Aude Herledan | Black Venus (2015) | For Sale

This is a sales listing for Aude Herledan's bronze sculpture "Black Venus" (2015), an editioned work from her series "Faithful To My African Roots." The piece is offered by 1831 Art Gallery in Paris, with a certificate of authenticity and price available on request. The listing also provides a biography of Herledan, a French-born artist raised in Kinshasa who studied at the École Estienne, Parsons School, École des Beaux-Arts, and École du Louvre, and who has shown at major fairs including TEFAA and Art Paris.

Huang Yulong 黄玉龙 | Top Dog (2020) | For Sale

Chinese artist Huang Yulong's 2020 sculpture 'Top Dog' is being offered for sale through NextStreet Gallery in Paris. The limited-edition aluminum work, measuring 80 × 50 × 30 cm, is hand-signed by the artist and includes a certificate of authenticity. Huang, born in 1983 in Anhui Province and a graduate of the Jingdezhen Ceramic Institute, is known for his sculptures of Buddhas in hoodies that blend Eastern tradition with Western contemporary style. The work is listed on Artsy with a price-on-request basis.

Gallery Conversation: Life and Death Lessons from Ancient Egypt (Jul 20)

The Art Institute of Chicago is hosting a gallery conversation titled "Life and Death Lessons from Ancient Egypt" on July 20, exploring ancient Egyptian objects and their reflections on mortality and living fully. The event is led by Ashley Arico, associate curator of ancient Egyptian art, and Sam Ramos, director of Gallery Activation, and will take place in Gallery 50 with folding stools provided.

Condemned by Francoism, a writer rehabilitated by the Spanish Congress

Condamné par le franquisme, un écrivain réhabilité par le Congrès espagnol

The Spanish Congress has officially rehabilitated Cipriano Salvador (1894-1975), a Republican intellectual wrongly accused by the Franco regime of stealing a Renaissance painting he actually saved. During the Spanish Civil War, Salvador hid Fernando Yáñez's "La Santa Generación" (c. 1525-1532) from destruction. After Franco's victory, a priest sold the work to the Prado Museum for 15,000 pesetas, while Salvador was arrested, sentenced to death (later commuted to 30 years), and spent seven years in prison. He died in 1975 without exoneration. The rehabilitation motion passed with 32 votes in favor, 3 against, and 1 abstention, with only far-right party Vox opposing.

Haiti goes to Venice: Artist Duval-Carrié selected to represent nation at Biennale expo | PHOTOS

Internationally acclaimed Miami-based artist Edouard Duval-Carrié has been selected to represent Haiti at the 2026 Venice Biennale, the 61st International Art Exhibition of La Biennale di Venezia. Ahead of the May 9 opening, Duval-Carrié hosted a behind-the-scenes preview event at his Little Haiti studio in Miami on April 24, 2026, where he discussed his conceptual approach. His installation draws on themes of history, politics, and spirituality in Haiti and the Caribbean, reflecting evolving perspectives on the nation's past and present. Duval-Carrié collaborated with Vanessa Selk, founding artistic director of the Tout-Monde Art Foundation, to frame Haiti's presence as both a national showcase and a reflection of diasporic influence and Caribbean identity. The exhibition runs through November 22, 2026.

The Art of Performing Maintenance

This article explores the work of artist Mierle Laderman Ukeles, who in 1969 wrote her "Manifesto for Maintenance Art" after experiencing a crisis of meaning following the birth of her first child. She proposed that routine maintenance tasks—like cleaning, cooking, and laundry—could be redefined as art when performed in public, particularly in museums. The article traces her early exhibitions at the Wadsworth Athenaeum, where she swept and mopped as performance, and her later projects interviewing passersby on New York City sidewalks and embedding herself in a Manhattan office building, where she invited workers to declare their maintenance tasks art.

In Antwerp, as photography show asks 'What is a normal family?'

The FOMU photography museum in Antwerp has opened a new exhibition titled 'Families', curated by Anne Ruygt. The show explores the evolving concept of family through historical and contemporary photography, featuring works by artists such as Mous Lamrabat, Cecil Beaton, Omar Victor Diop, Mayara Ferrão, Peter Hujar, Carmen Winant, and Seiichi Furuya. It includes diverse perspectives, from 'hidden mother portraits' and post-mortem photography to AI-generated images of queer Black and Indigenous women, questioning traditional notions of kinship and representation.

Diego Gualandris “Floralia” at ADA, Rome

Diego Gualandris presents "Floralia" at ADA gallery in Rome, an exhibition that explores themes of growth, nature, and human intervention through a poetic lens. The show features works that evoke the cycle of life and decay, using floral motifs to reflect on the fragility of existence and the tension between natural processes and external forces.

Between heroes, anti-heroes and pure humanity: an exhibition in Rome becomes a metaphor for the current crisis

Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale

The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.

Mafalda meets Pimpa. In Rome, the dialogue between two authentic comic icons: interview with the curators

Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori

A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.

What Did Mozart’s Life Look Like?

An exhibition at the Morgan Library & Museum, titled "Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg," presents a curated journey through the composer's life and career. The show features well-preserved ephemera, including Mozart's childhood violin, original sketches for the opera "The Magic Flute," and personal letters that reveal his scatological humor, alongside portraits of his patrons.

Pavlina Vagioni Oikeiōsis: A Greek Artist Asks Venice to Remember How to Belong

Pavlina Vagioni's exhibition *Oikeiōsis*, presented by the Hellenic Diaspora Foundation at the Venice Biennale, takes its name from a Stoic concept about recognizing belonging and expanding care outward. The show is structured in two rooms: the first, named Neikos (strife), features a fragmented plexiglass cube that reflects visitors in multiplied form, evoking separation. The second, Philotes (harmony), contains warm rock-salt seats and a layered vocal soundscape that activates the Tartini effect—a psychoacoustic phenomenon where two frequencies produce a phantom third tone, symbolizing collective kinship. The salt seats will physically change over the Biennale's six-month run, accumulating the memory of each visitor.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

Bayeux Tapestry: A Blank Voyage That Tests Nothing

Tapisserie de Bayeux : un voyage à blanc qui ne teste rien

A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.

Iran Pushes Back on Venice Biennale Withdrawal Reports: ‘We’re Still Coming’

Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

Before We Knew Better or We Should All Know Better

The article reviews "Before We Knew Better," a group exhibition at Elise Seigenthaler Gallery featuring artists Sarah Bedford, Day Brièrre, Josiah Ellner, and Léa LeFloc'h. The critic reflects on the show's thematic framing around narrative, folklore, and personal mythology, while expressing frustration with its open-endedness and lack of clear intent. Specific works are discussed, including Ellner's psychedelic unicorn paintings, LeFloc'h's enigmatic works on paper, Bedford's nocturnal flowers, and Brièrre's intricate ceramics, though the critic notes the installation does not always serve the pieces well.

Artists strike to protest Israeli participation ahead of Venice Biennale

A group of artists has announced a strike to protest Israel's participation in the upcoming Venice Biennale. The action is intended to draw attention to the Israeli-Palestinian conflict and to pressure the Biennale organizers to exclude Israel from the event, reflecting growing tensions around cultural boycotts in the art world.

In Cleveland, Smokers Are Helping to Keep the Arts Alive

A novel cigarette tax in the Cleveland area has generated $270 million for cultural organizations, funding everything from museums to performing arts venues. The tax, designed to support the arts while discouraging smoking, has become a significant revenue source for the region's cultural sector.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

DE AZAMBUJA S FOUNDATION INTERVENTION AND REFLECTION AT LA CASA ENCENDIDA

La Casa Encendida in Madrid has opened "Fundación," a site-specific sculptural installation by Brazilian artist Marlon de Azambuja. The work transforms one of the building's central towers into a walk-through sculpture, curated by Bruno Leitão. Using materials and gestures that modify existing architecture, the installation explores the concept of "founding" as a search for foundational knowledge, questioning divisions between reason and sensation while positioning the exhibition space as an experiential environment. The piece is on view until September 27, 2026.

IDF Soldiers Hide From Our Gaze

An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.

Double vandalism on the Place de la Concorde

Double vandalisme place de la Concorde

During the PSG Champions League semi-final victory celebrations last Wednesday, vandals destroyed an exhibition by Yann Arthus-Bertrand on the theme of 'Living Together' on the Place de la Concorde in Paris. The article describes this as a double vandalism: the physical destruction by rioters compounded what the author considers the original vandalism—the exhibition itself, which was supported by the French government, the Paris city hall, and several other entities.

SIU’s Sharp Museum seeking cryptid-themed art for juried exhibition

Southern Illinois University Carbondale's Sharp Museum is organizing a national juried exhibition titled "Spooks or Spoofs," centered on cryptid-themed art. The exhibition runs from August 11 to December 21, 2026, and welcomes all media except AI-generated images. Artists may submit up to three works, with a requested donation of $5–$10 per entry. The submission deadline is July 1, with jury results announced by July 14. The juror is Jeremy Efroymson, an artist, collector, and amateur cryptozoologist. The museum's curator of exhibits, T. Lance, highlighted local Illinois legends such as Bigfoot, the Big Muddy Monster, and the Enfield horror as inspiration.

New Art Vault Installation: How to Have a Flying Dream

A new immersive installation titled "How to Have a Flying Dream" by interdisciplinary artist Nancy Dewhurst opens at Gallery One’s Art Vault in Albuquerque, with a reception on May 15. The installation explores the phenomenon of flying dreams through objects, dream journaling, immersive imagery, and a digitized 16 mm film projected onto the ceiling, inviting visitors to engage in dream training exercises.

The auction market breathes a sigh of relief – but not everywhere

Der Auktionsmarkt atmet auf – aber nicht überall

The article reports that the auction market is showing signs of fragile recovery in 2025, with Christie’s, Sotheby’s, and Phillips all posting mid-double-digit percentage increases at their London sales in March compared to the previous year. However, the article notes that the prior year was exceptionally weak, and underlying issues such as high debt levels, aggressive commission models, and unresolved succession questions continue to threaten the stability of the major auction houses.

Exit Homo?

Hua Wang and Emanuel Heim are presenting their dual exhibition "Natural Inversions" in Berlin, curated by John Silvis. The show features abstract queer painting, sculptural installations, and explores themes of perception, materiality, and transformation. An artist talk moderated by Monopol editor Sebastian Frenzel accompanies the exhibition, where the artists discuss transhumanism, artificial intelligence, spirituality, and how technology is reshaping our understanding of being human.

The Biennale and the Weight of Flags. What Is the Point of National Pavilions?

La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?

The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

UK artist defends pro-Palestine drawings after show cancellation

UK artist Matthew Collings has condemned the cancellation of his art exhibition "Drawings Against Genocide" in Margate, England, after UK Lawyers for Israel (UKLFI) accused the show of being antisemitic. The exhibit featured 130 drawings depicting Israeli military, political officials, and business leaders, which Collings describes as artistic metaphors for Zionism, brutality, and violence. Collings insists the work is against genocide, not against Jews, and criticizes the conflation of antisemitism with pro-Palestine activism.