn, Eva Jospin, and Iván Navarro in stations designed by architects like Dominique Perrault.
Occupazione e turismo a Napoli si sostengono a vicenda: il modello del Museo Diocesano Diffuso
The article reports on the reopening of the Church of San Giovanni a Carbonara in Naples in September 2025, as part of the expansion of the MUDD (Museo Diocesano Diffuso) circuit. This initiative, launched in 2022 by Archbishop Don Mimmo Battaglia, aims to reopen numerous previously inaccessible churches in Naples, combining cultural heritage restoration with youth employment. By late 2025, 20 young people had been hired, and over 100,000 visitors had participated in tours, generating around €250,000 in donations alongside €1 million from private partners.
Il profilo del Duomo di Milano è tornato visibile dopo anni: via l’ultimo ponteggio
After nearly twenty years, the profile of Milan's Duomo is fully visible again as the last scaffolding has been removed from the tiburio, the octagonal structure enclosing the dome. The scaffolding was part of an ongoing restoration project by the Veneranda Fabbrica del Duomo, which began in 2008 on the cathedral's summit and involved structural consolidation and marble maintenance. The upper part of the dome was freed in 2017, but the final section required more time. The entire restoration cost 20 million euros, and the remaining eight kilometers of steel tubing inside the cathedral are expected to be removed by the end of the year.
A documentary titled "Michelangelo Pistoletto. Artista a responsabilità illimitata" will air on Sky Arte on Sunday, June 14. Directed by Claudio Poli from a subject by Lucia Tironi, the film traces the career of the artist Michelangelo Pistoletto from his early beginnings through his rise to the Cittadellarte project.
60 anni dopo il terremoto del Belìce. Gibellina sceglie la danza di Virgilio Sieni per fare comunità
Gibellina, a small town in northwestern Sicily that was destroyed by a devastating earthquake in 1968 and later rebuilt as an open-air museum of contemporary art, has been named Italian Capital of Contemporary Art for 2026. To mark the occasion, the town commissioned choreographer and dancer Virgilio Sieni and his dance production center Cango to create "Cerimonia," a participatory community performance project. Over three weeks in May 2026, residents of four municipalities—Gibellina, Salemi, Santa Ninfa, and Salaparuta—along with adolescents from a recovery community, a local band, and a trio of musicians, took part in workshops led by Sieni and his team. The project culminated on May 30 with an itinerant performance that began in Piazza Joseph Beuys and ended at the Ex Church of Gesù e Maria, incorporating rubble from the earthquake as symbolic objects.
BPER Banca is opening two new cultural centers in Italy: Palazzo Farinosi-Branconio in L'Aquila (September 2026) and Palazzo Barbantini-Koch in Ferrara (October 2026). These join the existing Palazzo San Carlo in Modena, home of La Galleria BPER. The L'Aquila palace, restored after the 2009 earthquake, will showcase works by Luca Giordano, Salvator Rosa, and Cola dell'Amatrice, while the Ferrara venue will feature Tiziano, Guercino, and De Pisis, with an inaugural exhibition on mortality in 19th- and early-20th-century Italian painting. The bank's 160-year-old art and archival collection, including 7,000 archival units, is being digitized in partnership with the University of Modena and Reggio Emilia.