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Pioneering US collector Albert Barnes turned down both of Van Gogh’s 'Starry Nights'

Albert Barnes, the pioneering US collector who built the Barnes Foundation in Philadelphia, twice declined the opportunity to acquire Vincent van Gogh's iconic 'Starry Night' paintings. Unpublished correspondence in the Barnes Foundation archives reveals that in 1923, agent Frank Washburn Freund offered Barnes *Starry Night over the Rhône* (1888), but Barnes did not pursue it; the painting later went to the Musée d'Orsay. In 1936, the Van Wisselingh gallery offered Barnes *Starry Night* (1889), but he again passed; it was eventually acquired by the Museum of Modern Art in New York. Despite these missed chances, Barnes was the first American to buy a Van Gogh, ultimately owning seven works by the artist, including *The Postman* and *Still Life*.

Marina Abramović rolls into Davos with an immersive project that encourages world leaders to take a digital detox

Marina Abramović has unveiled a new immersive work titled THE BUS at the World Economic Forum (WEF) in Davos, Switzerland, running until 23 January. The piece, part mobile sculpture and part meditation capsule, invites world leaders and participants to step away from the forum's intense schedule for a digital detox and inner reflection using the Abramović Method. The project was curated by Mirjam Varadinis, curator-at-large at the Kunsthaus Zürich, and developed through Abramović's institute (MAI). It marks Abramović's debut at the WEF, which this year also features eco-artist Thijs Biersteker, multimedia artist Ronen Tanchum, and street artist JR.

The road to ‘Fridamania’: how Frida Kahlo became a global phenomenon

A major exhibition titled "Frida: The Making of an Icon" opens at the Museum of Fine Arts, Houston, tracing how Frida Kahlo evolved from a little-known artist in Diego Rivera's shadow into a global phenomenon and brand. Curated by Mari Carmen Ramírez, the show examines Kahlo's posthumous rise to fame from the 1970s through influential biographies, Chicano and feminist reinterpretations, and her complex relationship with race, ethnicity, gender, and politics. It features 35 Kahlo works including "The Broken Column" (1944), alongside pieces by 80 artists influenced by her, and explores "Fridamania" through 200 objects. The exhibition will travel to Tate Modern in London this summer.

Manhattan’s New Museum sets early spring date for reopening after $82m expansion

The New Museum on Manhattan's Lower East Side will reopen to the public on March 21, 2025, after a two-year closure for an $82 million expansion designed by OMA's Shohei Shigematsu and Rem Koolhaas with executive architect Cooper Robertson. The expansion adds 61,930 square feet—including 9,600 square feet of gallery space, education facilities, artists' studios, and event spaces—bringing the total footprint to 119,600 square feet. The new building will be named after the late philanthropist and curator Toby Devan Lewis. The reopening will feature site-specific commissions by Tschabalala Self, Sarah Lucas, and Klára Hosnedlová, and a building-wide thematic exhibition, 'New Humans: Memories of the Future,' with works by over 200 modern and contemporary artists.

A Closer Look at the Brooklyn Museum’s Blockbuster Monet Exhibition

The Brooklyn Museum in New York City has opened a blockbuster exhibition titled "Monet and Venice," showcasing 37 canvases Claude Monet painted during his 1908 trip to Venice. The exhibition includes over 100 artworks, books, and ephemera, alongside works by Canaletto, J.M.W. Turner, and Pierre-Auguste Renoir, and features an original symphonic score inspired by field recordings from Venice. It highlights Monet's two-month stay, during which he painted iconic sites like the Palazzo Ducale and San Giorgio Maggiore, with letters from his wife Alice Hoschedé revealing personal insights into his creative process.

The Aldrich Names Artists for First-Ever Decennial

The Aldrich Museum of Contemporary Art in Connecticut has announced the 40 participating artists for its first-ever Aldrich Decennial, a survey exhibition titled "I am what is around me." Opening June 7 and running through January 10, 2027, the show focuses on artists living and working in Connecticut who have never had a solo museum exhibition in the state. Notable participants include painter Dominic Chambers, multimedia artist Arghavan Khosravi, and novelist-poet Renee Gladman. The exhibition draws its title from a 1917 poem by Wallace Stevens, a longtime Connecticut resident.

The Year Ahead 2026: the big exhibitions and the key museum openings—podcast

In the first episode of 2026, Ben Luke, Jane Morris, and Gareth Harris preview the year's major art events, including museum openings, biennials, and exhibitions. Highlights include the Guggenheim Abu Dhabi, V&A East, and the Lucas Museum of Narrative Art, along with the Venice Biennale, Whitney Biennial, and shows dedicated to artists like Gainsborough, Raphael, Zurbarán, and Matisse.

Vermeer’s ‘Girl with a Pearl Earring’ will head to Japan this summer in rare loan

The Mauritshuis museum in The Hague has announced it will lend Johannes Vermeer's "Girl with a Pearl Earring" (around 1665) to the Nakanoshima Museum of Art in Osaka, Japan, this summer. The rare loan is made possible because the Mauritshuis will close from August 24 to September 20 for building alterations. The painting last traveled internationally in 2012-14 for a world tour, and its only recent trip was a short loan to the Rijksmuseum in 2023 for a Vermeer survey exhibition. The exhibition in Osaka will be organized by the Asahi Shimbun, a major Japanese media organization that also sponsored the earlier tour, and will help fund the Mauritshuis's renovations and a new education center.

10 Must-See Exhibitions in the US This Year (2026)

A preview of ten major art exhibitions opening across the United States in 2026, curated by art historian Emily Snow. Highlights include 'Frida: The Making of an Icon' at the Museum of Fine Art in Houston, a Mary Cassatt centenary show at the National Gallery of Art, a focused presentation of Matisse's 'Jazz' at the Art Institute of Chicago, the 82nd Whitney Biennial, and the first comprehensive Raphael exhibition ever staged in the U.S. at the Metropolitan Museum of Art. Other featured shows include 'America 250: Common Threads' at Crystal Bridges Museum and 'Manet & Morisot' at the Cleveland Museum of Art.

The Big Review | Jacques-Louis David at the Musée du Louvre, Paris ★★★★★

The Musée du Louvre in Paris has opened a major retrospective of Jacques-Louis David (1748-1825), the greatest Neoclassical artist, marking his biggest survey in nearly four decades. The exhibition, mounted for the 200th anniversary of his death, comprises just over 100 works, including strategic loans from France and eight other countries, and complements the Louvre's own holdings. The show aims to redefine David beyond the Neoclassical label, presenting him instead as both a "realist" and an "idealist," and is compared to blockbusters like the Rijksmuseum's Vermeer show.

The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing

The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.

Highs and Lows at Princeton’s New Art Museum

Brian T. Allen reviews the newly opened Princeton University Art Museum, praising its architectural design while questioning the curatorial direction. He contrasts the new building's impressive appearance with his concerns about the museum's exhibition choices, recalling past successful shows like the Berlin Painter exhibition and a Clarence White photography show that he found more intellectually rigorous.

Al Park’s picks of 2025 - local and international artists all make the cut

Al Park, a longtime music impresario in Lyttelton and Christchurch, shares his personal cultural highlights of 2025 in an end-of-year feature for The Press. His picks span books, films, music, poetry, and visual art, including the exhibition "Whāia te Taniwha" at Christchurch Art Gallery, which features works like Piri Cowie's bronze sculpture "Te Wheke – Aro Hā Series 2024." Park also looks ahead to 2026, noting his weekly event 'Al P and his P.A.Ls' and the upcoming "The Art of Banksy" exhibition at Christchurch Convention Centre Te Pae.

Museum Exhibitions Coming to East & South Texas in Spring 2026

Several museums in East and South Texas have announced their spring 2026 exhibition schedules. The Beeville Art Museum will open a solo show of landscape painter William Anzalone in January. The Art Museum of South Texas in Corpus Christi will present 'In Nature’s Studio: Two Centuries of American Landscape Painting,' a traveling exhibition from the Reading Public Museum. The Longview Museum of Fine Arts will host a retrospective of photographer Frank Armstrong. The International Museum of Art and Science in McAllen will open three shows: 'Piñatabstract' by Josuè Rawmirez, 'Voces del Arte Popular' featuring Mexican folk art, and 'Aviary,' a bird-themed exhibition. South Texas College will also present two exhibitions in January and February, including Leila Hernández's 'The Lessons of the Empress.'

The waves that disappeared—Art duo Cooking Sections track lost tides in new installation

Art duo Cooking Sections, comprising Daniel Fernández Pascual and Alon Schwabe, have opened a new immersive installation titled "Waves Lost at Sea" at Centro Botín in Santander, Spain. The exhibition explores the disappearance of waves due to human activities such as sea dredging, port construction, and coastal development. Working with biologists and engineers from the University of Cantabria's GeoOcean project, the duo researched eleven lost waves globally. The installation features a white fabric structure, 11 slinky-like forms, and a soundscape composed by musician Duval Timothy, with 30-minute looped pieces for each lost wave. The show runs until March 1 and is part of Centro Botín's 30-year program that has previously supported artists like Tacita Dean and Mona Hatoum.

Surrealism at 100 Sprawls and Seduces in Philadelphia

The Philadelphia Museum of Art has opened a major exhibition titled "Surrealism at 100," marking the centennial of the Surrealist movement. The show brings together a vast array of works from the movement's key figures, including Salvador Dalí, René Magritte, and Max Ernst, alongside lesser-known artists, aiming to capture the full breadth and subversive spirit of Surrealism across painting, sculpture, photography, and film.

Cleveland Museum of Art unveils exhibition schedule for 2026

The Cleveland Museum of Art has announced its full 2026 exhibition schedule, featuring four major shows: 'Manet & Morisot,' the first major exhibition dedicated to the artistic exchange between Édouard Manet and Berthe Morisot; 'Nexus,' showcasing works by American sculptor Martin Puryear; 'Spectacular Freedom,' exploring Andrew Wyeth's watercolors with over 100 works from his estate, most never before exhibited; and a Goryeo dynasty exhibition in partnership with the National Museum of Korea, centered on the reunification of ten 14th-century hanging scrolls depicting the 10 Kings of Hell. Additional exhibitions include 'still/emerging: Native American Works on Paper,' 'Epic of the Northwest Himalayas' featuring Pahari Ramayana paintings, and a photography show contextualizing Manet and Morisot's era.

What’s on now at San Francisco museums, December 2025

This article provides a comprehensive guide to current and upcoming exhibitions at San Francisco museums in December 2025. Highlights include "Printing Color: Chiaroscuro to Screenprint" closing January 4, "Rave into the Future: Art in Motion" closing January 12 at the Asian Art Museum, and the upcoming San Francisco Art Week from January 17 to 25. The Legion of Honor features "Manet and Morisot" through March 1, offering a deep dive into the artistic dialogue between Édouard Manet and Berthe Morisot, alongside "Drawn to Venice" opening January 24. The de Young Museum presents "Boom and Bust: Photographing Northern California," while the Museum of the African Diaspora showcases "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time." A tribute to Lawrence Ferlinghetti, including his exhibition at the Legion of Honor, is also featured.

Maria Balshaw to step down as Tate director

Maria Balshaw, director of the Tate, will step down in spring 2026 after nearly a decade leading the institution. She joined in 2017, succeeding Nicholas Serota, and oversaw blockbuster exhibitions including Van Gogh and Britain, Yoko Ono: Music of the Mind, and Sargent and Fashion. Her final project will be a major survey of Tracey Emin. The Tate credited her with diversifying the collection, improving gender and geographic balance, and growing membership to 150,000, the largest arts membership globally.

The Year in Review 2025

The Art Newspaper has published its annual 'Year in Review' for 2025, a roundup of the most significant stories, trends, and developments in the international art world over the past twelve months. The article serves as a comprehensive digest covering major exhibitions, market shifts, institutional changes, and key figures that shaped the visual arts landscape in 2025.

Two Exhibitions of Impressionist and Postimpressionist Art Coming to LACMA

Two winter exhibitions at the Los Angeles County Museum of Art (LACMA) will highlight the institution's Impressionist and Postimpressionist holdings. Opening December 21, 2025, "Collecting Impressionism at LACMA" traces the evolution of the museum's collection through early donations of California and American Impressionist works, strategic acquisitions, and recent gifts including Claude Monet's *The Artist’s Garden, Vétheuil* (1881) and Vincent van Gogh's *Tarascon Stagecoach* (1888). A second exhibition, "Village Square: Gifts of Modern Art from the Pearlman Collection to the Brooklyn Museum, LACMA, and MoMA," opens February 22, 2026, featuring nearly 50 works by artists such as Paul Cézanne, Edgar Degas, and Édouard Manet from the Henry and Rose Pearlman Collection. After LACMA, the Pearlman works will travel to the Brooklyn Museum and later to the Museum of Modern Art.

Local Art Books to Gift This Holiday Season

Several artists with ties to Baltimore have released new art books just in time for the holiday season. The featured publications include a debut monograph on Derrick Adams from Phaidon's Monacelli imprint, a book by rising painter Jerrell Gibbs titled 'No Solace in the Shade' published by Rizzoli, the exhibition catalogue for Amy Sherald's retrospective 'American Sublime' at the Baltimore Museum of Art, and Jackie Milad's debut art book 'Shabtis Gather' produced in partnership with BmoreArt. The article also recommends gifting a subscription to BmoreArt magazine.

Gunmen stole works by Matisse and Portinari from Brazilian library in brazen daytime heist

On Sunday, December 7, two armed gunmen entered the Biblioteca Mário de Andrade (BMA) in São Paulo during public visiting hours and stole 13 artworks: eight engravings by Henri Matisse and five works by Candido Portinari. The theft occurred on the final day of the exhibition "Do livro ao museu" (From the Book to the Museum), organized in collaboration with the Museu de Arte Moderna de São Paulo (MAM-SP). The thieves subdued a security guard and an elderly couple, broke a glass display case, and escaped with the works in a canvas bag. Police have identified one suspect and seized the getaway vehicle; Interpol and other agencies have been alerted to prevent the works from being sold on the commercial market.

On View: 'Nigerian Modernism' at Tate Modern Charts Artistic Revolution Against Backdrop of Political and Cultural Rebellion

Tate Modern in London has opened 'Nigerian Modernism,' a major exhibition tracing the modern art movement in Nigeria from the 1940s through the post-independence era. Spanning 50 years, the show features over 250 works by more than 50 artists, including Jimo Akolo, El Anatsui, Nike Davies-Okundaye, Uzo Egonu, Ibrahim El-Salahi, Ben Enwonwu, Ladi Kwali, Aina Onabolu, Bruce Onobrakpeya, Uche Okeke, and Obiora Udechukwu. Curated by Osei Bonsu and Bilal Akkouche, the exhibition draws from Tate’s holdings and public and private collections across Africa, the United States, and Europe, and runs from October 8, 2025 to May 10, 2026.

‘Drastic turmoil and change’: Tokyo show explores Japan's post-boom society through its art

The exhibition 'Prism of the Real: Making Art in Japan 1989-2010' at the National Art Center, Tokyo (NACT), explores Japanese contemporary art from the late Shōwa era through the Heisei era, a period of economic turmoil and social change. Curated by Doryun Chong, Isabella Tam, Kamiya Yukie, and Jihye Yun, the show originated from a friendship between Osaka Eriko and Suhanya Raffel, who collaborated on the 1999 Asia-Pacific Triennial. It features works by artists like Joseph Beuys, Nam June Paik, Lee Bul, Tsuyoshi Ozawa, Gimhongsok, Chen Xiaoxiong, and Navin Rawanchaikul, tracing Japan's artistic exchanges with Asia and the world, and addressing themes of gender, immigration, and national identity.

One Fine Show: “Camille Pissarro’s Impressionism” at the Denver Art Museum

The Denver Art Museum has opened a new exhibition titled “The Honest Eye: Camille Pissarro’s Impressionism,” organized in collaboration with the Museum Barberini in Potsdam, Germany. The show brings together over 100 paintings and objects from nearly 50 international museums and private collections, highlighting Pissarro’s role as a foundational Impressionist. The exhibition’s title comes from a letter in which Pissarro described his artistic approach as “honest,” emphasizing a realistic, detail-oriented style that contrasted with the more radical tendencies of his peers. Works on view include “Lordship Lane Station, East Dulwich” (1871) and “The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise” (1876), which showcase his nuanced use of color and texture, as well as his engagement with social and political themes.

Museum Friends Tour of Pissarro's Impressionism

The Denver Art Museum and the Museum Barberini in Potsdam have co-organized "The Honest Eye: Camille Pissarro's Impressionism," an exhibition dedicated to the work of the pioneering Impressionist painter. The show is presented by a wide array of donors including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, and Craig Ponzio, with additional support from foundations, corporate sponsors, and the Scientific and Cultural Facilities District (SCFD).

Immersive institution could replace South Beach cinema

A shuttered Regal Cinema on Miami Beach's Lincoln Road may be transformed into the Superhuman Museum, an immersive institution led by Steve Berke, a comedian, cannabis entrepreneur, and former mayoral candidate. The Miami Beach Planning Board has approved a change-of-use permit for the project, which has backing from the Lincoln Road Business Improvement District. The museum is designed as a guided journey combining elements of theme parks, art museums, and experiential venues, featuring facial scans, timed rooms, wireless wristbands, and a mix of tech-forward installations and traditional artworks by artists like Keith Haring and Yaacov Agam. A soft launch is targeted for November 2026, with a grand opening during Miami Art Week.

New exhibition explores how Max Beckmann's hard-edged signature style first emerged in his drawing

An exhibition opening at Frankfurt's Städel Museum focuses on Max Beckmann's drawings, featuring 80 works that trace the emergence of his hard-edged signature style. Curated by Regina Freyberger, Stephan von Wiese, and Hedda Finke, the show spans from before World War I to the artist's final years in the US, including loans from major collections. It highlights how Beckmann's drawing evolved from preparatory studies to autonomous artworks, with key pieces like a 1928 portrait of his wife Quappi and the eerie watercolor 'The Murder' (1933).

Comment | Turner gets all the kudos, but it was Constable who was the truly radical painter

A commentary argues that John Constable, not J.M.W. Turner, was the truly radical painter, despite Turner receiving far greater public recognition through a museum, a prize, and a place on the £20 note. The article highlights a new exhibition, "Turner and Constable," opening at Tate Britain (until 12 April 2026), which recreates their 1831 Royal Academy display and contrasts Constable's English pastoral scenes with Turner's dramatic, un-British visions. It contends that Constable's full-size oil sketches, such as those at the Victoria and Albert Museum, had a deeper and more lasting effect on modern painting than Turner's work.