Embattled US Venice Biennale Pavilion is Seeking Donations

The American Arts Conservancy (AAC), an organization founded last year by the Trump administration, has launched a crowdfunding campaign to support the United States Pavilion at the Venice Biennale. This comes amid widespread controversy and calls to exclude the US, Russia, and Israel from the event. The AAC website solicits donations starting at $100, claiming a "once-in-a-generation opportunity" to restore America's artistic presence abroad. The US government has already contributed $375,000, but the State Department says the total exhibition cost far exceeds that amount. This year's pavilion will feature sculptor Alma Allen, after Barbara Chase-Riboud and William Eggleston declined to participate.

Musée d’Orsay opens gallery dedicated to still-unclaimed works stolen by Nazis in WWII

The Musée d'Orsay in Paris has opened a permanent gallery dedicated to artworks believed to have been looted by the Nazis from Jewish owners during World War II, but whose rightful owners have not been identified. The exhibition, titled "Who owns these works?", features a rotating selection of 225 such pieces held by the museum, with twelve paintings and one sculpture currently on display. Works by Renoir, Degas, Rodin, and Alfred Stevens are included, alongside provenance research detailing their murky histories—such as a Degas ballroom scene acquired by a Jewish collector later murdered at Auschwitz.

The message behind the US pavilion at the Venice Biennale

The article previews the 61st Venice Biennale, opening May 9 and running through November 22, highlighting early controversies. The five-person Golden Lion jury, led by Brazilian curator Solange Farkas, resigned after declaring they would not consider pavilions from countries under International Criminal Court investigation, targeting the Israel pavilion and its artist Belu-Simion Fainaru. Separately, the US pavilion has drawn scrutiny from the New York Times over its selection process, with commissioner Jenni Parido (a former pet food store owner) tapping curator Jeffrey Uslip and sculptor Alma Allen, bypassing traditional funders like the Ford and Mellon foundations.

Art Show in London Canceled Over Allegations of Antisemitism from Pro-Israel Group

An exhibition by artist Matthew Collings at Delta House Gallery in London was canceled after UK Lawyers for Israel raised allegations of antisemitism. The show, titled "Drawings Against Genocide," had previously been displayed in Margate, where a review in the Telegraph described the works as "dripping with Jew-hate." One drawing depicted Sotheby's owner Patrick Drahi eating babies alive, while others showed Jews with horns or standing on skulls. Tom Berglund, chairman of Pineapple Corporation, which owns Delta House, said the exhibition was arranged without consultation and expressed hope for resolution in the Middle East. Collings defended the work on Instagram, arguing it satirizes the use of art to whitewash what he called "Zionist atrocity."

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

Art Biennale: artists reject the popular jury

Fifty-two artists and curators, along with sixteen National Participants of the 61st Venice Art Biennale, have withdrawn from the newly introduced 'Lions of the Visitors' (People's Prizes) competition. The boycott follows the resignation of the jury appointed by artistic director Koyo Kouoh, who died in 2025, and is a protest against the inclusion of Russia and Israel in the prize—countries initially excluded by the international jury. The controversy escalated after Italian Minister of Culture Alessandro Giuli publicly opposed the Biennale president Pietrangelo Buttafuoco's decision to allow Russia's participation, drawing in the European Commission and even Ursula von der Leyen, who warned of potential sanctions violations. The signatories include artists and curators from France, Belgium, Luxembourg, Turkey, Switzerland, Spain, the Netherlands, and several other nations.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

This Museum Show Will Make You Question Whether You’re Still Human

The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.

Lebanon’s Art Scene Is Living in ‘War Mode’

On April 8, 2025, a wave of Israeli airstrikes across Lebanon killed 357 people and injured over 1,200, a day now known as 'Black Wednesday.' Amid the violence, Lebanese artist Abed Al Kadiri, who grew up during Lebanon's civil war and Israeli occupation, has been working with displaced children in shelters, using art to help them process trauma. He collects their drawings and plans to combine them with sketches by other artists reflecting their own war experiences, creating concertina-style books to be exhibited and sold to raise funds for over 1.1 million displaced people.

Venice Biennale jury resigns in latest politically charged controversy at art exhibition

The entire jury of the Venice Biennale has resigned, including president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. The jury had announced it would not consider for prizes countries charged with crimes against humanity by the International Criminal Court, a stance that would affect Israel and Russia, both of which have national pavilions at the exhibition. As a result, the Biennale will not award several jury prizes, including the Golden Lion for best national pavilion and best artist in the group show, replacing them with visitor-voted awards.

The Female Artists To See at This Year's Venice Biennale

The 61st Venice Biennale returns amid controversy, including calls to exclude Israel, scrutiny over Russia's participation, and the reinstatement of Australian artist Khaled Sabsabi. Despite the political tensions, the exhibition will feature a strong lineup of female artists, from established names like Marina Abramović and Jenny Saville to emerging voices such as Maja Malou Lyse, who becomes the youngest artist to represent Denmark. The 2026 edition also introduces dedicated spaces for Black and Indigenous artists for the first time, with works exploring themes from male fertility to patriarchal violence and resilience.

Tel Aviv Museum turns shelters into art spaces during war

During weeks of war in Israel, the Tel Aviv Museum of Art closed its galleries and moved a rare exhibition, "The Day Is Gone: 100 Years of the New Objectivity," into reinforced protected spaces. Director Tania Coen-Uzzielli then created guided tours inside the shelter, complete with live piano music and interpretation, allowing visitors to experience the artworks in a space designed for safety rather than display. The tour, titled "The Event Has Not Ended," plays on the automated safety notification that signals the end of a siren threat, suggesting that the event of war never truly ends.

THE VENICE BIENNALE IN AN EDITION MARKED BY POLITICAL GAMES

The Venice Biennale's 2024 edition is embroiled in political controversy surrounding its national pavilions, particularly those of Russia, South Africa, and Israel. The Russian pavilion's readmission amid the war in Ukraine drew sharp criticism from the artistic community and led the European Union to withdraw approximately two million euros in funding. The Israeli pavilion, which remained empty in 2024 to protest hostage situations, now features a proposal by sculptor Belu-Simion Fainaru, prompting protests from the Art Not Genocide Alliance and over 200 artists demanding its exclusion. The curatorial team, appointed by the late curator Koyo Kouoh, resigned collectively nine days before the opening, and the Biennale's directorship canceled the opening ceremony, postponing awards to November. Demonstrations led by Art Not Genocide Alliance, Pussy Riot, and FEMEN surrounded the Russian pavilion during the press opening, and a strike by cultural workers is planned for May 8th.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Iran Withdraws From 2026 Venice Biennale

Iran has withdrawn from the 2026 Venice Biennale, the world's most important art event, organizers announced on May 4. No official reason was given, but the withdrawal comes amid an uncertain ceasefire in Iran's war with the United States and Israel. The Biennale confirmed the decision in a statement, noting that 100 countries will still participate, including newcomers Tanzania and Seychelles. This follows South Africa's withdrawal over a legal dispute concerning a Gaza-focused artwork, and the closure of the Russian Pavilion to the public after the EU withdrew €2 million in funding over Russia's involvement.

The soap opera continues. Minister Giuli will boycott the inauguration of the Venice Biennale

La telenovela continua. Il Ministro Giuli diserterà l’inaugurazione della Biennale di Venezia

Alessandro Giuli, Italy's Minister of Culture, has announced he will boycott the pre-opening and inauguration ceremony of the 61st Venice Biennale on May 9, 2026, escalating a political and cultural crisis. The dispute began when Biennale president Pietrangelo Buttafuoco allowed the Russian pavilion to reopen, absent since 2022 due to the Ukraine invasion, citing artistic freedom. Giuli demanded the removal of ministry representative Tamara Gregoretti from the Biennale board for failing to oppose the decision. Tensions flared during the Italy Pavilion press conference, where journalists were confined to a separate streaming room and questions were restricted. The European Commission condemned the Russian pavilion's reopening, cutting €2 million in funding and issuing a 30-day ultimatum, while 22 European countries signed a letter pressuring the institution. The Biennale's international jury, led by Solange Oliveira Farkas, then excluded Russia and Israel from award consideration, citing ethical guidelines against countries whose leaders face International Criminal Court charges for crimes against humanity.

Now we open a Palestinian Pavilion at the Biennale. Interview with Tomaso Montanari

“Ora apriamo un Padiglione Palestina in Biennale”. Intervista a Tomaso Montanari

Tomaso Montanari, a member of the scientific committee for the exhibition "Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo" at Fondazione Merz in Turin, discusses the show's aim to highlight Gaza's 5,000-year history beyond the current war imagery. The exhibition, organized in collaboration with the Museo Egizio and the MAH – Musée d’art et d’histoire de Genève, juxtaposes ancient artifacts with contemporary artworks to assert the cultural and historical significance of Palestine. Montanari also addresses the upcoming Venice Biennale, criticizing the lack of a Palestinian pavilion and suggesting that the Turin exhibition itself serves as a de facto Palestinian pavilion, while calling for accountability for Israel's actions.

Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists

New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.

Dallas Museum of Art Announces 2026 Awards to Artists Grantees

The Dallas Museum of Art (DMA) has named 21 recipients for its 2026 Awards to Artists, selected from a record 160 applicants. The grants total nearly $42,000 and are divided into three categories: the Clare Hart DeGolyer Memorial Fund (up to $1,500 for artists aged 15–25 in a five-state region), the Arch and Anne Giles Kimbrough Fund (up to $3,500 for Texas artists under 30), and the Otis and Velma Davis Dozier Travel Grant (up to $6,000 for professional Texas artists over 30). All awardees are current Texas residents, with 16 based in the Dallas-Fort Worth area. A public celebration will be held at the DMA on May 19, 2026.

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

"In Minor Keys" Hits All the Right Notes

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," opened with a somber curatorial press conference, as artistic director Koyo Kouoh, who died in May 2024 at age 57, was not physically present. The exhibition features 110 invited participants across the Arsenale and Giardini, including works by Buhlebezwe Siwani, Johannes Phokela, Wangechi Mutu, Ebony G. Patterson, and Kambui Olujimi. Protests marked the opening, with gatherings at the temporary Israeli pavilion and Pussy Riot's presence at the Russian pavilion, while the exhibition itself asks viewers to look closer at overlooked forms of representation and consider innovative models of measuring the world.

Hundreds Protest Israel’s “Genocide Pavilion” at Venice Biennale

On May 6, 2026, the first day of previews at the Venice Biennale, hundreds of pro-Palestine activists led by the Art Not Genocide Alliance (ANGA) blocked the entrance to the Israeli pavilion, demanding its immediate closure. Protesters waved Palestine flags and banners reading "No Artwashing Genocide" and "No Genocide Pavilion at Biennale," chanting accusations of genocide against Israel. The demonstration temporarily shut down access to Belu-Simion Fainaru's exhibition "Rose of Nothingness" for about half an hour. The protest followed a letter signed by over 200 artists urging the Biennale to exclude Israel, which instead moved the pavilion to an alternative location in the Arsenale due to renovations. Separately, Pussy Riot and FEMEN rallied outside the Russian pavilion, which will only open during preview days due to sanctions. Venice cultural workers plan a 24-hour strike on May 8 in solidarity with Palestinians, potentially disrupting the Biennale's schedule.

Culture Workers Announce Venice Biennale Strike in Israeli Pavilion Protest

Cultural workers, unions, and grassroots groups are planning a 24-hour strike on Friday, May 8, at the Venice Biennale to protest Israel's participation amid the ongoing genocide in Gaza. Organized by the Art Not Genocide Alliance (ANGA), the action includes a rally on Viale Garibaldi and calls for a boycott of Israel's "genocide pavilion." Participating groups include Biennaleocene, Sale Docks, Mi Riconosci, Vogliamo Tutt’altro, and several Italian trade unions. The strike follows months of activism, including a letter signed by over 200 event participants, and comes after the Biennale jury resigned over award eligibility rules that initially excluded Israel and Russia.

Venice Biennale Awards Jury Won’t Consider Russia and Israel

The international awards jury for the 61st Venice Biennale has announced it will not consider countries whose leaders are charged with crimes against humanity by the International Criminal Court (ICC) for prizes. The all-women jury, chaired by Solange Farkas, published a statement on e-flux declaring this policy, which implicitly targets Russia and Israel, whose leaders Vladimir Putin and Benjamin Netanyahu face ICC warrants. The jury is responsible for awarding Golden Lions for the best national pavilion and best artist in the central exhibition. A majority of artists in the main show issued an open letter supporting the decision, while the Biennale Foundation faces criticism for allowing both nations to participate in 2026.

I'm a punk artist, I don't give a damn

"Ich bin Punk-Künstlerin, ich geb einen Scheiß drauf"

During the opening week of the Venice Biennale, the Russian activist and Pussy Riot member Nadya Tolokonnikova staged a protest against the Russian pavilion, wearing pink balaclavas and chanting slogans like "Blood is Russia's Art." Meanwhile, Florentina Holzinger's Austrian pavilion, subtitled "I Live in Your Piss," drew massive crowds with its scatological installations and extreme performances, causing wait times of up to two and a half hours. German media critics have widely covered the Biennale's heightened political tone, with debates over boycotts of Russia and Israel, and the tension between art and activism.

"Hier darf laut gelacht werden"

During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'

Where to go for the next scandal?

Wo bitte geht's zum nächsten Skandal?

The article reports on the 2024 Venice Biennale preview days, where the atmosphere is dominated by political protests, media stunts, and social-media pressure rather than the art itself. Incidents include a solidarity drone choir for Gaza, a Pussy Riot and FEMEN protest at the Russian Pavilion, and a planned demonstration near the Israeli Pavilion, all amplified by PR agencies and WhatsApp alerts. A journalist describes being pressured by editors to cover scandals and political controversies instead of art reviews, which they say no longer attract clicks.

"Eine Idee, die gut ist, kann fast alles verändern"

Henrike Naumann's final major artistic project, the German Pavilion at the Venice Biennale, is completed posthumously by friends after her death from cancer at age 41. Meanwhile, the sudden death of curator Koyo Kouoh at 57 has left her team to finish the central exhibition "In Minor Keys" for the Biennale, opening May 9. The US Pavilion is openly crowdfunding for its 2026 presentation by sculptor Alma Allen, citing opaque funding under the Trump administration. Israel's foreign ministry has accused the Venice Biennale jury of boycotting its artist Belu-Simion Fainaru by excluding countries whose leaders face International Criminal Court charges.

"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.