filter_list Showing 469 results for "Israel" close Clear
search
dashboard All 469 article news 219museum exhibitions 116article policy 52article culture 30trending_up market 14person people 9article local 8candle obituary 8gavel restitution 6rate_review review 5article events 1article event 1
date_range Range Today This Week This Month All
Subscribe

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

Art Biennale: artists reject the popular jury

Fifty-two artists and curators, along with sixteen National Participants of the 61st Venice Art Biennale, have withdrawn from the newly introduced 'Lions of the Visitors' (People's Prizes) competition. The boycott follows the resignation of the jury appointed by artistic director Koyo Kouoh, who died in 2025, and is a protest against the inclusion of Russia and Israel in the prize—countries initially excluded by the international jury. The controversy escalated after Italian Minister of Culture Alessandro Giuli publicly opposed the Biennale president Pietrangelo Buttafuoco's decision to allow Russia's participation, drawing in the European Commission and even Ursula von der Leyen, who warned of potential sanctions violations. The signatories include artists and curators from France, Belgium, Luxembourg, Turkey, Switzerland, Spain, the Netherlands, and several other nations.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

This Museum Show Will Make You Question Whether You’re Still Human

The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.

Lebanon’s Art Scene Is Living in ‘War Mode’

On April 8, 2025, a wave of Israeli airstrikes across Lebanon killed 357 people and injured over 1,200, a day now known as 'Black Wednesday.' Amid the violence, Lebanese artist Abed Al Kadiri, who grew up during Lebanon's civil war and Israeli occupation, has been working with displaced children in shelters, using art to help them process trauma. He collects their drawings and plans to combine them with sketches by other artists reflecting their own war experiences, creating concertina-style books to be exhibited and sold to raise funds for over 1.1 million displaced people.

Venice Biennale jury resigns in latest politically charged controversy at art exhibition

The entire jury of the Venice Biennale has resigned, including president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. The jury had announced it would not consider for prizes countries charged with crimes against humanity by the International Criminal Court, a stance that would affect Israel and Russia, both of which have national pavilions at the exhibition. As a result, the Biennale will not award several jury prizes, including the Golden Lion for best national pavilion and best artist in the group show, replacing them with visitor-voted awards.

The Female Artists To See at This Year's Venice Biennale

The 61st Venice Biennale returns amid controversy, including calls to exclude Israel, scrutiny over Russia's participation, and the reinstatement of Australian artist Khaled Sabsabi. Despite the political tensions, the exhibition will feature a strong lineup of female artists, from established names like Marina Abramović and Jenny Saville to emerging voices such as Maja Malou Lyse, who becomes the youngest artist to represent Denmark. The 2026 edition also introduces dedicated spaces for Black and Indigenous artists for the first time, with works exploring themes from male fertility to patriarchal violence and resilience.

Tel Aviv Museum turns shelters into art spaces during war

During weeks of war in Israel, the Tel Aviv Museum of Art closed its galleries and moved a rare exhibition, "The Day Is Gone: 100 Years of the New Objectivity," into reinforced protected spaces. Director Tania Coen-Uzzielli then created guided tours inside the shelter, complete with live piano music and interpretation, allowing visitors to experience the artworks in a space designed for safety rather than display. The tour, titled "The Event Has Not Ended," plays on the automated safety notification that signals the end of a siren threat, suggesting that the event of war never truly ends.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

‘In Her Place’: Female artists fill the Frist for its 25th anniversary

The Frist Art Museum in Nashville is celebrating its 25th anniversary with a major exhibition titled “In Her Place: Nashville Artists in the Twenty-First Century.” Occupying the museum's largest gallery space through April 26, the show features nearly 100 works including paintings, sculptures, and textiles by women artists based in the city. The exhibition is organized into three thematic sections—“Materiality and Memory,” “Scenes and Dreams,” and “Patterns and Abstraction”—highlighting the diverse generations, ethnicities, and styles that define Nashville's contemporary art scene.

South Africa pavilion will be empty at 2026 Venice Biennale, culture ministry says

South Africa will not host a national pavilion at the 2026 Venice Biennale following a legal battle between the country’s Department of Sports, Arts and Culture (DSAC) and artist Gabrielle Goliath. The conflict began when Culture Minister Gayton McKenzie labeled Goliath’s planned project, which addressed violence in Gaza, as "highly divisive" and cancelled the exhibition after she refused to alter the content. A South African high court recently dismissed Goliath’s urgent application to overturn the cancellation, leading the government to abandon its participation in the prestigious international event entirely.

Frist Art Museum opens “In Her Place” a group exhibition featuring 28 women artists; Vanderbilt Art faculty among the exhibitors

The Frist Art Museum in Nashville opened a major group exhibition titled "In Her Place" to mark its 25th anniversary. The show features nearly one hundred works by 28 women artists with strong ties to the Nashville community, including painting, sculpture, textile, and installation. The artists, such as María Magdalena Campos-Pons, Alicia Henry, and Marilyn Murphy, represent an intergenerational group whose practices have significantly impacted the local art scene.

Museum acquisitions round-up: a 17ft sculpture by Anselm Kiefer, a $1.7m dinosaur skull, and a 17th-century genre painting

Three major museums have announced significant new acquisitions for their permanent collections. The Israel Museum in Jerusalem received a monumental 2014 sculpture by Anselm Kiefer, titled *Die Erdzeitalter (Ages of the World)*, donated by collector Martin Z. Margulies. The Smithsonian National Museum of Natural History in Washington, D.C., acquired a $1.7 million Pachycephalosaurus dinosaur skull, donated by former Google CEO Eric Schmidt and his wife Wendy. Meanwhile, the Frans Hals Museum in Haarlem purchased an early 16th-century genre painting by Maarten van Heemskerck.

Open letter calls for ousting of Art Gallery of Ontario trustee who led vote against Nan Goldin acquisition

A major controversy has erupted at the Art Gallery of Ontario (AGO) following the revelation that trustee Judy Schulich led a successful effort to block the acquisition of a new work by photographer Nan Goldin. The museum's Modern and contemporary curatorial working committee voted 11-9 against jointly purchasing Goldin's video piece *Stendhal Syndrome* (2024) with two other institutions, after Goldin was reportedly labeled antisemitic and compared to Nazi propagandist Leni Riefenstahl for her criticism of Israel's actions in Gaza. The decision prompted the resignation of the AGO's curator of modern and contemporary art and two volunteer committee members.

Order and chaos in contemporary Israeli art

Basia Monka profiles three contemporary Israeli artists—Ariel Hacohen, Jessica Moritz, and others—who, despite diverse backgrounds and mediums, share a common drive to explore order and chaos through repetition in their work. Hacohen, a 2024 Rappaport Prize laureate, uses photography, video, and sculpture to blend archaeology, history, and memory, with current exhibitions at the Haifa Museum of Art and Tel Aviv Museum of Art. The article presents each artist's answers to three questions about inspiration, the definition of art, and what makes their work unique.

Fred Voon

Fred Voon, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes and reflections on his career and contributions to the art community.

Inside the Jewish Museum’s $14.5m renovation in New York City

The Jewish Museum in New York City reopened its third and fourth floors on October 24 after a $14.5 million renovation led by United Network Studio and New Affiliates Architecture. The redesigned 20,000-square-foot space features thematic galleries displaying centuries-old artifacts alongside works by Mark Rothko, Robert Motherwell, and contemporary artists, as well as a new Robert and Tracey Pruzan Center for Learning with art studios and a children's archaeological dig. A highlight is the display of 139 Hanukkah lamps from the museum's collection, arranged geographically in a 50-foot vitrine.

Nigerian Modernism, Tehran’s art scene after the war, Wayne Thiebaud’s ‘Cake’—podcast

This episode of The Art Newspaper's podcast covers three major stories. First, Tate Modern's new exhibition 'Nigerian Modernism' explores modern art beyond Western canons, featuring co-curator Osei Bonsu and artist Jimoh Buraimoh. Second, correspondent Sarvy Geranpayeh reports on Tehran's art scene following the 12-day Israel-Iran war in June 2025. Third, the 'Work of the Week' segment highlights Wayne Thiebaud's painting 'Cakes' (1963), now on view at the Courtauld Gallery in London for the artist's first UK museum exhibition.

Two years on from 7 October attacks, Israeli museum directors are in ‘complete isolation’

Two years after the 7 October 2023 attacks, Israeli museum directors report feeling isolated from the international art world. Tania Coen-Uzzielli, director of the Tel Aviv Museum of Art, says most international collaborations were put on hold, delayed, or cancelled. The museum, which has a history of political activism, closed partially during protests against judicial reforms and has taken a public stance to end the war and suffering in Gaza. Meanwhile, the Tel Aviv-Yafo City Museum, which opened just after the attacks, shifted to documenting wartime reality and supporting artists, but has received no direct support from international colleagues. The National Library of Israel repeatedly deinstalled and secured its collections during Iranian missile attacks, reopening when safe.

Ruth Orkin: Women on the Move | Exhibition

The National Museum of Women in the Arts is presenting "Ruth Orkin: Women on the Move," an exhibition of 21 vintage photographs by the mid-20th-century American photographer Ruth Orkin (1921–1985). Drawn from the museum's collection, the show highlights Orkin's depictions of women in diverse settings—from Hollywood celebrities and Broadway stars to Women's Army Auxiliary Corps members, tourists in Europe, and families in an Israeli kibbutz. Orkin, who was barred from joining the cinematographers' union due to her gender, turned her narrative eye to photography, often collaborating with her subjects to invert the conventional male gaze. The exhibition runs from December 12, 2025, to April 19, 2026.

Letter calls on Judy Chicago and Pussy Riot's Nadya Tolakonnikova to cancel Tel Aviv exhibition

More than 50 artists and cultural figures, many based in Israel, have signed a letter urging American artist Judy Chicago and Pussy Riot co-founder Nadya Tolokonnikova to cancel their collaborative exhibition "What if women ruled the world?" at the Tel Aviv Museum of Art. The show, which opened last week, features a digital quilt responding to the titular question. The letter, seen by The Art Newspaper, argues that holding the exhibition in Israel makes the artists "complicit" in what the signatories describe as genocide in Gaza, citing a recent UN commission finding. Tolokonnikova stated she is not involved in the ongoing project, while Chicago declined to comment. The museum defended the exhibition as a space for reflection and dialogue, not an endorsement of any political position.

Berlin Atonal, the first biennial rooted in music and sound, pushes the boundaries of what ‘art’ can mean

Berlin Atonal, recently recognized by the Biennial Foundation as the first biennial rooted in music and sound, defies conventional categories of festival and exhibition. Held in the decommissioned Kraftwerk power station, the event prioritizes sound as a central art form, with artists like Billy Bultheel, Anne Imhof, and Basma al-Sharif creating immersive, site-specific works. The festival sold out on Resident Advisor, reflecting growing demand for experimental sound in visual culture settings.

Israeli art spaces and workers join nationwide strike and protests, calling for hostage deal and end to war in Gaza

On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.

Guggenheim Fellows Featured in Stockton’s Art Gallery

Stockton University’s Art Gallery in Galloway, New Jersey, will present a fall exhibition titled “Diverse Perspectives in Photography: Four Black Guggenheim Fellows in the Philadelphia Region,” running from September 4 to November 8. The show features works by four African American photographers who are Guggenheim Fellows: Donald E. Camp (1995), Ron Tarver (2021), William E. Williams (2003), and Wendel A. White (2003). The exhibition opens with a free reception and panel discussion moderated by Julie L. McGee, associate professor at the University of Delaware, and includes a lecture by Laura Auricchio, vice president of the John Simon Guggenheim Memorial Foundation, on the fellowship’s 100th anniversary.

Behind the The Art of Banksy with Michel Boersma

The article recounts a personal visit to 'The Art of Banksy' exhibition at the Aotea Centre in Auckland, New Zealand, on July 7, 2024. The author, initially hesitant due to past awkward experiences at art shows, attends the opening and describes the immersive, gritty atmosphere of the 909 sqm space featuring 160 authenticated Banksy pieces. The exhibition includes iconic works like a girl with a heart-shaped balloon and anti-royalist pieces, and the author interviews curator Michel Boersma, who explains the show's growth from 65 pieces in 2018 to its current scale, touring 19 cities and attracting over 1.5 million visitors.

‘Why don’t you talk about the hostages?’: Nan Goldin interrupted by protester during Gaza-focused speech at Rencontres d’Arles

American photographer Nan Goldin was confronted by a protester during her acceptance of the 2025 Women In Motion Award at the Rencontres d'Arles photography festival. Goldin used the occasion to speak about the humanitarian crisis in Gaza, describing the conflict as "the first live-streamed genocide" and projecting images of Gaza before and after the Israeli military campaign. A woman in the audience repeatedly shouted, "Why don't you talk about the hostages?" while other audience members chanted "Free Palestine." Goldin responded by acknowledging the 7 October attacks but emphasizing the scale of Palestinian casualties. She also accused the Israeli government of conflating anti-Zionism with antisemitism and of putting drugs in flour delivered to Gaza, a claim not independently verified.

Gaza comes to an art gallery near you

The article reports on a growing trend of art galleries in Western countries hosting exhibitions that focus on the ongoing conflict and humanitarian crisis in Gaza. These shows feature works by Palestinian artists, as well as international artists responding to the situation, aiming to bring visual representation of the war to audiences far from the region.

Left at the altar: Luc Tuymans's paintings to replace Tintoretto works at Venetian church

Belgian artist Luc Tuymans has created two new paintings, "Heat" and "Musicians" (2025), for the altar of the Abbey of San Giorgio Maggiore, a 16th-century church on a Venetian island. The works temporarily replace two canvases by Jacopo Tintoretto—"The Last Supper" and "The People of Israel in the Desert"—which are undergoing restoration funded by the Save Venice conservation charity. The commission was organized by Benedicti Claustra Onlus and the Draiflessen Collection, and the paintings will be on view from May 9 to November 23.

THE VENICE BIENNALE IN AN EDITION MARKED BY POLITICAL GAMES

The Venice Biennale's 2024 edition is embroiled in political controversy surrounding its national pavilions, particularly those of Russia, South Africa, and Israel. The Russian pavilion's readmission amid the war in Ukraine drew sharp criticism from the artistic community and led the European Union to withdraw approximately two million euros in funding. The Israeli pavilion, which remained empty in 2024 to protest hostage situations, now features a proposal by sculptor Belu-Simion Fainaru, prompting protests from the Art Not Genocide Alliance and over 200 artists demanding its exclusion. The curatorial team, appointed by the late curator Koyo Kouoh, resigned collectively nine days before the opening, and the Biennale's directorship canceled the opening ceremony, postponing awards to November. Demonstrations led by Art Not Genocide Alliance, Pussy Riot, and FEMEN surrounded the Russian pavilion during the press opening, and a strike by cultural workers is planned for May 8th.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.