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An exhibition on the potato in art? Only Van Gogh could pull it off

The Noordbrabants Museum in 's-Hertogenbosch, Netherlands, opens a focused exhibition titled "Van Gogh and the Potato" on 11 October, running until 1 February 2026. The show features five Van Gogh paintings, two drawings, and a print centered on the potato motif, including "Still life with Potatoes" (autumn 1886), which has been newly identified as depicting "rat's back" potatoes. A key highlight is the study "Head of a Woman (Gordina de Groot)" (March-April 1885), acquired by the museum last year for €8.6 million. The exhibition also includes a lithograph of "The Potato Eaters" and explores Van Gogh's shift from peasant subjects to flower still lifes after moving to Paris.

Van Gogh’s ‘Postman’, and the very chair seen in the painting, go on show in a revelatory Amsterdam exhibition

The Van Gogh Museum in Amsterdam has opened "Van Gogh and the Roulins: Together Again at Last," the first comprehensive exhibition dedicated to Vincent van Gogh's portraits of postman Joseph Roulin and his family. The show, which runs until January 11, 2026, features the artist's first portrait of Roulin on loan from the Museum of Fine Arts, Boston, alongside the very wicker armchair on which Roulin posed in 1888. The chair, originally bought by Van Gogh for his Yellow House in Arles, was acquired by the museum in 1969 and is exhibited for the first time since then. The exhibition previously drew 280,000 visitors in Boston.

The story behind the Van Gogh still life that looks destined to become his most expensive Paris painting

Van Gogh's 'Parisian Novels' (November-December 1887) will be the leading lot in the Pritzker sale at Sotheby's, New York on 20 November, with an estimate of $40 million. The still life, depicting 22 books and three pink roses, has been consigned by the estate of Cindy Pritzker, who died in March at age 101. The painting was created during Van Gogh's time living with his brother Theo in Paris and was among the first three works publicly exhibited during his lifetime, at the Société des Artistes Indépendants in March 1888. The Pritzker collection sale also includes 36 other works estimated at $120 million, featuring pieces by Paul Gauguin and Henri Matisse.

15 Women-Led Art Shows to See in New York This Fall

The article lists 15 women-led art shows to see in New York this fall, highlighting exhibitions at venues such as the Alice Austen House, David Zwirner, NYU's Grey Art Museum, and others. Featured artists include Meryl Meisler, Sasha Gordon, June Edmonds, June Leaf, Karen Barbour, María Berrío, and Sissi Farassat, with shows running from September through February.

Lovers to friends: the intimate story of Van Gogh's sister-in-law and the artist Isaac Israëls

The Van Gogh Museum in Amsterdam has published 103 letters from Dutch Impressionist painter Isaac Israëls to Jo Bonger, Vincent van Gogh's sister-in-law, revealing a previously secret romantic relationship between them. The museum is also presenting an exhibition titled "Captivated by Vincent: The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls" (through January 25, 2026), which explores their brief physical relationship in the 1890s and its aftermath, including how Israëls incorporated Van Gogh's paintings into his own portraits—a practice he called "Vincenting." Twelve of these portraits are on display for the first time.

The National Gallery's new exhibition includes Van Gogh's brief foray into Neo-Impressionism

The National Gallery in London opens 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists' tomorrow, running until 8 February 2026. The exhibition features works by Van Gogh’s Parisian colleagues, including Georges Seurat and Paul Signac, and highlights Van Gogh’s brief experimentation with Neo-Impressionist dot-like technique. A key work on display is Van Gogh's 'The Sower' (June 1888), which also recently received a papal mention by Pope Leo XIV, who referenced the painting in his first general audience at the Vatican, interpreting its sun as a symbol of God.

The Storm Hits the Art Market

The article reports on the severe downturn in the art market during the first half of 2025, focusing on the closure of New York-based Clearing gallery. Despite opting out of Art Basel to host an alternative exhibition in a rented villa to cut costs, the gallery could not survive its financial losses and announced bankruptcy in August. It is one of several prominent galleries—including Blum, Venus Over Manhattan, and Kasmin—that have closed amid falling sales, high overheads, and reduced collector spending.

Most expensive, suicide not murder and more: celebrating 300 Adventures with Van Gogh

Adventures with Van Gogh, a weekly blog launched in 2018, has published its 300th post. To mark the milestone, the blog compiled a list of its most-read posts since the 200th edition in February 2023, updated with new information. Topics range from the ten most expensive Van Gogh paintings at auction (led by *Orchard with Cypresses* at $117m) to a geological feature near Saint-Rémy-de-Provence that appears in *The Olive Trees*, a defense of the suicide theory over murder, the real-life view behind *Starry Night over the Rhône*, Picasso’s granddaughter Marina Picasso quietly buying and selling a Van Gogh watercolour, and the artist’s preference for simple wooden frames over ornate gold ones.

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

4 Art Advisors Weigh In on Who to Watch at Untitled Art, Houston’s Inaugural Fair

Untitled Art, a well-known Miami art fair, is expanding to Houston with its inaugural edition taking place September 19–21 at the George R. Brown Convention Center. The fair will feature over 80 national and international exhibitors, including a Nest section for emerging galleries, and will launch the CAMH Commission Prize in collaboration with the Contemporary Arts Museum Houston, resulting in a major new commission for the 2026 edition. Four leading art advisors—Illa Gaunt, Liana Schwaitzberg, Lea Weingarten, and another—have shared their shortlists of artists to watch, highlighting works by Mason Owens, Miki Leal, Ana Villagomez, Aaron Morse, and Francesca Fuchs, among others.

An Incomparable Art Exhibition

Lana Jokel, a documentary filmmaker known for 18 films about contemporary art, has put her personal art collection on view at the Bridgehampton Museum’s Nathaniel Rogers House in an exhibition titled “Echoes & Nostalgia.” The show features around 100 works from artists including Andy Warhol, Ed Ruscha, Roy Lichtenstein, Jasper Johns, and John Chamberlain, many of which were gifts from the artists themselves. Jokel’s collection reflects her deep personal relationships with these figures, such as Warhol paying her with a "Flowers" series work for co-editing his film "Heat" (1972), and Jasper Johns creating custom pieces for her. The exhibition also includes works by Sven Lukin, with whom she had a long-term relationship, and a portrait by Ed Ruscha made during their romantic partnership.

Van Gogh’s Starry Night over the Rhône reveals more of its mysteries

Van Gogh's *Starry Night over the Rhône* (September 1888), housed at the Musée d'Orsay in Paris, is analyzed in detail to separate the actual view of Arles from the artist's imaginative additions. The article examines how Van Gogh repositioned the Plough (Big Dipper) constellation, exaggerated the brightness of gas lamps, and likely painted most of the scene in his studio rather than en plein air. It also reveals that he later reworked the lower-left corner of the canvas, as seen in contemporary sketches.

How did the only painting sold by Van Gogh in his lifetime end up in Russia?

The article explores the history and conservation of Vincent van Gogh's "The Red Vineyard," the only painting he is certain to have sold during his lifetime. Sold for 400 francs at a Brussels exhibition in March 1890, the work now resides at the Pushkin State Museum of Fine Arts in Moscow. A recent conservation project used modern scientific techniques to uncover new details about the painting's creation, including Van Gogh's use of paint straight from the tube, compositional changes, and the fading of chrome yellow pigments. The article also recounts the painting's origin during Van Gogh's time in Arles with Paul Gauguin and its journey to Russia.

Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s

Marina Picasso, granddaughter of Pablo Picasso, owned a Vincent van Gogh watercolor titled *Woman in a Wood* (September-October 1882), which she sold at Sotheby’s in New York on May 13 for $952,500. The work, which also features a sketch of a fishing boat on its reverse, was purchased by Marina in 1987 through Swiss dealer Jan Krugier from a Tehran-based collector. The sale was not publicly known until just before the auction. The article also notes that a separate Van Gogh oil painting, *In the Dunes* (September 1883), sold at Christie’s the previous day for $4 million from the collection of US businessman Jeffrey P. Draime.

Van Gogh’s love of Hiroshige, the Japanese master of the landscape, is reflected in a British Museum exhibition

The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

The Royal Academy’s Kiefer-Van Gogh show offers a soaring spectacle

The Royal Academy of Arts in London is hosting "Kiefer/Van Gogh" (28 June–26 October), a focused exhibition pairing Anselm Kiefer's monumental multimedia works with Vincent van Gogh's paintings and drawings. The show, curated by Julien Domercq, features seven huge Kiefer pieces including the 8.4m-wide "The Starry Night" (2019) and a single sculpture, alongside 11 Van Gogh works—five on loan from the Van Gogh Museum. It previously ran at the Van Gogh Museum in Amsterdam, where it drew 340,000 visitors. The London iteration is smaller but includes different works, with a central room dedicated to Van Gogh's pieces spanning his career.

Revealed: how Van Gogh's nephew exchanged two of the artist's drawings for butter and bacon

In early 1945, during the Dutch 'Hunger Winter' at the end of World War II, Vincent van Gogh's nephew, Vincent Willem van Gogh, exchanged two of the artist's drawings for 35 packets of butter and some bacon. The swap was arranged with the help of artist Charley Toorop and involved the cheese business Visser Kaas in Heiloo. One of the drawings, *Head of a Peasant Woman, left profile* (December 1884–May 1885), is now being offered at Sotheby's on 25 June with an estimate of £400,000–£600,000, suggesting the pair would be worth around £1 million today. The nephew's family was suffering from starvation and tragedy, including the execution of his eldest son by German forces.

With the help of conservators, one of Van Gogh’s finest Arles landscapes will be heading to Japan

Conservator Margje Leeuwestein has examined Vincent van Gogh's "Bridge at Arles (Pont de Langlois)" (March 1888) at the Kröller-Müller Museum in Otterlo to confirm it is fit for travel. The painting will be the centerpiece of an exhibition touring three Japanese cities in 2027. The article details the painting's history, including Van Gogh's intended gift to Hermanus Tersteeg of the Goupil gallery, a later-scraped dedication, and a rare 1929 photograph of the bridge by Johannes Reiher that mirrors the composition.

Two US ambassadors have displayed Van Goghs in their London residence—but Donald Trump's pick for the job seems unlikely to follow suit

Two former U.S. ambassadors to the UK, John Hay Whitney (1957-61) and Walter Annenberg (1969-74), displayed Van Gogh masterpieces from their personal collections in Winfield House, the official residence in London's Regent's Park. Whitney hung Van Gogh's *Self-portrait* (September 1889) above the mantelpiece in the family dining room, while the Annenbergs placed *La Berceuse* (February 1889) and *Olive Trees* (November 1889) in the green room, alongside works by Gauguin, Degas, Cézanne, Monet, and Renoir. Both ambassadors later donated their Van Goghs to major U.S. museums—Whitney's to the National Gallery of Art in Washington, D.C., and the Annenbergs' to the Metropolitan Museum of Art in New York.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

An exhibition in a most extraordinary building explores Japan’s love for Van Gogh

An exhibition titled 'A Renewal of Passion: The Impact of Van Gogh' opens at the Pola Museum of Art in Hakone, Japan, running from May 31 to November 30. It explores Van Gogh's influence on Japanese art, featuring three Van Gogh paintings from the museum's own collection—acquired by founder Suzuki Tsuneshi—alongside loans from other Japanese institutions, including the Morohashi Museum of Modern Art and the Kuboso Memorial Museum of Arts. The show highlights works by Japanese artists like Kishida Ryusei, Maeta Kanji, and Nakamura Tsune, who were inspired by Van Gogh, as well as contemporary pieces such as Fiona Tan's photographic series 'Ascent' (2016).

Works by Charley Toorop, one of the first female painters to admire Van Gogh, go on show in the Netherlands

An exhibition titled "Charley Toorop: Love for Van Gogh" opens at the Kröller-Müller Museum in the Netherlands (24 May-14 September), showcasing 60 works by Charley Toorop (1891-1955), one of the first female painters deeply influenced by Vincent van Gogh. The show, curated by Renske Tervaert, draws on the museum's extensive Toorop and Van Gogh collections, supplemented with loans, and highlights how Van Gogh's work shaped Toorop's art, particularly in the early 1920s. A key focus is her 1924 portraits of patients at the Willem Arntsz Medical Asylum for the Insane in Utrecht, where she painted three powerful works after a traumatic marriage to Henk Fernhout, who had been institutionalized there. The exhibition also explores personal connections: Van Gogh's brother Theo was treated and died at the same facility, and Toorop's still lifes echo Van Gogh's motifs, such as her use of knives alluding to domestic strife.

Sotheby’s Closes Marquee Week With $186.1M in Contemporary Sales

Sotheby’s closed its May marquee auction week with $186.1 million in combined contemporary sales across three sessions on May 16. The evening began with a white-glove sale of 12 works from Barbara Gladstone’s personal collection, fetching $18.8 million, followed by a $40.4 million sale from Daniella Luxembourg’s collection, which signaled revived appetite for Italian postwar art. The main Contemporary Evening Auction saw strong bidding for emerging artists like Danielle Mckinney and Mohammed Sami, though some high-profile lots like Richard Prince’s Man Crazy Nurse fell short of estimates.

Korea’s first privately owned Van Gogh unveiled at newly opened museum

Hong Gyu Shin, a New York-based gallery owner originally from Ulsan, South Korea, became the first named Korean to purchase a Van Gogh when he acquired *Head of a Peasant* (January-March 1885) at Sotheby’s in May 2024 for $787,000—well below its estimate. The painting has now gone on display at the newly opened KAIST Art Museum (KAM) in Daejeon, South Korea, as part of Shin's exhibition *The Vault of Masterpieces* (until 30 August). The show features 49 works from his personal collection, including a recreation of his New York apartment, and marks the first time a Van Gogh has been exhibited on loan from a Korean collector.

6 Under-the-Radar Art Shows to See in New York Right Now—and 3 to Look Forward To

The article highlights six under-the-radar art shows currently on view in New York, including Lotus L. Kang's solo presentation "Already" at 52 Walker, featuring light-sensitive film installations and greenhouses; Silät, a collective of Indigenous Wichí weavers from Argentina, showing at James Cohan; and a major solo exhibition of pioneering Korean artist Kim Yun Shin at Lehmann Maupin. It also previews three upcoming shows to look forward to, as the city prepares for a burst of art fairs next month.

When—and why—did Van Gogh paint a pair of crabs?

An article explores the story behind Vincent van Gogh's still life "Two Crabs," revealing that the two crabs are likely the same individual—a female Cancer pagurus missing its first pair of walking legs. Paul Clark, a crustacean specialist at London's Natural History Museum, confirmed the sex based on the broad abdomen visible in the painting. The work is on long-term loan to London's National Gallery, where it was recently redisplayed as part of the gallery's major rehang ahead of the Sainsbury Wing reopening on May 10. The article also traces the painting's provenance: it was the first Van Gogh bought by a British collector, William Cherry Robinson, in 1893 for 200 guilders, later sold at auction in 1906 for half that amount, and eventually resold at Sotheby's in 2004 for £5.2 million to an anonymous collector who lent it to the National Gallery.

9 Must-See Summer Shows in Upstate New York

Galerie magazine has compiled a curated list of nine must-see summer art exhibitions in upstate New York, highlighting the region's growing cultural significance. Featured shows include a Leonora Carrington survey at the Katonah Museum of Art, a historical exhibition on the Baghdad Modern Art Group at CCS Bard Galleries, and a collaborative installation by Antonio Marras and Maria Lai at Magazzino Italian Art. Other venues include The School in Kinderhook, The Campus near Hudson, Sky High Farms in Germantown, and the Edward Hopper House Museum & Study Center.

art alex foxton salon 94 dior interview

Alex Foxton presents his latest exhibition, “Knight of the Sorrowful Countenance,” at New York’s Salon 94 in partnership with Galerie Derouillon, opening September 10. The show features a new series of monumental canvases exploring modern masculinity, inspired by moments such as Volodymyr Zelensky’s suitless visit to the White House, British royalty, fascist armies, and prep school students. Foxton, trained in fashion design at Central Saint Martins and formerly at Louis Vuitton, Bottega Veneta, Maison Margiela, and Dior, employs a limited color palette drawn from military and 19th-century male dress norms, balancing desire and discipline. The exhibition includes works referencing figures like Yukio Mishima and bullfighter Manolete.

art hilma af klint nature studies moma

The Museum of Modern Art (MoMA) is presenting "What Stands Behind the Flowers," an exhibition centered on Hilma af Klint's "Nature Studies" portfolio of 46 works on paper acquired in 2022. Completed from 1919 to 1920, these precise botanical renderings include abstract diagrams, and the show features over 50 additional pieces contextualizing the series within the Swedish artist's broader practice, including earlier works like her 1889 mushroom studies and "The Atom Series" from 1917.